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This substantial study is full of colour images that celebrate the work of Robert Campin, the 15th-century master of early Netherlandish painting, whose achievements have been largely overlooked through history, particularly because he rarely signed his works, and has been overshadowed by the van Eyck brothers. Firmly based on a detailed technical analysis and art-historical appreciation of the paintings themselves, Thuerlemann traces developments in Campin's career and artistic life against the context of 15th-century European art. A section on Campin's place in history is followed by the catalogue which includes works that have traditionally been wrongly attributed.

Robert Campin is one of the most important figures in the history of Early Netherlandish painting, yet his work , and even his identity, is still higly controversial. The nineteen studies presented here provide a range of new research from leading scholars which will provide a fresh basis for assessing Campin's oeuvre. New technical studies of several of the most important pictures in the Campin group allow a reassessment of the internal coherence of the group itself, while other studies examine a range of contemporary material in order to pose new questions concerning sources, iconography and influence and shed new light on the status of many works associated with Campin.

This substantial study is full of colour images that celebrate the work of Robert Campin, the 15th-century master of early Netherlandish painting, whose achievements have been largely overlooked through history, particularly because he rarely signed his works, and has been overshadowed by the van Eyck brothers. Firmly based on a detailed technical analysis and art-historical appreciation of the paintings themselves, Thuerlemann traces developments in Campin's career and artistic life against the context of 15th-century European art. A section on Campin's place in history is followed by the catalogue which includes works that have traditionally been wrongly attributed.

Robert Campin is one of the most important figures in the history of Early Netherlandish painting, yet his work , and even his identity, is still higly controversial. The nineteen studies presented here provide a range of new research from leading scholars which will provide a fresh basis for assessing Campin's oeuvre. New technical studies of several of the most important pictures in the Campin group allow a reassessment of the internal coherence of the group itself, while other studies examine a range of contemporary material in order to pose new questions concerning sources, iconography and influence and shed new light on the status of many works associated with Campin.

387 Seiten; Schnitt oben leicht fleckig, Artikel stammt aus Nichtraucherhaushalt! F6-694 Sprache: Deutsch Gewicht in Gramm: 6

Linnen band, met stofomslag en geà lustreerde cassette. 33,5x25,5 cm. Rijk geà llustreerd, volpagina, in kleur. 379 p. -(Sporen aan de cassette, rug wat verkleurd, maar verder is dit lijvige boek in zeer goede conditie.). ISBN 9061533651.

After winning numerous awards in high school and at the Berklee College of Music, Tom went on the road with Buddy Rich in January of 1986 at the age of twenty. He was on Buddy's last touring band before he died in 1987. Buddy once said of him in a video taped interview in Stockholm: 'Tom is going to have a very, very strong future in jazz'. Tom went on to finish his studies at the University of Miami, where he received his Master's degree in Jazz Arranging and Composition. Afterward, he was imme

With 200 illustrations, 12 in colour.

Robert Campin, also known as the Master of Flémalle (c. 1375-1444), and his pupil Rogier van der Weyden (c. 1399-1464) were two of Europe's greatest Northern Renaissance painters, though art history has been slow to catch up with them. Along with Jan and Hubert van Eyck, Campin and van der Weyden are now considered synonymous with the development of Old Netherlandish painting, having given oil painting some of its earliest virtuoso works. Campin's work marks the shift from manuscript painting to Realist painting, both in its subject matter and in the artist's use of oils to mold signature shapes such as brocades or the teardrops on the cheek of a grieving Madonna. "The Mérode Altarpiece" (c. 1425) at The Cloisters in New York is perhaps Campin's best-known painting--but both his and van der Weyden's reputations have fluctuated, as the work of each has been attributed to the other. (When van der Weyden died in 1464 he was the most famous painter in Europe, but today not one painting is decisively attributed to him.) This volume collects more than 50 masterpieces from the most important museums in the world and presents them side by side to encourage direct comparison. No monograph on either artist, or indeed on any early Netherlandish artist, offers such exacting reproduction and examination of this hotly debated body of works.

Early Netherlandish Painting will be equally welcome to the art lover , the museum and the reference library, giving access to the last major collection early Netherlandish painting to remain in private posession.It includes over forty masterpieces by Robert Campin, Petrus Chritus, Jacques Daret, Jan van Eyck, Hans Memling and Rogier van der Weyden. The collection is also rich in works by the painters of the new generation of the early 16th century.An extensive introduction to the period precedes the catalogue of 43 paintings by masters including Jan van Eyck, Rogier van der Weyden, Robert Campin and Hans Memling.A very substantial introduction by Colin Eisler illuminates the background to early Netherlandish art and traces its development through the paintings. The extensively illustrated catalogue was prepared with the collaboration of graduate students at the Intsitute of Fine Arts, New York. Dr Emil Bosshardt, Conservator at the Villa Favorita, and Elizabeth Ardrery contribute to the paintings' technical examination. Infra-red reflectography has been used to examine each work and the results are published alongside the finished painting.

The National Gallery's collection of fifteenth-century Netherlandish pictures is one of the largest and most important in the world. It includes works by Jan van Eyck, Robert Campin, Rogier van der Weyden, Petrus Christus, Dirk Bouts, Simon Marmion, Justus of Ghent, Hans Memling, Geertgen tot Sint Jans and Gerard David.In this catalogue, the detailed entry for each work represents the culmination of Dr Campbell's extensive research on the authorship, histories and iconographies of the paintings, on the patrons who commissioned them, and above all on the painters' techniques and working practices - where he has worked in close collaboration with the National Gallery's Conservation and Scientific Departments.The introductory essay describes how the painters lived and worked, how they organised their studios, how they gathered and employed reference material, how they used their pigments and media and how they marketed their pictures. There is also a history of the collection at the National Gallery.Fifty-two works are catalogued; all are reproduced in colour and are accompanied by superb details, comparative illustrations and technical photographs.

A searing, personal literary account of life in a Soviet prison campIn 1940, Gustaw Herling was arrested after he joined an underground Polish army that fell into Russian hands. He was sent to a northern Russian labor camp, where he spent the two most terrible years of his life. In A World Apart, he tells of the people he was imprisoned with, the hardships they endured, and the indomitable spirit and will that allowed them to survive. Above all, he creates portraits of how people - deprived of basic human necessities and forced to worked at hard labor - can come together to form a community that offers hope in the face of hopelessness, that offers life when even the living have no life left."Should be published and read in every country." -Albert Camus "In psychological and moral penetration and artistic power A World Apart equals Fyodor Dostoyevsky's House of the Dead, Aleksandr Solzhenitsyn's One Day in the Life of Ivan Denisovich and Primo Levi's Survival in Auschwitz." -Louse Begley, New York Times Book Review 

This volume contains the first systematic study of manuscripts illumnated in Tournai, Belgium, in the years 1380-1430, the five decades during which the town played a key role in the history of Western painting. it is during those years that Robert Campin revolutionized the tradition of court paintings of the late Gothic period and, together with Jan van Eyck, laid the cornerstones of what was to become the Northern Renaissance. Lavishly illustrated, predominantly in color, this study also contains maps, a catalogue of manuscripts, and an essay on the calendar and liturgical use in Tournai. French text.

Published in conjunction with the 1999 exhibition of the same name, ten essays and 317 illustrations (157 in color) depict northern Renaissance painting in Belgium and the Netherlands. This lovely book includes such artists as Van Eyck, Campin, Van der Weyden, David, Memling, and Bruegel, and contains commentaries on individual works, an appendix of paintings not covered in the text, artists' biographies, a glossary, a bibliography, and comparative illustrations. Oversize: 9.5x11.25" Annotation c. by Book News, Inc., Portland, Or.

Early Netherlandish Painting will be equally welcome to the art lover , the museum and the reference library, giving access to the last major collection early Netherlandish painting to remain in private posession.It includes over forty masterpieces by Robert Campin, Petrus Chritus, Jacques Daret, Jan van Eyck, Hans Memling and Rogier van der Weyden. The collection is also rich in works by the painters of the new generation of the early 16th century.An extensive introduction to the period precedes the catalogue of 43 paintings by masters including Jan van Eyck, Rogier van der Weyden, Robert Campin and Hans Memling.A very substantial introduction by Colin Eisler illuminates the background to early Netherlandish art and traces its development through the paintings. The extensively illustrated catalogue was prepared with the collaboration of graduate students at the Intsitute of Fine Arts, New York. Dr Emil Bosshardt, Conservator at the Villa Favorita, and Elizabeth Ardrery contribute to the paintings' technical examination. Infra-red reflectography has been used to examine each work and the results are published alongside the finished painting.

Robert Campin, also known as the Master of Flémalle (c. 1375-1444), and his pupil Rogier van der Weyden (c. 1399-1464) were two of Europe's greatest Northern Renaissance painters, though art history has been slow to catch up with them. Along with Jan and Hubert van Eyck, Campin and van der Weyden are now considered synonymous with the development of Old Netherlandish painting, having given oil painting some of its earliest virtuoso works. Campin's work marks the shift from manuscript painting to Realist painting, both in its subject matter and in the artist's use of oils to mold signature shapes such as brocades or the teardrops on the cheek of a grieving Madonna. "The Mérode Altarpiece" (c. 1425) at The Cloisters in New York is perhaps Campin's best-known painting--but both his and van der Weyden's reputations have fluctuated, as the work of each has been attributed to the other. (When van der Weyden died in 1464 he was the most famous painter in Europe, but today not one painting is decisively attributed to him.) This volume collects more than 50 masterpieces from the most important museums in the world and presents them side by side to encourage direct comparison. No monograph on either artist, or indeed on any early Netherlandish artist, offers such exacting reproduction and examination of this hotly debated body of works.