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Control: The Ian Curtis Film biopic is Anton Corbijn's most recent project and, in some way, the culmination of the multi-talented artist's work: Corbijn is directing a film about Ian Curtis (1956-1980), lead singer of the legendary post-punk rock band Joy Division, and publishing a book about the making of the film. The film details the troubled life of Ian Curtis, vocalist, lyricist and guitarist of the band Joy Division. His songs filled with emotional pain, violence, and alienation, his eerie baritone voice, and his unique dancing style reminiscent of the epileptic seizures he experienced made him a hero of the post-punk era; his suicide at the age of 23 on the eve of Joy Division's first US tour confirmed the myth of the rock star dying young. The book is a visual diary, with hand-written notations, drawings, and a wealth of photographs. It details the creative process from pre-production through filming to post-production and first screenings.

Few photographers live up to the term "image-maker" as completely as Anton Corbijn. His photographs, as well known as the celebrities he has been shooting for the past twenty-five years, often reveal truths that surprise even his subjects-uncovering hidden aspects of their personalities, and imprinting them into our collective memory. Corbijn’s images of rock stars, divas, actors, and supermodels are portraits that manage to combine decidedly unglamorous attitudes and poses with the undeniable star power of his subjects. His pictures are a paean to the artistic skills and vision that have made his subjects as famous as they are beloved. One of the world’s most sought-after photographers of pop culture, Corbijn’s work has appeared in lead-ing magazine publications and been exhibited throughout the world. His books include Werk and 33 Still Lives.

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Formateinband: Großformat, Broschierte Ausgabe 219 S. (30 cm) Broschierte Ausgabe mit Henry Rollins auf dem Cover; 1. Aufl.; (Durchgehend fotografisch bebildert); Gut und sauber erhalten, wohl ungelesen. (Text deutsch und englisch). Sprache: Deutsch Gewicht in Gramm: 1900 [Stichwörter: Bildband, Katalog, Photographie, Fotografie]

For more than three decades Anton Corbijn has photographed the greatest artists in the music world and beyond. That made him one of the most influential portrait photographers of our days. In Corbijn’s career, however, there has been one constant: the band U2, and their collaboration of 22 years. His most recent publication―number seven in the line of Corbijn books published by Schirmer/Mosel―is dedicated to Bono, Edge, Larry, and Adam, to their longstanding friendship, mutual inspiration, and shared experience of rock history that is part of the history of photography. It was Anton Corbijn who "invented" U2’s public image and he is still shaping it. The long way from their first encounter in February 1982 in New Orleans to their April 2004 Lisbon shooting for the most recent U2 album is documented in a wealth of private and so-called official pictures with hand-written annotations by the photographer.

For more than three decades Anton Corbijn has photographed the greatest artists in the music world and beyond. That made him one of the most influential portrait photographers of our days. In Corbijn’s career, however, there has been one constant: the band U2, and their collaboration of 22 years. His most recent publication―number seven in the line of Corbijn books published by Schirmer/Mosel―is dedicated to Bono, Edge, Larry, and Adam, to their longstanding friendship, mutual inspiration, and shared experience of rock history that is part of the history of photography. It was Anton Corbijn who "invented" U2’s public image and he is still shaping it. The long way from their first encounter in February 1982 in New Orleans to their April 2004 Lisbon shooting for the most recent U2 album is documented in a wealth of private and so-called official pictures with hand-written annotations by the photographer.

Jacket is lightly worn along edges. Jacket spine and edges of jacket flaps are lightly tanned, but text is legible. Book itself is in excellent condition with no visible flaws. Binding is tight and inside is clean and unmarked.

Control: The Ian Curtis Film biopic is Anton Corbijn's most recent project and, in some way, the culmination of the multi-talented artist's work: Corbijn is directing a film about Ian Curtis (1956-1980), lead singer of the legendary post-punk rock band Joy Division, and publishing a book about the making of the film. The film details the troubled life of Ian Curtis, vocalist, lyricist and guitarist of the band Joy Division. His songs filled with emotional pain, violence, and alienation, his eerie baritone voice, and his unique dancing style reminiscent of the epileptic seizures he experienced made him a hero of the post-punk era; his suicide at the age of 23 on the eve of Joy Division's first US tour confirmed the myth of the rock star dying young. The book is a visual diary, with hand-written notations, drawings, and a wealth of photographs. It details the creative process from pre-production through filming to post-production and first screenings.

The world bestselling title of 2005, in a hardcover, reduced size, reduced price, special edition: For more than three decades Anton Corbijn has photographed the greatest artists in the music world and beyond. That made him one of the most influential portrait photographers of our days. In Corbijn's career, however, there has been one constant: the band U2, and their collaboration of 22 years. This publication is dedicated to Bono, Edge, Larry, and Adam, to their longstanding friendship, mutual inspiration, and shared experience of rock history that is part of the history of photography. It was Anton Corbijn who "invented" U2's public image and he is still shaping it. The long way from their first encounter in February 1982 in New Orleans to their April 2004 Lisbon shooting for the most recent U2 album is documented in a wealth of private and so-called official pictures with hand-written annotations by the photographer.

Anton Corbijn's new feature film is a suspense thriller titled The American, starring George Clooney. Its world-wide release is scheduled for fall 2010. Based on Martin Booth's 1992 novel A Very Private Gentleman, the movie is set in Sweden and in the Abruzzo region of Italy. The protagonist is a gunsmith and sometime hitman who tries to change his life, only to find out the hard way that you can t undo the past. Not one to give up on his old life, director-cumphotographer Anton Corbijn daily took his stillcamera to the set, and this book is the proof of that. Filled with candid on- and off set photographs accompanied by Corbijn s diary style writing, it provides a unique insight into the making of The American.

Depuis les années 1970, le photographe et réalisateur Anton Corbijn collabore avec de nombreux groupes de musique. Certaines de ses photographies ont marqué la carrière de ces musiciens. Pour cet ouvrage, Corbijn s’est replongé dans ses archives et a sélectionné plus de 350 photographies, dont beaucoup sont inédites, d’Arcade Fire, Depeche Mode, Metallica, Nirvana, R.E.M., des Rolling Stones, U2, Nick Cave, Johnny Rotten, Siouxsie Sioux, Tom Waits... Anton Corbijn revient dans un texte introductif sur cette expérience de plus de quarante ans. Wim van Sinderen, le conservateur de l’exposition au Fotomuseum, remet en perspective le rapport de Corbijn à la photographie et à la musique. Quant aux chanteurs et groupes que Corbijn a si fréquemment photographiés – Bono, Michael Stipe, etc. – ils lui rendent hommage en révélant des anecdotes qui se cachent derrière certaines prises de vue.

Buy with confidence! Book is in good condition with minor wear to the pages, binding, and minor marks within 8.02

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Propaganda, an official fan club magazine subtitled the World Service Magazine, has been giving diehard fans the inside gen on U2 ever since the early 1980s. Packed with articles by the band, interviews with them by major music journalists and glorious photography by the likes of Anton Corbijn, Propaganda has appeared on a roughly bi-annual basis for almost twenty years. Early editions are now much sought-after collectors' items. Propaganda has previously been limited to fan club members, but now U2 are going public. This lavish, beautiful coffee-table book compiles the finest moments, wittiest essays, most candid interviews and beautiful photography from the magazine's twenty year existence and reproduces them in their original design and typography. It is no less than a first-hand documentary of the history of the biggest bands in the world. There are few rock souvenirs that can genuinely be described as 'must-haves' for a band's most committed, devoted fans. Propaganda is one of them.

The world bestselling title of 2005, in a hardcover, reduced size, reduced price, special edition: For more than three decades Anton Corbijn has photographed the greatest artists in the music world and beyond. That made him one of the most influential portrait photographers of our days. In Corbijn's career, however, there has been one constant: the band U2, and their collaboration of 22 years. This publication is dedicated to Bono, Edge, Larry, and Adam, to their longstanding friendship, mutual inspiration, and shared experience of rock history that is part of the history of photography. It was Anton Corbijn who "invented" U2's public image and he is still shaping it. The long way from their first encounter in February 1982 in New Orleans to their April 2004 Lisbon shooting for the most recent U2 album is documented in a wealth of private and so-called official pictures with hand-written annotations by the photographer.

Originally published in Germany in 1989 to critical acclaim, Famouz established the reputation of Anton Corbijn as the photographer who redefined the genre of music photography.With its over 100 provocative black-and-white photographs, Famouz offers more than mere documentary registration of the music icons of the 1970s and 1980s.The photographs in Famouz reveal themselves in a characteristic tone and dark, veiled mood, eliminating every suggestion of glitter and glamour. Using only available lighting and, in most cases, a hand-held 35mm camera on location, Corbijn has succeeded in portraying an alternate view of such legendary icons as U2, Bowie, Siouxsie Sioux, Johnny Rotten, Peter Gabriel, Joe Cocker, Lou Reed, Grace Jones, Miles Davis, Sting, Debbie Harry, Leonard Cohen, and many, many others.

Anton Corbijn initiated a new era in portrait photography for the rock and pop music scene with his atmospheric, often melancholy images. Here is a photographer who travels the world, tirelessly seeking to capture its idols in quiet moments and catch a trace of their essential being behind all the fame and glamour.Taken primarily in black and white with a hand-held camera and without auxiliary lighting, most of Corbijn's photographs are shot in those quiet moments between performances. Beyond the reach of the glaring spotlights, on the dark side of the star cult - literally and metaphorically - Corbijn finds what interests him more than gesture, image or glamour: the unusual degree of privacy and closeness that turns his portraits into genuine character studies.Corbijn has now moved beyond the boundaries of music photography and Star Trak reads like a visual encyclopedia of the icons of our culture, gathering together outstanding personalities from the worlds of film, literature, rock music and fashion. He visits film directors Wim Wenders, David Lynch, and Martin Scorsese, actors Johnny Depp, Gerard Depardieu and Jodie Foster, and alongside the older rebels - like Mick Jagger and Leonard Cohen - he includes the enfants terribles of the Eighties and Nineties - Kurt Cobain, Billy Idol, and Slash. Corbijn couples the excesses of William S. Burroughs with the beauty of supermodels Naomi and Christy, and brings Salman Rushdie and Bono together in front of the camera.

Anton Corbijn initiated a new era in portrait photography for the rock and pop music scene with his atmospheric, often melancholy images. Here is a photographer who travels the world, tirelessly seeking to capture its idols in quiet moments and catch a trace of their essential being behind all the fame and glamour.Taken primarily in black and white with a hand-held camera and without auxiliary lighting, most of Corbijn's photographs are shot in those quiet moments between performances. Beyond the reach of the glaring spotlights, on the dark side of the star cult - literally and metaphorically - Corbijn finds what interests him more than gesture, image or glamour: the unusual degree of privacy and closeness that turns his portraits into genuine character studies.Corbijn has now moved beyond the boundaries of music photography and Star Trak reads like a visual encyclopedia of the icons of our culture, gathering together outstanding personalities from the worlds of film, literature, rock music and fashion. He visits film directors Wim Wenders, David Lynch, and Martin Scorsese, actors Johnny Depp, Gerard Depardieu and Jodie Foster, and alongside the older rebels - like Mick Jagger and Leonard Cohen - he includes the enfants terribles of the Eighties and Nineties - Kurt Cobain, Billy Idol, and Slash. Corbijn couples the excesses of William S. Burroughs with the beauty of supermodels Naomi and Christy, and brings Salman Rushdie and Bono together in front of the camera.

The exclusive Deluxe Edition of DELTA MACHINE includes a bonus disc with four additional new tracks, accompanied by a 28 page hardcover book including photos by longtime artistic collaborator Anton Corbijn.

Deluxe five disc (three CD + two DVD) edition packaged in a lift box that includes five mini jackets and a 16 page booklet. Includes LIVE IN BERLIN (DVD), ALIVE IN BERLIN (DVD), which was directed by Anton Corbijn and includes the full live show inter spliced with behind-the-scenes footage and interviews with the band and fans, LIVE IN BERLIN (two CD) and DELTA MACHINE 5.1 album mix (Blu-Ray). 2014 live album from the Synthpop pioneers. LIVE IN BERLIN was filmed in 2013 and captures the band's i