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A digital copy of "Dieter Grimm" by Grimm. Download is immediately available upon purchase!

"Jean-Michel Basquiat: The Iconic Work" showcases Basquiat's powerful art addressing race, police brutality, and inequity. Curated by Dieter Buchhart for the Brant Foundation, this volume features 100 key works, contextualised in Basquiat's East Village roots. It offers a critical assessment of his enduring legacy and significance in contemporary art. 192 Pages, Publisher: Rizzoli Electa. Rizzoli Jean-Michel Basquiat: The Iconic Work in Dieter Buchhart

Open wide along with our prankster dragon. Though our Toscano exclusive claims to scare away evil computer viruses, it actually spends more time collecting loose change, paper clips or jewelry in its wide-open mouth. Our designer resin addition for desk or dresser is finely hand-painted to showcase everything from teeth to tonsils and is a fun-filled gift for collectors or anyone with a sense of humor. Approx. 5 in. W x 4.5 in. D x 4 in. H. 1 lbs. Color: Multi-Color.

Dieter Roth (1930–1998) was an artist of astonishing breadth and diversity, producing graphics, drawings, paintings, sculptures, assemblages, and installation works involving sound recordings and video. He was also a composer, musician, poet, and writer. Roth was particularly noted for his influential artist's books, including Literaturwurst (1961–74), a series of books made using traditional sausage recipes but replacing the sausage meat with pages torn from other publications.Roth kept diaries and notebooks throughout his life, using and reusing them in his art and writing. The idea of keeping a diary—finding a way to record the passing of time and document his life—is a fundamental theme of his artwork. Illustrations of pages from Roth's diaries and copybooks of his major works, including A Diary (1982), Flat Waste (1975), Solo Scenes (1997–98), and Bar II (1983–97), accompany art historical assessments by contemporary scholars and contributions from his peer Jan Vos and his son Björn Roth.

A return to simpler set-ups and times, Antwerp-based musician Dieter Sermeus has started a new chapter in the wake of his acclaimed releases with The Go Find: He is back with a new band called Dieter von Deurne & The Politics, a new formation that sees him revisit and update his indie rocking '90s roots. Harking back to an even earlier band called Orange Black, a project he formed at 15 and which supported bands such as Pavement, Seam, and Stereolab, this self-titled debut is many things at once

Dieter Roth's unique and eclectic Tischmatten ("Table Mats") incorporate drawings, paintings, photographs, and ephemeral materials. Roth placed these gray cardboard mats on tables in his apartment, studios, and houses, collecting what he referred to as the "traces of my domestic activities." Along with spontaneous doodles and drips and stains from the kitchen, Roth affixed leftover food, notes, and photos to the mats, creating still lifes that he would supplement with painting and collage and that had an emphasis on symmetry and mirror images. Dieter Roth, Björn Roth: Work Tables and Tischmatten offers a new interpretation of these significant yet often misunderstood works, which Roth himself considered to have influenced the development of his painting in the late 1980s. The book includes the artist's writings about the Tischmatten, and an insightful essay by Andrea Büttner resituates them within the greater body of the artist's output.

In dieser Sonderausgabe sind die Dokumentationen der wichtigsten Arbeiten Kienasts aus der erfolgreichen dreibändigen Gesamtausgabe versammelt, darunter eine Vielzahl privater Gärten, die Aussenanlagen zum ZKM in Karlsruhe, zur Tate Modern in London u.v.m.

Language:Chinese.HardCover Pub Date: Jun Pages: 212 in Publisher: Verlag der Buchhandlung Walther Konig The title of this book is Dieter Roth. Richard Hamilton. Collaborations and is written by author Vicente Todoli The book Dieter Roth. Richard Hamilton Collaborations is published by Verlag der Buchhandlung Walther Konig.

Dieter Roth was the quintessential artist's artist, highly revered by his peers. Between 1947 and 1998, Roth made 524 prints, culminating in one of the richest and most diverse printmaking oeuvres ever. Many are unique prints, created by the inventive manipulation of the various stages in the printmaking process, achieving remarkable editions in which not one print is identical. The artist used all knownand some newly inventedprintmaking techniques including woodcuts (relief printing), etching, engraving, aquatint (intaglio printing), lithography, offset (planographic printing), screenprinting (stencil printing), pressings (objects flattened by vertically exerted pressure), and squashings (objects flattened by horizontally exerted pressure). Often various methods were combined. Roth's creativity and ingenuity pushed printmaking beyond all known borders. All his prints are reproduced here in full color, and, in many cases, several examples of the unique prints are shown. A text by the curator Dirk Dobke and a text based on an interview with Richard Hamilton accompany the book. 700 color illustrations.

The evolution of Dieter Roth's magnificent print series, revealing his astonishingly creative response to London's most famous landmark. Dieter Roth's "6 Piccadillies" are among the most celebrated prints of the last fifty years, as iconic as Piccadilly Circus itself. Few people are aware, however, that these prints were part of a larger plan. Roth had been sending modified postcards to his friends since the 1950s and was captivated by a collection of Piccadilly Circus postcards belonging to his friends Rita Donagh and Richard Hamilton. Blowing up one of the postcards from 1965, he then developed the six prints, using a combination of offset and screen printing. On two occasions, Roth photographically enlarged and overpainted the "Piccadilly," and it had always been his intention to enlarge all six of the series to create a "Giant Piccadilly Puzzle" with interchangeable elements. To celebrate the seventy-fifth anniversary of his birth, his longtime friend and publisher, Hansjorg Mayer, has fulfilled Dieter Roth's ambitious program. 250 color illustrations.

The evolution of Dieter Roth's magnificent print series, revealing his astonishingly creative response to London's most famous landmark. Dieter Roth's "6 Piccadillies" are among the most celebrated prints of the last fifty years, as iconic as Piccadilly Circus itself. Few people are aware, however, that these prints were part of a larger plan. Roth had been sending modified postcards to his friends since the 1950s and was captivated by a collection of Piccadilly Circus postcards belonging to his friends Rita Donagh and Richard Hamilton. Blowing up one of the postcards from 1965, he then developed the six prints, using a combination of offset and screen printing. On two occasions, Roth photographically enlarged and overpainted the "Piccadilly," and it had always been his intention to enlarge all six of the series to create a "Giant Piccadilly Puzzle" with interchangeable elements. To celebrate the seventy-fifth anniversary of his birth, his longtime friend and publisher, Hansjorg Mayer, has fulfilled Dieter Roth's ambitious program. 250 color illustrations.

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The new edition of the benchmark work originally published by the Dieter and Ingeborg Rams Foundation and Jo Klatt. Few product designs have the staying power of creations by Dieter Rams. Almost everything produced by one of the most influential designers of the twentieth century is today considered a classic. This new and revised edition of Less but Better shows once again why Dieter Rams’s approach to design will be relevant for the foreseeable future Ideas of what can and must be achieved by good design are in a constant state of flux as a result of cultural and technological developments. Dieter Rams, however, came up with ten principles that advocate for a purist, almost imperceptible design. These principles are still considered timeless fundaments of design theory and practice today: Good design is innovative. Good design makes a product useful. Good design is aesthetic. Good design helps a product to be understood. Good design is unobtrusive. Good design is honest. Good design is durable. Good design is consistent to the last detail. Good design is environmentally friendly. Good design is as little design as possible. Less but Better does not set out to be a complete documentation of Dieter Rams’s body of work, nor does it claim to tell the full story of the company Braun. Rather, the book explores the ideas, criteria, and methods behind Rams’s creations and reveals how a shifting culture of product manufacturing gave rise to universal design benchmarks. From his reflections on design ethics and values we can distill a clear paradigm for future design ―because one principle has remained firm over the years: less is simply better.

The wide horizon of the prairie on which the sun sets, galloping horses and laid-back cowboys swinging lassos: these are the images that give the myth of America visual form, make it both visible and palpable. Unlike any other contemporary artist, the German photographer Dieter Blum (born 1936) has explored and updated this subject. The 60 photographs in his series Cowboys, which were taken in 1992 for Marlboro Cigarettes, testify to this and are assembled for the first time in their entirety in this volume. The myth of the “lonesome cowboy” is ruptured in a humorous way and replaced by a “worker” who pursues everyday activities in a team―stands at the bar, reads the newspaper, washes laundry, skis, takes a bath.

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Dieter Rams is one of the most influential product designers of the twentieth century. Even if you don't immediately recognize his name, you have almost certainly used one of the radios, clocks, lighters, juicers, shelves or hundreds of other products he designed. He is famous not only for this vast array of well-formed products, but for his remarkably prescient ideas about the correct function of design in the messy, out-of-control world we inhabit today. These ideas are summed up in his 'ten principles' of good design: good design is innovative, useful, and aesthetic. Good design should be make a product easily understood. Good design is unobtrusive, honest, durable, thorough, and concerned with the environment. Most of all, good design is as little design as possible.In that spirit, this monograph is as little book as possible. It is a clear, comprehensive and beautiful presentation of Dieter Rams' life and his work. It is a must-have book for anyone interested in Rams' work, his legacy, and his ideas about how to live.

The wide horizon of the prairie on which the sun sets, galloping horses and laid-back cowboys swinging lassos: these are the images that give the myth of America visual form, make it both visible and palpable. Unlike any other contemporary artist, the German photographer Dieter Blum (born 1936) has explored and updated this subject. The 60 photographs in his series Cowboys, which were taken in 1992 for Marlboro Cigarettes, testify to this and are assembled for the first time in their entirety in this volume. The myth of the “lonesome cowboy” is ruptured in a humorous way and replaced by a “worker” who pursues everyday activities in a team―stands at the bar, reads the newspaper, washes laundry, skis, takes a bath.