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From 1727, when Johann Sebastian Bach turned to Bernhard Christoph Breitkopf for a printed text sheet for his "Trauer-Ode" (Cantata 198), to 1787, when Carl Philipp Emanuel Back engaged Bernhard's son, Johann Gottlob Immanuel, to print the last volume of his Clavier-Sonaten für Kenner und Liebhaber, the Bachs and the Breitkopfs enjoyed close professional ties—ties born of the growing trade in the eighteenth century between music composers and music printers.The Breitkopf firm, which began in 1719 as a book-printing operation, gradually became one of the most important publishing houses in central Europe. It owned an extensive inventory of music manuscripts, from which copies could be produced on request; it issued the first music catalogs with printed incipits; it developed one of the first viable methods of printing music from movable type.Bach Perspectives examines the publishing activities of the Breitkopf firm as seen through its commerce with the Bach family. The volume begins with an introductory essay that surveys Breitkopf’s business in Leipzig and the firm’s contribution to the wider world of music publishing. The articles turn to the specific connections between the Bachs and the Breitkopfs, the importance of Breitkopf’s music catalogs, the identification and dating of music manuscripts in Breitkopf’s extensive inventory, and the architecture of the buildings in which the Bach and Breitkopf families lived.

Ludwig Van Beethoven's "Seven Bagatelles for the Piano Op. 33" This edition is a reprint of the "Breitkopf & Härtel" Edition.

The five Beethoven piano concertos have long been staples of the pianist's repertoire and are perennial favorites of concert audiences. Here in one convenient volume are all five, reproduced directly from the authoritative Breitkopf and Härtel edition, including most of the composer's own cadenzas.These concertos reveal the steady development of Beethoven's mastery of pianistic and orchestral resources through his early and middle periods. The first two, No. 1 in C Major, Op. 15 (1795), and No. 2 in B-flat Major, Op. 19 (before 1793), reflect the youthful exuberance of Beethoven's earlier style. No. 3 in C Minor, Op. 37 (1800), is "one of the most successful embodiments of Beethoven's "C Minor mood'" (New Grove Dictionary) and No. 4 in G Major, Op. 58 (1805–1806), is considered a milestone in concerto development. No. 5 in E-flat Major, Op. 73 ("Emperor," 1809), clearly illustrates Beethoven's further innovations in concerto structure.Pianists, musicians, conductors, and students seeking to learn more about Beethoven's impact on musical history, and lovers of music in general, will appreciate having these concertos in one handy, inexpensive edition.

This volume contains the full orchestral scores of Mozart's Symphonies 35-41, reprinted directly from the Breitkopf & Härtel Complete Works Edition.Included are: Symphony No. 35 in D Major, K.385 ("Haffner"); Symphony No. 36 in C Major, K.425 ("Linz"); Symphony No. 37 in G Major, K.444; Symphony No. 38 in D Major, K.504 ("Prague"); Symphony No. 39 in E-flat Major, K.543; Symphony No. 40 in G Minor, K.550; and Symphony No. 41 in C Major, K.551 ("Jupiter").Do not confuse this with a piano rendering; it is the full orchestral score. In addition to its obvious uses for study, this score is also an indispensable associate for anyone listening to record sets or broadcasts. In no other manner can the listener appreciate the full orchestral richness of these works.

This single volume contains all the string quartets of Beethoven: the six quartets of Opus 18; the three quartets of Opus 59; Opera 74 and 95; and the late quartets, Opera 127, 130, 131, 132, and 135. The volume concludes with the Grosse Fuge, Opus 133.The music is photographically reprinted from the Breitkopf & Härtel printed score, still considered the standard, authoritative edition for the Beethoven quartets. Noteheads in this edition have been reproduced in a size large enough to be read easily from a music stand or the keyboard, and margins and spaces between staves are conveniently wide to permit written notes, harmonic analysis, fingerings, and running measure numbers. This edition is practical for study, reference, enjoyment — virtually any use.

These 21 symphonies, composed by Mozart between 1764 and 1771 while he was still a boy, are astonishing displays of his precocious genius. Reproduced from the authoritative Breitkopf and Härtel Complete Works Edition, they abound in the qualities that characterize his finest works: melodic richness, musical invention, and a much-imitated but unsurpassed grace.A splendid way for musicians and music lovers alike to savor and study the composer's youthful development and growing mastery of symphonic form, this new and modestly priced volume completes Dover's three-part cycle of Mozart's symphonic compositions, which include Symphonies Nos. 22–34 and Nos. 35–41. All are among the most performed and recorded works in the orchestral repertoire.

Franz Liszt's Complete Hungarian Rhapsodies for Piano Solo. This edition contains the complete 19 Hungarian Rhapsodies reprinted from both the "Breitkopf & Härtel" and the C.F. Peters editions.

The elegance, grace, and clarity of Mozart's piano music has charmed generations of music lovers. Now 37 of the composer's delightful piano pieces have been collected in this attractive volume, reproduced from the authoritative Breitkopf & Härtel edition. Among the selections are:Variations on "Mio caro Andone" by Salieri, K.180/173cVariations on "Je suis Lindor" by Baudron, K. 354/299aVariations on "Ah vous dirai-je, maman," K. 265/300eVariations on "La belle françoise," K.353/300fVariations on "Salve tu, Domine" by Paisiello, K. 398/416eVariations on "Unser dummer Pöbel meint" by Gluck, K.455Variations on a Minuet by Duport, K.573Rondo in D Major, K.485Rondo in A Minor, K.511Minuet in G Major, K.1/1eMinuet in F Major, K.2Minuet in D Major, K.355/576bAllegro in B-flat Major, K.3Allegro in B-flat Major, K.400/372aAllegro in G Minor, K.312/590dFugue in G Minor, K.401/3753Fugue in E-flat Major, K.153/375fFugue in G Minor, K.154/385kCapriccio in C Major, K.395/300gAllegro and Andante, K.533Adagio in B Minor, K.540Gigue in G Major, K.574... and more.

This volume is reproduced directly from the famous Breitkopf & Härtel series published at Leipzig under the title Franz Schubert's Werke, Kritisch durchgesehene Gesammtausgabe. The music is edited by Eusebius Mandyczewski and Joseph Hellmesberger. Included are the Quintet in C Major (1828), the 15 quartets, and two trios for violin, viola, and violoncello. Noteheads have been reproduced in a size large enough to be read easily while you play, and there is ample space between staves and in the margins for any notes, harmonic analyses, fingerings, or annotations that you may want to record on the score. The edition is practical for almost any use, whether as a study guide, a reference, or just a companion for your greater musical enjoyment.

This edition contains the solo part and orchestral reduction on one system; two copies are needed for performance. Performance material is available for rental from Breitkopf & Härtel. Publisher ID: HN434 Instrumentation: Piano, Piano Reduction Format: Solo Part with Reduction Urtext / Critical Edition

Mozart's 'Die Zauberflöte' (The Magic Flute) in full orchestral score. Breitkopf & Härtel edition.

Mendelssohn's complete works for pianoforte solo are now contained in this two-volume republication of the outstanding Breitkopf & Härtel edition. Included in Volume One are: "Capriccio in F-sharp Minor" (1825), "Sonata in E Major" (1826), Seven Characteristic Pieces," "Rondo Capriccioso in E Major" (1824), "Fantasy in F-sharp Minor" (1835), "Andante cantabile e Presto agitato in B Major" (1838), "Etude in F Minor" (1836), "Scherzo in B Minor," "Gondola Song in A Major" (1837), "Scherzo a Capriccio in F-sharp Minor," "Three Caprices" (1833–1835), "Six Preludes and Fugues" (1827–1837), "Variations Sérieuses in D Minor" (1841), "Six Pieces for Children" (c. 1842), "Variations in E-flat Major" (1841), and Variations in B-flat Major."Volume Two contains: "Three Predules" (1836), "Three Etudes" (1834–1838), "Sonata in G Minor" (1821), "Sonata in B-flat Major" (1827), "Album Leaf (Song Without Words) in E Minor," "Capriccio in E Major/Minor" (1837), "Perpetuum Mobile in C Major," "Prelude and Fugue in E Minor" (1827, 1841), "Two Pieces," and "Song Without Words" [48 pieces in 8 books].Noteheads have been reproduced in a size large enough to be read easily at the keyboard. Margins and spaces between staves are generous, permitting insertion of written notes, analysis, fingerings, running measure numbers, etc. For playing, study, or just listening to records, this work will be an admirable addition to your music library.

Mendelssohn's Lieder Ohne Worte, or "Songs without Words," is among the most loved, most played collections in the Romantic piano repertoire. Reproduced from the authoritative Breitkopf & Härtel edition, this volume contains all of these popular compositions — more than 40 pieces, including such favorites as Spinning Song, Spring Song, and Venetian Gondola Song.Composed at various points throughout his life, Mendelssohn compiled this collection of short works for the amateur pianist looking for high quality, yet not-to-difficult music. Still practiced and performed today, "Songs without Words" is often considered to be Mendelssohn's greatest legacy as a composer. For study or play, this work represents and admirable addition to any music library.

These 21 symphonies, composed by Mozart between 1764 and 1771 while he was still a boy, are astonishing displays of his precocious genius. Reproduced from the authoritative Breitkopf and Härtel Complete Works Edition, they abound in the qualities that characterize his finest works: melodic richness, musical invention, and a much-imitated but unsurpassed grace.A splendid way for musicians and music lovers alike to savor and study the composer's youthful development and growing mastery of symphonic form, this new and modestly priced volume completes Dover's three-part cycle of Mozart's symphonic compositions, which include Symphonies Nos. 22–34 and Nos. 35–41. All are among the most performed and recorded works in the orchestral repertoire.

The Breitkopf & Härtel edition of the complete works of Brahms (Johannes Brahms: Sämtliche Werke; Ausgabe der Gesellschaft der Musikfrunde in Wien), prepared in the 1920s, is still considered the standard source for the music of Brahms. It is the music of Brahms as the composer himself conceived it, without any editor's additional markings of dynamic change, tempo variation, slurrings, phrasings, etc. As the pure, authentic text for the music of Brahms, the edition is unlikely ever to be superseded.This volume is an unabridged republication of Volume 7 of the Complete Works. It contains the Sextets Opp. 18 and 36 (2 violins, 2 violas, 2 cello); the Quintets Opp. 88 and 111 (2 violins, 2 violas, cello); the three Quartets Opp. 51, No. 1, 51 No. 2, and 67 (2 violins, viola, cello); and the Quintet for Clarinet, Op. 115 (2 violins, clarinet — or viola — viola, cello).Hans Gal, the editor for this and many of the other volumes in the series, states in a short preface the sources for the texts of the eight compositions. In every case these include at least two sources, and often as many as four; the edition in score and in parts as published by N. Simrock, Berlin; Brahms's personal copy of the Simrock score; and the original manuscript. The preface discusses the few corrections and significant variant readings. In the Dover edition, this preface is provided in both German and English.

Although Richard Wagner composed only a small number of songs, several of those he created hold an important place in the history of the lied. This volume contains 20 songs, virtually all the surviving works he completed for voice and piano, reprinted from the authoritative Breitkopf & Härtel edition.The songs range from Wagner's seven early settings of texts from Goethe's Faust to the five touching songs with verses by the composer's lover and patroness Mathilde Wesendonk, two of which originated as sketches for Tristan und Isolde. The "Wesendonk Lieder," which were never orchestrated by Wagner, are presented here in their original version. In all, this volume represents a rare opportunity for singers and musicians — any music lover — to study and enjoy a set of familiar masterpieces along with a number of fascinating works that illuminate Wagner's earlier development.

Brahms's twenty-four chamber works include a number of the most acclaimed masterpieces in the repertoire, and his piano trios — including the famous Horn and Clarinet Trios — are among the most admired, performed, and recorded of all. This edition, reprinted from the definitive one prepared by Hans Gál for Breitkopf & Härtel, presents all five of these brilliant works in an inexpensive yet fine-quality volume.Included are the B Major, C Major, and C Minor Trios (Opp. 8, 87, and 101) for violin, cello, and piano; the E-flat Major Trio (Op. 40) for violin, horn (or cello or viola), and piano; and the A Minor Trio (Op. 114) for clarinet (or viola), cello, and piano.Designed to afford both amateur and professional musicians a lifetime of pleasurable study, this fine, carefully made edition will also provide music lovers of every level of accomplishment the opportunity to follow a live or recorded performance, score in hand: an ideal way to savor the special riches of these superb musical masterworks.

This edition contains the solo part and orchestral reduction on one system; two copies are needed for performance. Performance material is available for rental from Breitkopf & Härtel. Publisher ID: HN434 Instrumentation: Piano, Piano Reduction Format: Solo Part with Reduction Urtext / Critical Edition

Mozart's 'Die Zauberflöte' (The Magic Flute) in full orchestral score. Breitkopf & Härtel edition.

Ludwig van Beethoven's Concerto for Violin, Cello, and Piano in C major, Op. 56, more commonly known as the Triple Concerto, was composed in 1803 and later published in 1804 under Breitkopf & H'rtel. The choice of the three solo instruments effectively makes this a concerto for piano trio and the only concerto Beethoven ever wrote for more than one solo instrument. This Album was recorded at Jesus-Christus-Kirche, Berlin, on 15-17 September 1969. The Berlin Philharmonic Orchestra is conducted on