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An alphabetically arranged list of approximately 5,000 settlers and their families, this work contains the names of all persons mentioned in the records of the Commonwealth of Massachusetts between 1620 and 1650 and in the various passenger lists for the period. Information given in the genealogical and biographical notices includes--where known--dates of arrival in America, occupations, estates, marriages, names and dates of birth of children, and abstracts of probated wills--embodying genealogical riches such as names, dates, heirs, family relationships, and places of residence and death.

Attempts to identify all the men who came to Massachusetts between 1620 and 1650, a period of enormous influx, and to follow them down to the time of their death with a genealogical sketch.

Exceptional contemporaneous convex wooden structure storage sideboard cabinet with adjustable two shelves. All the doors are soft-close, with a luxurious high-quality gray frame finish. A prominent parametric beveled white appearance gives a stunning feeling with symmetry and radiance. The base and hinge are all finished in high-quality stainless steel. Irregular geometric texture Large storage space Adjustable shelf Buffered hinge

Digitally remastered and expanded three CD edition. Soundtracks for the Blind (1996) was Swans last studio album prior to their 2010 reformation. This set features a repackage of the original digipak for the 1996 Atavistic release plus a bonus disc of the contemporaneous Die Tr Ist Zu EP (a German language version of some of the material from Soundtracks that also includes unique material). "This album has everything in there - all the ideas from Swans' initial 15 years of work. There's some c

This book presents a sixteenth-century Philippine ethnography based on contemporaneous sources. It does not attempt to reconstruct that society by consideration of present Philippine societies, or of features believed to be common to all Austronesian peoples. Nor does it seek similarities with neighboring cultures in Southeast Asia, though the raw data presented should be of use to scholars who might wish to do so. Rather it seeks to answer the question: What did the Spaniards actually say about the Filipino people when they first met them? It is hoped that the answer to that question will permit Filipino readers today to pay a vicarious visit to the land of their ancestors four centuries ago.Part 1 describes Visayan culture in eight chapters on physical appearance, food and farming, trades and commerce, religion, literature and entertainment, natural science, social organization, and warfare. Part 2 surveys the rest of the archipelago from south to north.

Claude Rawson examines the evolution of satirical writing in the period 1660-1830. In a sequence of linked chapters, some new and others revised substantially from earlier articles, he focuses on English writers from Rochester to Austen, both within a contemporaneous European context and as part of a tradition deriving from classical and 16th-century Humanist predecessors (Homer, Virgil, Erasmus, Montaigne) and leading to later writers like Flaubert and Yeats. Within the period 1660-1830 satire moved from an unusually dominant position to a relatively modest one, softened by the cult of "sensibility" or "sentiment". The transition was connected with large social and cultural changes culminating in the French Revolution. Rawson's method is to concentrate on stress points, on evasions and internal contradictions, and on continuities and discontinuities with earlier and later periods and with literatures and modes of thought outside Britain.

The pregnant, birthing, and nurturing body is a recurring topos in early modern French literature. Such bodies, often metaphors for issues and anxieties obtaining to the gendered control of social and political institutions, acquired much of their descriptive power from contemporaneous medical and scientific discourse. In this study, Kirk Read brings together literary and medical texts that represent a range of views, from lyric poets, satirists and polemicists, to midwives and surgeons, all of whom explore the popular sixteenth- and early seventeenth-century narratives of birth in France. Although the rhetoric of birthing was widely used, strategies and negotiations depended upon sex and gender; this study considers the male, female, and hermaphroditic experience, offering both an analysis of women's experiences to be sure, but also opening onto the perspectives of non-female birthers and their place in the social and political climate of early modern France. The writers explored include Rabelais, Madeleine and Catherine Des Roches, Louise Boursier, Pierre de Ronsard, Pierre Boaistuau and Jacques Duval. Read also explores the implications of the metaphorical use of reproduction, such as the presentation of literary work as offspring and the poet/mentor relationship as that of a suckling child. Foregrounded in the study are the questions of what it means for women to embrace biological and literary reproduction and how male appropriation of the birthing body influences the mission of creating new literary traditions. Furthermore, by exploring the cases of indeterminate birthing entities and the social anxiety that informs them, Read complicates the binarisms at work in the vexed terrain of sexuality, sex, and gender in this period. Ultimately, Read considers how the narrative of birth produces historical conceptions of identity, authority, and gender.

California is a contentious arena for the study of the Native American past. Some critics say genocide characterized the early conduct of Indian affairs in the state; others say humanitarian concerns. Robert F. Heizer, in the former camp, has compiled a damning collection of contemporaneous accounts that will provoke students of California history to look deeply into the state's record of race relations and to question bland generalizations about the adventuresome days of the Gold Rush.

From DJ flap - This chronicle of the perseverance, triumph and tragedy of the first mountaineers offers both inspiration and example. Anecdotes and firsthand accounts, taken from letters, journals and contemporaneous articles, trace the geography of spirit and will of those who first explored the range. An important tool for those planning expedition to this harsh land of austere grandeur. (Description by http-mart)

The exhibition catalogued here explores the pictorial and cultural manifestations of the 19th century female affliction known as "neurasthenia." Along with reproductions of paintings of upper-class women in apparent nervous or melancholy states, the exhibit contains contemporaneous prints and advertising images of women at work and play. The essays address such topics as neurasthenia then and now, the aesthetics of repose, and the emergence of the Gibson Girl. The publisher is the Iris & B. Gerald Cantor Center for the Visual Arts at Stanford University. Annotation ©2004 Book News, Inc., Portland, OR (booknews.com)

LP version. Clear vinyl; Edition of 300. The two staples of Polish electronica are on it again. Mirt and TER, after solo releases are back together with their next offering. Culled from hours of "live-in-the-studio" improvisation, these 45 minutes stand out among the contemporaneous albums with a one-of-a-kind mix of post-ambient electronica having as diverse roots as techno, minimal music, krautrock electronica, and Afro-beat. Based on sounds created with modular synthesizers with a dash of Pro

Digitally remastered and expanded four vinyl LP pressing. Soundtracks for the Blind (1996) was Swans last studio album prior to their 2010 reformation. This set features a repackage of the original digipak for the 1996 Atavistic release plus a bonus disc of the contemporaneous Die Tr Ist Zu EP (a German language version of some of the material from Soundtracks that also includes unique material). "This album has everything in there - all the ideas from Swans' initial 15 years of work. There's

This volume documents the House of the Narkomfin, built (or “montaged,” as the Constructivist architect Moisej J. Ginzburg (1986–1946) preferred to call it) between 1928 and 1931. It is therefore contemporaneous with Le Corbusier’s Villa Savoye, as well as with Le Corbusier’s visit to Moscow. But the Narkomfin is more than a housing block with a recognizable style. It is the converging point of the history of Constructivism, where purposefully reassembled functional spaces were given an active role in transforming everyday social life. It is also the zenith of five years of intensive experimentation under Soviet Russian government sponsorship, from 1926 and 1930, with new ways of dwelling, boasting emancipatory social relationships for women in particular.Intended for the working class, these industrialized dwelling types sought ways to raise numbers without sacrificing quality. Widely transcending the confines of Soviet architectural practice itself, the Narkomfin anticipated by 20 years Le Corbusier's own experimental housing block in Marseille, which resulted directly from his visit to Moscow in 1928. The Narkomfin was also the last building Ginzburg’s Society of Contemporary Architects (OSA) built with its team of brilliant young professionals, trained at the VHUTEMAS (the Soviet Bauhaus). The 1930 Bolshevik Central Committee decree condemned the experimentation as “phantasies that would alienate people from the very idea of Socialism.”

Among Asian languages, Tibetan is second only to Chinese in the depth of its historical record, with texts dating back as far as the eighth and ninth centuries, written in an alphabetic script that preserves the contemporaneous phonological features of the language. The Classical Tibetan Language is the first comprehensive description of the Tibetan language and is distinctive in that it treats the classical Tibetan language on its own terms rather than by means of descriptive categories appropriate to other languages, as has traditionally been the case. Beyer presents the language as a medium of literary expression with great range, power, subtlety, and humor, not as an abstract object. He also deals comprehensively with a wide variety of linguistic phenomena as they are actually encountered in the classical texts, with numerous examples of idioms, common locutions, translation devices, neologisms, and dialectal variations."Beyer's work is the first grammar of classical literary Tibetan that adopts a genuinely fresh approach to the language, abandoning the tired (and often inaccurate) conventions of Indo-European grammar that dominate the available textbooks. Though some of his conclusions and assertions may be controversial, Beyer forces us to think about the distinctive features of Tibetan in a challenging and animated fashion. His many examples, drawn from all branches of the literature, are superb."The fields of Buddhist Studies, Asian History, and Comparative Literature have all suffered as a result of the limited access to Tibetan primary sources. Beyer's book will significantly contribute to rectifying this state of affairs." Matthew Kapstein, Columbia University

From the preeminent historian of Europe in the eighteenth and nineteenth centuries comes a superb, concise account of a cultural upheaval that still shapes sensibilities today. Long overshadowed by the contemporaneous American, French, and Industrial revolutions, the Romantic Revolution finally receives its due in Tim Blanning’s bold and brilliant work.A rebellion against the rationality of the Enlightenment, a rejection of “the Academy” in favor of public opinion, Romanticism was a profound shift in expression that altered the arts and ushered in modernity, even as it championed a return to the intuitive and the primitive. Blanning describes its beginnings in Rousseau’s novel La Nouvelle Héloïse, the biggest bestseller of the eighteenth century, a work that placed the creator—and not the created—at the center of aesthetic activity and led to the virtual worship of creative geniuses by the general public. Blanning reveals the glamorizing of artistic madness and suicide in Goethe’s novel The Sufferings of Young Werther and the ballet Giselle; the role of sex as a psychological force in Friedrich Schlegel’s novel Lucinde; the importance of mind-altering drugs to the fictional protagonist of Confessions of an English Opium Eater and to the composer Hector Berlioz in his Symphonie fantastique; and the use of naïve, dreamlike imagery in Goya’s paintings of monsters, devils, and witches.Whether it was the new notion of “sex appeal” in the fames of Paganini, Liszt, and Byron, or the celebration of accessible storytelling in the novels of Walter Scott (the most popular writer of the day), The Romantic Revolution unearths the origins of ideas now commonplace in our culture. It is the best introduction to an essential time whose influence would far outlast the mechanistic “age of the railway” that, in the mid-nineteenth century, replaced it.

A landmark study, based on thousands of music-related references mined by the authors from a variety of contemporaneous sources, especially African American community newspapers, Out of Sight examines musical personalities, issues, and events in context. It confronts the inescapable marketplace concessions musicians made to the period's prevailing racist sentiment. It describes the worldwide travels of jubilee singing companies, the plight of the great black prima donnas, and the evolution of "authentic" African American minstrels. Generously reproducing newspapers and photographs, Out of Sight puts a face on musical activity in the tightly knit black communities of the day.Drawing on hard-to-access archival sources and song collections, the book is of crucial importance for understanding the roots of ragtime, blues, jazz, and gospel. Essential for comprehending the evolution and dissemination of African American popular music from 1900 to the present, Out of Sight paints a rich picture of musical variety, personalities, issues, and changes during the period that shaped American popular music and culture for the next hundred years.

This edition has been called ‘startlingly up-to-date’, and in this corrected second printing you can be sure that it’s even more contemporaneous. It surveys from a unified point of view both the modern state and the trends of continuing development in various branches of number theory. Illuminated by elementary problems, the central ideas of modern theories are laid bare. Some topics covered include non-Abelian generalizations of class field theory, recursive computability and Diophantine equations, zeta- and L-functions. This substantially revised and expanded new edition contains several new sections, such as Wiles' proof of Fermat's Last Theorem, and relevant techniques coming from a synthesis of various theories.

The Early Formative Olmec are central in a wide variety of debates regarding the development of Mesoamerican societies. A fundamental issue in Olmec archaeology is the nature of interregional interaction among contemporaneous societies and the possible Olmec role in it. Previous debates have often not been informed by recent research and data, often relying on materials lacking archaeological context. In order to approach these issues from new perspectives, this book introduces readers to the full spectrum of the material culture of the Olmec and their contemporaries, relying primarily on archaeological data, much of which has not been previously published. For the first time, using a standard lexicon to consider the nature of the interaction among Early Formative societies, the authors, experts in diverse regions of Mesoamerican art and archaeology, provide carefully considered contrasts and comparisons that advance the understanding of the Early Formative origins of social complexity in Mesoamerica.

Understanding the Gospels as Ancient Jewish Literature places the Gospels in the context of contemporaneous Greco-Roman Jewish texts (4th cent. BC-3rd cent. AD), a collection that includes the Dead Sea Scrolls and the literature of the early Rabbis. While decades of research into the "Jewish backgrounds" of the Gospels have proven to be fruitful, little attention has been given to their function as a witness to the evolution of ancient Judaism. Comprehending this evolution sheds new light and meaning on the Gospel narratives, as well as on the core message of the Jesus movement. This work argues that when viewed through the lens of ancient Judaism, the Gospels become a source for the geographical, historical, and religious reality of ancient Judaism, some of which would have otherwise been missing from the historical record. And in turn, the study of ancient Judaism clarifies some of the teachings attributed to Jesus by the Evangelists. Jeffrey P. García is Assistant Professor in Bible at Nyack College, New York City. His expertise is in Second Temple Judaism and the New Testament. His research interests include examining the Gospels and Acts as sources of ancient Jewish thought and practice, and the manner in which they preserve the traditions of the Sages and the Rabbis. He is co-editor (with R. Steven Notley) of The Gospels in First-Century Judaea (Brill, 2016) and has contributed to the Biblical Archaeology Review, Lexham Bible Dictionary (Lexham Press, 2016), and The Routledge Encyclopedia of Ancient Mediterranean Religions (Routledge, 2015).

The most comprehensive contemporaneous record of the rise and fall of the Carolingian Empire