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CinemaScope (1953), the process that established the widescreen format in motion pictures, was more than a technical innovation. It breathed life into the film industry, saved Twentieth Century-Fox from liquidation, and inducted its president Spyros P. Skouras into the pantheon of American visionaries. For the first time an intimate story of the second technological revolution in film history emerges from the papers of Spyros P. Skouras. Ranging from correspondence with Churchill and Eisenhower to company memos and financial reports, this collection is an indispensable source for the historian and affords a rare glimpse into Hollywood's corporate performance at its best.

CinemaScope (1953), the process that established the widescreen format in motion pictures, was more than a technical innovation. It breathed life into the film industry, saved Twentieth Century-Fox from liquidation, and inducted its president Spyros P. Skouras into the pantheon of American visionaries. For the first time an intimate story of the second technological revolution in film history emerges from the papers of Spyros P. Skouras. Ranging from correspondence with Churchill and Eisenhower to company memos and financial reports, this collection is an indispensable source for the historian and affords a rare glimpse into Hollywood's corporate performance at its best.

A passionate and impressive panoramic work by multi award winning filmmaker and photographer, Nuri Bilge Ceylan.A vivid excerpt begins from the screenplay of Nuri Bilge Ceylan’s movie The Small Town. With minimal accompanying text, the book’s multi-layered story is told through stunning photographs aloneCeylan is the recipient of Honorary Heart Award at the 24th Sarajevo Film Festival. Turkey Cinemascope accompanied the exhibition of the same name in Sarajevo in August 2018. Nuri Bilge Ceylan's book is multi-layered storytold through breathtaking single imge spreads evoking the subtle emotion of everyday rural life in Turkey. His latest Winter Sleep received the Palme d’or, the highest prize awarded at the festival. Ceylan was shortlisted for the Palme d’or in 2018 for The Wild Pear Tree.  With minimal accompanying text, the book’s multi-layered story is told through photographs alone.   Turkey Cinemascope contains 100 panoramic photographs taken by Ceylan in various regions of rural Anatolia between 2003-2014. Nuri Bilge Ceylan has always attracted keen interest on the global scene. Turkey Cinemascope   

A passionate and impressive panoramic work by multi award winning filmmaker and photographer, Nuri Bilge Ceylan.A vivid excerpt begins from the screenplay of Nuri Bilge Ceylan’s movie The Small Town. With minimal accompanying text, the book’s multi-layered story is told through stunning photographs aloneCeylan is the recipient of Honorary Heart Award at the 24th Sarajevo Film Festival. Turkey Cinemascope accompanied the exhibition of the same name in Sarajevo in August 2018. Nuri Bilge Ceylan's book is multi-layered storytold through breathtaking single imge spreads evoking the subtle emotion of everyday rural life in Turkey. His latest Winter Sleep received the Palme d’or, the highest prize awarded at the festival. Ceylan was shortlisted for the Palme d’or in 2018 for The Wild Pear Tree.  With minimal accompanying text, the book’s multi-layered story is told through photographs alone.   Turkey Cinemascope contains 100 panoramic photographs taken by Ceylan in various regions of rural Anatolia between 2003-2014. Nuri Bilge Ceylan has always attracted keen interest on the global scene. Turkey Cinemascope   

This book, the fourth in the series, provides a complete and extensively detailed history and filmography of the nine films released in CinemaScope by Warner Brothers during 1954, as obtained from contemporary reviews and news items published at the time by trade journals and movie fan magazines. Uniquely, most of this detailed information has never been published in book form.

This book, the fourth in the series, provides a complete and extensively detailed history and filmography of the nine films released in CinemaScope by Warner Brothers during 1954, as obtained from contemporary reviews and news items published at the time by trade journals and movie fan magazines. Uniquely, most of this detailed information has never been published in book form.

A.E.W. Mason's oft-filmed classic novel, the Four Feathers, gets it's first CinemaScope treatment in this dynamic adventure co-directed by Terence Young (Dr. No) and Zoltan Korda, who also helmed the famed 1939 version. Filmed and set in the Sudan, it tells of Harry Faversham (Anthony Steel, the Queens), one of a group of close friends in the British Regiment. When he abruptly resigns his commission, his friends and Fiance each give him a white feather: The symbol of cowardice. His struggle to

Filmed in CinemaScope, with the beautiful caribbean as the backdrop, two brothers attempt to solve the mystery of a missing ship. Jeff Richards and Richard Chamberlain star as the handsome brothers and also includes legendary star Peter Falk.

CinemaScope's first science-fiction thriller sees four intrepid astronauts (Hugh Marlowe, Nelson Leigh, Rod Taylor and Christopher Dark) successfully complete mankind's first Mars mission, only to run afoul of a warp in space. Tossed centuries into the future, they discover an Earth devastated by nuclear war, where mutant beast-men rule the surface. Underground is a society marked by listless males and lustful ladies (future- wear designed by Vargas!). Trapped in a tomorrow they never made, th

LP version. Stereo Total - Ah! Quel Cinma! An album title with not one, but two exclamation marks, meaning something akin to "what a palaver" as it primes the listener for songs like "Cinemascope". Themes such as personal injuries ("Ich Bin Cool"), betrayal ("Mes Copines"), personality deficiencies brought on by drug abuse ("Methedrine"), rage ("Hass-Satellit"), inflated opinions of oneself ("Brezel Says"), suicide ("Le Spleen"), grief ("Dancing With A Memory"), and souls in torment ("Elektrosc

In the 1950s, television pushed filmmakers toward such processes as CinemaScope and the increasing use of color. Serials and B Westerns were no longer money-makers and vanished, while the new breed of producers began to challenge the "censorship code," with more explicit movies. This comprehensive work provides full filmographic data on 3,078 American films of the 1950s. Each entry includes full cast and credits, songs, running time, alternate titles, availability on video, and a brief plot description.

André Bazin’s writings on cinema are among the most influential reflections on the medium ever written. Even so, his critical interests ranged widely and encompassed the “new media” of the 1950s, including television, 3D film, Cinerama, and CinemaScope. Fifty-seven of his reviews and essays addressing these new technologies―their artistic potential, social influence, and relationship to existing art forms―have been translated here for the first time in English with notes and an introduction by leading Bazin authority Dudley Andrew. These essays show Bazin’s astute approach to a range of visual media and the relevance of his critical thought to our own era of new media. An exciting companion to the essential What Is Cinema? volumes, André Bazin’s New Media is excellent for classroom use and vital for anyone interested in the history of media.

André Bazin’s writings on cinema are among the most influential reflections on the medium ever written. Even so, his critical interests ranged widely and encompassed the “new media” of the 1950s, including television, 3D film, Cinerama, and CinemaScope. Fifty-seven of his reviews and essays addressing these new technologies―their artistic potential, social influence, and relationship to existing art forms―have been translated here for the first time in English with notes and an introduction by leading Bazin authority Dudley Andrew. These essays show Bazin’s astute approach to a range of visual media and the relevance of his critical thought to our own era of new media. An exciting companion to the essential What Is Cinema? volumes, André Bazin’s New Media is excellent for classroom use and vital for anyone interested in the history of media.

In the 1950s, television pushed filmmakers toward such processes as CinemaScope and the increasing use of color. Serials and B Westerns were no longer money-makers and vanished, while the new breed of producers began to challenge the "censorship code," with more explicit movies. This comprehensive work provides full filmographic data on 3,078 American films of the 1950s. Each entry includes full cast and credits, songs, running time, alternate titles, availability on video, and a brief plot description.