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Dust jacket notes: "The Societe Anonyme, founded in 1920 by Katherine Dreier, Marcel Duchamp, and Man Ray, was responsible for introducing contemporary European art to the American public. In its first decade, the Societe organized over fifty exhibitions, including the first one-artist shows in this country given to Archipenko, Kandinsky, Klee, Leger, and Villon. Through its exhibitions, lectures, and publications, the Societe hoped to show the public that there were both social and spiritual benefits to be derived from progressive modern art. Donated to Yale University in 1941, the collection of the Societe Anonyme was augmented by Dreier during the last years of her life and by works from her estate upon her death in 1952. The combined collection boasts works by 180 artists and rivals the most important public collections of modern art in America. Its particular flavor owes to its having been formed by artists rather than by collectors. Thus, in addition to substantial holdings of famous artists such as Duchamp, Kandinsky, Klee, Leger, Lissitzky, Mondrian, Man Ray, Schwitters, Stella, and Villon, one finds works by less well-known artists of unusual interest and growing reputation, such as Bruce, Buchheister, Carlsund, Covert, and Duchamp-Villon. This generously illustrated catalogue raisonne provides the only thorough history of the Societe Anonyme and for the first time documents and reproduces the entire collection and associated works from the Dreier estate - a total of 1020 items. The catalogue includes a short biography of each artist and a complete bibliography and exhibition history for each work. Most works are accompanied by interpretive essays incorporating new ideas and information, and often by Duchamp's original texts, never before fully published. This handsome volume is thus of both intrinsic and historical importance, an essential resource to anyone interested in the history of modern art in America...."

A digital copy of "Introduction to Helicopter and Tiltrotor Flight Simulation" by Mark E. Dreier. Download is immediately available upon purchase!

Latin Jazz Guide - by James Dreier - HL00148347

Dust jacket notes: "The Societe Anonyme, founded in 1920 by Katherine Dreier, Marcel Duchamp, and Man Ray, was responsible for introducing contemporary European art to the American public. In its first decade, the Societe organized over fifty exhibitions, including the first one-artist shows in this country given to Archipenko, Kandinsky, Klee, Leger, and Villon. Through its exhibitions, lectures, and publications, the Societe hoped to show the public that there were both social and spiritual benefits to be derived from progressive modern art. Donated to Yale University in 1941, the collection of the Societe Anonyme was augmented by Dreier during the last years of her life and by works from her estate upon her death in 1952. The combined collection boasts works by 180 artists and rivals the most important public collections of modern art in America. Its particular flavor owes to its having been formed by artists rather than by collectors. Thus, in addition to substantial holdings of famous artists such as Duchamp, Kandinsky, Klee, Leger, Lissitzky, Mondrian, Man Ray, Schwitters, Stella, and Villon, one finds works by less well-known artists of unusual interest and growing reputation, such as Bruce, Buchheister, Carlsund, Covert, and Duchamp-Villon. This generously illustrated catalogue raisonne provides the only thorough history of the Societe Anonyme and for the first time documents and reproduces the entire collection and associated works from the Dreier estate - a total of 1020 items. The catalogue includes a short biography of each artist and a complete bibliography and exhibition history for each work. Most works are accompanied by interpretive essays incorporating new ideas and information, and often by Duchamp's original texts, never before fully published. This handsome volume is thus of both intrinsic and historical importance, an essential resource to anyone interested in the history of modern art in America...."

A digital copy of "Yuan Dynasty" by Dreier. Download is immediately available upon purchase!

Der Erzähler erfindet (»Ich stelle mir vor:«) mögliche Lebensgeschichten dreier Personen: Da ist Gantenbein, der einen Blinden spielt, um so genauer seine Umwelt beobachten zu können. Oder da ist Enderlin, der immer »ein fremder Herr« bleibt. Auch Svoboda muß die Erfahrung machen, daß Liebe und Ehe endlich sind. Übrig im Spiel der erdichteten Rollen bleibt: Gantenbein.

A digital copy of "CNET Do-It-Yourself Home Video Projects" by Troy Dreier. Download is immediately available upon purchase!

A digital copy of "Contemporary Debates in Moral Theory" by James Dreier. Download is immediately available upon purchase!

A digital copy of "Psychotherapy In Everyday Life" by Dreier. Download is immediately available upon purchase!

A digital copy of "Doing Things With Things" by Dreier. Download is immediately available upon purchase!

Why did the Museum of Modern Art and the Guggenheim in New York, and art collectors and curators such as Katherine Dreier and Alfred Barr, collect modern German art in the first half of the twentieth century? And why did certain works of art belong to the canon while others did not? In this book, Gregor Langfeld argues that National Socialism played a crucial role in the canonization of movements such as Expressionism and the Bauhaus. A role which undermined the post-1945 reputations of many artists associated with classical and figurative trends. Langfeld offers important new insights into the political and ideological motivations behind the New York art world's fluctuations in opinion, fashion, and price.

A visual feast of modern European and American art from one of the twentieth century’s most extraordinary collections This beautifully illustrated book highlights the unique history of The Société Anonyme, Inc., an organization founded in 1920 by the artists Katherine S. Dreier (1877–1952), Marcel Duchamp (1887–1968), and Man Ray (1890–1976). As America’s first “experimental museum” for modern art, the Société Anonyme provided a means for artists, rather than historians, to chronicle the rise of modernism. Led by Dreier and Duchamp, the group eventually assembled a collection of more than one thousand artworks, which it presented to the public in a variety of innovative programs, publications, and exhibitions. The incredible collection of the Société Anonyme now belongs to the Yale University Art Gallery, a gift from the Société and Dreier. It features the work of more than one hundred artists, many of whom are among the century’s most renowned—including Jean Arp, Duchamp, Max Ernst, Wassily Kandinsky, Paul Klee, El Lissitzky, Piet Mondrian, Man Ray, Kurt Schwitters, and Joseph Stella—as well as works by lesser-known artists whose contributions to modernism are substantial. With new archival information, including personal correspondence between Dreier and the artists whose work she assembled, a host of previously unpublished images, essays by leading scholars, and an interview with artists Robert and Sylvia Mangold about the contemporary significance of this collection, this fascinating book is essential to our understanding of the reception and interpretation of modernism in America.

A digital copy of "Place Matters" by Peter Dreier. Download is immediately available upon purchase!

Probleme der Librettoübersetzung setzt den Fokus auf eine in der Forschung lange Zeit vernachlässigte Gattung, das Libretto. Auch die Librettoübersetzung nimmt wenig Raum ein in den Wissenschaften. Die Analyse dreier Übersetzungen ins Deutsche zu Mozarts Oper Le nozze di Figaro veranschaulicht die besondere Schwierigkeit dieser Übersetzungsart. Durch die enge Verzahnung des Librettos mit der Musik (Metrik, Reim, Rhythmus) muss der Übersetzer stets Kompromisse eingehen. Musik und Sprache haben einige Berührungspunkte, beide können etwa nach semiotischen und suprasegmentalen Aspekten untersucht werden. Die Arbeit ist an der Schnittstelle von Sprach-, Übersetzungs- und Musikwissenschaft zu verorten. Dank ihrer Funktion als nationale Kulturträger sind Opernübersetzungen auch heute noch von großer Bedeutung.

Why did the Museum of Modern Art and the Guggenheim in New York, and art collectors and curators such as Katherine Dreier and Alfred Barr, collect modern German art in the first half of the twentieth century? And why did certain works of art belong to the canon while others did not? In this book, Gregor Langfeld argues that National Socialism played a crucial role in the canonization of movements such as Expressionism and the Bauhaus. A role which undermined the post-1945 reputations of many artists associated with classical and figurative trends. Langfeld offers important new insights into the political and ideological motivations behind the New York art world's fluctuations in opinion, fashion, and price.

A digital copy of "Grundrechtsschutz durch Landesverfassungsgerichte" by Horst Dreier. Download is immediately available upon purchase!

A digital copy of "Introduction to Helicopter and Tiltrotor Flight Simulation" by Mark E.Dreier. Download is immediately available upon purchase!

A digital copy of "Intro. to Helicopter and Tiltrotor Simulat." by Dreier. Download is immediately available upon purchase!

A digital copy of "Cnet Do-it-yourself Home Video Projects" by Dreier. Download is immediately available upon purchase!

Jim Morrison: The Scream of the Butterfly Hardcover - by Daniel Dreier (Author)