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Nol: A Classical Guitar Christmas is a collection new arrangements and transcriptions for solo guitar of hymns, carols and folk music that have been selected from over six centuries of musical tradition. This set includes Louis-Claude Daquin's brilliant Nol X, originally for organ, newly transcribed for this recording. Traditional Spanish/Latin-American guitar favorites by Miguel Llobet and Agustin Barrios are also included. Distinctively American voices are represented by Vince Guaraldi's 'Ch

Exciting And Motivational Pieces For Your Early Advanced Students Include Our Especially Rich Selection: Sonata In D Minor, L.58 (Scarlatti), Inventions No.13 And 14 (J.S.Bach), Suite In A Major (Telemann), The Cockoo (Daquin), Rondo Alla Turca (Mozart), Sonata In G Minor, Op.49, No.1 (Beethoven), And Sonatina In A Minor, Op.88, No.3 (Kuhlau)

Titles: Le coucou, Rondo pour le clavecin (L. C. Daquin) * Little Prelude, Prelude in C Minor for the Lute, BWV 999 (J. S. Bach) * Sonata K. 330 (I. Allegro moderato, II. Andante cantabile, III. Allegretto) (W. A. Mozart) * Sonata K. 545 (I. Allegro, II. Andante, III. Rondo) (W. A. Mozart) * Sonata "Pastorale," K. 9; L. 413 (D. Scarlatti)

Published amid controversy in 1926, Flight focuses on the dilemma of Mimi Daquin, a light-complexioned African American woman who passes, for a time, as white. In the New Orleans of her birth, Mimi never encountered the hierarchies of skin color that existed elsewhere. But when her family moves to Atlanta, she embarks on a lifelong lesson about what it really means to belong to a people. From the Atlanta riot of 1906 to her shameful expulsion from black bourgeois society because of an out-of-wedlock pregnancy, to her working-class status in Philadelphia and Harlem, Mimi eventually decides to escape her miseries by passing for white in New York City. There, her success exceeds her expectations but even so cannot quell a recurrent yearning.

This treasury of more than fifty noëls, or carols, features the works of three renowned eighteenth-century French organ composers. It consists of twelve pieces by Louis-Claude Daquin (1694–1772), twenty-six pieces by Jean-François Dandrieu (1682–1738), and two suites—a total of thirteen pieces—by Claude-Bénigne Balbastre (1727–99). All pieces except those by Daquin can be played on any keyboard instrument. Registrations are supplied, and the majority of the organ pieces do not require pedals.Reproduced from authoritative editions, these brief, fun-to-play seasonal melodies abound in the charming ornamentations typical of French Baroque music. This sturdy but inexpensive edition lies flat on music stands and will provide years of use and enjoyment.