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Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 0.57

Brand new. Authorized dealer. From the manufacturer: The HC-TT is a compact cassette manipulation device which allows you to manually play a casset...

Retro-modern and built to last! Building on TASCAM's long history of providing professional quality cassette decks, the TASCAM 202mkVII dual casset...

Presenting the work of 30 diverse photographers from throughout Africa since 1940, this is the complete catalogue of an exhibition at the Guggenheim Museum in New York. Studio portraits of the 1940s by photographers such as the Ivory Coast's Cornelius Yao Azaglo Augustt, Senegal's Salla Casset and Meissa Gay, and Mali's Seydou Keita depict a period of great transformation in Africa. Examples of the 1950s include work by Bob Gasani, Peter Magubane and Lionel Oostendorp for the magazine "Drum", and featured photographers of the 1960s and 1970s include Samuel Fosso (Central African Republic), David Goldblatt (South Africa), Ricardo Rangel (Mozambique) and Malick Sidibe (Mali). These more recent photographs chronicle the development of independent countries and the emergence of Africa as part of the modern world. Contemporary artists in North Africa and Nigeria are represented by work on new themes.

90 min audio cassette, based on legendary SM900 formula Width: 3,81mm Length: 131m Recording time: 90min max Clear 5-screws tabs-in RTM casset...

Presenting the work of 30 diverse photographers from throughout Africa since 1940, this is the complete catalogue of an exhibition at the Guggenheim Museum in New York. Studio portraits of the 1940s by photographers such as the Ivory Coast's Cornelius Yao Azaglo Augustt, Senegal's Salla Casset and Meissa Gay, and Mali's Seydou Keita depict a period of great transformation in Africa. Examples of the 1950s include work by Bob Gasani, Peter Magubane and Lionel Oostendorp for the magazine "Drum", and featured photographers of the 1960s and 1970s include Samuel Fosso (Central African Republic), David Goldblatt (South Africa), Ricardo Rangel (Mozambique) and Malick Sidibe (Mali). These more recent photographs chronicle the development of independent countries and the emergence of Africa as part of the modern world. Contemporary artists in North Africa and Nigeria are represented by work on new themes.

Presenting the work of 30 diverse photographers from throughout Africa since 1940, this is the complete catalogue of an exhibition at the Guggenheim Museum in New York. Studio portraits of the 1940s by photographers such as the Ivory Coast's Cornelius Yao Azaglo Augustt, Senegal's Salla Casset and Meissa Gay, and Mali's Seydou Keita depict a period of great transformation in Africa. Examples of the 1950s include work by Bob Gasani, Peter Magubane and Lionel Oostendorp for the magazine "Drum", and featured photographers of the 1960s and 1970s include Samuel Fosso (Central African Republic), David Goldblatt (South Africa), Ricardo Rangel (Mozambique) and Malick Sidibe (Mali). These more recent photographs chronicle the development of independent countries and the emergence of Africa as part of the modern world. Contemporary artists in North Africa and Nigeria are represented by work on new themes.

The great Senegalese photographer Mama Casset (1908-1992) was introduced to photography at the tender age of 12 by the French photographer Oscar Latakia, a friend of his father's who tutored Casset in the fundamentals of the art. Casset learned quickly, and by 1943 he had opened his first studio in Dakar, obtaining plenty of portraiture work, primarily among the capital's bourgeoisie. As the European-operated photography studios began to close as Senegalese independence approached, Casset's popularity and success benefited from the dwindling of the competition, enabling him to open a second studio in M'Bour, south of Dakar. When independence at last arrived for the country, Casset received the prestigious commission to make the official portrait of the first president of Senegal, Leopold Sedar Senghor. Over the subsequent years, Casset was to grow blind and was sadly forced to abandon his lucrative business in 1983, when a fire destroyed his studio and much ofits archives. By that time, however, Casset's legacy was assured, and his work had inspired several generations of West African photographers, who had grown up with his photographs in their family albums. This volume selects the highlights of his career.

Presenting the work of 30 diverse photographers from throughout Africa since 1940, this is the complete catalogue of an exhibition at the Guggenheim Museum in New York. Studio portraits of the 1940s by photographers such as the Ivory Coast's Cornelius Yao Azaglo Augustt, Senegal's Salla Casset and Meissa Gay, and Mali's Seydou Keita depict a period of great transformation in Africa. Examples of the 1950s include work by Bob Gasani, Peter Magubane and Lionel Oostendorp for the magazine "Drum", and featured photographers of the 1960s and 1970s include Samuel Fosso (Central African Republic), David Goldblatt (South Africa), Ricardo Rangel (Mozambique) and Malick Sidibe (Mali). These more recent photographs chronicle the development of independent countries and the emergence of Africa as part of the modern world. Contemporary artists in North Africa and Nigeria are represented by work on new themes.

The great Senegalese photographer Mama Casset (1908-1992) was introduced to photography at the tender age of 12 by the French photographer Oscar Latakia, a friend of his father's who tutored Casset in the fundamentals of the art. Casset learned quickly, and by 1943 he had opened his first studio in Dakar, obtaining plenty of portraiture work, primarily among the capital's bourgeoisie. As the European-operated photography studios began to close as Senegalese independence approached, Casset's popularity and success benefited from the dwindling of the competition, enabling him to open a second studio in M'Bour, south of Dakar. When independence at last arrived for the country, Casset received the prestigious commission to make the official portrait of the first president of Senegal, Leopold Sedar Senghor. Over the subsequent years, Casset was to grow blind and was sadly forced to abandon his lucrative business in 1983, when a fire destroyed his studio and much ofits archives. By that time, however, Casset's legacy was assured, and his work had inspired several generations of West African photographers, who had grown up with his photographs in their family albums. This volume selects the highlights of his career.