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Good condition. This is the average used book, that has all pages or leaves present, but may include writing. Book may be ex-library with stamps and stickers. 1.37

A hand-inspected Used copy of "Cahiers Du Cinema: The 1950s, Neo-Realism, Hollywood, New Wave" by Jim Ed. Hillier. Ships directly from Textbooks.com

The ideal lightweight journal for day-to-day use! Cardboard cover and visible stitching 80 pages (40 sheets) of ruled, acid-free paper; last 16 sheets are perforated Flap pocket on inside back cover Your personalization printed on bottom of front cover Journals come packaged with a Moleskine branded ivory paper band and are individually shrink wrapped

Perfect lightweight journal for day-to-day use with cardboard cover and visible stitching. 80 pages (40 sheets) of ruled, acid-free paper Last 16 sheets are perforated Flap pocket on inside back cover PVC-free product Add your custom one-color personalization Journals come packaged with a Moleskine retail paper band

Bernard Andr s - pices pour harpe, (2e cahier)

Japanese remastered LP pressing. 2018.

Bernard Andr s: Le Jardin des Paons (Harps 2)

in-8, broché, 491 pp., 15 planches hors-texte, index. Edition intégrale, établie, présentée et annotée sous la responsabilité de Nicole Celeyrette-Pietri. Tome IV. 1900-1901. Préface de Jean Bernard. Dos passé, sinon bon état général.

Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 0.93

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In the turbulent sixties, the provocative French film journal Cahiers du Cinema was at its most influential and controversial. The first successes of the New Wave by major Cahiers contributors such as Jean-Luc Godard, François Truffaut, Jacques Rivette, Eric Rohmer, and Claude Chabrol focused international attention on the revitalization of French cinema and its relation to film criticism; and in the early 1960s the journal's laudatory critiques of popular American movies were attaining the greatest notoriety. As the lively articles, interviews, and polemical discussions in this volume reveal, the 1960s saw the beginnings of significant new directions in filmmaking and film criticism changes in which the New Wave itself was a major factor. The auteur theory that the journal had championed in the 1950s began to be rethought and revalued. At the same time, along with a reassessment of American film, Cahiers began to embrace new, often oppositional forms of cinema and criticism, culminating in the political and aesthetic radicalism of the ensuing decade. The selections, translated under the supervision of the British Film Institute, are annotated by Hillier, and context is provided in his general introduction and part introductions. For an understanding of the important changes that took place in cinema and film criticism in the 1960s and beyond, this book is essential reading.

Rayon : Philosophie Editeur : Gallimard Date de parution : 1997 Description : In-8, 1000 pages, broché, occasion, passages stabillotés, bon état. Envois quotidiens du mardi au samedi. Les commandes sont adressées sous enveloppes bulles. Photos supplémentaires de l'ouvrage sur simple demande. Réponses aux questions dans les 12h00. Librairie Le Piano-Livre. Merci. Référence catalogue vendeur: 64644

État Neuf / New Condition 635154 9782370734952 161

The Cahiers/Notebooks of Paul Valéry are a unique form of writing. They reveal Valéry as one of the most radical and creative minds of the twentieth century, encompassing a wide range of investigation into all spheres of human activity. His work explores the arts, the sciences, philosophy, history and politics, investigating linguistic, psychological and social issues, all linked to the central questions, relentlessly posed: ‘what is the human mind and how does it work?’, ‘what is the potential of thought and what are its limits?’ But we encounter here too, Valéry the writer: exploratory, fragmentary texts undermine the boundaries between analysis and creativity, between theory and practice. Neither journal nor diary, eluding the traditional genres of writing, the Notebooks offer lyrical passages, writing of extreme beauty, prose poems of extraordinary descriptive power alongside theoretical considerations of poetics, ironic aphorisms and the most abstract kind of analysis. The concerns and the insights that occupied Valéry’s inner voyages over more than 50 years remain as relevant as ever for the contemporary reader: for the Self that is his principal subject is at once singular and universal.

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First edition first impression hardback in fine condition. Signed and dated by Martin Kollar to title page. Slight shelf wear. Please see pictures. PayPal accepted, any questions please get in touch.

New! This book is in the same immaculate condition as when it was published 0.93

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In the turbulent sixties, the provocative French film journal Cahiers du Cinéma was at its most influential and controversial. The first successes of the New Wave by major Cahiers contributors such as Jean-Luc Godard, François Truffaut, Jacques Rivette, Eric Rohmer, and Claude Chabrol focused international attention on the revitalization of French cinema and its relation to film criticism; and in the early 1960s the journal’s laudatory critiques of popular American movies were attaining the greatest notoriety.As the lively articles, interviews, and polemical discussions in this volume reveal, the 1960s saw the beginnings of significant new directions in filmmaking and film criticism changes in which the New Wave itself was a major factor. The auteur theory that the journal had championed in the 1950s began to be rethought and revalued. At the same time, along with a reassessment of American film, Cahiers began to embrace new, often oppositional forms of cinema and criticism, culminating in the political and aesthetic radicalism of the ensuing decade.The selections, translated under the supervision of the British Film Institute, are annotated by Jim Hillier, and context is provided in his general introduction and part introductions. For an understanding of the important changes that took place in cinema and film criticism in the 1960s and beyond, this book is essential reading.

Previous owner's stamp on title page, otherwise pages are clean. Very Good paperback with light shelfwear - NICE! Oversized.