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Cumbia Beat, Vol. 2: Tropical Sounds From Peru 1966-1983 Various Artists - CD 8435008862626

Cumbia Color By Benetton For Men Eau De Toilette Spray 3.3oz Unboxed no cap

Vinyl LP pressing. Also features Silvestre Montez Y Sus Guantanameros, Los Cndores Del Cusco, Los Gitanos, Los Orientales De Paramonga, Los Casmeos, Los Beta 5, Los Girasoles, Paco Zambrano Y Sus Ratones, Los Ecos, Los Tantos, Los Scorpios, Los Blue Kings De aa, Grupo Siglo XX, Los Sander's De aa, Los Quantos, Los Diablos Rojos, Marco Merry Y Sus Golfos, and Sonido Verde De Moyobamba.

Cumbia Beat 1 Various Artists - LP 8435008862114

Cumbia Beat, Vol. 2: Tropical Sounds From Peru 1966-1983 Various Artists - LP 8435008862633

Cumbia Amazonica Los Mirlos - LP 4040824086176

Cumbia Cumbia 1 & 2 (Various Artists) Various Artists - LP 769233163318

In September 2008, Bareto released Cumbia on CD, an album that conquered wider markets. The complete record, a process that began at the end of 2007, is a tribute to a fundamental group of the Amazonian psychedelic, Juaneco y Su Combo. Bareto gives a modern and original sound to it's classics, such as "Mujer Hilandera" and "Ya se ha muerto mi Abuelo", among others. In the other tracks like "Soy Provinciano", "El Aguajal", and "La Danza de Los Mirlos", by another Amazonian legend, Los Mirlos, the

Buy with confidence! Book is in new, never-used condition 1.29

Book is in NEW condition. 0.35

Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

brdbk blg edition. 24 pages. Spanish language. 7.00x7.00x0.50 inches. In Stock.

This album is a compilation of the hottest and most danced cumbia from Peru. These are the artists in this album: Grupo 5 Los Villacorta Hnos. Yaipn Grupo Amrica Aguamarina Candela Caribeos Marisol Milena Armona 10 Kaliente.

Pharaway Sounds present a reissue of Lindo Amorcito by Los Dandy's, originally released in 1985 on Bamb. Los Dandy's were a Peruvian cumbia band formed in the '70s by the great Hctor Farfn (Los Beta 5, Los Destellos) featuring the superb vocals of the legendary Oswaldo "Guajiro" Ortega (Los Guajiros, Los Destellos). Their rare album is a great mix of cumbias, guarachas and tropical rhythms with cool Atari-styled electronic effects, reverb-drenched electric guitars, infectious vocals and incre

THE ONE AND ONLY: ROLANDO BRUNO Y SU ORQUESTRA MIDI!!! In 2005 he started playing and recording in Buenos Aires as a side project for his raw 60's Garage Punk outfit Los Peyotes (Dirty Water Records). This is Full Blast Psychedelic Latino Cumbia Garage with a very Cheesy Touch of a 70's Supermarket!!!

Double vinyl LP pressing. Chicha Libre plays a mixture of Latin rhythms, surf music and psychedelic pop inspired by Peruvian music from Lima and the Amazon. The Brooklyn-based band mixes up covers of forgotten Chicha classics with French-tinged originals, re-interpretation of 70s pop classics as well as cumbia versions of pieces by Satie and Wagner. While Chicha Libres repertoire has evolved somewhat from the Peruvian canon, the sound and approach are completely indebted to the Peruvian bands

Psychedelic cumbia discharges from Bogota, Colombia. Romperayo's full-length debut reunites Pedro Ojeda (from projects such as Los Piran& #771;as, Frente Cumbiero, Ondatro& #769;pica, and Chupame el Dedo) on drums, percussion, and timbales; Eblis Alvarez (from internationally-acclaimed bands Meridian Brothers and Los Piran& #771;as) on samplers and synths; virtuoso organist and pianist Ricardo Gallo on synthesizers; and renowned bassist and composer Juan Manuel Toro on bass. Romperayo's sound is

Vinyl LP pressing. 2014 release from the L.A. based Alt-Rock (Lat-Rock?) band. a Place in the Sun is a sun-soaked mlange of Rock, Cumbia, Hip Hop, Funk, Dub, and all-around goodness.

Long a favorite on dance floors in Latin America, the porro, cumbia, and vallenato styles that make up Colombia's música tropical are now enjoying international success. How did this music—which has its roots in a black, marginal region of the country—manage, from the 1940s onward, to become so popular in a nation that had prided itself on its white heritage? Peter Wade explores the history of música tropical, analyzing its rise in the context of the development of the broadcast media, rapid urbanization, and regional struggles for power. Using archival sources and oral histories, Wade shows how big band renditions of cumbia and porro in the 1940s and 1950s suggested both old traditions and new liberties, especially for women, speaking to a deeply rooted image of black music as sensuous. Recently, nostalgic, "whitened" versions of música tropical have gained popularity as part of government-sponsored multiculturalism. Wade's fresh look at the way music transforms and is transformed by ideologies of race, nation, sexuality, tradition, and modernity is the first book-length study of Colombian popular music.

Chupame El Dedo, from Bogota, Colombia present their self-titled album. Recorded live in the studio, Chupame El Dedo recreates the live performance by delving deeper in grind-core, speed and black metal clichs whilst marrying a tropical rhythm section made of salsa, cumbia, currulao & reggaeton. Tropical disoriented madness, stylistic dislocation and very fast drums.