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Double LP version. Reinterpretations and re-workings of classic Chris & Cosey songs from the 1980s and 1990s. The idea for the album originated from the pair's much-requested live performances of Carter Tutti Plays Chris & Cosey, taking place in an unprecedented series of shows in the U.K., Europe, Scandinavia, and North America from 2011 through 2014. These dates in turn instigated so many requests for recordings of the live set that they were inspired to re-record this collection of reworked c

A pioneering figure in Industrial/experimental music and performance art, Cosey Fanni Tutti has embodied many roles since her early days as one half of COUM Transmissions, alongside Genesis P-Orridge. COUM’s first art exhibition, Prostitution, at the ICA London in 1976, outraged the public with its inclusion of bloodied tampons and photographs of Cosey modeling for porn magazines, and was closed after four days. Cosey and Genesis went on to cofound Throbbing Gristle, the band that pioneered and named Industrial music as a genre; when they split in 1981 she formed the electronica duo Chris & Cosey with TG keyboardist Chris Carter. In 2010, Cosey returned to the ICA for an all-day celebration of her work, arranged by editor and author Maria Fusco. Arising from that occasion, this volume is the first major publication on Cosey, and features contributions by Martin Bax, Gerard Byrne, Cosey Fanni Tutti, Daniela Cascella, Diedrich Diederichsen, Graham Duff, John Duncan, Chris Kraus and many others.

2019 repress on purple vinyl. Originally released to much acclaim in 1981 by Rough Trade, Heartbeat was the first in a long line of groundbreaking albums by Chris Carter and Cosey Fanni Tutti. This early example of Chris & Cosey features cut-up sampled voices, Cosey's disto-guitar, industrial sequences, melodious synths, and cinematic sweeps. Includes a 12" B/W double-sided insert of archive photos, clippings, and texts. "There are moments of great beauty like 'Moorby' and, equally, many moments

The long-awaited deluxe special edition reissue of Cosey Fanni Tutti's Time To Tell, originally recorded and released on cassette in 1982, sees a timely release after the success of Cosey's recent autobiography Art Sex Music (published by Faber & Faber). Available now for the first time on vinyl, this deluxe special edition has been remastered and edited from the original audio tapes for this exclusive vinyl release. It is presented here on super clear vinyl, in a gatefold sleeve incorporating a

Tim Book Two is the follow-up to Telling Stories, the hugely successful memoir of Tim Burgess, singer of the Charlatans. It tells of his lifelong passion for vinyl and the shops that sell them. Tim asked a stellar cast of friends — from Iggy Pop to Cosey Fanni Tutti to Paul Weller — for recommendations, which he's tracked down in breaks from touring across the world. What emerges is a funny, affectionate quest, and a moving account of a life in records.

Pinkcourtesyphone sends you a Sentimental Something from the depths of it's obsessed heart. A sonic love note of smudged ink. Joined by the otherwordly Evelina Domnitch, friend and former cover model and vocalist on the acclaimed 2014 Description of Problem CD, which also featured contributions from Cosey Fanni Tutti, Kid Congo Powers, AGF, and William Basinski. On the central core, Tears of Modernism, Miss Domnitch wields her dark magic on theremin, weaving a mournful kiss on the envelope from

This first monograph on the influential underground conceptual and sound artist features essays by Mike Kelley, Paul McCarthy, Cosey Fanni Tutti and others. It spans from Duncan's early days making performance-based work in Los Angeles in the late 1970s to his years in Japan and Amsterdam, where he focused on experimental sound, film and radio work, and continues to the mature multimedia installations and performances he is currently making in Italy. Investigative and probing, Duncan's work has always been at the forefront of experimental culture, encompassing noise music and extreme physical experience, often rendered in surprisingly beautiful ways. Duncan's art has the ability to enthrall and terrify, and this book documents all of his most important projects, creating a critical and intimate portrait of the artist and his uncompromising work.

Trost have unearthed another gem from the Japanese jazz maestro Akira Sakata, together with Bill Laswell, Hamid Drake, and Pete Cosey. Fisherman's. com was released originally on CD, Japan-only, by Starlets Records in 2001. This release marks it's first time on vinyl and available worldwide. Fisherman's. com is Sakata's ode to folksongs of the sea - an intense personal statement on the fluidity of tradition. Personnel: Akira Sakata - alto saxophone, vocals, synth; Bill Laswell - bass, synth; Ham

UK vinyl LP pressing. The hugely popular Exotika album - originally released in 1987 - includes such Chris & Cosey classics as the crowd-pleasing 'BeatBeatBeat!', the haunting ballad 'Dr. John (Sleeping Stephen)' and the original version of the seminal title track 'Exotika', which was adopted as an electronica anthem, most notably on the GOA scene and in the US West and East Coast gay clubs of the 1980's. CTI.

Remastered 180-gram vinyl in gatefold sleeve. Agharta was recorded on the afternoon in 1975, at one of two concerts Miles Davis performed at the Osaka Festival Hall in Japan.The album has received retrospective acclaim as an important and influential Jazz-Rock record. Its abrasive music and Cosey's innovative playing influenced a generation of young musicians, including those in the British Jazz scene.

UK vinyl LP pressing. Songs of Love & Lust was originally released by Rough Trade Records in 1984 and was at the time considered to be quite a departure for both them and Rough Trade. The album contains Chris & Cosey's trademark infectious rhythms, melodic tunes, edgy guitar, wailing cornet and of course Cosey's unique vocals - which give a dark and sensual edge to the production.

Vinyl LP pressing. As a founding member of Throbbing Gristle alongside Cosey Fanni Tutti, Peter Sleazy' Christopherson and Genesis Breyer P-Orridge, Chris Carter has had a significant role in the development of electronic music a journey which has continued through his releases as one half of Chris & Cosey and Carter Tutti and a third of Carter Tutti Void as well as with his own solo and collaborative releases. He is also credited with the invention and production of groundbreaking electron

Vinyl LP pressing. Throbbing Gristle's second full-length, originally released in 1978, captures alienation in its purest form. The line-up of Chris Carter, Peter Christopherson, Genesis P-Orridge and Cosey Fanni Tutti was a vehicle for everything bizarre, extreme and controversial. From the ravaged live track "Blood On The Floor" to the hostile phone recording on "Death Threats," TG lobotomized convention, whether musical or ideological. The lingering "Hamburger Lady" pulses with a story of a b

Vinyl LP pressing. As a founding member of Throbbing Gristle alongside Cosey Fanni Tutti, Peter Sleazy' Christopherson and Genesis Breyer P-Orridge, Chris Carter has had a significant role in the development of electronic music a journey which has continued through his releases as one half of Chris & Cosey and Carter Tutti and a third of Carter Tutti Void as well as with his own solo and collaborative releases. He is also credited with the invention and production of groundbreaking electron

Named one of the Best Music Books of the Year by Pitchfork"A bravura rock memoir vibrating with fierce and fearless memories―a must-have item for Chris and Cosey and Throbbing Gristle fans."―★ Kirkus Reviews (Starred)Art Sex Music is the autobiography of a musician who, as a founding member of the avant-garde group Throbbing Gristle and electronic pioneers Chris & Cosey, has consistently challenged the boundaries of music over the past four decades.It is the account of an artist who, as part of COUM Transmissions, represented Britain at the IXth Biennale de Paris, whose Prostitution show at the ICA in 1976 caused the Conservative MP Nicholas Fairbairn to declare her, COUM and Throbbing Gristle Wreckers of Civilisation’ . . . shortly before he was arrested for indecent exposure, and whose work continues to be held at the vanguard of contemporary art.And it is the story of her work as a pornographic model and striptease artiste which challenged assumptions about morality, erotica, and art.Wise, shocking, and elegant, this is the life of Cosey Fanni Tutti.

Vinyl LP pressing. TUTTI is comprised of eight soundscapes: an audio self portrait comprising of manipulated sound recordings from Coseys life, music and art: Its the only album Ive made that is an all encompassing statement expressing the totality of my being. A sense of the past in relation to the present and everything in between.

LP version. Triumvirate = the combined power of a group of three in creative collaboration. Carter Tutti Void (Chris Carter, Cosey Fanni Tutti, and Nik Void) have announced their third and final studio album. Containing all new studio recordings, Triumvirate brings Chris Carter, Cosey Fanni Tutti, and Nik Void's collaborative partnership as Carter Tutti Void to a conclusion. The trio first came together as a collective for a live performance, invited by Mute for the Short Circuit Festival in 201

Vinyl LP pressing. As a founding member of Throbbing Gristle alongside Cosey Fanni Tutti, Peter Sleazy' Christopherson and Genesis Breyer P-Orridge, Chris Carter has had a significant role in the development of electronic music a journey which has continued through his releases as one half of Chris & Cosey and Carter Tutti and a third of Carter Tutti Void as well as with his own solo and collaborative releases. He is also credited with the invention and production of groundbreaking electron

"These people are the wreckers of civilisation", exclaimed the conservative Member of Parliament Nicholas Fairbairn in 1976. His outburst was meant to describe four artists and musicians - Genesis P-Orridge, Cosey Fani Tutti, Peter Christopherson and Chris Carter. What "these people" had done to deserve such an epithet, and what they were about to do, is the subject of this book. Wreckers of Civilisation recalls a time which despite volumes of print remains occluded, obdurate, even intimidating: that moment before the conservative reconstruction. To be awake in London in the late 1970s was to be plunged into turmoil: externally manifest in riot, internally within various forms of damage and depression and, if one felt brave or driven, extreme aesthetics. COUM Transmissions and Throbbing Gristle mark the furthest reach of that impulse: even more so than Punk, they plunged into a technological and personal examination of the dark side - the forbidden, the taboo, the dystopian future on the doorstep. Today this might seem like science fiction or deliberate shock tactics, but then it seemed like reportage, front line dispatches from a convulsed country.

May, Christine, Heed, Junior, Vida - even L who cooks for them and sees everything - all are women obsessed by Bill Cosey. The wealthy owner of the famous Cosey Hotel and Resort (a glamorous black-only beachside resort that flourished in the post-war years), he's powerful charismatic, monstrous, shadowy, and he shapes the yearnings that dominate the lives of these women long after his death. But even Cosey himself is at the mercy of a troubled past and a spellbinding woman, 'a sporting woman', named Celestial. Christine is his granddaughter, Heed her pretty best friend, an uneducated Up Beach girl from the wrong side of the tracks. The two girls are inseparable until the moment when Cosey picks out Heed, aged only 11, and marries her ('One day we built castles on the beach; the next he sat her in his lap-One day we played jacks; the nest she was fucking my grandfather-. One day this house was mine; next day she owned it.'). Forty years on, the hotel is boarded up and the resort half under water, but Christine and Heed, old women now, bound together by a lifetime of jealousy and pain, are still the Cosey girls, 'as different as honey and soot', when Junior comes walking down the street and into their lives, in her short skirts and high boots and with a look in her eye- This audacious vision from a master storyteller of the nature of love - its appetite, its sublime possession, its dread - is shocking and moving in its profound understanding of love's ambivalence, and of how alive the past can be. It peels back the layers to reflect the different facets of love, shifting from desire through sex, lust, obsession, yearning, and ultimately full circle to the power of a girl's first love that marks her forever. And the only one who sees the whole picture is L (whose full name is revealed only near the end - a word mentioned only once in the whole of this novel), who has more to do with the outcome than anyone knows.