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The second of two compilations of the organ sheet music singles originally published as the Cloister Voluntaries. Thirty-three popular favorites in one compendium. The first album is also available from this web site. Titles: Air from Water Music * All Through the Night * Allegretto from Symphony No. 7 * Andante in C * Aria from Orfeo * Auld Lang Syne * Bagatelle * Ballade * First Movement from Pathéthique Symphony * God Save the Queen * God So Loved the World * Jesu, Joy of Man's Desiring * Menuetto * O Rest in the Lord * Pastoral Symphony from Messiah * Poème * Sarabande from Holberg Suite * So Deep Is the Night * Steal Away * Tema * The Old Folks at Home * War March of the Priests.

Gift her an art-inspired floral scarf. This lush botanical print unites a selection of plant studies (ca. 1510-1515) by the Master of Claude de France, whose spectacular book at The Met Cloisters belongs to what's been called "the last flowering" of northern European manuscript illumination in the medieval tradition. The French artist immortalized garden variety flora, from the blackberry to the marigold, in witness to their beauty. Each of the flowers in this magnificent manuscript can be found in the gardens at The Cloisters. Click

The perfect Met Museum souvenir. The lush flowers on this artful rollerball pen are borrowed from the Master of Claude de France's spectacular book (ca. 1510-1515) at The Met Cloisters, which belongs to what's been called "the last flowering" of northern European manuscript illumination in the medieval tradition. The French artist immortalized garden variety flora, from the blackberry to the marigold, in witness to their beauty. Each of the flowers in this magnificent manuscript can be found in the gardens at The Cloisters.

Art jewelry inspired by The Met collection. A charming French portrayal of a fava bean (Vicia faba) springs to life with these botanical earrings. The original illustration by the Master of Claude de France is found in a spectacular book of flower studies (ca. 1510-1515), which belongs to what's been called "the last flowering" of northern European manuscript illumination in the medieval tradition. Each species in this magnificent manuscript was immortalized in witness to its beauty, and can be found in the gardens at The Met Cloisters, where the book is housed.

Gifts for art lovers, inspired by The Met collection. Piece by piece, this puzzle comes together to celebrate a medieval marvel. The Unicorn Rests in a Garden (1495-1505) is an iconic French and South Netherlandish textile belonging to the famous Unicorn Tapestries at The Met Cloisters. The beloved work depicts a unicorn resting in a garden enclosure beneath a pomegranate tree, enveloped by a millefleurs backdrop of richly symbolic plants. Click

An art tote bag, only from The Met. This lush botanical print unites a selection of plant studies (ca. 1510-1515) by the Master of Claude de France, whose spectacular book at The Met Cloisters belongs to what's been called "the last flowering" of northern European manuscript illumination in the medieval tradition. The French artist immortalized garden variety flora, from the blackberry to the marigold, in witness to their beauty. Each of the flowers in this magnificent manuscript can be found in the gardens at The Cloisters. Click

Christmas at the Cloisters Publisher: G. Schirmer, Inc. Credits/Composer: Voicing: SATB Inventory # : 50314840 ISBN: UPC: 884088209674 ...

This little volume introduces readers to a collection of cats who've made their homes in England's ecclesiastical sites and communities—from ancient ruins, like Fountains Abbey and Tintern, to active religious communities, like Prinknash Abbey and Iona. With captivating color photographs, quirky accounts of the cats' lives in and around the grounds, buildings, and gardens, and a "Quick Guide" to all the sites, this is just the book for cat lovers and visitors to England.

A collection of photographs depicting the carvings of the restored cloisters, with text reflecting on the meaning of each design and information about the flora and fauna of the Isle of Iona and beyond which most of the carvings represent. This use of symbols from the natural world reflects the close links of the early Celtic Christians with the land around them. Ewan Mathers, a frequent visitor to Iona since childhood, observed the newly rebuilt cloisters being transformed over thirty years from rough pillars of sandstone to a complete, unified work of art. From his own obsession with the carvings and conversations with their main creator, Chris Hall, has emerged the concept of cloisters as a labyrinth, the winding circular pathway of ancient mythology, the purpose of which was to effect a change of consciousness.

121, 24 S. Abb. Ein gutes und sauberes Exemplar. - Introduction to the history of the abbey of St.-Guilhem-le-Desert from its inception to the nineteenth Century -- Translocations of the cloister from St.-Guilhem-le-Desert in the nineteenth and twentieth centuries -- The building of The Cloisters: a combination of medieval tradition and modern architecture -- The "St.-Guilhem-Gallery" at The Cloisters as an example of a simulated two-story cloister -- Art historical analysis and arrangement of the elements from St.-Guilhem-le-Desert at The Cloisters -- Inventory of the architectural sculpture from St.-Guilhem-le-Desert kept at The Cloisters. ISBN 3895742007 Sprache: Englisch Gewicht in Gramm: 550 Mit zahlr. Abb. Fadengehefteter Originalpappband.

A unique, art-inspired gift. We've plucked these lush red corn poppies from a book of flower studies (ca. 1510-1515) by the Master of Claude de France. This spectacular book at The Met Cloisters belongs to what's been called "the last flowering" of northern European manuscript illumination in the medieval tradition. The French artist immortalized a selection of flora, including the corn poppy (Papaver rhoeas), pictured with a brown fly, in witness to their beauty. Each of the flowers in this magnificent manuscript can be found in the gardens at The Cloisters.

A reverent study of the monastic world assesses the meaning of the cloistered life in modern times, journeying through a liturgical year to capture the relevance and spiritual significance of the religious life.

The first of two compilations of the organ sheet music singles originally published as the Cloister Voluntaries. Twenty-two popular favorites in one compendium. The second album is also available from this web site - search 0571534724. Titles: A Happy and Harmonious Blacksmith (Air from Suite No. 5) * A Stronghold Sure * Adagio * Agnus Dei from Coronation Mass * Agnus Dei * Air * Albumleaf * Alleluia * Andante * Cantabile * Andante in G * Andantino (Ballade in F) * Aria from Magnificat * Ave Maria * Ave Verum Corpus * Bouree in G * Bridal March from Lohengrin * Come Sweet Death * Cradle Song * Home on the Range * La Golondrina * Largo from New World Symphony * Handel's Largo * March from Egmont * Melody in F * Minuet in G * Oh for the Wings of a Dove * Pilgrim's Chorus from Tannhauser * Sweet and Low * Swing Low, Sweet Chariot * The Crusaders * Londonderry Air * The Rose Wreath * The Prince of Denmark's March * Wedding March from A Midsummer Night's Dream.

Charles Reade was born in 1814 in England. He used his writings to attack the social injustices of his time. Before becoming a writer Reade studied for the bar and then sold violins. The Cloister and the Hearth written in 1861 is his best known work. This novel tells the story of Father Desiderius Erasmus. He is a man torn between religious celibacy and his romantic love for a woman forbidden to him.

Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

320 pages. 9.45x6.38x1.26 inches. In Stock.

First edition of this Facsimile of a Fourteenth Century Manuscript. 2 Volume set bound in tan cloth. Books are About Fine with a few tiny dust spots. Pictorial slipcase has rubbing along the edges but is quite sturdy & fairly clean. A Nice set without dust jackets, as issued.

Book by Elizabeth C. Parker, Charles T.Little

The Cloisters, a branch of The Metropolitan Museum of Art, is home to an extraordinary collection of art and architecture from medieval Europe. Praised after it opened in 1938 as "the crowning achievement of American museology," The Cloisters remains a triumph of design innovation. Incorporated into the very fabric of the building are portions of five medieval French cloisters and many other monuments arranged in an environment that thoughtfully evokes the grand religious spaces and domestic interiors of the Middle Ages. More than 125 highlights of The Cloisters are presented here, beginning with some of the earliest pieces in the collection, from about A.D. 800, and finishing with later works that foretell the arrival of the Renaissance in western Europe. By surveying these elaborate tapestries, delicate carvings, and other objects in roughly the historical sequence in which they were created, we glimpse the evolving styles and artistic traditions of the Middle Ages and gain a more meaningful understanding of the contexts in which many of them appeared. Among the masterpieces on display at The Cloisters are the famed Unicorn Tapestries, the richly carved twelfth-century ivory cross associated with the abbey of Bury St. Edmunds, known as the "Cloisters Cross," the exquisite triptych by the Netherlandish painter Robert Campin, and many fine examples of manuscript illumination, enameling, metalwork, and stained glass. Complete with digital color photography, map, floor plan, and glossary, The Cloisters: Medieval Art and Architecture is a contemporary guide that will reward students and enthusiasts of the Middle Ages as well as visitors seeing the Museum for the first time.

The twelfth-century English Cloisters Cross, now in the Metropolitan Museum of Art in New York, is one of only three complete medieval ivory crosses extant. This comprehensive study examines the history of the cross, its complex and ornate iconography, its function, liturgical context and intellectual setting. The authors also examine the cross's possible theological and artistic connections with the abbey of Bury St. Edmunds, and its place in English Romanesque art.