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Scholarly investigation of devotional images from the medieval period has never explored, in a European context, the question of Marian paintings functioning as portable relics. The model of the picture-reliquary: a single, diptych, or triptych panel comprising the portrait of the Virgin and Child painted on wood (or, more rarely, on gilded glass, verre eglomise) set in a large framework encrusted with relics (occasionally with precious stones) was particularly widespread in the territory of Little Poland from c. 1420. Polish reliquaries, known until the beginning of the sixteenth century, should be considered as an adaptation of iconic types and forms of Byzantine provenance, which were reinterpreted in the painting of the Italian Trecento. Of particular note is the Siennese model of the portable Marian altar piece made popular from the 1330s-40s. From the comparative study of the works, concerning their similarities and their antiquity, one envisages the advent of such a formal concept in Poland either directly from Italy, or by the intermediary of Bohemia. The diffusion of picture-reliquaries, typical of Tuscan art, forms part of the general movement toward a renewal of piety in central Europe in the fifteenth century, the devotio moderna. As a result, alongside singular representations, especially venerated in the course of liturgical or paraliturgical offices, one sees less costly reliquaries spread in private space. Appreciated in the intimate setting of convents - Franciscan and Dominican - as well as that of the daily life of the laity, these relics were used as domestic altars or as folding altars for travel. These images of religious affection constitute an artistic phenomenon of the late Middle Ages. And, several similar reliquaries known later do not guarantee a veritable continuity of the ancient model to the modern era.

Three poems written under the pseudonym of H.D. Carr each with an original compositions by Auguste Rodin. Limited & Numbered Edition (No 253 of 500 copies). Facsimile Edition. Neptune Press, London 1976. illus 48pp pamphlet, covers faded down spine, vg

Scholarly investigation of devotional images from the medieval period has never explored, in a European context, the question of Marian paintings functioning as portable relics. The model of the picture-reliquary: a single, diptych, or triptych panel comprising the portrait of the Virgin and Child painted on wood (or, more rarely, on gilded glass, verre eglomise) set in a large framework encrusted with relics (occasionally with precious stones) was particularly widespread in the territory of Little Poland from c. 1420. Polish reliquaries, known until the beginning of the sixteenth century, should be considered as an adaptation of iconic types and forms of Byzantine provenance, which were reinterpreted in the painting of the Italian Trecento. Of particular note is the Siennese model of the portable Marian altar piece made popular from the 1330s-40s. From the comparative study of the works, concerning their similarities and their antiquity, one envisages the advent of such a formal concept in Poland either directly from Italy, or by the intermediary of Bohemia. The diffusion of picture-reliquaries, typical of Tuscan art, forms part of the general movement toward a renewal of piety in central Europe in the fifteenth century, the devotio moderna. As a result, alongside singular representations, especially venerated in the course of liturgical or paraliturgical offices, one sees less costly reliquaries spread in private space. Appreciated in the intimate setting of convents - Franciscan and Dominican - as well as that of the daily life of the laity, these relics were used as domestic altars or as folding altars for travel. These images of religious affection constitute an artistic phenomenon of the late Middle Ages. And, several similar reliquaries known later do not guarantee a veritable continuity of the ancient model to the modern era.

Regina Coeli Scene And Prayer Full S A & B Latin & English from Cavalleria Rusticana Publisher: G SCHIRMER, INC Credits/Composer: Voi...

This Title Comes In Quantities Of Five (5) Copies(1 Order=5 Copies) Missa Regina Coeli Author: Hopkins Publisher: Boosey & Hawkes Cat...

This Title Comes In Quantities Of Five (5) Copies(1 Order=5 Copies) Regina Coeli Publisher: Hal Leonard Category: Choral Series: Treasury ...

Composer: Jean-Joseph de Mondonville Coeli enarrant gloriam Dei (Grand Motets, Vol. 3) Publisher: Editions Salabert Category: Classical Series...

Regina Coeli Publisher: Hinshaw Music Category: Church Music Series: Hinshaw Music Format: Softcover German composer Peter Von Winter dates ...

Rorando Coeli Composer: Jan Campanus Vodnansky Jan Campanus Vodnansky Publisher: Alliance Music Publications Category: Choral Series: Allianc...

Psaume Xviii, Op.47 'coeli Enarrant Gloriam Dei' (organ) Composer: Marcel Dupr Item# 48184707 Sheet Music

Laudate Coeli Dominum - Full Score and Parts Publisher: Hinshaw Music Category: Church Music Series: Hinshaw Sacred Format: Octavo Includes:...

Regina Coeli Arranger: Peter von Winter Peter von Winter/arr. Martin Banner Publisher: Hinshaw Music Category: Church Music Series: Hinshaw M...

Regina Coeli Artist: Bohuslav Czernohorsky arr. Joel Blahnik Publisher: Alliance Music Publications Category: Choral Series: Alliance Series ...

Lista de canciones:Disco 11. Jubilate, Alleluia2. Bless The Lord3. Jesus Le Christ4. Alleluia (Zagorsk)5. Nada Te Turbe6. Veni Sancte Spiritus7. Venite Exultemus8. Beati Voi Poveri9. Wyslawiajcie Pana10. Mon Ame Se Repose11. Alleluia 2012. Kyrie I13. Jubilate Coeli14. Bogoroditse Dievo15. Singt Dem herrn16. In The Lord (El Senyor)17. In Manus Tuas Pater18. Ubi Caritas Deus Ibi Est19. Benissez Le Seigneur