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Aimé Césaire is the best known poet in the French Caribbean. In this study Gregson Davis examines Césaire's extraordinary dual career as writer and elected politician. As one of the most profound critics of colonialism, Césaire, the acknowledged inventor of the famous term "negritude", has been a hugely influential figure in shaping the contemporary discourse on the postcolonial predicament. Gregson Davis' account of Césaire's intellectual growth is grounded in a careful reading of the poetry, prose and drama that illustrates the full range and depth of his literary achievement.

This exceptionally soft rug is rich in tactile charm, offering an ingenious luxurious comfort for a pleasant underfoot sensation. The color palette offers warm neutrals combined with vibrant garden green and a delicate chocolate brown, adding a touch of mid-century spirit. Thanks to durable construction, these rugs are non-shedding and easy to maintain. But above all, we are very proud to announce that this is our first woven 22 mm pile rug made entirely out of recycled polyester PET-bottles. Color: Grey. Pattern: Geometric.

This exceptionally soft rug is rich in tactile charm, offering an ingenious luxurious comfort for a pleasant underfoot sensation. The color palette offers warm neutrals combined with vibrant garden green and a delicate chocolate brown, adding a touch of mid-century spirit. Thanks to durable construction, these rugs are non-shedding and easy to maintain. But above all, we are very proud to announce that this is our first woven 22 mm pile rug made entirely out of recycled polyester PET-bottles. Color: Beige. Pattern: Geometric.

This exceptionally soft rug is rich in tactile charm, offering an ingenious luxurious comfort for a pleasant underfoot sensation. The color palette offers warm neutrals combined with vibrant garden green and a delicate chocolate brown, adding a touch of mid-century spirit. Thanks to durable construction, these rugs are non-shedding and easy to maintain. But above all, we are very proud to announce that this is our first woven 22 mm pile rug made entirely out of recycled polyester PET-bottles. Color: Charcoal. Pattern: Geometric.

This exceptionally soft rug is rich in tactile charm, offering an ingenious luxurious comfort for a pleasant underfoot sensation. The color palette offers warm neutrals combined with vibrant garden green and a delicate chocolate brown, adding a touch of mid-century spirit. Thanks to durable construction, these rugs are non-shedding and easy to maintain. But above all, we are very proud to announce that this is our first woven 22 mm pile rug made entirely out of recycled polyester PET-bottles. Pattern: Geometric.

This exceptionally soft rug is rich in tactile charm, offering an ingenious luxurious comfort for a pleasant underfoot sensation. The color palette offers warm neutrals combined with vibrant garden green and a delicate chocolate brown, adding a touch of mid-century spirit. Thanks to durable construction, these rugs are non-shedding and easy to maintain. But above all, we are very proud to announce that this is our first woven 22 mm pile rug made entirely out of recycled polyester PET-bottles. Color: Beige. Pattern: Geometric.

This exceptionally soft rug is rich in tactile charm, offering an ingenious luxurious comfort for a pleasant underfoot sensation. The color palette offers warm neutrals combined with vibrant garden green and a delicate chocolate brown, adding a touch of mid-century spirit. Thanks to durable construction, these rugs are non-shedding and easy to maintain. But above all, we are very proud to announce that this is our first woven 22 mm pile rug made entirely out of recycled polyester PET-bottles. Color: Charcoal. Pattern: Geometric.

The Presses Universitaires de France and Frmeaux & Associs offer this biography of Aim Csaire, by Vronique Corinus, specialist of the Antillean and African cultures, lecturer at the University Lumire Lyon 2. Poet and politician Martinique, Aim Csaire was part of a struggle for political independence and cultural recognition of the black worlds. A fervent opponent of colonialism, he co-founded Lopold Sdar Senghor's concept of "ngritude". Vronique Corinus traces the career of this exce

This edition, containing an extensive introduction, notes, the French original, and a new translation of Césaire's poetry―the complex and challenging later works as well as the famous Notebook―will remain the definitive Césaire in English.

This edition, containing an extensive introduction, notes, the French original, and a new translation of Césaire's poetry--the complex and challenging later works as well as the famous Notebook--will remain the definitive Césaire in English.

En 1939 est publié ce long poème, à ce jour inégalé et qui porte toute la flamboyance, le cri, la révolte et la passion de Césaire pour la Caraïbe, lAfrique et ce à quoi doit faire face tout Afro-descendant : la plaie de lesclavage à revisiter autrement jusquà la fierté dêtre, « debout et libre, debout à la barre, debout à la boussole debout à la carte, debout sous les étoiles ». Il a connu dincessantes transformations de 1939 à lédition dite définitive de Présence Africaine en 1956.

Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

The Complete Poetry of Aimé Césaire gathers all of Cesaire's celebrated verse into one bilingual edition. The French portion is comprised of newly established first editions of Césaire's poetic œuvre made available in French in 2014 under the title Poésie, Théâtre, Essais et Discours, edited by A. J. Arnold and an international team of specialists. To prepare the English translations, the translators started afresh from this French edition. Included here are translations of first editions of the poet's early work, prior to political interventions in the texts after 1955, revealing a new understanding of Cesaire's aesthetic and political trajectory. A truly comprehensive picture of Cesaire's poetry and poetics is made possible thanks to a thorough set of notes covering variants, historical and cultural references, and recurring figures and structures, a scholarly introduction and a glossary. This book provides a new cornerstone for readers and scholars in 20th century poetry, African diasporic literature, and postcolonial studies.

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Gathers post-surrealist poetry by French, Peruvian, Caribbean, and Czech authors

James Arnorld here presents in its political and culture context the work of the greatest visionary poet writing in French since the Romantic period. Aime' Ce'saire's surrealism is seen as subverting, in the name of black experience, the very European high moderism he assimilated and employed.

Octavo in white illus DJ; xi, 152 p.: ill.; 23 cm; bibliography: p. 149-152. A very nice copy. // Negritude, Poetry; Poets, Caribbean. Afro-Francophone; C?saire, Aim? -- Translations into English. // Poems in English and French./. Fine in Near Fine DJ

Nicolas Guillen and Aime Cesaire are considered by many critics and literary historians to be the foremost Caribbean poets of the 20th century, yet they are rarely treated together. This work deals with the two writers within a comparative framework, exploring their poetry as the exemplification of Negritude art and writing from the Caribbean. Josaphat Kubayanda uses non-canonical theories of literary and cultural analysis to discuss the relationships between creative writing, the idea of Africa, and the rediscovery of African values in the Caribbean, and to propose and demonstrate an original Caribbean poetics, anchored in Africa's cultural systems and linked to Afro-American protest thought.Each of the book's chapters focuses on an aspect of the literary development of the African heritage and of the black condition illustrated by Guillen and Cesaire. Chapter 1 offers an introduction to the genesis of Caribbean rhetorical interest in Africa, from the 1920s onward, and places Guillen and Cesaire in the context of Negritude. Chapter 2 addresses the European othering of Africa, and the Negritude critique of this within the non-African traditions. Guillen's and Cesaire's response to the European concept of the universal is discussed in chapter 3, while chapter 4 demonstrates the ways in which blackness is caught between racial otherness and trying to integrate into the Caribbean social order. The final two chapters provide an analysis of the polyrhythmic unity of the African cultural system that allows Guillen and Cesaire to make technical innovations, and a conclusion acknowledges the writers' place in Caribbean creative writing. The volume also contains an updated bibliography on Caribbean literature and the African element. This work will be a valuable reference source for courses in Caribbean and African literary studies, Latin American literature, and Afro-American and African culture, and an important addition to both public and academic libraries.