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Detailed and definitive, this profile of the Victorian writer explores the private life of the complicated, insecure, and wildly ambitious man who became the best-known author of his day. By the author of Hawksmoor and T. S. Eliot. Reprint.

A stylish and cost-efficient option for keeping it cool, this Parrot Uncle Dicken 52 in. modern chandelier ceiling fan is the perfect solution for your cooling and lighting needs. A full crystal shade provides your home with a grandeur rarely found in such a functional package. Matching black tone-stained wooden blades move an impressive amount of air, and the manual reverse allows the crystal ceiling fan to not only cool during the summer but helps keep your rooms warm during the winter.

1990 first U.S. printing/edition. Superior copy. Excellent condition. From private collection.

Dickens' Great Expectations (Cliffs Notes) - ...including - Life of the Author - Brief Summary of the Novel - List of characters - Summaries and Commentaries - Critical Analysis - Character Analyses - Review Questions - Selected Bibliography

As its startling and aggressive title suggests, Dickens Novels as Verse is no standard work of literary criticism. It is, in fact, altogether new and original. Jordan likens the experience of some of the great Dickens novels, particularly the later ones (namely, A Tale of Two Cities, Great Expectations and Our Mutual Friend) to the experience of lyric verse. The point is not that Dickens novels could ever be mistaken for lyric poems, but that the experience of some of the best of Dickens’s novels, despite their undoubted sprawl, is like the experience of lyric poems—is so because the novels are made up of the same things that make great verse great: intricate, largely unnoticeable tissues of alliteration-like patterning that net across the work and give narratively insignificant coherence to it. Dickens Novels as Verse meticulously describes these book-length patterns in clear, lucid prose. Its three chapters, each focused on a single Dickens novel, are full of close analyses that can be immediately used by teachers, students, and all other readers of Dickens to grasp why Dickens always seems to be a greater writer than the quality of his ideas might lead us to expect.

Charles Dickens, generally regarded as the greatest novelist of the Victorian age, was known as 'The Inimitable', not least for his distinctive style of writing. This collection of twelve essays addresses the essential but often overlooked subject of Dickens's style, with each essay discussing a particular feature of his writing. All the essays consider Dickens's style conceptually, and they read it closely, demonstrating the ways it works on particular occasions. They show that style is not simply an aesthetic quality isolated from the deepest meanings of Dickens's fiction, but that it is inextricably involved with all kinds of historical, political and ideological concerns. Written in a lively and accessible manner by leading Dickens scholars, the collection ranges across all Dickens's writing, including the novels, journalism and letters.

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In this stunning new illustrated biography, Peter Ackroyd introduces us to the public and private life of one of Britain's best loved literary giants, Charles Dickens.

The essays collected in this volume offer fresh readings of Dickens's travelogues and novels, often pointing to the many-sidedness of his personality. The 'uncommercial traveller' emerges as an ecumenical John Bull, chary of the alien but greedy of novelty, a man whose incursions on well-trodden or unfamiliar ground are always journeys into the uncanny. Besides dealing with the geography of the novelist's imagination, the book explores numerous 'new worlds' such as the inspiring world of Victorian science and Dickens's responses to it or the world of modern literary theory that shapes our own responses to his work.

Dickens and Empire offers a reevaluation of Charles Dickens's imaginative engagement with the British Empire throughout his career. Employing postcolonial theory alongside readings of Dickens's novels, journalism and personal correspondence, it explores his engagement with Britain's imperial holdings as imaginative spaces onto which he offloaded a number of pressing domestic and personal problems, thus creating an entangled discourse between race and class. Drawing upon a wealth of primary material, it offers a radical reassessment of the writer's stance on racial matters. In the past Dickens has been dismissed as a dogged and sustained racist from the 1850s until the end of his life; but here author Grace Moore reappraises The Noble Savage, previously regarded as a racist tract. Examining it side by side with a series of articles by Lord Denman in The Chronicle, which condemned the staunch abolitionist Dickens as a supporter of slavery, Moore reveals that the tract is actually an ironical riposte. This finding facilitates a review and reassessment of Dickens's controversial outbursts during the Sepoy Rebellion of 1857, and demonstrates that his views on racial matters were a good deal more complex than previous critics have suggested. Moore's analysis of a number of pre- and post-Mutiny articles calling for reform in India shows that Dickens, as their publisher, would at least have been aware of the grievances of the Indian people, and his journal's sympathy toward them is at odds with his vitriolic responses to the insurrection. This first sustained analysis of Dickens and his often problematic relationship to the British Empire provides fresh readings of a number of Dickens texts, in particular A Tale of Two Cities. The work also presents a more complicated but balanced view of one of the most famous figures in Victorian literature.

The scale of the 2012 bicentenary celebrations of Dickens's birth is testimony to his status as one of the most globally popular literary authors the world has ever seen. Yet Dickens has also become associated in the public imagination with a particular version of the Victorian past and with respectability. His continued cultural prominence and the "brand recognition" achieved by his image and images suggest that his vision reaches out beyond the Victorian period. Yet what is the relationship between Dickens and the modern world? Do his works offer a consoling version of the past or are they attuned to that state of uncertainty and instability we associate with the nebulous but resonant concept of modernity? This volume positions Dickens as both a literary and a cultural icon with a complex relationship to the cultural landscape in his own period and since. It seeks to demonstrate that oppositions which have pervaded approaches to Dickens - Victorian vs modern, artist vs entertainer, culture vs commerce - are false, by exploring the diversity and multiplicity of Dickens's textual and extra-textual lives. A specially commissioned Afterword by Florian Schweizer, Director of the Dickens 2012 celebrations, offers a fascinating insight into the shaping of this year-long public programme of commemoration of Dickens. Like the volume as a whole, it asks us to consider the nature of our connection with "this quintessentially Victorian writer" and what it is about Dickens that still appeals to people around the world. Professor Juliet John holds the Hildred Carlile Chair of English Literature, Royal Holloway, University of London. Contributors: Jay Clayton, Holly Furneaux, John Drew, Michaela Mahlberg, Juliet John, Michael Hollington, Joss Marsh, Carrie Sickmann, Kim Edwardes Keates, Dominic Rainsford, Florian Schweizer

Charles Dickens is famous for his deathbed scenes, but these have rarely been examined within the context of his ambivalence towards the Victorian commodification of death. Dickens repeatedly criticised ostentatious funeral and mourning customs, and asserted the harmful consequences of treating the corpse as an object of speculation rather than sympathy. At the same time, he was fascinated by those who made a living from death and recognised that his authorial profits implicated him in the same trade. This book explores how Dickens turned mortality into the stuff of life and art as he navigated a thriving culture of death-based consumption. It surveys the diverse ways in which death became a business, from body-snatching, undertaking, and joint-stock cemetery companies, to the telling and selling of stories. This broad study offers fresh perspectives on death in The Old Curiosity Shop and Our Mutual Friend, and discusses lesser-known works and textual illustrations.

Dickens' A Tale of Two Cities (Cliffs Notes)

Dickens and Empire offers a reevaluation of Charles Dickens's imaginative engagement with the British Empire throughout his career. Employing postcolonial theory alongside readings of Dickens's novels, journalism and personal correspondence, it explores his engagement with Britain's imperial holdings as imaginative spaces onto which he offloaded a number of pressing domestic and personal problems, thus creating an entangled discourse between race and class. Drawing upon a wealth of primary material, it offers a radical reassessment of the writer's stance on racial matters. In the past Dickens has been dismissed as a dogged and sustained racist from the 1850s until the end of his life; but here author Grace Moore reappraises The Noble Savage, previously regarded as a racist tract. Examining it side by side with a series of articles by Lord Denman in The Chronicle, which condemned the staunch abolitionist Dickens as a supporter of slavery, Moore reveals that the tract is actually an ironical riposte. This finding facilitates a review and reassessment of Dickens's controversial outbursts during the Sepoy Rebellion of 1857, and demonstrates that his views on racial matters were a good deal more complex than previous critics have suggested. Moore's analysis of a number of pre- and post-Mutiny articles calling for reform in India shows that Dickens, as their publisher, would at least have been aware of the grievances of the Indian people, and his journal's sympathy toward them is at odds with his vitriolic responses to the insurrection. This first sustained analysis of Dickens and his often problematic relationship to the British Empire provides fresh readings of a number of Dickens texts, in particular A Tale of Two Cities. The work also presents a more complicated but balanced view of one of the most famous figures in Victorian literature.

Charles Dickens's life is a story of rags to riches, complete with bankruptcy, prison, forced child labour, and fame and fortune overshadowed by guilt and secrecy - rather like the plot of one of his novels. Indeed, Dickens drew strongly on his own experiences as the source for much of his fiction. Here the author offers a fresh view of Dickens's remarkable life story. Dickens's novels brim with references: they are located in the places he lived in and visited, peopled with characters he knew, and inspired by the preoccupations that haunted his mind. Ackroyd highlights the reality of Victorian life, warts and all, and the issues that sparked Dickens's fervent calls for social reform; and he also charts the influential landmarks of that era, such as the coming of the railways, the effects upon society of the industrial revolution and the expansion of the British Empire. Dickens was a complex personality. He apparently had everything - fame, success, wealth - but he died harbouring the great sadness he had carried with him all his life, and he was humble enough to forbid a grand funeral. Like many eminent Victorians, he led a double life. Although he insisted that nothing in the newspapers he edited should offend his middle-class readers, he regularly indulged in dubious night-time escapades with fellow-author Wilkie Collins and, for the final 13 years of his life, kept a secret mistress, Ellen Ternan.

A critical biography of the great novelist details his private life and the circumstances and relationships surrounding each of his works, from the Sketches to Edwin Drood, and is illustrated throughout

A book for anyone wanting to immerse themselves in the world of Oliver Twist and 'Great Expectations'. R.E. Pritchard guides the reader through a journey of the different classes, rich and poor, men and women, faith and doubt, education and entertainment, and town and country life.

Examines the thematic preoccupations, wit, diction, syntax, and metaphor of Dickens's major stylistic modes, particularly in terms of his characters' fanciful impulses and escapist of retaliatory uses of the imagination

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A macabre collection including: "The Lawyer and the Ghost," "The Queer Chair," "The Ghosts of the Mail," "The Story of the Goblins Who Stole a Sexton," "The Haunted Man and the Ghost's Bargain," "Christmas Ghosts," "The Ghost Chamber," and "Four Ghost Stories."