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Few expected politician Abraham Lincoln and Congregational minister Owen Lovejoy to be friends when they met in 1854. One was a cautious lawyer who deplored abolitionists' flouting of the law, the other an outspoken antislavery activist who captained a stop on the Underground Railroad. Yet the two built a relationship that, in Lincoln's words, "was one of increasing respect and esteem."   In Collaborators for Emancipation: Abraham Lincoln and Owen Lovejoy, the authors examine the thorny issue of the pragmatism typically ascribed to Lincoln versus the radicalism of Lovejoy, and the role each played in ending slavery. Exploring the men's politics, personal traits, and religious convictions, the book traces their separate paths in life as well as their frequent interactions. Collaborators for Emancipation shows how Lincoln and Lovejoy influenced one another and analyzes the strategies and systems of belief each brought to the epic controversies of slavery versus abolition and union versus disunion.   Moore and Moore, editors of a previous volume of Lovejoy's writings, use their deep knowledge of his words and life to move beyond mere politics to a nuanced perspective on the fabric of religion and personal background that underlay the minister's worldview. Their multifaceted work of history and biography reveals how Lincoln embraced the radical idea of emancipation, and how Lovejoy shaped his own radicalism to wield the pragmatic political tools needed to reach that ultimate goal.

Together with senior Carabinieri investigator Mario Castrolami, she unwittingly sets into motion a terrifying and unpredictable series of events. Gerald Seymour brings to The Collaborator the same irresistibly compelling storytelling that made his previous books, among them the bestselling Harry's Game and The Walking Dead, stunningly gripping and nuanced thrillers. Seymour has created a heart-stopping plot immersed in the Camorra's violent underbelly of crime and double- dealing that extends far beyond Italy's shores.

Omar Yussef, a history teacher at a UN school in the West Bank, manages to stay away from all the violence surrounding him, until a former pupil, George Saba, a Palestinian Christian accused of collaborating with the Israelis, is charged with murder, and Omar, unable to believe in his guilt, decides to investigate the case for himself. A first novel. Reprint.

Few expected politician Abraham Lincoln and Congregational minister Owen Lovejoy to be friends when they met in 1854. One was a cautious lawyer who deplored abolitionists' flouting of the law, the other an outspoken antislavery activist who captained a stop on the Underground Railroad. Yet the two built a relationship that, in Lincoln's words, "was one of increasing respect and esteem."   In Collaborators for Emancipation: Abraham Lincoln and Owen Lovejoy, the authors examine the thorny issue of the pragmatism typically ascribed to Lincoln versus the radicalism of Lovejoy, and the role each played in ending slavery. Exploring the men's politics, personal traits, and religious convictions, the book traces their separate paths in life as well as their frequent interactions. Collaborators for Emancipation shows how Lincoln and Lovejoy influenced one another and analyzes the strategies and systems of belief each brought to the epic controversies of slavery versus abolition and union versus disunion.   Moore and Moore, editors of a previous volume of Lovejoy's writings, use their deep knowledge of his words and life to move beyond mere politics to a nuanced perspective on the fabric of religion and personal background that underlay the minister's worldview. Their multifaceted work of history and biography reveals how Lincoln embraced the radical idea of emancipation, and how Lovejoy shaped his own radicalism to wield the pragmatic political tools needed to reach that ultimate goal.

“Matt Beynon Rees has taken a complex world of culture clash and suspicion and placed upon it humanity.” —David Baldacci, author of The Camel Club “A beautifully written story. I have walked the streets of Bethlehem with Omar Yussef, smelled the dust and the fear, tasted his food, shared his anger and his hope. His decency is a light in the gloom. I shall not forget him.” —Anne Perry, author of Dark Assassin “The Collaborator of Bethlehem is the best—and the rarest—sort of mystery: exciting and compelling, but it is also a deeply moving story that will, for many readers, shed much needed light on the conditions in the Palestinian territories. Matt Beynon Rees’s ability to blend the political and the emotional is reminiscent of Graham Greene.” —David Liss, author of The Ethical Assassin “Omar Yussef has everything I admire in a detective: humility, humanity, a great faith in the power of knowledge and a few bad habits too!” —Barbara Nadel, author of The Ottoman Cage For decades, Omar Yussef has been a teacher of history to the children of Bethlehem. When a favorite former pupil, George Saba, a member of the Palestinian Christian minority, is arrested for collaborating with the Israelis in the killing of a Palestinian guerrilla, Omar is sure he has been framed. If George is not cleared, he faces imminent execution. Then the wife of the dead man, also one of Omar Yussef’s former pupils, is murdered, possibly raped. When he begins to suspect the head of the Bethlehem al-Aqsa Martyrs Brigades is the true collaborator, Omar and his family are threatened. But as no one else is willing to stand up to the violent Martyrs Brigades men, who hold the real power in the town, it is up to him to investigate.

On February 6, 1945, Robert Brasillach was executed for treason by a French firing squad. He was a writer of some distinction—a prolific novelist and a keen literary critic. He was also a dedicated anti-Semite, an acerbic opponent of French democracy, and editor in chief of the fascist weekly Je Suis Partout, in whose pages he regularly printed wartime denunciations of Jews and resistance activists. Was Brasillach in fact guilty of treason? Was he condemned for his denunciations of the resistance, or singled out as a suspected homosexual? Was it right that he was executed when others, who were directly responsible for the murder of thousands, were set free? Kaplan's meticulous reconstruction of Brasillach's life and trial skirts none of these ethical subtleties: a detective story, a cautionary tale, and a meditation on the disturbing workings of justice and memory, The Collaborator will stand as the definitive account of Brasillach's crime and punishment. A National Book Award Finalist A National Book Critics Circle Award Finalist "A well-researched and vivid account."—John Weightman, New York Review of Books "A gripping reconstruction of [Brasillach's] trial."—The New Yorker "Readers of this disturbing book will want to find moral touchstones of their own. They're going to need them. This is one of the few works on Nazism that forces us to experience how complex the situation really was, and answers won't come easily."—Daniel Blue, San Francisco Chronicle Book Review "The Collaborator is one of the best-written, most absorbing pieces of literary history in years."—David A. Bell, New York Times Book Review "Alice Kaplan's clear-headed study of the case of Robert Brasillach in France has a good deal of current-day relevance. . . . Kaplan's fine book . . . shows that the passage of time illuminates different understandings, and she leaves it to us to reflect on which understanding is better."—Richard Bernstein, The New York Times

An empire invites local collaborators in the making and sustenance of its colonies. Between 1896 and 1910, Japan's project to colonize Korea was deeply intertwined with the movements of reform-minded Koreans to solve the crisis of the Choson dynasty (1392–1910). Among those reformers, it was the Ilchinhoe (Advance in Unity Society)―a unique group of reformers from various social origins―that most ardently embraced Japan's discourse of "civilizing Korea" and saw Japan’s colonization as an opportunity to advance its own "populist agendas." The Ilchinhoe members called themselves "representatives of the people" and mobilized vibrant popular movements that claimed to protect the people’s freedom, property, and lives. Neither modernist nor traditionalist, they were willing to sacrifice the sovereignty of the Korean monarchy if that would ensure the rights and equality of the people.Both the Japanese colonizers and the Korean elites disliked the Ilchinhoe for its aggressive activism, which sought to control local tax administration and reverse the existing power relations between the people and government officials. Ultimately, the Ilchinhoe members faced visceral moral condemnation from their fellow Koreans when their language and actions resulted in nothing but assist the emergence of the Japanese colonial empire in Korea. In Populist Collaborators, Yumi Moon examines the vexed position of these Korean reformers in the final years of the Choson dynasty, and highlights the global significance of their case for revisiting the politics of local collaboration in the history of a colonial empire.

Take more than forty years of partnering celebrated soloists in concerts all over the world, add nearly thirty years of teaching the art of accompanying, and you have the qualifications for such an audacious title as The Complete Collaborator. All the tools for understanding and executing first-class collaborative piano are here, paired with audio recordings of many of the musical examples performed by the author himself, along with two vocalists, on a companion website. The obvious topics: breathing, languages, flexibility, and creating a collaborative atmosphere are discussed at length, articulated clearly for the curious novice and proving beneficial even for the experienced professional. In addition, two significant chapters deal with orchestral accompaniment, reflecting today's requirements for any professional accompanist. Oft-neglected details such as beginning a piece together, telling stories with piano solos, tuning, and balance between the players are also covered herein. Dubbed the "Dean of Accompanists" by the Los Angeles Times, this teacher of sold-out masters' classes presents his material clearly and incisively, but always with the humor and wit for which he is known. Whether it be read by the curious novice, the amateur who wants to accompany as best he can, or the experienced professional seeking confirmation or a new look at the role of any partner, Martin Katz's The Complete Collaborator is all one needs.

Take more than forty years of partnering celebrated soloists in concerts all over the world, add nearly thirty years of teaching the art of accompanying, and you have the qualifications for such an audacious title as The Complete Collaborator. All the tools for understanding and executing first-class collaborative piano are here, paired with audio recordings of many of the musical examples performed by the author himself, along with two vocalists, on a companion website. The obvious topics: breathing, languages, flexibility, and creating a collaborative atmosphere are discussed at length, articulated clearly for the curious novice and proving beneficial even for the experienced professional. In addition, two significant chapters deal with orchestral accompaniment, reflecting today's requirements for any professional accompanist. Oft-neglected details such as beginning a piece together, telling stories with piano solos, tuning, and balance between the players are also covered herein. Dubbed the "Dean of Accompanists" by the Los Angeles Times, this teacher of sold-out masters' classes presents his material clearly and incisively, but always with the humor and wit for which he is known. Whether it be read by the curious novice, the amateur who wants to accompany as best he can, or the experienced professional seeking confirmation or a new look at the role of any partner, Martin Katz's The Complete Collaborator is all one needs.

1989 Stated First Editon Hardcover with Jacket. Jacket Has Slight Curling Book Has Foxing to Outer Edges Top of Pages . Otherwise Clean

Take more than forty years of partnering celebrated soloists in concerts all over the world, add nearly thirty years of teaching the art of accompanying, and you have the qualifications for such an audacious title as The Complete Collaborator. All the tools for understanding and executing first-class collaborative piano are here, paired with audio recordings of many of the musical examples performed by the author himself, along with two vocalists, on a companion website. The obvious topics: breathing, languages, flexibility, and creating a collaborative atmosphere are discussed at length, articulated clearly for the curious novice and proving beneficial even for the experienced professional. In addition, two significant chapters deal with orchestral accompaniment, reflecting today's requirements for any professional accompanist. Oft-neglected details such as beginning a piece together, telling stories with piano solos, tuning, and balance between the players are also covered herein. Dubbed the "Dean of Accompanists" by the Los Angeles Times, this teacher of sold-out masters' classes presents his material clearly and incisively, but always with the humor and wit for which he is known. Whether it be read by the curious novice, the amateur who wants to accompany as best he can, or the experienced professional seeking confirmation or a new look at the role of any partner, Martin Katz's The Complete Collaborator is all one needs.

An empire invites local collaborators in the making and sustenance of its colonies. Between 1896 and 1910, Japan's project to colonize Korea was deeply intertwined with the movements of reform-minded Koreans to solve the crisis of the Choson dynasty (1392–1910). Among those reformers, it was the Ilchinhoe (Advance in Unity Society)―a unique group of reformers from various social origins―that most ardently embraced Japan's discourse of "civilizing Korea" and saw Japan’s colonization as an opportunity to advance its own "populist agendas." The Ilchinhoe members called themselves "representatives of the people" and mobilized vibrant popular movements that claimed to protect the people’s freedom, property, and lives. Neither modernist nor traditionalist, they were willing to sacrifice the sovereignty of the Korean monarchy if that would ensure the rights and equality of the people.Both the Japanese colonizers and the Korean elites disliked the Ilchinhoe for its aggressive activism, which sought to control local tax administration and reverse the existing power relations between the people and government officials. Ultimately, the Ilchinhoe members faced visceral moral condemnation from their fellow Koreans when their language and actions resulted in nothing but assist the emergence of the Japanese colonial empire in Korea. In Populist Collaborators, Yumi Moon examines the vexed position of these Korean reformers in the final years of the Choson dynasty, and highlights the global significance of their case for revisiting the politics of local collaboration in the history of a colonial empire.

In Priest, Politician, Collaborator, James Mace Ward offers the first comprehensive and scholarly English-language biography of the Catholic priest and Slovak nationalist Jozef Tiso (1887–1947). The first president of an independent Slovakia, established as a satellite of Nazi Germany, Tiso was ultimately hanged for treason and (in effect) crimes against humanity by a postwar reunified Czechoslovakia. Drawing on extensive archival research, Ward portrays Tiso as a devoutly religious man who came to privilege the maintenance of a Slovak state over all other concerns, helping thus to condemn Slovak Jewry to destruction. Ward, however, refuses to reduce Tiso to a mere opportunist, portraying him also as a man of principle and a victim of international circumstances. This potent mix, combined with an almost epic ability to deny the consequences of his own actions, ultimately led to Tiso’s undoing.Tiso began his career as a fervent priest seeking to defend the church and pursue social justice within the Kingdom of Hungary. With the breakup of Austria-Hungary in 1918 and the creation of a Czechoslovak Republic, these missions then fused with a parochial Slovak nationalist agenda, a complex process that is the core narrative of the book. Ward presents the strongest case yet for Tiso’s heavy responsibility in the Holocaust, crimes that he investigates as an outcome of the interplay between Tiso’s lifelong pattern of collaboration and the murderous international politics of Hitler’s Europe. To this day memories of Tiso divide opinion within Slovakia, burdening the country’s efforts to come to terms with its own history. As portrayed in this masterful biography, Tiso’s life not only illuminates the history of a small state but also supplies a missing piece of the larger puzzle that was interwar and wartime Europe.

The Director as Collaborator teaches essential directing skills while emphasizing how directors and theater productions benefit from collaboration. Good collaboration occurs when the director shares responsibility for the artistic creation with the entire production team, including actors, designers, stage managers, and technical staff. Leadership does not preclude collaboration; in theater, these concepts can and should be complementary. Students will develop their abilities by directing short scenes and plays and by participating in group exercises. New to the second edition: updated interviews, exercises, forms, and appendices new chapter on technology including digital research, previsualization and drafting programs, and web-sharing sites new chapter on devised and ensemble-based works new chapter on immersive theater, including material and exercises on environmental staging and audience–performer interaction

A great historian explains how Napoleon forged a dictatorship and explores the dilemmas of collaboration, personal and political. The Eighteenth Brumaire, November 9, 1799: with France in political and economic turmoil, a group of disaffected politicians enlisted the talented general Napoleon Bonaparte to lead a coup d'etat and establish "confidence from below, authority from above." This is the story of how Napoleon managed his ascent from general of the Republic and first consul to dictator and conqueror of Europe. Napoleon did not vault into the imperial throne but moved toward dictatorship gradually; each assertion of new power came gilded with a veneer of legality and a rhetoric of commitment to the ideals of 1789. In this fashion Napoleon not only gained the upper hand over his partners of Brumaire but also retained their loyalty and services going forward. Far from shunting aside those collaborators, he put them to use in ways that satisfied their most emphatic needs: political security, material self-interest, social status, and the opportunity for high-level public service. Ten black-and-white illustrations

251 pages including an index and many photographs

In Priest, Politician, Collaborator, James Mace Ward offers the first comprehensive and scholarly English-language biography of the Catholic priest and Slovak nationalist Jozef Tiso (1887–1947). The first president of an independent Slovakia, established as a satellite of Nazi Germany, Tiso was ultimately hanged for treason and (in effect) crimes against humanity by a postwar reunified Czechoslovakia. Drawing on extensive archival research, Ward portrays Tiso as a devoutly religious man who came to privilege the maintenance of a Slovak state over all other concerns, helping thus to condemn Slovak Jewry to destruction. Ward, however, refuses to reduce Tiso to a mere opportunist, portraying him also as a man of principle and a victim of international circumstances. This potent mix, combined with an almost epic ability to deny the consequences of his own actions, ultimately led to Tiso’s undoing.Tiso began his career as a fervent priest seeking to defend the church and pursue social justice within the Kingdom of Hungary. With the breakup of Austria-Hungary in 1918 and the creation of a Czechoslovak Republic, these missions then fused with a parochial Slovak nationalist agenda, a complex process that is the core narrative of the book. Ward presents the strongest case yet for Tiso’s heavy responsibility in the Holocaust, crimes that he investigates as an outcome of the interplay between Tiso’s lifelong pattern of collaboration and the murderous international politics of Hitler’s Europe. To this day memories of Tiso divide opinion within Slovakia, burdening the country’s efforts to come to terms with its own history. As portrayed in this masterful biography, Tiso’s life not only illuminates the history of a small state but also supplies a missing piece of the larger puzzle that was interwar and wartime Europe.

The Director as Collaborator teaches essential directing skills while emphasizing how directors and theater productions benefit from collaboration. Good collaboration occurs when the director shares responsibility for the artistic creation with the entire production team, including actors, designers, stage managers, and technical staff. Leadership does not preclude collaboration; in theater, these concepts can and should be complementary. Students will develop their abilities by directing short scenes and plays and by participating in group exercises. New to the second edition: updated interviews, exercises, forms, and appendices new chapter on technology including digital research, previsualization and drafting programs, and web-sharing sites new chapter on devised and ensemble-based works new chapter on immersive theater, including material and exercises on environmental staging and audience–performer interaction