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Sarah Steier and Donna Braun have pooled their extensive collections to write A Bit of Brundage, a book about the prolific and very collectible American illustrator Frances Brundage. This volume contains over 500 color illustrations, taken from calendars, books, postcards, paper and cloth dolls, prints, advertisements, and other items--all decorated by the artist during the period from the late 1800s to the mid-1930s. Brundage was atypical of her time, as a woman who successfully supported herself by her art from an early age. She became a well-known and sought-after illustrator, with a working career that spanned generations. Today, those who love her drawings of children and beautiful ladies also will be intrigued by her humor. Students of illustration will find A Bit of Brundage a revelation, and the rest of us will quite simply enjoy it.

Own a piece of official UFC memorabilia; this event worn fight night walkout jersey was used by Cody Brundage during the UFC Fight Night: Santos vs Ankalaev event. The fight night took place on March 12, 2022 and featured a Preliminary Card bout between Cody Brundage and Dalcha Lungiambula. It was a middleweight bout which resulted in a win for Brundage via submission after the first round. The round lasted 3 minutes and 41 seconds. The fight was given the ‘Performance of the Night’ title. This jersey was worn by Brundage for the event as he took to the Octagon for the fight. This jersey has also been autographed by Cody Brundage. This product is exclusive to UFC Collectibles.

"Starting in 1932, Margaret Brundage, wife of leftist revolutionary Slim Brundage, -- who she met at the wildly-bohemian Dil Pickle Club during the Chicago Renaissance -- forever changed the look of Fantasy and Horror with her alluring, sensationalistic covers for the legendary pulp magazine, Weird Tales. Brundage, whose art contemporaries include Virgil Finlay and Hannes Bok, is unique as she was the first female cover artist of the pulp era. Decades before the gothic fetish craze, Brundage's lush, provocative paintings, which frequently featured smoldering, semi-nude young women bearing whips, became a focus of acute attention and controversy. At the very peak of the notorious pulp's classic run, the magazine's appeal was due as much to Brundage's covers as to the stories inside by famous authors H. P. Lovecraft, Clark Ashton Smith, Robert Bloch and Conan creator, Robert E. Howard. Long before Frazetta, it was Brundage who was the very 1st Conan cover artist. The Alluring Art of Margaret Brundage is the premier book devoted to this noted artist and features all of her Weird Tales and Conan covers.Authors and compilers Stephen D. Korshak and J. David Spurlock follow their seminal collaboration, The Paintings of J. Allen St. John -- Grand Master of Fantasy, with The Alluring Art of Margaret Brundage which, also features essays by noted artist Rowena, Weird Tales historian Robert Weinberg, First-Fandom member / Shasta publisher Melvin Korshak, and Men's Adventure Magazines: In Postwar America co-author George Hagenauer.All editions feature big, 9" x 12" lavish illustrated, full-color pages with text."

"Starting in 1932, Margaret Brundage, wife of leftist revolutionary Slim Brundage, -- who she met at the wildly-bohemian Dil Pickle Club during the Chicago Renaissance -- forever changed the look of Fantasy and Horror with her alluring, sensationalistic covers for the legendary pulp magazine, Weird Tales. Brundage, whose art contemporaries include Virgil Finlay and Hannes Bok, is unique as she was the first female cover artist of the pulp era. Decades before the gothic fetish craze, Brundage's lush, provocative paintings, which frequently featured smoldering, semi-nude young women bearing whips, became a focus of acute attention and controversy. At the very peak of the notorious pulp's classic run, the magazine's appeal was due as much to Brundage's covers as to the stories inside by famous authors H. P. Lovecraft, Clark Ashton Smith, Robert Bloch and Conan creator, Robert E. Howard. Long before Frazetta, it was Brundage who was the very 1st Conan cover artist. The Alluring Art of Margaret Brundage is the premier book devoted to this noted artist and features all of her Weird Tales and Conan covers.Authors and compilers Stephen D. Korshak and J. David Spurlock follow their seminal collaboration, The Paintings of J. Allen St. John -- Grand Master of Fantasy, with The Alluring Art of Margaret Brundage which, also features essays by noted artist Rowena, Weird Tales historian Robert Weinberg, First-Fandom member / Shasta publisher Melvin Korshak, and Men's Adventure Magazines: In Postwar America co-author George Hagenauer.All editions feature big, 9" x 12" lavish illustrated, full-color pages with text."

Starting in 1932, Margaret Brundage, wife of leftist revolutionary Slim Brundage -- who she met at the wildly-bohemian Dil Pickle Club during the Chicago Renaissance -- forever changed the look of Fantasy and Horror with her alluring, sensationalistic covers for the legendary pulp magazine, Weird Tales. Brundage, whose art contemporaries include Virgil Finlay and Hannes Bok, is unique as she was the first female cover artist of the pulp era. Decades before the gothic fetish craze, Brundage's lush, provocative paintings, which frequently featured smoldering, semi-nude young women bearing whips, became a focus of acute attention and controversy. At the very peak of the notorious pulp's classic run, the magazine's appeal was due as much to Brundage's covers as to the stories inside by famous authors H. P. Lovecraft, Clark Ashton Smith, Robert Bloch and Conan creator, Robert E. Howard. Long before Frazetta, it was Brundage who was the very 1st Conan cover artist. The Alluring Art of Margaret Brundage is the premier book devoted to this noted artist and features all of her Weird Tales and Conan covers.Authors Stephen D. Korshak and J. David Spurlock follow their seminal collaboration, The Paintings of J. Allen St. John -- Grand Master of Fantasy, with The Alluring Art of Margaret Brundage which, also features essays by noted artist Rowena, Weird Tales historian Robert Weinberg, First-Fandom member / Shasta publisher Melvin Korshak, and Men's Adventure Magazines: In Postwar America co-author George Hagenauer. THE VILLAGE VOICE said 12-11-2013: "Brundage's menaced damsels were sleek eye candy, but this book reveals politics --advocating for gender and racial equality as well as labor rights at a time when activism led to blacklisting -- that prove that the 'Queen of the Pulps' was as brave as any of her titillating heroines."

Starting in 1932, Margaret Brundage, wife of leftist revolutionary Slim Brundage -- who she met at the wildly-bohemian Dil Pickle Club during the Chicago Renaissance -- forever changed the look of Fantasy and Horror with her alluring, sensationalistic covers for the legendary pulp magazine, Weird Tales. Brundage, whose art contemporaries include Virgil Finlay and Hannes Bok, is unique as she was the first female cover artist of the pulp era. Decades before the gothic fetish craze, Brundage's lush, provocative paintings, which frequently featured smoldering, semi-nude young women bearing whips, became a focus of acute attention and controversy. At the very peak of the notorious pulp's classic run, the magazine's appeal was due as much to Brundage's covers as to the stories inside by famous authors H. P. Lovecraft, Clark Ashton Smith, Robert Bloch and Conan creator, Robert E. Howard. Long before Frazetta, it was Brundage who was the very 1st Conan cover artist. The Alluring Art of Margaret Brundage is the premier book devoted to this noted artist and features all of her Weird Tales and Conan covers.Authors Stephen D. Korshak and J. David Spurlock follow their seminal collaboration, The Paintings of J. Allen St. John -- Grand Master of Fantasy, with The Alluring Art of Margaret Brundage which, also features essays by noted artist Rowena, Weird Tales historian Robert Weinberg, First-Fandom member / Shasta publisher Melvin Korshak, and Men's Adventure Magazines: In Postwar America co-author George Hagenauer. THE VILLAGE VOICE said 12-11-2013: "Brundage's menaced damsels were sleek eye candy, but this book reveals politics --advocating for gender and racial equality as well as labor rights at a time when activism led to blacklisting -- that prove that the 'Queen of the Pulps' was as brave as any of her titillating heroines."

Illustrated in color and black, white. Artifacts from the Middle Shang to the Han. 144p. Inscriptions. Bibliography. Measures 8x9 inches.

Allen Guttmann is a professor of American Studies at Amherst College and author of,"From Ritual to Record: The Nature of Modern Sports" (1978). In his new book, "The Games Must Go On", Guttmann provides an assessment of Brundage’s role in shaping the modem Olympic games. This work is both a biography of Brundage and an evaluation of his career as an international sports figure.

In this important work of deep learning and insight, David Brundage gives us the first full-scale history of Irish nationalists in the United States. Beginning with the brief exile of Theobald Wolfe Tone, founder of Irish republican nationalism, in Philadelphia on the eve of the bloody 1798 Irish rebellion, and concluding with the role of Bill Clinton's White House in the historic 1998 Good Friday Agreement in Northern Ireland, Brundage tells a story of more than two hundred years of Irish American (and American) activism in the cause of Ireland. The book, though, is far more than a narrative history of the movement. Brundage effectively weaves into his account a number of the analytical themes and perspectives that have transformed the study of nationalism over the last two decades. The most important of these perspectives is the "imagined" or "invented" character of nationalism. A second theme is the relationship of nationalism to the waves of global migration from the early nineteenth century to the present and, more precisely, the relationship of nationalist politics to the phenomenon of political exile. Finally, the work is concerned with Irish American nationalists' larger social and political vision, which sometimes expanded to embrace causes such as the abolition of slavery, women's rights, or freedom for British colonial subjects in India and Africa, and at other times narrowed, avoiding or rejecting such "extraneous" concerns and connections. All of these themes are placed within a thoroughly transnational framework that is one of the book's most important contributions.Irish nationalism in America emerges from these pages as a movement of great resonance and power. This is a work that will transform our understanding of the experience of one of America's largest immigrant groups and of the phenomenon of diasporic or "long-distance" nationalism more generally.

In this important work of deep learning and insight, David Brundage gives us the first full-scale history of Irish nationalists in the United States. Beginning with the brief exile of Theobald Wolfe Tone, founder of Irish republican nationalism, in Philadelphia on the eve of the bloody 1798 Irish rebellion, and concluding with the role of Bill Clinton's White House in the historic 1998 Good Friday Agreement in Northern Ireland, Brundage tells a story of more than two hundred years of Irish American (and American) activism in the cause of Ireland. The book, though, is far more than a narrative history of the movement. Brundage effectively weaves into his account a number of the analytical themes and perspectives that have transformed the study of nationalism over the last two decades. The most important of these perspectives is the "imagined" or "invented" character of nationalism. A second theme is the relationship of nationalism to the waves of global migration from the early nineteenth century to the present and, more precisely, the relationship of nationalist politics to the phenomenon of political exile. Finally, the work is concerned with Irish American nationalists' larger social and political vision, which sometimes expanded to embrace causes such as the abolition of slavery, women's rights, or freedom for British colonial subjects in India and Africa, and at other times narrowed, avoiding or rejecting such "extraneous" concerns and connections. All of these themes are placed within a thoroughly transnational framework that is one of the book's most important contributions.Irish nationalism in America emerges from these pages as a movement of great resonance and power. This is a work that will transform our understanding of the experience of one of America's largest immigrant groups and of the phenomenon of diasporic or "long-distance" nationalism more generally.

“Truly impressive. Travels uncharted terrain, moving deftly through a vast scholarship in two languages. The research is sound, the prose crisp and accessible, and the subject unquestionably important.”—W. Fitzhugh Brundage, author of The Southern Past: A Clash of Race and Memory “Illuminates the enduring potency of memory in shaping postwar societies for generations after the fighting ceased, reminding us that both losers and victors often had powerful motives to remember—and to forget.”—Caroline E. Janney, author of Remembering the Civil War  “Traces the dynamics of memory in the aftermath of the Spanish and American civil wars and demonstrates how similar processes of closure, willful blindness, and ideological inculcation worked out in the different contexts to produce sometimes similar but often radically different outcomes.” —Cillian McGrattan, author of Memory, Politics and Identity “With an engaging narrative and deep research, the book is a model of the benefits derived from a truly comparative study.”—David Goldfield, author of Still Fighting the Civil War Spain and the United States both experienced extremely bloody and divisive civil wars that left social and emotional wounds, many of which still endure today. In Uncommonly Savage, award-winning historian Paul Escott considers the impact of internecine violence on memory and ideology, politics, and process of reconciliation. He also examines debates over reparation or moral recognition, the rise of truth and reconciliation commissions, and the legal, psychological, and religious aspects of modern international law regarding amnesty.

"The Three Bears", originally published in 1928 and illustrated by Frances Brundage is a grand choice for reproduction. It is a classic story, undertaken by many illustrators drawn to its suspenseful elements and narrative thrust. Brundage is, like most American illustrators of her era, rather unappreciated, but her work in "The Three Bears" is lovely and gentle. The bears are essentially sweet, rather than menacing, while Goldilocks is more a charming imp than destructive. The bears’ home is appropriately lovely, as is its unwelcome human visitor. Despite the havoc Goldilocks wreaks, one does not sense that any serious damage has been done. Our version is another in our popular series of children's shaped books.

The only English translation available of the most important first-hand account of the "Northern Crusades" in the Baltic states has finally been reprinted, with additional maps and a revised introduction by James A. Brundage. Henry´s chronicle is the only surviving evidence for many episodes in the early stages of Christendom in the Eastern Baltic. In describing sights, sounds, and even the personal appearance and quirks of many of the people he encountered, Henry of Livonia provides us with an invaluable and deeply human history.The pope´s call for a renewed holy war at the end of the twelfth century inspired not only the famous crusades in the Middle East but also a series of less celebrated yet decidedly more successful Northern Crusades. Scandinavian rulers and German military monks conquered and settled the Baltic world, spreading Western values and Christianity. At the time, the region of Livonia (present-day Estonia and Latvia) was a crossroads of Germanic, Scandinavian, and Russian trade, culture, and religion. The Chronicle of Henry of Livonia provides insight into not only military operations in the East during this tumultuous period but also the conflicted attitudes of an eyewitness, revealing the complex melding of religious motives with political aims.

Some of the best illustrators of children's books from the late 1880s to the 1920s are documented here. Drawing from an extensive variety of baby books, this volume showcases the highly collectible works of Anne Anderson, Frances Brundage, Clara Burd, Bertha Corbett, Fanny Cory, Melcema Denny, Bessie Pease Gutmann, Queen Holden, Maud Humphrey, Henrietta Le Mair, Jessie Wilcox Smith, Ida Waugh, and more. Over 400 color photos depict delightful babies and children as portrayed by these talented artists. Brief biographical sketches of the artists are provided, along with an alphabetical listing and price guide of illustrated baby books. Also included is a unique chapter identifying the actual children whose names are inscribed in many of the beautiful illustrations. A wonderful volume sure to please art aficionados, contemporary illustrators, historians, and children's book collectors.

In this important work of deep learning and insight, David Brundage gives us the first full-scale history of Irish nationalists in the United States. Beginning with the brief exile of Theobald Wolfe Tone, founder of Irish republican nationalism, in Philadelphia on the eve of the bloody 1798 Irish rebellion, and concluding with the role of Bill Clinton's White House in the historic 1998 Good Friday Agreement in Northern Ireland, Brundage tells a story of more than two hundred years of Irish American (and American) activism in the cause of Ireland. The book, though, is far more than a narrative history of the movement. Brundage effectively weaves into his account a number of the analytical themes and perspectives that have transformed the study of nationalism over the last two decades. The most important of these perspectives is the "imagined" or "invented" character of nationalism. A second theme is the relationship of nationalism to the waves of global migration from the early nineteenth century to the present and, more precisely, the relationship of nationalist politics to the phenomenon of political exile. Finally, the work is concerned with Irish American nationalists' larger social and political vision, which sometimes expanded to embrace causes such as the abolition of slavery, women's rights, or freedom for British colonial subjects in India and Africa, and at other times narrowed, avoiding or rejecting such "extraneous" concerns and connections. All of these themes are placed within a thoroughly transnational framework that is one of the book's most important contributions.Irish nationalism in America emerges from these pages as a movement of great resonance and power. This is a work that will transform our understanding of the experience of one of America's largest immigrant groups and of the phenomenon of diasporic or "long-distance" nationalism more generally.

In this important work of deep learning and insight, David Brundage gives us the first full-scale history of Irish nationalists in the United States. Beginning with the brief exile of Theobald Wolfe Tone, founder of Irish republican nationalism, in Philadelphia on the eve of the bloody 1798 Irish rebellion, and concluding with the role of Bill Clinton's White House in the historic 1998 Good Friday Agreement in Northern Ireland, Brundage tells a story of more than two hundred years of Irish American (and American) activism in the cause of Ireland. The book, though, is far more than a narrative history of the movement. Brundage effectively weaves into his account a number of the analytical themes and perspectives that have transformed the study of nationalism over the last two decades. The most important of these perspectives is the "imagined" or "invented" character of nationalism. A second theme is the relationship of nationalism to the waves of global migration from the early nineteenth century to the present and, more precisely, the relationship of nationalist politics to the phenomenon of political exile. Finally, the work is concerned with Irish American nationalists' larger social and political vision, which sometimes expanded to embrace causes such as the abolition of slavery, women's rights, or freedom for British colonial subjects in India and Africa, and at other times narrowed, avoiding or rejecting such "extraneous" concerns and connections. All of these themes are placed within a thoroughly transnational framework that is one of the book's most important contributions.Irish nationalism in America emerges from these pages as a movement of great resonance and power. This is a work that will transform our understanding of the experience of one of America's largest immigrant groups and of the phenomenon of diasporic or "long-distance" nationalism more generally.

The only English translation available of the most important first-hand account of the "Northern Crusades" in the Baltic states has finally been reprinted, with additional maps and a revised introduction by James A. Brundage. Henry´s chronicle is the only surviving evidence for many episodes in the early stages of Christendom in the Eastern Baltic. In describing sights, sounds, and even the personal appearance and quirks of many of the people he encountered, Henry of Livonia provides us with an invaluable and deeply human history.The pope´s call for a renewed holy war at the end of the twelfth century inspired not only the famous crusades in the Middle East but also a series of less celebrated yet decidedly more successful Northern Crusades. Scandinavian rulers and German military monks conquered and settled the Baltic world, spreading Western values and Christianity. At the time, the region of Livonia (present-day Estonia and Latvia) was a crossroads of Germanic, Scandinavian, and Russian trade, culture, and religion. The Chronicle of Henry of Livonia provides insight into not only military operations in the East during this tumultuous period but also the conflicted attitudes of an eyewitness, revealing the complex melding of religious motives with political aims.

This latest collection of studies by James Brundage deals with the emergence of the profession of canon law and with aspects of its practice in the period from the 12th to the 14th centuries. Substantial numbers of lawyers systematically trained in canon law first appeared in Western Europe during the second half of the 12th, century and in the 13th they began to dominate the hierarchy of the Western church. By 1250 canon law had grown into something more than a profitable occupation: it had become a recognizable profession in the strict meaning of the term as it is still used today. University law faculties trained aspiring canonists in the mysteries of their craft and put them through intellectually demanding exercises that terminated in a formal examination before they received their degrees. Judges in church courts formally admitted them to practice after verifying their educational qualifications and administered prescribed rules of conduct. Particular topics are the canonists' system of legal ethics, the education and training of canon lawyers in university law faculties, and some fundamental features of the professional practice of canon law, both in medieval Europe and in the crusading states of the Levant.

Anna Brundage is a rock star. She is tall and sexy, with a powerhouse voice and an unforgettable mane of red hair. She came out of nowhere, an immediate indie sensation. And then, life happened.Anna went down as fast as she went up, and then walked off the scene for seven years. Without a record deal or clamoring fans, she sells a piece of her famous father’s art to finance just one more album and a European comeback tour.Anna is forty-four. This may be her last chance to cement her place in the life she chose, the life she struggled for, the life she’s not sure she can sustain. She falls back easily into the ways of the road—sex with strangers, the search for the perfect moment onstage. To see Anna perform is something—watch her find the note, the electric connection with the audience, the transcendence when it all comes together and the music seems to fill the world.A riveting look at the life of a musician, Wonderland is a moving inquiry into the life of a woman on an unconventional path, wondering what happens next and what her passions might have cost her, seeking a version of herself she might recognize. It takes us deep into a world many of us have spent hours imagining and wishing ourselves into—now we have a bit of that wish come true.

Weird Tales is American band Golden Smog's second album, released in 1998. The title comes from the pulp magazine Weird Tales, the cover art being from the October 1933 issue, by Margaret Brundage. MUSICIAN CREDITS: Jeff Tweedy vocals, guitar, bass guitar, harmonica, percussion, Gary Louris vocals, guitar, organ, Mellotron, background vocals, Dan Murphy vocals, guitar, piano, drums, background vocals, Mellotron, Wurlitzer, Kraig Johnson vocals, guitar, bass guitar, piano, background