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Sarah Steier and Donna Braun have pooled their extensive collections to write A Bit of Brundage, a book about the prolific and very collectible American illustrator Frances Brundage. This volume contains over 500 color illustrations, taken from calendars, books, postcards, paper and cloth dolls, prints, advertisements, and other items--all decorated by the artist during the period from the late 1800s to the mid-1930s. Brundage was atypical of her time, as a woman who successfully supported herself by her art from an early age. She became a well-known and sought-after illustrator, with a working career that spanned generations. Today, those who love her drawings of children and beautiful ladies also will be intrigued by her humor. Students of illustration will find A Bit of Brundage a revelation, and the rest of us will quite simply enjoy it.

Own a piece of official UFC memorabilia; this event worn fight night walkout jersey was used by Cody Brundage during the UFC Fight Night: Santos vs Ankalaev event. The fight night took place on March 12, 2022 and featured a Preliminary Card bout between Cody Brundage and Dalcha Lungiambula. It was a middleweight bout which resulted in a win for Brundage via submission after the first round. The round lasted 3 minutes and 41 seconds. The fight was given the ‘Performance of the Night’ title. This jersey was worn by Brundage for the event as he took to the Octagon for the fight. This jersey has also been autographed by Cody Brundage. This product is exclusive to UFC Collectibles.

Starting in 1932, Margaret Brundage, wife of leftist revolutionary Slim Brundage -- who she met at the wildly-bohemian Dil Pickle Club during the Chicago Renaissance -- forever changed the look of Fantasy and Horror with her alluring, sensationalistic covers for the legendary pulp magazine, Weird Tales. Brundage, whose art contemporaries include Virgil Finlay and Hannes Bok, is unique as she was the first female cover artist of the pulp era. Decades before the gothic fetish craze, Brundage's lush, provocative paintings, which frequently featured smoldering, semi-nude young women bearing whips, became a focus of acute attention and controversy. At the very peak of the notorious pulp's classic run, the magazine's appeal was due as much to Brundage's covers as to the stories inside by famous authors H. P. Lovecraft, Clark Ashton Smith, Robert Bloch and Conan creator, Robert E. Howard. Long before Frazetta, it was Brundage who was the very 1st Conan cover artist. The Alluring Art of Margaret Brundage is the premier book devoted to this noted artist and features all of her Weird Tales and Conan covers.Authors Stephen D. Korshak and J. David Spurlock follow their seminal collaboration, The Paintings of J. Allen St. John -- Grand Master of Fantasy, with The Alluring Art of Margaret Brundage which, also features essays by noted artist Rowena, Weird Tales historian Robert Weinberg, First-Fandom member / Shasta publisher Melvin Korshak, and Men's Adventure Magazines: In Postwar America co-author George Hagenauer. THE VILLAGE VOICE said 12-11-2013: "Brundage's menaced damsels were sleek eye candy, but this book reveals politics --advocating for gender and racial equality as well as labor rights at a time when activism led to blacklisting -- that prove that the 'Queen of the Pulps' was as brave as any of her titillating heroines."

"Starting in 1932, Margaret Brundage, wife of leftist revolutionary Slim Brundage, -- who she met at the wildly-bohemian Dil Pickle Club during the Chicago Renaissance -- forever changed the look of Fantasy and Horror with her alluring, sensationalistic covers for the legendary pulp magazine, Weird Tales. Brundage, whose art contemporaries include Virgil Finlay and Hannes Bok, is unique as she was the first female cover artist of the pulp era. Decades before the gothic fetish craze, Brundage's lush, provocative paintings, which frequently featured smoldering, semi-nude young women bearing whips, became a focus of acute attention and controversy. At the very peak of the notorious pulp's classic run, the magazine's appeal was due as much to Brundage's covers as to the stories inside by famous authors H. P. Lovecraft, Clark Ashton Smith, Robert Bloch and Conan creator, Robert E. Howard. Long before Frazetta, it was Brundage who was the very 1st Conan cover artist. The Alluring Art of Margaret Brundage is the premier book devoted to this noted artist and features all of her Weird Tales and Conan covers.Authors and compilers Stephen D. Korshak and J. David Spurlock follow their seminal collaboration, The Paintings of J. Allen St. John -- Grand Master of Fantasy, with The Alluring Art of Margaret Brundage which, also features essays by noted artist Rowena, Weird Tales historian Robert Weinberg, First-Fandom member / Shasta publisher Melvin Korshak, and Men's Adventure Magazines: In Postwar America co-author George Hagenauer.All editions feature big, 9" x 12" lavish illustrated, full-color pages with text."

"Starting in 1932, Margaret Brundage, wife of leftist revolutionary Slim Brundage, -- who she met at the wildly-bohemian Dil Pickle Club during the Chicago Renaissance -- forever changed the look of Fantasy and Horror with her alluring, sensationalistic covers for the legendary pulp magazine, Weird Tales. Brundage, whose art contemporaries include Virgil Finlay and Hannes Bok, is unique as she was the first female cover artist of the pulp era. Decades before the gothic fetish craze, Brundage's lush, provocative paintings, which frequently featured smoldering, semi-nude young women bearing whips, became a focus of acute attention and controversy. At the very peak of the notorious pulp's classic run, the magazine's appeal was due as much to Brundage's covers as to the stories inside by famous authors H. P. Lovecraft, Clark Ashton Smith, Robert Bloch and Conan creator, Robert E. Howard. Long before Frazetta, it was Brundage who was the very 1st Conan cover artist. The Alluring Art of Margaret Brundage is the premier book devoted to this noted artist and features all of her Weird Tales and Conan covers.Authors and compilers Stephen D. Korshak and J. David Spurlock follow their seminal collaboration, The Paintings of J. Allen St. John -- Grand Master of Fantasy, with The Alluring Art of Margaret Brundage which, also features essays by noted artist Rowena, Weird Tales historian Robert Weinberg, First-Fandom member / Shasta publisher Melvin Korshak, and Men's Adventure Magazines: In Postwar America co-author George Hagenauer.All editions feature big, 9" x 12" lavish illustrated, full-color pages with text."

Illustrated in color and black, white. Artifacts from the Middle Shang to the Han. 144p. Inscriptions. Bibliography. Measures 8x9 inches.

Allen Guttmann is a professor of American Studies at Amherst College and author of,"From Ritual to Record: The Nature of Modern Sports" (1978). In his new book, "The Games Must Go On", Guttmann provides an assessment of Brundage’s role in shaping the modem Olympic games. This work is both a biography of Brundage and an evaluation of his career as an international sports figure.

A unique combination of tavern, university and nonstop wild party, the College in its heyday (1951-1961) was for many years Chicago's outstanding outsider outpost. The writings collected here by the College's Founder and Janitor, Slim Brundage (1903-1990), chronicle the colorful history of what may well be the oldest continuous dissident working class intellectual community in the US. Hobo, Wobbly, Soapboxer, veteran of Bughouse Square and the Dil Pickle, 'little theater' playwright/actor, president emeritus of the Hobo College in the 1930s, housepainter, humorist, and chief architect of the scandalous Beatnik Party during the 1960 elections, Brundage was very much a maker of the history he writes about. Here are exciting first-person accounts of tramping, open forums, the fabulous Pickle, the hobo colleges, the Radical Bookshop, and the hilarious story of the College of Complexes as it evolved from the last of the old-time free-speech forums into Chicago's Number One 'beatnik bistro'. Franklin Rosemont's introduction discusses the IWW/hobohemian roots of the College, outlines the Janitor's radical (and Dadaist) critique of education, and relates Brundage's life, the College and Chicago's hobo/beat scenes to the broader struggles for a better, freer, truly egalitarian and non-exploitative society.

The only English translation available of the most important first-hand account of the "Northern Crusades" in the Baltic states has finally been reprinted, with additional maps and a revised introduction by James A. Brundage. Henry´s chronicle is the only surviving evidence for many episodes in the early stages of Christendom in the Eastern Baltic. In describing sights, sounds, and even the personal appearance and quirks of many of the people he encountered, Henry of Livonia provides us with an invaluable and deeply human history.The pope´s call for a renewed holy war at the end of the twelfth century inspired not only the famous crusades in the Middle East but also a series of less celebrated yet decidedly more successful Northern Crusades. Scandinavian rulers and German military monks conquered and settled the Baltic world, spreading Western values and Christianity. At the time, the region of Livonia (present-day Estonia and Latvia) was a crossroads of Germanic, Scandinavian, and Russian trade, culture, and religion. The Chronicle of Henry of Livonia provides insight into not only military operations in the East during this tumultuous period but also the conflicted attitudes of an eyewitness, revealing the complex melding of religious motives with political aims.

In this important work of deep learning and insight, David Brundage gives us the first full-scale history of Irish nationalists in the United States. Beginning with the brief exile of Theobald Wolfe Tone, founder of Irish republican nationalism, in Philadelphia on the eve of the bloody 1798 Irish rebellion, and concluding with the role of Bill Clinton's White House in the historic 1998 Good Friday Agreement in Northern Ireland, Brundage tells a story of more than two hundred years of Irish American (and American) activism in the cause of Ireland. The book, though, is far more than a narrative history of the movement. Brundage effectively weaves into his account a number of the analytical themes and perspectives that have transformed the study of nationalism over the last two decades. The most important of these perspectives is the "imagined" or "invented" character of nationalism. A second theme is the relationship of nationalism to the waves of global migration from the early nineteenth century to the present and, more precisely, the relationship of nationalist politics to the phenomenon of political exile. Finally, the work is concerned with Irish American nationalists' larger social and political vision, which sometimes expanded to embrace causes such as the abolition of slavery, women's rights, or freedom for British colonial subjects in India and Africa, and at other times narrowed, avoiding or rejecting such "extraneous" concerns and connections. All of these themes are placed within a thoroughly transnational framework that is one of the book's most important contributions.Irish nationalism in America emerges from these pages as a movement of great resonance and power. This is a work that will transform our understanding of the experience of one of America's largest immigrant groups and of the phenomenon of diasporic or "long-distance" nationalism more generally.

The only English translation available of the most important first-hand account of the "Northern Crusades" in the Baltic states has finally been reprinted, with additional maps and a revised introduction by James A. Brundage. Henry´s chronicle is the only surviving evidence for many episodes in the early stages of Christendom in the Eastern Baltic. In describing sights, sounds, and even the personal appearance and quirks of many of the people he encountered, Henry of Livonia provides us with an invaluable and deeply human history.The pope´s call for a renewed holy war at the end of the twelfth century inspired not only the famous crusades in the Middle East but also a series of less celebrated yet decidedly more successful Northern Crusades. Scandinavian rulers and German military monks conquered and settled the Baltic world, spreading Western values and Christianity. At the time, the region of Livonia (present-day Estonia and Latvia) was a crossroads of Germanic, Scandinavian, and Russian trade, culture, and religion. The Chronicle of Henry of Livonia provides insight into not only military operations in the East during this tumultuous period but also the conflicted attitudes of an eyewitness, revealing the complex melding of religious motives with political aims.

This latest collection of studies by James Brundage deals with the emergence of the profession of canon law and with aspects of its practice in the period from the 12th to the 14th centuries. Substantial numbers of lawyers systematically trained in canon law first appeared in Western Europe during the second half of the 12th, century and in the 13th they began to dominate the hierarchy of the Western church. By 1250 canon law had grown into something more than a profitable occupation: it had become a recognizable profession in the strict meaning of the term as it is still used today. University law faculties trained aspiring canonists in the mysteries of their craft and put them through intellectually demanding exercises that terminated in a formal examination before they received their degrees. Judges in church courts formally admitted them to practice after verifying their educational qualifications and administered prescribed rules of conduct. Particular topics are the canonists' system of legal ethics, the education and training of canon lawyers in university law faculties, and some fundamental features of the professional practice of canon law, both in medieval Europe and in the crusading states of the Levant.

This collection of thirteen essays, edited by historian W. Fitzhugh Brundage, brings together original work from sixteen scholars in various disciplines, ranging from theater and literature to history and music, to address the complex roles of black performers, entrepreneurs, and consumers in American mass culture during the early twentieth century. Moving beyond the familiar territory of blackface and minstrelsy, these essays present a fresh look at the history of African Americans and mass culture. With subjects ranging from representations of race in sheet music illustrations to African American interest in Haitian culture, Beyond Blackface recovers the history of forgotten or obscure cultural figures and shows how these historical actors played a role in the creation of American mass culture. The essays explore the predicament that blacks faced at a time when white supremacy crested and innovations in consumption, technology, and leisure made mass culture possible. Underscoring the importance and complexity of race in the emergence of mass culture, Beyond Blackface depicts popular culture as a crucial arena in which African Americans struggled to secure a foothold as masters of their own representation and architects of the nation's emerging consumer society. The contributors are:Davarian L. Baldwin, Trinity CollegeW. Fitzhugh Brundage, University of North Carolina at Chapel HillClare Corbould, University of SydneySusan Curtis, Purdue UniversityStephanie Dunson, Williams CollegeLewis A. Erenberg, Loyola University ChicagoStephen Garton, University of SydneyJohn M. Giggie, University of AlabamaGrace Elizabeth Hale, University of VirginiaRobert Jackson, University of TulsaDavid Krasner, Emerson CollegeThomas Riis, University of Colorado at BoulderStephen Robertson, University of SydneyJohn Stauffer, Harvard UniversityGraham White, University of SydneyShane White, University of Sydney

Weird Tales is American band Golden Smog's second album, released in 1998. The title comes from the pulp magazine Weird Tales, the cover art being from the October 1933 issue, by Margaret Brundage. MUSICIAN CREDITS: Jeff Tweedy vocals, guitar, bass guitar, harmonica, percussion, Gary Louris vocals, guitar, organ, Mellotron, background vocals, Dan Murphy vocals, guitar, piano, drums, background vocals, Mellotron, Wurlitzer, Kraig Johnson vocals, guitar, bass guitar, piano, background

An instant classic in the Bernie Gunther series, with storytelling that is fresher and more vivid than ever. Berlin, 1934: The Nazis have secured the 1936 Olympiad for the city but are facing foreign resistance. Hitler and Avery Brundage, the head of the U.S. Olympic Committee, have connived to soft-pedal Nazi anti- Semitism and convince America to participate. Bernie Gunther, now the house detective at an upscale Berlin hotel, is swept into this world of international corruption and dangerous double-dealing, caught between the warring factions of the Nazi apparatus. Havana, 1954: Batista, aided by the CIA, has just seized power; Castro is in prison; and the American Mafia is quickly gaining a stranglehold on the city's exploding gaming and prostitution industries. Bernie, who has been unceremoniously kicked out of Buenos Aires, has resurfaced in Cuba with a new life, seemingly one of routine and relative peace. But Bernie discovers that he truly cannot outrun the burden of his past: He soon collides with a vicious killer from his Berlin days, who is mysteriously murdered not long afterward-and an old lover, who may be the murderer. If the Dead Rise Not is everything fans have come to expect from Philip Kerr: twisted intrigue, tight plotting, quick-witted one-liners, a hang-by-your-thumbs ending, and, most significant, a richer, wiser Bernie Gunther. Watch a Video

"The Three Bears", originally published in 1928 and illustrated by Frances Brundage is a grand choice for reproduction. It is a classic story, undertaken by many illustrators drawn to its suspenseful elements and narrative thrust. Brundage is, like most American illustrators of her era, rather unappreciated, but her work in "The Three Bears" is lovely and gentle. The bears are essentially sweet, rather than menacing, while Goldilocks is more a charming imp than destructive. The bears’ home is appropriately lovely, as is its unwelcome human visitor. Despite the havoc Goldilocks wreaks, one does not sense that any serious damage has been done. Our version is another in our popular series of children's shaped books.

Allen Guttmann is a professor of American Studies at Amherst College and author of,"From Ritual to Record: The Nature of Modern Sports" (1978). In his new book, "The Games Must Go On", Guttmann provides an assessment of Brundage’s role in shaping the modem Olympic games. This work is both a biography of Brundage and an evaluation of his career as an international sports figure.

In this important work of deep learning and insight, David Brundage gives us the first full-scale history of Irish nationalists in the United States. Beginning with the brief exile of Theobald Wolfe Tone, founder of Irish republican nationalism, in Philadelphia on the eve of the bloody 1798 Irish rebellion, and concluding with the role of Bill Clinton's White House in the historic 1998 Good Friday Agreement in Northern Ireland, Brundage tells a story of more than two hundred years of Irish American (and American) activism in the cause of Ireland. The book, though, is far more than a narrative history of the movement. Brundage effectively weaves into his account a number of the analytical themes and perspectives that have transformed the study of nationalism over the last two decades. The most important of these perspectives is the "imagined" or "invented" character of nationalism. A second theme is the relationship of nationalism to the waves of global migration from the early nineteenth century to the present and, more precisely, the relationship of nationalist politics to the phenomenon of political exile. Finally, the work is concerned with Irish American nationalists' larger social and political vision, which sometimes expanded to embrace causes such as the abolition of slavery, women's rights, or freedom for British colonial subjects in India and Africa, and at other times narrowed, avoiding or rejecting such "extraneous" concerns and connections. All of these themes are placed within a thoroughly transnational framework that is one of the book's most important contributions.Irish nationalism in America emerges from these pages as a movement of great resonance and power. This is a work that will transform our understanding of the experience of one of America's largest immigrant groups and of the phenomenon of diasporic or "long-distance" nationalism more generally.

This latest collection of studies by James Brundage deals with the emergence of the profession of canon law and with aspects of its practice in the period from the 12th to the 14th centuries. Substantial numbers of lawyers systematically trained in canon law first appeared in Western Europe during the second half of the 12th, century and in the 13th they began to dominate the hierarchy of the Western church. By 1250 canon law had grown into something more than a profitable occupation: it had become a recognizable profession in the strict meaning of the term as it is still used today. University law faculties trained aspiring canonists in the mysteries of their craft and put them through intellectually demanding exercises that terminated in a formal examination before they received their degrees. Judges in church courts formally admitted them to practice after verifying their educational qualifications and administered prescribed rules of conduct. Particular topics are the canonists' system of legal ethics, the education and training of canon lawyers in university law faculties, and some fundamental features of the professional practice of canon law, both in medieval Europe and in the crusading states of the Levant.

Book by Brundage, Burr Cartwright