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Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

A former coal and steel production plant in Duisburg, Germany, the Meiderich Ironworks left the area around it significantly polluted when it was abandoned in 1985. In 1991, Peter Latz’s firm was commissioned to design a public park on the site, but rather than turning the area into a classical garden with beautifying agricultural and forest patterns, Latz embraced the site’s industrial past, retaining many of its structures. Today the Landscape Park Duisburg Nord is one of the world’s most remarkable examples of dealing with the complex legacy of industry.             In Rust Red, Latz uses his firsthand knowledge of the project to present an in-depth account of the park’s development. Recounting twelve years of planning and realization, Latz describes how he focused on the multifaceted information system of urban infrastructure and industry to create the park. Essays by renowned collaborators complement his narrative, while three hundred color photographs, sketches, and plans provide additional insight. Revealing the intriguing world that follows industry, Rust Red tells the fascinating story of the park’s transformation on the occasion of its twenty-fifth anniversary.

A former coal and steel production plant in Duisburg, Germany, the Meiderich Ironworks left the area around it significantly polluted when it was abandoned in 1985. In 1991, Peter Latz’s firm was commissioned to design a public park on the site, but rather than turning the area into a classical garden with beautifying agricultural and forest patterns, Latz embraced the site’s industrial past, retaining many of its structures. Today the Landscape Park Duisburg Nord is one of the world’s most remarkable examples of dealing with the complex legacy of industry.             In Rust Red, Latz uses his firsthand knowledge of the project to present an in-depth account of the park’s development. Recounting twelve years of planning and realization, Latz describes how he focused on the multifaceted information system of urban infrastructure and industry to create the park. Essays by renowned collaborators complement his narrative, while three hundred color photographs, sketches, and plans provide additional insight. Revealing the intriguing world that follows industry, Rust Red tells the fascinating story of the park’s transformation on the occasion of its twenty-fifth anniversary.

Neuware -Weltweite Bekanntheit erlangten Janet Cardiff und George Bures Miller mit ihren raumgreifenden Klangarbeiten. Dem kanadischen Künstlerpaar ist es gelungen, die Welt der Klänge, der Stimmen und der Musik in die Skulptur zu überführen und damit ein neues Genre zu prägen. Für ihr innovatives Lebenswerk, in dem sich die Grenzen zwischen Klangkunst, Hörspiel, Konzert, Kino und Theater auflösen, wurden sie 2020 mit dem renommierten Wilhelm-Lehmbruck-Preis ausgezeichnet.Mit Texten von Söke Dinkla, Stefan Trinks und Ronja Friedrichs, persönlichen Statements von Weggefährt:innen des Künstlerpaares und einer reichen Bebilderung gibt der Katalog einen tiefen Einblick in ihre Arbeit. Ergänzt durch Skizzen, Videostills und QR-Codes wird das multimediale Werk erlebbar gemacht. 167 pp. Englisch, Deutsch

287 S.; mit 236 Abb. von Gemälden u. Zeichnungen; mit Texten von Wolfgang Ullrich u. Kay Heymer u. einem Gespräch zwischen Martin Assig u. Walter Smerling; Text in deutscher u. englischer Sprache; Katalog zur Ausstellung Duisburg, MKM Museum Küppersmühle für Moderne Kunst, 04.11.2022 - 05.03.2023, Size: 29,8 cm

Bachelorarbeit aus dem Jahr 2015 im Fachbereich Mathematik - Zahlentheorie, Note: 2,3, Universität Duisburg-Essen, Sprache: Deutsch, Abstract: Die Arbeit beginnt mit der Definition des Goldenen Schnitts. Im weiteren Verlauf wird der Autor zunächst die Irrationalität von ϕ zeigen und sich dann näher mit der Approximation dieser Zahl auseinandersetzen. Dabei wird hauptsächlich die Approximation durch Kettenbrüche in den Blick genommen, da diese nach dem Satz von Lagrange beste Approximationen liefern. Um diesen Satz nachzuvollziehen, zu beweisen und die Approximation durchführen zu können, greift der Autor die Theorie der Näherungs- und Kettenbrüche auf und überträgt dann schließlich seine Ergebnisse auf ϕ. In diesem Zusammenhang kann man sehen, dass ϕ so irrational wie möglich ist. Letztlich wird als zweiter Ansatz die Annäherung des Goldenen Schnitts durch Fibonacci-Zahlen betrachtet.

This publication documents a little-known temporary artwork. In the winter of 1973/74, Paul Thek (1933–1988) was a guest of the Lehmbruck Museum in Duisburg, where he installed the room-filling environment "Ark, Pyramid – Christmas" ("The Manger")--a development of the legendary "Pyramid" installation realized at Documenta 5 in 1972. This exhibition, organized by the director of the museum at the time, Siegfried Salzmann, was the fourth in Thek’s large-scale projects in Europe, all of which engaged with individualized religious symbols (or what Harald Szeemann termed "Individual Mythologies"). The Christmas season provided Thek with the occasion to present, for the first time, a self-written theater piece in the form of a nativity play featuring children from Duisburg. This book reproduces the museum’s archival materials, offering a reconstruction of the exhibition. It includes an interview with Edwin Klein, who assisted with Thek’s installation.

Hardcover with tan cloth and black cloth spine, color printed dustjacket with mylar cover. 287 pp generously illustrated with color reproductions. Text is in German and English. Catalog of the exhibition held in Darmstadt, Institut Mathildenhöhe, May 28 - August 27, 2000 and in Duisburg, Wilhelm Lehmbruck Museum, Sept.17 - Nov. 12, 2000. Includes bibliographical references (pages 282-287).

This publication documents a little-known temporary artwork. In the winter of 1973/74, Paul Thek (1933–1988) was a guest of the Lehmbruck Museum in Duisburg, where he installed the room-filling environment "Ark, Pyramid – Christmas" ("The Manger")--a development of the legendary "Pyramid" installation realized at Documenta 5 in 1972. This exhibition, organized by the director of the museum at the time, Siegfried Salzmann, was the fourth in Thek’s large-scale projects in Europe, all of which engaged with individualized religious symbols (or what Harald Szeemann termed "Individual Mythologies"). The Christmas season provided Thek with the occasion to present, for the first time, a self-written theater piece in the form of a nativity play featuring children from Duisburg. This book reproduces the museum’s archival materials, offering a reconstruction of the exhibition. It includes an interview with Edwin Klein, who assisted with Thek’s installation.

On the 14 and 15 October 1944 RAF Bomber Command unleashed one of the Second World War’s most devastating bombardments, targeting the German industrial city of Duisburg. Known as Operation Hurricane, Bomber Command’s maximum effort involved approximately one thousand four-engine heavy bombers on each attack, delivering a whirlwind assault on the enemy’s war machine as the Allied armies edged eastwards towards the Nazi homeland. Never before had the city faced such a massive onslaught – the resulting devastation was unprecedented. This is the story of Operation Hurricane from RAF Bomber Command’s perspective, and that of the numerous crews who flew, fought, and failed to return. Each of the aircraft lost has been investigated in depth; the lives of the crews, the circumstances of their loss, and the identification of the airmen and their respective crash sites. The author also details the investigation into the brutal murder of one particular airman. Marc Hall, a relative of one of those lost on the raid, has pieced together a comprehensive account of this historic attack, utilizing a wealth of eyewitness accounts and veteran and prisoners-of-war recollections, accompanied by numerous previously unpublished photographs.