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Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 2.01

bilingual edition. 154 pages. German language. 11.50x10.00x0.75 inches. In Stock.

346p grey cloth, very good, unused copy, shelfwear

Composer: Dietmar Strau Eduard Hanslick: Writings Part 1 Publisher: Schott Category: Music Related Products Series: Schott Format: Paperback...

This book is based on notes for the course Fractals:lntroduction, Basics and Perspectives given by MichaelF. Barnsley, RobertL. Devaney, Heinz-Otto Peit­ gen, Dietmar Saupe and Richard F. Voss. The course was chaired by Heinz-Otto Peitgen and was part of the SIGGRAPH '87 (Anaheim, California) course pro­ gram. Though the five chapters of this book have emerged from those courses we have tried to make this book a coherent and uniformly styled presentation as much as possible. It is the first book which discusses fractals solely from the point of view of computer graphics. Though fundamental concepts and algo­ rithms are not introduced and discussed in mathematical rigor we have made a serious attempt to justify and motivate wherever it appeared to be desirable. Ba­ sic algorithms are typically presented in pseudo-code or a description so close to code that a reader who is familiar with elementary computer graphics should find no problem to get started. Mandelbrot's fractal geometry provides both a description and a mathemat­ ical model for many of the seemingly complex forms and patterns in nature and the sciences. Fractals have blossomed enormously in the past few years and have helped reconnect pure mathematics research with both natural sciences and computing. Computer graphics has played an essential role both in its de­ velopment and rapidly growing popularity. Conversely, fractal geometry now plays an important role in the rendering, modelling and animation of natural phenomena and fantastic shapes in computer graphics.

This new release presents Mozarts Haydn Quartets & Prussian Quartets. "In the maturity of their musical disposition, the melancholy beauty of their melody and the absolute facility in the handling of the part-writing" (Dietmar Holland), the three "Prussian" Quartets surely constitute the most important chamber music of Mozart's final years. There were many different opinions heard about the Haydn Quartets - the most beautiful probably being that of Joseph Haydn himself, to whom the six qu

Artwork by Felix Gonzalez-Torres. Contributions by Roland Waspe. Text by Dietmar Elger, Andrea Rosen.

Facsimile del libro d'artista di Gerhard Richter pubblicato in 100 esemplari nel 1981. Allegato uno spillato con testo in tedesco e inglese a cura di Dietmar Elger . Cm 20x12. pp. 144 non numerate. . Perfetto (Mint). . Edizione originale di 350 esemplari numerati (Original edition of 350 numbered copies). RICHTER, Gerhard [Richter, 2014] Gerhard Richter Edition 1965-2013. Hatje Cabtz, 2014. Libro d'artista di sole illustrazioni in bianco e nero applicate, basate sulle fotografie scattate da G. Richter durante un viaggio in Groenlandia nel 1972. Edizione originale di 350 esemplari numerati (Original edition of 350 numbered copies).

Ursula Pfitzner, Dietmar Kerschbaum, Michael Kraus, Carlo Hartmann, Wolfgang Graschmaier, Rolf Haunstein, Josef Forstner, and Regula Rosin star in this Vienna State Opera and Folk Opera production of the Kurt Weill operetta conducted by Christoph Eberle.

The second installment in Dietmar Elger's ambitious six-volume Gerhard Richter publishing projectThe oeuvre of Gerhard Richter (born 1932) embraces in excess of 3,000 individual works. Over a period of five decades he has created a stylistically heterogeneous, complex body of work that testifies to his status as the most important living artist of our time. Dietmar Elger, director of the Gerhard Richter Archive at the Staatliche Kunstsammlungen Dresden, has spent years researching and preparing the six-volume catalogue raisonn' that will be published through 2020. This second volume encompasses the works that Richter assigned numbers 199 to 388, covering the years 1968 to 1976. A total of over 500 paintings and sculptures are listed.Aside from the richly colored illustrations (many of them full-page), it includes full technical details, information about the artist's handwritten notes and the provenance, bibliography and exhibitions of each individual work. This information is supplemented by commentary, quotes and comparison images.

sive de sacris Aegyptiorum literis commentarii, Ioannis Pierii Valeriani Bolzanii Bellunensis. Reprint der Ausgabe Basel 1556. Mit einem Nachwort von Dietmar Peil. Die Interpretation der Hieroglyphen als symbolische Bilderschrift in der Renaissance zeichnete sich durch eine Synthese aus heidnisch-antiken mit christlich-mittelalterlichen Traditionen aus. In diesem Kontext stehen auch die Hieroglyphica des Pierio Valeriano. Sein Hauptwerk ist die Frucht einer jahrzehntelangen Kompilationsarbeit, mit der er ein symbolisches Universum schuf, das die ganze antike Welt von Teuth (Thot) bis Claudian und von Hermes Trismegistos bis zum Heiligen Augustinus mit einschließt. In insgesamt 58 Büchern und anhand von 267 Holzschnitten werden die verschiedenen Bildmotive vorgestellt und kommentiert. Im Nachdruck vorgelegt wird die erste vollständig erschienene Fassung des Werks. [898],28* Seiten mit 267 Abb., Großformat, Leinen (Emblematisches Cabinet/Olms Verlag 2005). Statt EUR 248,00. Gewicht: 2730 g - Gebunden/Gebundene Ausgabe - Sprache: Latein

Presenting the grand sweep of Indian history from antiquity to the present, A History of India is a detailed and authoritative account of the major political, economic, social and cultural forces that have shaped the history of the Indian subcontinent. Hermann Kulke and Dietmar Rothermund provide a comprehensive overview of the structural pattern of Indian history, covering each historical period in equal depth. Fully revised throughout, the sixth edition of this highly accessible book has been brought up to date with analysis of recent events such as the 2014 election and its consequences, and includes more discussion of subjects such as caste and gender, Islam, foreign relations, partition, and the press and television. This new edition contains an updated chronology of key events and a useful glossary of Indian terms, and is highly illustrated with maps and photographs. Supplemented by a companion website (www.routledge.com/cw/kulke), it is a valuable resource for students of Indian history.

Presenting the grand sweep of Indian history from antiquity to the present, A History of India is a detailed and authoritative account of the major political, economic, social and cultural forces that have shaped the history of the Indian subcontinent. Hermann Kulke and Dietmar Rothermund provide a comprehensive overview of the structural pattern of Indian history, covering each historical period in equal depth. Fully revised throughout, the sixth edition of this highly accessible book has been brought up to date with analysis of recent events such as the 2014 election and its consequences, and includes more discussion of subjects such as caste and gender, Islam, foreign relations, partition, and the press and television. This new edition contains an updated chronology of key events and a useful glossary of Indian terms, and is highly illustrated with maps and photographs. Supplemented by a companion website (www.routledge.com/cw/kulke), it is a valuable resource for students of Indian history.

The second installment in Dietmar Elger's ambitious six-volume Gerhard Richter publishing projectThe oeuvre of Gerhard Richter (born 1932) embraces in excess of 3,000 individual works. Over a period of five decades he has created a stylistically heterogeneous, complex body of work that testifies to his status as the most important living artist of our time. Dietmar Elger, director of the Gerhard Richter Archive at the Staatliche Kunstsammlungen Dresden, has spent years researching and preparing the six-volume catalogue raisonn' that will be published through 2020. This second volume encompasses the works that Richter assigned numbers 199 to 388, covering the years 1968 to 1976. A total of over 500 paintings and sculptures are listed.Aside from the richly colored illustrations (many of them full-page), it includes full technical details, information about the artist's handwritten notes and the provenance, bibliography and exhibitions of each individual work. This information is supplemented by commentary, quotes and comparison images.

CHRISTOPH REHMANN-SUTTER, MARCUS DÜWELL, DIETMAR MIETH When we placed “finitude”, “limits of human existence” as a motto over a round of discussion on biomedicine and bioethics (which led to this collection of essays) we did not know how far this would lead us into methodological quandaries. However, we felt intuitively that an interdisciplinary approach including social and cultural sciences would have an advantage over a solely disciplinary (philosophical or theological) analysis. Bioethics, if it is to have adequate discriminatory power, should include sensitivity to the cultural contexts of biomedicine, and also to the cultural contexts of bioethics itself. Context awareness, of course, is not foreign to philosophical or theological bioethics, for the simple reason that the issues tackled in the debates (as in other fields of ethics) could not be adequately understood outside their contexts. Moral issues are always accompanied by contexts. When we try to unpack them – which is necessary to make them accessible to ethical discussion – we are regularly confronted with the fact that in removing too much of the context we do not clarify an issue, but make it less comprehensible. The context – at least some essential parts of it – is intrinsic to the issue. Unpacking in ethics is therefore a different procedure. It does not mean peeling the context off, but rather identifying which contextual elements are essential for an understanding of the key moral aspects of the issue, and explaining how they establish its particular character.

Reichlich in Schwarzweiß illustriert. Orig.kartoniert. 330,(4) Seiten. Herausgegeben von Attila Csampai und Dietmar Holland. 8°. Einband leicht berieben. Leichte Gebrauchsspuren. ISBN 3499183986.

The second installment in Dietmar Elger’s ambitious six-volume Gerhard Richter publishing projectThe oeuvre of Gerhard Richter (born 1932) embraces in excess of 3,000 individual works. Over a period of five decades he has created a stylistically heterogeneous, complex body of work that testifies to his status as the most important living artist of our time. Dietmar Elger, director of the Gerhard Richter Archive at the Staatliche Kunstsammlungen Dresden, has spent years researching and preparing the six-volume catalogue raisonné that will be published through 2020. This second volume encompasses the works that Richter assigned numbers 199 to 388, covering the years 1968 to 1976. A total of over 500 paintings and sculptures are listed.Aside from the richly colored illustrations (many of them full-page), it includes full technical details, information about the artist’s handwritten notes and the provenance, bibliography and exhibitions of each individual work. This information is supplemented by commentary, quotes and comparison images.

CHRISTOPH REHMANN-SUTTER, MARCUS DÜWELL, DIETMAR MIETH When we placed “finitude”, “limits of human existence” as a motto over a round of discussion on biomedicine and bioethics (which led to this collection of essays) we did not know how far this would lead us into methodological quandaries. However, we felt intuitively that an interdisciplinary approach including social and cultural sciences would have an advantage over a solely disciplinary (philosophical or theological) analysis. Bioethics, if it is to have adequate discriminatory power, should include sensitivity to the cultural contexts of biomedicine, and also to the cultural contexts of bioethics itself. Context awareness, of course, is not foreign to philosophical or theological bioethics, for the simple reason that the issues tackled in the debates (as in other fields of ethics) could not be adequately understood outside their contexts. Moral issues are always accompanied by contexts. When we try to unpack them – which is necessary to make them accessible to ethical discussion – we are regularly confronted with the fact that in removing too much of the context we do not clarify an issue, but make it less comprehensible. The context – at least some essential parts of it – is intrinsic to the issue. Unpacking in ethics is therefore a different procedure. It does not mean peeling the context off, but rather identifying which contextual elements are essential for an understanding of the key moral aspects of the issue, and explaining how they establish its particular character.

The second installment in Dietmar Elger’s ambitious six-volume Gerhard Richter publishing projectThe oeuvre of Gerhard Richter (born 1932) embraces in excess of 3,000 individual works. Over a period of five decades he has created a stylistically heterogeneous, complex body of work that testifies to his status as the most important living artist of our time. Dietmar Elger, director of the Gerhard Richter Archive at the Staatliche Kunstsammlungen Dresden, has spent years researching and preparing the six-volume catalogue raisonné that will be published through 2020. This second volume encompasses the works that Richter assigned numbers 199 to 388, covering the years 1968 to 1976. A total of over 500 paintings and sculptures are listed.Aside from the richly colored illustrations (many of them full-page), it includes full technical details, information about the artist’s handwritten notes and the provenance, bibliography and exhibitions of each individual work. This information is supplemented by commentary, quotes and comparison images.

2010 release. From the award-winning filmmakers behind Monks: The Transatlantic Feedback (PL 004DVD, 2006), Dietmar Post (USA/Germany) and Luca Palacios (Spain), come two direct cinema documentaries, Klangbad: Avant-Garde in the Meadows (85 minutes, 2009) and Faust: Live at Klangbad Festival (70 minutes, 2010). The first takes as its subject the pop avant-garde music festival Klangbad, curated by Hans-Joachim Irmler (founding member of the seminal krautrock band Faust). Since 2004, the pictures