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Double LP version. With all the projects Peter Brtzmann is currently working on, Full Blast - with the precise and dynamic Swiss rhythm section of Marino Pliakas and Michael Wertmller - is the most consistent and the longest-running. Their fifth album finds the band in a studio again, with time and the desire to try something new. Seven compositions in the distinctive, strong Full Blast nature get an exciting electronic treatment by Michael Wertmller (with electronics by Gerd Rische, recorded

BR presents Mollie's in the Mood by Peter Brtzmann & Jason Adasiewicz, the label's third LP since it's revival in 2003 and the sequel to the Brtzmann/Adasiewicz 2012 tour-only CD. Recorded in you-are-there fidelity, the LP captures a performance at Chicago's Hideout on the duo's 2012 U.S.A. tour. Brtzmann played alto and tenor saxophones, b-flat clarinet, and trogat; Adasiewicz played vibraphone. This is what happens when the most original vibraphonist of his generation slams into a force

Curtains up for a new power trio: bass player Massimo Pupillo (Zu, Laniakea), drummer Alexandre Babel (Sudden Infant) and Caspar Brtzmann on guitar. As the title Live At The Candy Bomber Studios, Vol.1 indicates, this album is the first cut from an inspired recording meeting. Raw energy with full focus; three instrumentalists, at the peak of their skills, blend noise rock, drone, and improvisation into two relentless, epic pieces. The line-up consists of Massimo Pupillo, bass player in Zu, Lani

Brilliant, inspired and somewhat surprising collaboration between Chicago's premier free-rock trio and the truly legendary percussionist, Hamid Drake, who has played with everyone from Don Cherry to Peter Brtzmann to Lee Perry. This collusion was precipitated by Matt Jackowiak, a mutual friend, who thought a merging of their sounds might make for an ecstatic explosion. This feeling became mutual after they played a show together at Constellation. The set mixes Mako Sica tunes with improvisatio http://www.deepdiscount.com/pjx/752830266414/?utm_source=PJX&utm_medium=Affiliate&utm_campaign=Banner http://media.aent-m.com/graphics/items/sdimages/c/300/8/9/0/1/3811098.jpg http://media.aent-m.com/graphics/items/sdimages/c/50/8/9/0/1/3811098.jpg 33.98 31.45 0 Media > LP new 752830266414 0.97000 Mako Sica & Hamid Drake LP 2076961X Technology Clear vinyl version. Edition of 150 (numbered). Scientific principles that outline the mechanical and industrial sounds, while techno-steel artifices create impenetrable barriers of destructive notes that freeze ubiquity experimental mechanisms. The development of computerized progress finally undergoes it's final productive annihilation. For the first time, Rotorelief make available M.B.'s complete original double album Technology on vinyl, with all four tracks from the original 1981 master tap http://www.deepdiscount.com/pjx/769791970175/?utm_source=PJX&utm_medium=Affiliate&utm_campaign=Banner http://media.aent-m.com/graphics/items/sdimages/b/300/4/0/1/1/3811104.jpg http://media.aent-m.com/graphics/items/sdimages/b/50/4/0/1/1/3811104.jpg 56.98 47.36 0 Media > LP new 769791970175 0.90000 M.B. LP 2077123X Die Form / Hurt This Die Form side-project Die Form Hurt was recorded in a few days in 1984 under the name of Hurt, initially released in 1985 on the Bain Total label. This issue includes bonus material from a cassette of the same period, Some Experiences With Shock. All the tracks of the cassette, and other titles from Die F

(2-LP set) Recorded live in Heidelberg, Germany, this jazz rarity features free jazz from the Peter Brtzmann Octet with Evan Parker, as well as modern sounds by Joki Freund and Rolf Khn.

Limited vinyl LP pressing. 2016 release, the fifth album from 'thenor, the group of eclectic travelers that includes Stephen O'Malley (SunnO))), KTL), Daniel O'Sullivan (Ulver, This is Not This Heat, Grumbling Fur, etc), Kristoffer Rygg (Ulver), and Steve Noble (Brtzmann Trio, N.E.W.). Together they bring their considerable pedigrees into play with unexpected and original results. Contradicting expectations of a massive blow-out of sound, everyone plays with remarkable, effective restraint. Atm

One of two different sets, along with Two City Blues 2 (TROST 128 CD), recorded on one intense night at Tokyo's Shinjuku Pit Inn. a trio of three towering figures, German free jazz legend Peter Brtzmann, Japanese avant-garde wizard Keiji Haino, and wildly versatile American composer and musician Jim O'Rourke, recorded by Yasuo Fujimura on November 23, 2010. Brtzmann: alto and tenor saxophones, tarogato, and clarinet; Haino: guitar, voice, shamisen; O'Rourke: guitar.

Vinyl LP pressing. "Ears Are Filled With Wonder, the debut release from the duo of pedal steel player Heather Leigh and reedist Peter Brtzmann, blows the old adage about improvised music somehow not being best appreciated via the recordings to beautiful pieces. This is a music that demands re-visiting, that seems to alter, slightly, every time it is played, with new details emerging, new relationships of tone and style, new romance, even. Recorded during a mammoth stint in Krakw, Poland, where

First vinyl reissue of Alarm by the Peter Brtzmann Group, originally released on FMP in 1983. Harry Miller: bass; Louis Moholo: drums; Alexander von Schlippenbach: piano; Peter Brtzmann: saxophone; Frank Wright: saxophone; Willem Breuker: saxophone; Toshinori Kondo: trumpet; Alan Tomlinson: trombone; Hannes Bauer: trombone. Recorded during the 164th NDR Jazzworkshop, November 12, 1981, at the Funkhaus Hamburg. Produced by Peter Brtzmann and Jost Gebers. Cover design by Peter Brtzmann.

Pressed on 180-gram vinyl; presented in gatefold sleeve. Cien Fuegos presents a reissue of an untitled LP by Peter Brtzmann, Fred van Hove, and Han Bennink, originally released on FMP in 1973. Peter Brtzmann: clarinet; alto, tenor, baritone, bass saxophones. Fred van Hove: celesta, piano. Han Bennink: drums, khene, rhythm-box, selfmade clarinet, gachi, oe-oe, voice, tins, homemade junk, elong, dhung, kaffir piano, dhung-dkar. Recorded by Dietram Kster on February 25, 1973, Bremen. Photographs

Vinyl LP pressing. Machine Gun is the second album by jazz saxophonist Peter Brtzmann, released on the Bro label in 1968, later reissued on the FMP label in 1971. Machine Gun was an octet recording often listed among the most notable free jazz albums. Originally the LP was self-produced (under his own BRO record label imprint) and sold at gigs, but it was later marketed by Free Music Production (FMP), In 2007, Chicago-based Atavistic Records reissued the Machine Gun recording. Brtzmann is a Ge

Vinyl LP pressing. Release containing alternate versions of tracks found on the iconic Machine Gun album. Machine Gun is the second album by jazz saxophonist Peter Brtzmann, released on the Bro label in 1968, later reissued on the FMP label in 1971. Machine Gun was an octet recording often listed among the most notable free jazz albums. Originally the LP was self-produced (under his own BRO record label imprint) and sold at gigs, but it was later marketed by Free Music Production (FMP), In 2007

Recorded live in Heidelberg, Germany, this jazz rarity features free jazz from the Peter Brtzmann Octet with Evan Parker, as well as modern sounds by Joki Freund and Rolf Khn.

Hazel is the fifth record from 'thenor, the group of eclectic travelers that includes Stephen O'Malley (SunnO))), KTL), Daniel O'Sullivan (Ulver, This is Not This Heat, Grumbling Fur, etc), Kristoffer Rygg (Ulver), and Steve Noble (Brtzmann Trio, N.E.W.). Together they bring their considerable pedigrees into play with unexpected and original results. Contradicting expectations of a massive blow-out of sound, everyone plays with remarkable, effective restraint. Atmospheric and layered, this late