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Kemper had the answer; Reuter had the problem. Kemper had figured it all out by the twenty-second century; he was a man of temporal science. The past did not exist. The past upon which the present was based had no credence unless it could be reconstructed, bit by tiny bit. Surrogates would have to go back in time and become the cast of thousands. Napoleon was needed; likewise the Kennedys, all four of them. There were those who would have taken argument with Kemper, but Kemper, unfortunately, was beyond dispute; in other words he, like all the other famous and infamous, was dead. Reuter's problem was that he had gone back to Vienna in the early 1800s to be Beethoven. Beethoven, Reuter has decided, was a disgusting man. Someone must listen - don't they realise that it was all a fraud?

Title: Chorales( Chorales 1-91) <>Binding: Paperback <>Author: JohannSebastianBach <>Publisher: G.Schirmer

A major influence on Bach—who once walked 200 miles to hear him perform—Buxtehude is among the great names in organ music and the study of counterpoint. Born five decades after Heinrich Schütz, the "father of German musicians," and a little less than half a century before Bach, he bridged the era between the founder of Protestant Baroque music and its greatest master. This collection of church chorales attests to Buxtehude's reputation as an outstanding composer of sacred vocal music.For his texts, the composer drew upon scripture as well as church hymns and contemporary or medieval sacred poetry. Albert Schweitzer, in his famous biography of Bach, observed that Buxtehude's chorale preludes are "chorale fantasias of the most varied kinds, from the simplest to the most ingenious. In the simple ones the melody goes its way quietly, just embellished here and there with a few ornaments, and accompanied by interesting and always ingenious harmonies. . . . In the large chorale preludes, Buxtehude tears the melody in pieces, throws the fragments into the flood of a brilliant, animated fantasia."Authoritative and modestly priced, this treasury of Buxtehude's works offers organists a source of endless satisfaction and inspiration.

Text: English, Danish (translation)

Leipzig Chorales Claudio Astronio - CD 8011570337542

3 Chorales From Christmas Oratorio Publisher: Schirmer Credits/Composer: Voicing: SATB Inventory # : 50305350 ISBN: UPC: 884088257569 ...

Cage / Chorales Cage / Berger - CD 4260123642709

Julius Berger writes of his new release: "Johann Sebastian Bachs suites for cello solo are arguably the purest form of music, works that require no explanation or background knowledge. Johann Sebastian Bach made one of his most profound affirmations, a Gradus ad Parnassum, which in six stages sets out an intellectual and technical challenge that is and will probably remain peerless in the history of music for our instrument. My colleague and friend, Prof. Peter Langgartner from the Mozarteum Un

18 Chorales for Organ Percussions Hans Fagius - CD 7318592352364

389 Chorales (Choral-Gesange) - By Johann Sebastian Bach

A choral worship collection for SATB voicing, composed by Johann Sebastian Bach, compiled and edited by Walter E. Buszin.

389 Chorales (Choral-Gesange) - By Johann Sebastian Bach

A choral worship collection for SATB voicing, composed by Johann Sebastian Bach, compiled and edited by Walter E. Buszin.

Leipzig Chorales Christa Rakich - CD 617145107824

REGER / 7 CHORALE FANTASIAS - Balazs Szabo

Mozart: Rare Chorale Works - The world has enjoyed the genius of Mozart through his symphonies, operas, chamber and piano music. In addition, his Requiem, left incomplete at his death, remains one of the most beloved of sacred choral works. Gloriae Dei Cantores presents a rare look at a side of Mozart that is not so well known: his contribution to music for the Church. Included in this recording are two rarely heard major works of great beauty and invention: Davide Penitente K. 469 and the Litan

Long esteemed as counterpoint's greatest master, Johann Sebastian Bach created harmonizations of chorales that have served as voice-leading models for generations. This affordable volume features 371 of the composer's harmonized chorales, presented in closed score for easy study as well as play.These traditional liturgical melodies in four-voice arrangements comprise Gregorian chant melodies that survived the Reformation to form part of Protestant worship as well as traditional German melodies that found their way into services. A staple of every music program, Bach’s chorales spell out the rules of music theory that remain the cornerstones of modern composition. These closed score arrangements, ideal for playing at the piano, offer keyboardists an opportunity to practice their sight-reading skills. Students of counterpoint and harmony will find this collection of enormous theoretical importance, and all will appreciate the practical value of its modest price.

Four Voice scores of 371 Chorales with English Texts and Twenty-three Instrumental Obbligatos

Organ Chorales of the Leipzig Manuscript Bach, J.S. / Laar - CD 8717775551171

Import Hybrid-SACD pressing.