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Dramma per musica―the most usual term for Italian serious opera from the seventeenth to the early nineteenth century―was a modern, enlightened form of theater that presented a unified, artistically designed, dramatic enactment of human stories, expressed by the voice and underscored by the orchestra. This book by one of the world’s most eminent musicologists illustrates the diversity of this baroque art form and explains how it has given us opera as we know it.Reinhard Strohm introduces the concept and history of dramma per musica and then examines the contemporary reception and environment of this operatic tradition, analyzing its social and repertorial patterns and comparing it to theories on the roles of French spoken drama and Italian libretto reform. In describing the principles observed by poets, composers, and performers, Strohm discusses such central concepts of theory and practice as verisimilitude, decorum, gesture, and rhetoric. He also decodes various works, including Handel’s Ariodante, operas by Hasse, and stage works featuring the Earl of Essex. Throughout the book, Strohm surveys the traditions of the spoken theater and pays special attention to the subject matter of the librettos, as well as to drama theory, stage action, patronage, political history, and ideology. His account covers opera houses in Rome, Naples, Venice, Hamburg, Dresden, Vienna, Madrid, London, and Warsaw, as he follows one character of the dramatic tradition across the European stages for more than two centuries. Authoritative and enlightening, this book reveals how dramma per musica forms a vital part of our theatrical and musical heritage.

Dramma per musica―the most usual term for Italian serious opera from the seventeenth to the early nineteenth century―was a modern, enlightened form of theater that presented a unified, artistically designed, dramatic enactment of human stories, expressed by the voice and underscored by the orchestra. This book by one of the world’s most eminent musicologists illustrates the diversity of this baroque art form and explains how it has given us opera as we know it.Reinhard Strohm introduces the concept and history of dramma per musica and then examines the contemporary reception and environment of this operatic tradition, analyzing its social and repertorial patterns and comparing it to theories on the roles of French spoken drama and Italian libretto reform. In describing the principles observed by poets, composers, and performers, Strohm discusses such central concepts of theory and practice as verisimilitude, decorum, gesture, and rhetoric. He also decodes various works, including Handel’s Ariodante, operas by Hasse, and stage works featuring the Earl of Essex. Throughout the book, Strohm surveys the traditions of the spoken theater and pays special attention to the subject matter of the librettos, as well as to drama theory, stage action, patronage, political history, and ideology. His account covers opera houses in Rome, Naples, Venice, Hamburg, Dresden, Vienna, Madrid, London, and Warsaw, as he follows one character of the dramatic tradition across the European stages for more than two centuries. Authoritative and enlightening, this book reveals how dramma per musica forms a vital part of our theatrical and musical heritage.

Turandot Dramma Lirico in Tre Atti Francesco Molinari-Pradelli - CD 4011790757223

Buy with confidence! Book is in good condition with minor wear to the pages, binding, and minor marks within 0.35

(Opera). Ricordi is proud to present the first titles in their new series of orchestral scores featuring engaging images (from Casa Ricordi's historical archives) and synopses in Italian, English, French and German. In addition, these scores feature heavier cover and paper stock plus stronger binding.

Achille in Sciro Dramma in Musica in 3 Acts Federico Maria Sardelli - CD 8007144605711

Il trovatore, the middle opera of Verdi's famous "trilogy" of the 1850s (with Rigoletto and La traviata), is the sixth work to be published in The Works of Giuseppe Verdi. Based on Verdi's autograph score and an examination of important secondary sources including contemporary manuscript copies and performing parts, the edition identifies and resolves numerous ambiguities of harmony, melodic detail, text, and phrasing that have marred previous scores. Scholars and performers alike will find a wealth of information in the critical apparatus to inform their research and interpretations. The lengthy introduction to the score discusses the work's genesis, sources, and performance history as well as issues of instrumental and vocal performance practice, production and staging, and problems of notation. As an added feature of the introduction is an original study by Carlos Matteo Mossa of the creation of the libretto, based on the original draft and numerous other autograph documents.

Il trovatore, the middle opera of Verdi's famous "trilogy" of the 1850s (with Rigoletto and La traviata), is the sixth work to be published in The Works of Giuseppe Verdi. Based on Verdi's autograph score and an examination of important secondary sources including contemporary manuscript copies and performing parts, the edition identifies and resolves numerous ambiguities of harmony, melodic detail, text, and phrasing that have marred previous scores. Scholars and performers alike will find a wealth of information in the critical apparatus to inform their research and interpretations. The lengthy introduction to the score discusses the work's genesis, sources, and performance history as well as issues of instrumental and vocal performance practice, production and staging, and problems of notation. As an added feature of the introduction is an original study by Carlos Matteo Mossa of the creation of the libretto, based on the original draft and numerous other autograph documents.

Founded in Italy in 1992 by Alan Curtis, one of the most acclaimed specialists in the interpretation of pre-romantic music, Il Complesso Barocco, has become a renowned international baroque orchestra with a focus on Italian Baroque opera and oratorio. Their high standard for interpretation, intonation and stylistic accuracy has led to their being requested in the most important concert venues and festivals in Europe. Notes on this opera: on 8th January 1735 at the Covent Garden in London, Georg

239 p., f.to cm 31x24, copertina rigida con sovraccoperta, illustrazioni a colori e b/n. Come nuovo.

I Giochi Di Agrigento Dramma in Three Acts Giovanni Battista Rigon - CD 8007144605315

Ercole Su'l Termodonte Dramma Per Musica Il Complesso Barocco - DVD 8007144335250

Emilio Sagi's colorful 1970s-inspired production of Rossini's 'L'Equivoco Stravagante' is performed by Marco Vinco, Marina Prudenskja and Bruno de Simone with the Orchestra Haydn of Bolzano e Trento conducted by Umberto Benedetti Michelangeli. L'equivoco stravagante was written on 1811 and its Rossini's first two-act comic opera, the only one written for a theatre in Bologna (his adoptive home after he abandoned Pesaro). A truly peculiar opera; not so much in its music but with the text written

Il Mondo della Luna - Dramma Giocoso - 2nd and 3rd act, 2nd part - Haydn Complete Edition, Series XXV, Vol. 7Features:Paperbound ScorePages: 238Voi...

La Fedelta Premiata - Dramma Pastorale Giocoso, 1st part - Haydn Complete Edition, Series XXV, Vol. 10Features:ClothboundPages: 286

Lo Speziale - Dramma Giocoso - Haydn Complete Edition, Series XXV, Vol. 3Features:Clothbound ScorePages: 200Voicing: SCORE

Le Pescatrici - Dramma Giocoso - Haydn Complete Edition, Series XXV, Vol. 4Features:Clothbound ScorePages: 308Voicing: SCORE

Il Mondo della Luna - Dramma Giocoso - 2nd and 3rd act, 2nd part - Haydn Complete Edition, Series XXV, Vol. 7Features:ClothboundPages: 245

L'Anima del Filosofo Ossia Orfeo ed Euridice - Dramma per Musica Haydn Complete Edition, Series XXV, Vol. 13 Paperbound Publisher: G. Henle Verla...

La Vera Costanza - Dramma Giocoso per Musica - Haydn Complete Edition, Series XXV, Vol. 8Features:PaperboundPages: 382