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Harry Gilonis's illuminating and poetic text explores the imagery within the context of Dubuffet's Paris. The reproductions of all fifteen of Dubuffet's lithographs are accompanied by Guillevic's Les Murs and new translations by the poet John Montague.

173 illustrazioni in nero e colori . 4to pp. 132 Rilegato tela, sovracoperta (cloth, dust jacket) Piccola mancanza alla sovracoperta posteriore (One small tear to the dust jacket) Molto Buono (Very Good)

The catalogue to a groundbreaking exhibition of Dubuffet’s seminal “Art Brut” and including historic essays by the artist published in English for the first time.   Jean Dubuffet is a French painter and sculptor who painted in a deliberately crude manner, inspired by art of the mentally ill or “Art Brut.” Dubuffet developed a technique of thick impasto and frequently incorporated unorthodox materials ranging from cement and gravel to leaves, dust, and even butterfly wings into his works. His controversial materials and mark-making solidified his legacy as an iconoclastic figure in the canon of postwar European paintings, and his work has been exhibited and collected all over the world.   This is the first book to be published on Dubuffet’s early work in painting and sculpture in more than two decades. Organized by Mark Rosenthal, the exhibition focuses on Dubuffet’s work from 1943 to 1959, and emphasizes the artist’s anticultural approach in his depiction of subjects and his use of unorthodox materials. Several works by the French painter are on loan from private collections and museums.

Picturing the postwar city in the paintings and architectural projects of the Art Brut pioneerThis is the first in-depth study to address the role of the city in the work of French artist Jean Dubuffet (1901–84). Dubuffet promoted the art of children and the mentally ill as Art Brut, and sought to emulate the immediacy of their untrained styles in his own work. But this publication reveals another side of Dubuffet―an artist grounded in his own place and time, a participant in the day’s activities and discourses. Dubuffet and the City: People, Place and Urban Space examines the role of the city in the formation of Dubuffet’s work: the city as a material, as a source and as a vehicle for ideas. Berrebi analyzes works in which Dubuffet depicts city dwellers, sites and urban spaces, and discusses the artist’s architectural projects from the 1960s and '70s against the background of heated debates in the field of postwar urbanism. Accompanying and extending an exhibition at Hauser & Wirth Zürich, this volume includes full-color reproductions of Dubuffet’s artworks, as well as little-known archival material from the Fondation Dubuffet and several texts by the artist, translated here in English for the first time.

Shows drawings, paintings, and sculpture by the French, shares Dubuffets comments on his work, and assesses his place in modern art

Very good in very good dust jack

Unread book in perfect condition.

New! This book is in the same immaculate condition as when it was published 3.76

As an enemy of culture and of the art of museums, Jean Dubuffet (1901-1985) was also an anarchist, an atheist, anti-military and unpatriotic. He was an explosive force, a rebel who rejected labels and categories, resolute in his quest for freedom from all constraints, and not incidentally one of the most remarkable artists of the twentieth century. Over an extraordinarily productive career from 1942 to 1985, Dubuffet found himself drawn to the art of children and madmen, which he endowed with legitimacy and credibility as Art Brut. This in turn inclined him towards extreme forms and the expressive scrawls and scribbles of graffiti, and prompted him to begin experimenting with materials such as bitumen, sand and plant fibers, which made him one of the earliest and most prominent Matter artists. As a prolific writer, and sometimes a cruel polemicist, Dubuffet left a storehouse of written work that offers invaluable insight into his vision of art.

Shows drawings, paintings, and sculpture by the French, shares Dubuffets comments on his work, and assesses his place in modern art

An important new study of drawings by one of the most important French artists of the twentieth centuryJean Dubuffet (1901–1985) achieved international recognition in the late 1940s for his paintings inspired by children’s drawings, the art of psychiatric patients, and graffiti. Drawing played a major role in the development of his art as he explored on paper new subjects and techniques, experimenting with nontraditional tools and modes of application. Despite his essential role in the postwar avant-garde and his continuous influence on the art of the following decades, Dubuffet has received less attention than other artists of his generation.Dubuffet’s Drawings, 1935–1962 will be the first major museum exhibition devoted to works on paper by one of the most important French artists of the twentieth century. Featuring more than one hundred drawings representing Dubuffet’s development during his most innovative decades––the 1940s and 1950s––the exhibition will include rarely seen works and major loans from public and private collections in the United States and France. 150 illustrations in color and black-and-white

As an enemy of culture and of the art of museums, Jean Dubuffet (1901-1985) was also an anarchist, an atheist, anti-military and unpatriotic. He was an explosive force, a rebel who rejected labels and categories, resolute in his quest for freedom from all constraints, and not incidentally one of the most remarkable artists of the twentieth century. Over an extraordinarily productive career from 1942 to 1985, Dubuffet found himself drawn to the art of children and madmen, which he endowed with legitimacy and credibility as Art Brut. This in turn inclined him towards extreme forms and the expressive scrawls and scribbles of graffiti, and prompted him to begin experimenting with materials such as bitumen, sand and plant fibers, which made him one of the earliest and most prominent Matter artists. As a prolific writer, and sometimes a cruel polemicist, Dubuffet left a storehouse of written work that offers invaluable insight into his vision of art.

This is a captivating monograph of Jean Dubuffet. It will allow the viewer to enter the complex, intricate and controversial universe of a very engimatic character, still highly mysterious after his death.

First edition, first and only printing. Soft cover. Photographically illustrated laminated stiff wrappers with French folds (published only in wraps). Paintings, drawings, sculptures and text by Jean Dubuffet. Essay by Hubert Damisch (in Spanish, French and English). Includes biographical information, an exhibition history, bibliography, with 13 excerpts and brief texts from Dubuffet's writings. Designed by Jordi Blassi. 264 pp., with 186 color and black and white plates and numerous reference illustrations (the reproductions are outstanding). 11-5/8 x 9-1/2 inches. Published on the occasion of the 1992 exhibition Jean Dubuffet: Del paisaje fisico al paisaje mental at Sala de Exposiciones de la Fundación "la Caixa." New in publisher's shrink-wrap. This book provides a comprehensive view of the work of Jean Dubuffet, from his early drawings to the influential paintings, collages and sculptures he created during the middle of the twentieth century.

Beautifully illustrated catalog of an exhibition of paintings from 1943-1962 by French artist Jean Dubuffet includes an essay by scholar/critic Dore Ashton.

Jean Dubuffet (1901-85) was a big deal to an adolescent art lover in Chicago in the '70s. His monumental black-and-white civic sculptures were the epitome of bland buoyancy, a kind of European Pop--old master gold standard. His championing of art brut and children's art, not to mention his own funky dirt-, gravel-, and cement-filled canvases, looked to be the very lodestars of the local Hairy Whos' obsessions. Chicago collectors of Picasso and Ivan Albright took to Dubuffet like one of their own, just as their forebears had embraced French Impressionism, to which Dubuffet's work provided many not-so-subtle links. That air of crusty glamour; that pneumatic, up-with-nature thing; that bold reinvention of the "ugly" female nude, the war-torn landscape, and the hydrocephalic male portrait of literary genius--all this made Dubuffet a living ancestor figure for artists and critics beginning to question the hegemony of the New York School and looking to Europe for alternatives.

229 S. Oln. OU Schuber. neuwertig

Small Qto., 80 pages, colour illustrated. The text is in both English and French. A New copy.

A collection of Dubuffet's mature works (daily life and popular culture in Paris); whimsical paintings; imaginary landscapes; and caricatures of well-known French writers, literary critics, and artists. Companion to an exhibition at the Hirshhorn Museum and Sculpture Garden. 103 illustrations, 93 in color.

The catalogue to a groundbreaking exhibition of Dubuffet’s seminal “Art Brut” and including historic essays by the artist published in English for the first time.   Jean Dubuffet is a French painter and sculptor who painted in a deliberately crude manner, inspired by art of the mentally ill or “Art Brut.” Dubuffet developed a technique of thick impasto and frequently incorporated unorthodox materials ranging from cement and gravel to leaves, dust, and even butterfly wings into his works. His controversial materials and mark-making solidified his legacy as an iconoclastic figure in the canon of postwar European paintings, and his work has been exhibited and collected all over the world.   This is the first book to be published on Dubuffet’s early work in painting and sculpture in more than two decades. Organized by Mark Rosenthal, the exhibition focuses on Dubuffet’s work from 1943 to 1959, and emphasizes the artist’s anticultural approach in his depiction of subjects and his use of unorthodox materials. Several works by the French painter are on loan from private collections and museums.