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Pan Ku's celebrated and influential History of the Former Han has been a model for dynastic history since its appearance in the first century A.D. The narrative is rich in detail and characterized by purity and economy of style. Covering the period from 206 B.C. to A.D. 23, the work consists of annals, chronological tables, treatises, and biographies, the last of which often include excepts from writings by the subjects of the biographies. Burton Watson has translated ten chapters from the biography section, including the lives of imperial princes, generals, officials, and some lesser figures: a court jester, wandering knights, court ladies, and concubines. All the chapters have been selected for their literary interest and their influence on Chinese literature and culture.

Since the hiring of the first Supreme Court law clerk by Associate Justice Horace Gray in the late 1880s, court observers and the general public have demonstrated a consistent fascination with law clerks and the influence―real or imagined―that they wield over judicial decisions. While initially each Supreme Court justice hired a single clerk, today's justices can hire up to four new law school graduates. The justices have taken advantage of this resource, and in modern times law clerks have been given greater job duties and more responsibility. The increased use of law clerks has spawned a controversy about the role they play, and commentators have suggested that liberal or conservative clerks influence their justices' decision making. The influence debate is but one piece of a more important and largely unexamined puzzle regarding the hiring and utilization of Supreme Court law clerks. Courtiers of the Marble Palace is the first systematic examination of the "clerkship institution"―the web of formal and informal norms and rules surrounding the hiring and utilization of law clerks by the individual justices on the United States Supreme Court. Todd Peppers provides an unprecedented view into the work lives of and day-to-day relationships between justices and their clerks; relationships that in some cases have extended to daily breakfasts, games of competitive basketball and tennis, and occasional holiday celebrations. Through personal interviews with fifty-three former clerks and correspondence with an additional ninety, as well as personal interviews with a number of non-clerks, including Justice Antonin Scalia, Peppers has amassed a body of information that reveals the true inner-workings of the clerkship institution. With a Foreword by Professor Robert M. O'Neil of the University of Virginia School of Law, former President of the University of Virginia and former law clerk for Justice William J. Brennan, Jr.

Kensington Palace is now most famous as the former home of Diana, Princess of Wales, but the palace's glory days came between 1714 and 1760, during the reigns of George I and II . In the eighteenth century, this palace was a world of skulduggery, intrigue, politicking, etiquette, wigs, and beauty spots, where fans whistled open like switchblades and unusual people were kept as curiosities. Lucy Worsley's The Courtiers charts the trajectory of the fantastically quarrelsome Hanovers and the last great gasp of British court life. Structured around the paintings of courtiers and servants that line the walls of the King's Staircase of Kensington Palace-paintings you can see at the palace today-The Courtiers goes behind closed doors to meet a pushy young painter, a maid of honor with a secret marriage, a vice chamberlain with many vices, a bedchamber woman with a violent husband, two aging royal mistresses, and many more. The result is an indelible portrait of court life leading up to the famous reign of George III , and a feast for both Anglophiles and lovers of history and royalty.

"Exhilarating...Stewart has achieved a near impossibility, creating a page-turner about jousting metaphysical ideas, casting thinkers as warriors." ―Liesl Schillinger, New York Times Book ReviewOnce upon a time, philosophy was a dangerous business―and for no one more so than for Baruch Spinoza, the seventeenth-century philosopher vilified by theologians and political authorities everywhere as “the atheist Jew.” As his inflammatory manuscripts circulated underground, Spinoza lived a humble existence in The Hague, grinding optical lenses to make ends meet. Meanwhile, in the glittering salons of Paris, Gottfried Wilhelm Leibniz was climbing the ladder of courtly success. In between trips to the opera and groundbreaking work in mathematics, philosophy, and jurisprudence, he took every opportunity to denounce Spinoza, relishing his self-appointed role as “God’s attorney.”In this exquisitely written philosophical romance of attraction and repulsion, greed and virtue, religion and heresy, Matthew Stewart gives narrative form to an epic contest of ideas that shook the seventeenth century―and continues today.

Unread book in perfect condition.

Kensington Palace is now most famous as the former home of Diana, Princess of Wales, but the palace's glory days came between 1714 and 1760, during the reigns of George I and II . In the eighteenth century, this palace was a world of skulduggery, intrigue, politicking, etiquette, wigs, and beauty spots, where fans whistled open like switchblades and unusual people were kept as curiosities. Lucy Worsley's The Courtiers charts the trajectory of the fantastically quarrelsome Hanovers and the last great gasp of British court life. Structured around the paintings of courtiers and servants that line the walls of the King's Staircase of Kensington Palace-paintings you can see at the palace today-The Courtiers goes behind closed doors to meet a pushy young painter, a maid of honor with a secret marriage, a vice chamberlain with many vices, a bedchamber woman with a violent husband, two aging royal mistresses, and many more. The result is an indelible portrait of court life leading up to the famous reign of George III , and a feast for both Anglophiles and lovers of history and royalty.

â A colorful reinterpretation. . . . Stewartâ s wit and profluent prose make this book a fascinating read.â â Publishers Weekly, starred reviewPhilosophy in the late seventeenth century was a dangerous business. No careerist could afford to know the reclusive, controversial philosopher Baruch de Spinoza. Yet the wildly ambitious genius Gottfried Wilhelm Leibniz, who denounced Spinoza in public, became privately obsessed with Spinoza's ideas, wrote him clandestine letters, and ultimately met him in secret. "In refreshingly lucid terms" (Booklist) Matthew Stewart "rescues both men from a dusty academic shelf, bringing them to life as enlightened humans" (Library Journal) central to the religious, political, and personal battles that gave birth to the modern age. Both men put their faith in the guidance of reason, but one spent his life defending a God he may not have believed in, while the other believed in a God who did not need his defense. Ultimately, the two thinkers represent radically different approaches to the challenges of the modern era. They stand for a choice that we all must make.

400 pages. 9.53x6.50x1.42 inches. In Stock.

Book is in NEW condition. 1.41

Catalog for exhibition 11.10. to 12.11.1999, 121(7) pages, text english, OBr, softcover, as new, seems unused

Set in the court of Urbino in 1507, Castiglione's The Book of the Courtier presents an invaluable look at court life and culture during the Renaissance. Over four nights of dialogue, the book explores the key question, 'What should a courtier be like?' and presents a deep and timeless discussion that is reminiscent of Plato's Symposium and Aristotle's Nicomachean Ethics, and invites comparisons with Machiavelli's The Prince. It is absorbing and enlightening, and encompasses a wide range of topic

Widely acknowledged as the sixteenth century's most significant handbook on leadership, The Book of the Courtier offers an insider's view of court life and culture during the Renaissance. Set in 1507, when the author himself was an attaché to the Duke of Urbino, the book consists of a series of fictional conversations between members of the Duke's retinue. All aspects of leadership come under discussion, but the primary focus rests upon the relationship between advisors and those whom they counsel. Ever-relevant subjects include the decision-making process, maintaining an ethical stance, and the best ways of interacting with authority figures. Frequently assigned in university courses on literature, history, and Renaissance studies, the Dover edition of this classic work will be the lowest-priced edition available.

Louis de Buade, Comte de Frontenac (1622–1698), was a towering figure in North American history. Appointed in 1672 as governor general of New France, he was credited with intimidating the Iroquois, defying British colonial military might, and promoting France’s imperial expansion to the west. W. J. Eccles masterfully debunks these myths, created in part by Francis Parkman, and reveals Frontenac as an anachronism who sought to maintain his privileged status through corruption, favors at court, and the illicit pursuit of commerce in the West. A deft analysis and reexamination of official administrative and military sources have made Frontenac the classic study of a complex and historically misrepresented governor.

Castiglione's Cortegiano, or the Courtier, is one of the best-known texts of the Italian Renaissance. When it first appeared in 1528, the Courtier was widely read as a guide to contemporary conduct. Its popularity led to its publication in six languages in twenty different European centers in the sixteenth century alone. While the text itself has been studied very carefully in recent years as the embodiment of the spirit of the High Renaissance, its multitude of readers, spread over the world, has received much less attention. In this engaging study Peter Burke explores how readers over the years have responded to the Courtier. Because it was read so widely in Europe, the Courtier affords Burke an ideal test case for the diffusion and reception of ideas. From Poland and Hungary to England, Portugal, and even the New World, he takes us on a fascinating tour of the courts, libraries, and reading rooms of Europe in search of Castiglione's idea of the perfect courtier. He shows how changing responses to the Courtier, both positive and negative, reveal changing social values and how regional variations in its reception reflect the emerging cultural map of early modern Europe. His evidence includes printing history, translations, marginalia, and records of sale and possession. He concludes with a discussion of the later fortune of the Courtier, including its role in the 'civilizing process' and its curious appeal to writers as different as Samuel Johnson and W. B. Yeats.Informed by Burke's considerable knowledge of printing and publishing history, this book contributes to our growing understanding of the history of the book and to our knowledge of the Renaissance and its reception.

Among the readings included are several existing letters by Emma (Einhard's wife), The Life of Charlemagne, and The History of His Relics. The latter work transports us into an almost unknown world as Einhard, the cool rationalist, arranges for a relic salesman, a veritable bone seller, to acquire saints’ relics from Italy for installation into his new church. The reader is taken on an intrigue-filled trip to Rome, where Einhard's men creep into churches at night to steal bones and then spirit them away to Einhard in the north. The relics are received in town after town as if they were the living saints come to cure the infirm. Einhard's descriptions of the sick, the lame, and the blind of northern Europe vividly expose us to a side of medieval life too rarely encountered in other medieval sources.

The Book of the Courtier (1528) is a series of fictional conversations by courtiers of the Duke of Urbino that takes place in 1507, while Castiglione was himself attaché to the Duke. Today the Book remains the most reliable and illuminating account of Renaissance court life and of what it took to be the "Perfect Courtier" and "Court Lady." The Singleton translation―the most acclaimed and accurate available―is accompanied by annotations. "Criticism" features ten essays on The Book of the Courtier, which represent the best interpretations from the United States, Italy, and England including the backgrounds-rich essays by Amedeo Quondam and James Hankins. A Selected Bibliography, a Chronology, and an Index are included.

This sumptuous catalogue provides an overview of French art circa 1500, a dynamic, transitional period when the country, resurgent after the dislocations of the Hundred Years' War, invaded Italy and all media flourished. What followed was the emergence of a unique art: the fusion of the Italian Renaissance with northern European Gothic styles. Outstanding examples of exquisite and revolutionary works are featured, including paintings, sculptures, illuminated manuscripts, stained glass, tapestries, and metalwork. Exciting new research brings to life court artists Jean Fouquet, Jean Bourdichon, Michel Colombe, Jean Poyer, and Jean Hey (The Master of Moulins), all of whose creations were used by kings and queens to assert power and prestige. Also detailed are the organization of workshops and the development of the influential art market in Paris and patronage in the Loire Valley.

Among the readings included are several existing letters by Emma (Einhard's wife), The Life of Charlemagne, and The History of His Relics. The latter work transports us into an almost unknown world as Einhard, the cool rationalist, arranges for a relic salesman, a veritable bone seller, to acquire saints? relics from Italy for installation into his new church. The reader is taken on an intrigue-filled trip to Rome, where Einhard's men creep into churches at night to steal bones and then spirit them away to Einhard in the north. The relics are received in town after town as if they were the living saints come to cure the infirm. Einhard's descriptions of the sick, the lame, and the blind of northern Europe vividly expose us to a side of medieval life too rarely encountered in other medieval sources.

John of Salisbury (c. 1115-1180) was the foremost political theorist of his age. He was trained in scholastic theology and philosophy at Paris, and his writings are invaluable for summarizing many of the metaphysical speculations of his time. The Policraticus is his main work, and is regarded as the first complete work of political theory to be written in the Latin Middle Ages. Cary Nederman's new edition and translation, currently the only version available in English, is primarily aimed at undergraduate students of the history of political thought and medieval history. His new translation shows how important this text is in understanding the mores, forms of conduct and beliefs of the most powerful and learned segments of twelfth century Western Europe.

Offers a detailed biography of the seventeenth century Spanish painter, looks at all of his paintings, and discusses the original technique Velazquez developed for his art