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The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

A historical "whodunnit", set in 12th-century Devon. When Christina, the daughter of an Exeter businessman, is raped, Crowner (coroner) John must bring the unknown assailant to justice. Then Lady Adele de Courcey dies after an illegal abortion, and John suspects that the two events are related.

Chris Tyroll is a busy litigation lawyer in the West Midlands. One day three clients come to him with totally different problems. The first, an Employment Tribunal case against British Defence Systems, looks complicated. BDS manufactures a seek-and-destroy weapon, ‘The Retaliator’. The dismissal of one man has triggered a strike and two more workers have been sacked as a result. Then Tyroll deals with a distraught mother who cannot accept her son’s death and wants to get the coroner's verdict changed from suicide to murder. The third case examines why an empty field cannot be used to graze ponies. As Tyroll investigates these cases, another client dies, and a chance comment by a witness reveals that all three cases are somehow connected. Tyroll finds himself in a deadly confrontation.

American painter Sarah Crowner (born 1974) revisits the art historical legacy of abstract painting in a language of collage and domestic craft, piecing together gorgeous geometric abstractions and vibrant color fields out of stitched-together cloth fragments of different colors. “It’s a way of creating form by joining material,” Crowner says of her process. “They are really objects more than paintings.”Sarah Crowner: Patterns is the second artist’s book in a series that Crowner has been developing around the formal aspects of her painting practice; the first was 2012’s Format. In this publication, Crowner devotes her attention to patterns from a range of sources: from those found in nature and the built environment to fashion and the plastic arts. Juxtaposed throughout this selection are images from Crowner’s recent work, specifically her recent paintings, murals and tiled floors.

A historical "whodunnit", set in Devon. It is Christmas Eve, 1194, and Crowner (coroner) John de Wolfe is called to examine the body of a canon who has apparently hanged himself. As usual, the corrupt and vengeful sheriff, Richard de Revelle, erects numerous stumbling blocks to the investigation.

Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.

American painter Sarah Crowner (born 1974) revisits the art historical legacy of abstract painting in a language of collage and domestic craft, piecing together gorgeous geometric abstractions and vibrant color fields out of stitched-together cloth fragments of different colors. “It’s a way of creating form by joining material,” Crowner says of her process. “They are really objects more than paintings.”Sarah Crowner: Patterns is the second artist’s book in a series that Crowner has been developing around the formal aspects of her painting practice; the first was 2012’s Format. In this publication, Crowner devotes her attention to patterns from a range of sources: from those found in nature and the built environment to fashion and the plastic arts. Juxtaposed throughout this selection are images from Crowner’s recent work, specifically her recent paintings, murals and tiled floors.

Gilbert de Rideford is a Knight of the Temple of Solomon, and an old acquaintance from Crowner John's crusading days. He claims to have come into possession of a secret that could shake Christendom to its foundations—and he desperately needs John's help to escape from the secretive order of warrior monks. Suddenly swept into a world of religious intrigue and dangerous politics, Crowner John finds himself undertaking a life-threatening mission to the Island of Lundy—inhabited solely by notorious pirates—until finally the awful secret itself is revealed.

Exeter, 1195. When a prominent burgess and guild-master falls dead across his horse, Crowner John declines to hold an inquest as the man had been complaining of chest pains and shows no signs of injury. Events take a sinister turn, however, when a straw-dolly is discovered hidden under the man's saddle, a spike driven through its heart. Enlisting the help of her cousin, a cathedral canon with an eye to ecclesiastical advancement, the victim's strident widow begins a campaign in the name of the Church against witchcraft and the so-called 'cunning women' who practise it. This escalates until Exeter is divided into two camps and a climate of fear predominates. Still the coroner refuses to get involved - until his beloved mistress is accused of witchcraft. Can Crowner John unearth the real culprit and save Nesta from the hangman's noose?

In December of 1194, the well-born ladies of Exeter are not having a good week. First, Christina Rifford, the daughter of a rich merchant, is raped. Then, just months before her marriage, Lady Adele de Courcy is found dead in one of the poorest areas of the city.The common factor is Godfrey Fitzosbern, the local silversmith. But despite Crowner John's suspicions and the vengeful accusations of the families, it is John's duty to protect Godfrey until he can find definite proof of his guilt. Aided by his mistress Nesta, and hindered by his social-climbing wife Matilda and her power-hungry brother, Sheriff Richard de Revelle, John slowly begins to put the pieces together. But a final, brutal act of violence will bring a new twist to the investigation.

When an unidentified body is discovered in the harbor town of Axmouth, the county coroner Sir John de Wolfe is summoned to investigate. The manner of the young man's death is a matter of some dispute, but it was clearly no accident. In the ensuing murder investigation, Sir John is frustrated by what appears to be a conspiracy of silence among the seamen and townsfolk. There are many inhabitants of Axmouth who seem willing to go to extreme lengths to ensure that the shocking truth behind the death remains hidden. Sir John will need courage, cunning, and determination if he is to solve the case and escape from the town with his life.

When coroner Sir John de Wolfe is summoned to investigate the murder of a tin miner, he has little idea how difficult this new investigation will prove to be. The victim worked for the powerful mine owner, Walter Knapman, and the motive seems to be sabotaging Walter’s business. But the tinners have their own laws, and they are none too pleased at Crowner John’s interference. And then Walter Knapman disappears. Only Gwyn, Crowner John’s right-hand man, seems to be of any help until he’s arrested for murder and put on trial for his life.

The summer of 1273 is peaceful for most of England, but not for Prioress Eleanor of Tyndal Priory. Her friend, Crowner Ralf, is newly widowed with a baby. And her new anchoress is welcoming visitors to her window at night: one of them a man the prioress secretly loves. Now his loyalty to her as head of Tyndal Priory is suspect. Then Martin the Cooper is poisoned at the local inn. Martin had a wealth of enemies. The killer could be any of them. No one likes the direction the evidence points, but God's justice must be rendered even for the most forsaken soul. Against an authentic backdrop of medieval life and lore, Royal once again brings alive characters who are true to their period yet exhibit emotions and feelings that 21st-century readers will recognize as their own. Publishers Weekly starred review. Priscilla Royal lives in Northern California. Forsaken Soul is her fifth Medieval Mystery. www.priscillaroyal.com

"Excellent...oozes with suspense and intrigue." -Booklist As the autumn storms of 1271 ravage the East Anglian coast, Crowner Ralf finds the corpse of a brutally murdered soldier in the woods near Tyndal Priory. The dagger in the man's chest is engraved with a strange, cursive design, and the body is wrapped in a crusader's cloak. Was the murder the act of a member of the Assassin sect, or was the weapon meant to mislead him in finding the killer? Ralf's decision to take the corpse to the priory for advice may be reasonable, but he is soon caught up in a maelstrom of conflict, both personal and political. The priory is deeply divided over whether to purchase a relic. The decision could endanger both Prioress Eleanor's leadership and the future of the hospital. Brother Thomas becomes a suspect in the murder itself, and Ralf must choose between the demands of his brother, the sheriff, and loyalty to a friend. Meanwhile, the murderer watches and waits.