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Two volumes complete. Gold cloth. Square Tight Bindings. Clean interiors. Dust jackets Fine. A superior edition.

Theodore Dreiser's Russian Diary is an extended record of the American writer's travels throughout the Soviet Union in 1927-28. Dreiser was initially invited to Moscow for a week-long observance of the tenth anniversary of the October Revolution. He asked, and was granted, permission to make an extended tour of the country.This previously unpublished diary is a firsthand record of life in the USSR during the 1920s as seen by a leading American cultural figure. It is a valuable primary source, surely among the last from this period of modern history.

The title is: Theodore Dreiser At the Gates of the City 1871-1907. Volume 1. The story of this authors early life.

A collection of eight critical essays on Dreiser's novel, arranged in chronological order of their original publication.

Dust jacket design by Muriel Nasser. A vast amount of insight into, and information about, Theodore Dreiser and his work is contained in this brief but concentrated tribute from one important novelist to another.

When Theodore Dreiser first published Sister Carrie in 1900 it was suppressed for its seamy plot, colloquial language, and immorality―for, as one reviewer put it, its depiction of "the godless side of American life." It was a side of life experienced firsthand by Dreiser, whose own circumstances often paralleled those of his characters in the turbulent, turn-of-the-century era of immigrants, black lynchings, ruthless industrialists, violent labor movements, and the New Woman. This masterful critical biography, the first on Dreiser in more than half a century, is the only study to fully weave Dreiser's literary achievement into the context of his life. Jerome Loving gives us a Dreiser for a new generation in a brilliant evocation of a writer who boldly swept away Victorian timidity to open the twentieth century in American literature. Dreiser was a controversial figure in his time, not only because of his literary efforts, which included publication of the brutal and heartbreaking An American Tragedy in 1925, but also because of his personal life, which featured numerous sexual liaisons, included membership in the communist party, merited a 180-page FBI file, and ended in Hollywood. The Last Titan paints a full portrait of the mature Dreiser between the two world wars―through the roaring twenties, the stock market crash, and the Depression―and describes his contact with important figures from Emma Goldman and H.L. Mencken to two presidents Roosevelt. Tracing Dreiser's literary roots in Hawthorne, Emerson, Thoreau, and especially Whitman, Loving has written what will surely become the standard biography of one of America's best novelists.

Relates the interrelated early twentieth-century lives of the families of a New Rochelle manufacturer, an immigrant socialist, and a Harlem musician and their involvements with Evelyn Nesbit, Henry Ford, Houdini, Morgan, Dreiser, Freud, Zapata, and other period notables

Called one of the best writers on the American scene, Dreiser is also called one of the world's best worst writers, with claims that he is an impurist with nothing but genius. This story, told in gruesome detail and with unswerving realism, recounts the dilemmas and choices of a "loser"; we watch him ascend to temptation, fall in transgression, and receive his appropriate penance.

The Dreiser Committee, including writers Theodore Dreiser, John Dos Passos, and Sherwood Anderson, investigated the desperate situation of striking Kentucky miners in November 1931. When the Communist-led National Miners Union competed against the more conservative United Mine Workers of America for greater union membership, class resentment turned to warfare. Harlan Miners Speak, originally published in 1932, is an invaluable record that illustrates the living and working conditions of the miners during the 1930s. This edition of Harlan Miners Speak, with a new introduction by noted historian John C. Hennen, offers readers an in-depth look at a pivotal crisis in the complex history of this controversial form of energy production.

Starting with Dreiser's Sister Carrie, Meyerowitz uses turn-of-the-century Chicago as a case study to explore both the image and the reality of single women's experiences as they lived apart from their families. In an era when family all but defined American womanhood, these women—neither victimized nor liberated—created new social ties and subcultures to cope with the conditions of urban life. "Brilliant. . . . Gracefully written, and mercifully free from the jargon that often plagues social history, this book is a welcome addition to literature in women's, urban, and black history."—Ann Schofield, American Historical Review "Meyerowitz provides a splendid portrait of her subjects. . . . She deserves praise for her demographic spadework, sensitive analysis, and engaging style. This is a valuable and rewarding book."—Nancy Woloch, Journal of American History "A state-of-the-art product of the new women's history. . . . Meyerowitz's work is an extremely useful contribution, a corrective to over-concentration on women in family, an opening to new ways of looking at single women."—Linda Gordon, Women's Review of Books "Women Adrift not only brings together many of the most exciting insights of women's history in recent years, but Meyerowitz's particular angle on issues of work, family, sexuality, mass culture and relationships among women also encourages us to rethink these insights."—Ileen A. DeVault, Historian

Provides summaries and critical commentary for fifty important American novels and includes brief profiles of Cooper, Poe, Twain, James, Dreiser, Fitzgerald, Faulkner, Bellow and others

This edition of Dreiser's novel is the first publication of the entire, unexpurgated, uncensored text. It includes a preface and acknowledgements, the text of the novel, historical/critical commentary and accompanying notes.

The Genius is Theodore Dreiser's autobiographical novel about the turn-of-the-century art scene. It explores the multiple conflicts between art and business, art and marriage, and between traditional and modern views of sexual morality. Despite heavy editing, The Genius was deemed so shocking that its sale was immediately prohibited by the New York Society for the Suppression of Vice. It was not released until 1923, and thereafter the episode confirmed Dreiser's status as a writer ahead of his time. Theodore Dreiser was an American novelist and journalist who the naturalist school and is known for portraying characters whose value lies not in their moral code, but in their persistence against all obstacles, and literary situations that more closely resemble studies of nature than tales of choice and agency.

As perhaps never before in its extraordinary history, New York has captured the American imagination. This major anthology brings together not only the best literary writing about New York―from O. Henry, Theodore Dreiser, F. Scott Fitzgerald, John Steinbeck, Paul Auster, and James Baldwin, among many others―but also the most revealing essays by politicians, philosophers, city planners, social critics, visitors, immigrants, journalists, and historians. The anthology begins with an account of Henry Hudson's voyage in 1609 and ends with an essay written especially for this book by John P. Avlon, former Mayor Rudolph Guiliani's speechwriter, called "The Resilient City," on the September 11th attack on the World Trade Center as observed from City Hall. The editors have chosen some familiar favorites, such as Washington Irving's A History of New York and Walt Whitman's "Crossing Brooklyn Ferry," as well as lesser-known literary and historical gems, such as Frederick Law Olmsted's plan for Central Park and Cynthia Ozick's "The Synthetic Sublime"―an updated answer to E. B. White's classic essay Here Is New York, which is also included. The variety and originality of the selections in Empire City offer a captivating account of New York's growth, and reveal often forgotten aspects of its political, literary, and social history.

In Jazz Age America and Europe few stars burned brighter than Seward Collins, who seemingly had it all – money, breeding, good looks, and literary talent. His friends included Fitzgerald, Dreiser, Mencken, and Hemingway, while among his lovers was Dorothy Parker. Yet, in the 1930s, this glittering creature would announce that he was a «Fascist». This book, useful for any study of the American Jazz Age or world Fascism, explores Collins’ curious story, and asks if there might be a Fascist tradition in America, as much a part of the nation as Flag Day and apple pie.

Regarded as one of Dreiser's best novels, Jennie Gerhardt is here recaptured as it was originally written, restoring it to its complete, unexpurgated form.

Theodore Dreiser heavily invested himself in The Genius, an autobiographical novel first published in 1915. Thoroughly immersed in the turn-of-the-century art scene, The Genius explores the multiple conflicts between art and business, art and marriage, and between traditional and modern views of sexual morality. Despite heavy editing, The Genius was deemed so shocking that its sale was immediately prohibited by the New York Society for the Suppression of Vice. It was not released until 1923, and thereafter the episode confirmed Dreiser's status as a writer ahead of his time.

Jack London's remarkable success as a short-story writer came at a critical moment in American literary history. The vacuum created by the deaths of Stephen Crane and Frank Norris, the suppression of Theodore Dreiser, the disaffection of Henry James, and the decline into old age of Mark Twain and William Dean Howells had been filled by a host of long-forgotten popular hacks. London's emergence came as a tremendous shock. 'Like Stanford's edition of Jack London's letters, this edition of his short stories will revolutionize not only London studies but cultural studies of all kinds that are focused on the Progressive Era in American history. Finally, this authoritative, carefully edited collection includes an extensive introduction that indicates a breadth and depth of scholarship that compels as much admiration as it does interest.' Joseph R. McElrath, Jr, Florida State University

Though far from the author’s usual musings, this is actually a forerunner to the American road novel and very well could have been one of the inspirations for Jack Kerouac... this is a fine addition to public and academic libraries." ―Library JournalTheodore Dreiser, road warrior... Dreiser’s account of his homecoming will touch a familiar and responsive chord in anyone who has undertaken one.... In that, as in so much else in this book, as in the great body of all his work, Dreiser in his earnest, heartfelt, clumsy way speaks to the universal experience." ―Jonathan Yardley, Washington Post Book WorldBecause [the book] provides a portrait of the artist as a young man and describes the nation as a mosaic of individual cultures, Dreiser’s journey offers several different lessons. Part travelogue, part autobiography, part collection of essays, A Hoosier Holiday lays out the landscape of a nation that ceased to exist once the highway unfurled across the map." ―Publishers Weekly (starred review)By 1914, Theodore Dreiser was a successful writer living in New York. He had not been back to his home state in over 20 years. When his friend Franklin Booth approached him with the idea of driving from New York to Indiana, Dreiser’s response to Booth was immediate: "All my life I’ve been thinking of making a return trip to Indiana and writing a book about it." Along the route, Dreiser recorded his impressions of the people and land in words while his traveling companion sketched some of these scenes. In this reflective tale, Dreiser and Booth cross four states to arrive at Indiana and the sites and memories of Dreiser’s early life in Terre Haute, Sullivan, Evansville, Warsaw, and his one year at Indiana University.

In his stories and in such landmark novels as Sister Carrie and An American Tragedy, Theodore Dreiser (1871–1945) defied literary propriety and broke new ground in American fiction by focusing on life as it is, rather than as it ought to be. Sherwood Anderson, introducing a collection of Dreiser stories, said of him: "If there is a modern movement in American prose writing, a movement toward greater courage and fidelity to life in writing, then Theodore Dreiser is the pioneer and the hero of the movement." Indeed, his bold example paved the way for a new generation of American writers.The five superb stories in this volume vividly attest to the sincerity and depth of Dreiser's gifts as a powerful and original storyteller. They are "Free," the story of a man trying, as his wife lies dying, to understand why he never found happiness in marriage; "The Second Choice" and "Married," two insightful tales of the complex relationships of men and women; "Nigger Jeff," a powerful, disturbing story of a lynching; and "The Lost Phœbe," a poignant tale of a man's search for a lost life partner.