1824 products were found matching your search for electrolytic in 2 shops:

Vintage Korg Stage Echo SE-500. Recently overhauled by Tom at Detroit Amp Lab. New pinch roller, all new electrolytic caps, new tape, new felts, ca...

Become an expert in restoring obliterated serial numbers and identifying marks with the Sirchie Field and Lab Electrolytic Acid Etching Restoration Accelerator. Designed for professionals who need to recover information that has been removed by filing or grinding, this device is a must-have tool for forensic investigations and restoration projects. Powered by self-contained dry cell 1.5 V "D" batteries, this Restoration Accelerator offers maximum portability and flexibility, making it perfect for both field and lab use. Its compact and lightweight design ensures it can be easily transported and used wherever your work takes you. The Sirchie Restoration Accelerator has been completely redesigned with user-friendly controls and enhanced circuitry, making it more efficient and easier to use than ever before. One of its standout features is its ability to significantly reduce etching time from hours to mere minutes, allowing you to complete your restoration tasks more quickly and efficiently. With the Sirchie Field and Lab Electrolytic Acid Etching Restoration Accelerator, you'll have a reliable, high-quality tool that can help you uncover and restore obliterated serial numbers and other identifying marks with ease and precision.

Lot of 10 new Sprague Atom electrolytic 20 uf 600 v capacitors axial. We ordered these tubes for a vintage amp head and the capacitors were too lon...

Lot of 4 ,Holy Grail 200UF x 350v electrolytic capacitors These are a great cap for upgrading your amp for better filtering and les sag in your t...

Electrolytic Capacitor Substitution Box - Select between 24 values. 1uf through 470uf (25 Volt)The CopperSound Component Substitution Boxes are a s...

New item. Change capacitor values while playing your instrument to hear the differences quickly and without hassle. From the manufacturer:Electroly...

Price is for both. These were taken from a 1974 Wurlitzer their values are 40MFD 110VAC. They are paper in oil and seem to be good, just drifted a ...

F & T Capacitor Kit Refurbish Your Vintage Fender Bandmaster, Pro or Concert Guitar amplifier capacitor kit will refurbish your vintage Fender ...

Motor guaranteed to work. Cap not checked.

Pair-2) of 6800/100 Filter capacitorsAs found in many BASS Guitar amplifiers and solid-state power amplifiersUnused Mint Condition

Pair-2) of 6800/100 Filter capacitorsAs found in many BASS Guitar amplifiers and solid-state power amplifiersUnused Mint Condition

Owner for several years. All potentiometers are original Alps make from Japan.Couple of years ago, decided to have the old polarised electrolytic c...

In Excellent working condition. New mainboard from synthronics.de.All electrolytic capacitors have been replaced. Thick, steady, clear, punchy anal...

Let the Tokina Cinema 6.6x6.6" PRO IRND 0.9 Filter elevate your cinematography with its cutting-edge ACCU-ND technology. This 3-stop neutral density filter is engineered with a world-class electrolytic coating process that meticulously deposits rare earth metals onto the glass surface. The result is a hyper-neutral density filter that boasts virtually zero color shift and exceptional infrared (IR) suppression, ensuring the truest color fidelity in your images.Crafted for professionals, the Tokina Cinema PRO IRND filter is a testament to precision and quality, having been utilized in major feature films, high-profile commercials, television shows, and ambitious independent projects. It is designed to meet the rigorous demands of filmmakers who require the full color spectrum as intended by the camera manufacturer, without the detrimental effects of IR light contamination.In the digital age of cinematography, camera manufacturers meticulously calibrate color science both at the sensor level and during the digital conversion process. The Tokina Cinema PRO IRND filter works in harmony with these systems, allowing only the visible light spectrum to reach the sensor while effectively suppressing IR light. This ensures that the camera's Optical Low Pass Filter (OLPF) functions as intended, without the interference of unwanted infrared light that can compromise image quality.Unlike other brands that may exhibit a wavy pattern in light transmission, indicative of artificial light restriction, the Tokina Cinema PRO IRND filter demonstrates a flat line suppression of IR light well beyond the visible spectrum, up to 1200nm. This superior performance allows the camera's OLPF to deliver the manufacturer's intended visible light transmission, while completely blocking out all IR light.The difference in image quality is clear and tangible. With the Tokina Cinema PRO IRND filter, images retain their intended color accuracy and only the exposure is altered, as opposed to general non-IR block ND filters that can affect color rendition.Moreover, the Tokina Cinema PRO IRND filters are built to last. The ACCU-ND coating is precision bonded to the inside surfaces of the filter stack, safeguarding it from scratches and environmental damage commonly encountered during matte box use and filter changes. This internal bonding is meticulously applied to 4x4, 4x5.65, and 6.6x6.6 sizes, ensuring maximum durability and longevity. In the event of surface damage, the filters can be polished to restore their pristine condition, making them a reliable and long-term investment for any filmmaker's toolkit.Incorporate the Tokina Cinema 6.6x6.6" PRO IRND 0.9 Filter into your production to control light with unparalleled precision and maintain the integrity of your digital cinema camera's color science.

It's time to elevate your cinematography with the 6.6x6.6" PRO IRND 2.1 Filter, a 7-Stop marvel that harnesses the power of ACCU-ND, Tokina Cinema's industry-leading technology. This advanced filter utilizes a world-class electrolytic coating process to deposit rare earth metals onto the glass surface, resulting in hyper neutral density filters that offer virtually zero color shift and superior IR suppression. The ACCU-ND technology, renowned for its neutrality and resistance to color shift over time, has been the go-to choice for major feature films, commercials, TV shows, and independent projects that require the full color spectrum as designed by the camera manufacturer, without any IR light contamination. Modern digital cinema cameras are precision tools, built with specific color science at the sensor site and in the digital conversion process. To achieve accurate color rendition, these cameras allow varying amounts of visible and infrared (IR) light near and past the visible spectrum to pass onto the sensor, facilitated by an Optical Low Pass Filter (OLPF). However, when density is added using filters, IR light can often be imaged in black level as the OLPF is tuned only for unfiltered light entering the lens. This is where the PRO IRND 2.1 Filter steps in, cutting or suppressing the IR light before it reaches the sensor, ensuring only light in the visible spectrum passes through.Unlike other brands, the Tokina Cinema PRO IRND suppresses IR light completely, maintaining a flat line well beyond the visible spectrum. This allows the OLPF to pass visible light as intended by the manufacturer, while blocking all IR light out to 1200nm, which is well beyond the visible spectrum. The PRO IRND 2.1 Filter's impact is clear. Images taken with this filter show that the manufacturer's intended color remains unaffected, with only exposure changes. Designed for durability, the PRO IRND square and rectangular filters feature the ACCU-ND coating precision bonded to the inside surfaces of the filter stack, offering maximum protection from scratches. Even if scratched, PRO IRND filters can be polished to return them to usability. This internal bonding is specifically designed for 4x4, 4x5.65, and 6.6x6.6 sizes, taking into account the environmental factors of matte box use and filter changes. In conclusion, the 6.6x6.6" PRO IRND 2.1 Filter, 7-Stop is a game-changer for cinematographers seeking to control the light, not the color, in their digital cinema productions.

ACCU-ND: Industry Leading TechnologyTokina Cinema uses the proprietary ACCU-ND world class electrolytic coating to deposit rare earth metals onto the glass surface to create hyper neutral density filters that have industry-leading virtually zero color shift and IR suppression. The deposit method holds neutrality that is free of color shift over time.ACCU-ND technology has been used on major feature films, commercials, TV shows, and independent projects that demand the full color spectrum designed by the camera manufacturer without IR light contamination.Control The Light, Not The ColorModern digital cinema cameras create images with precision unlike any other tools in the history of cinematography. The manufacturers of digital cinema cameras build in very specific color science both physically at the sensor site and in the digital conversion process to delivery.In the quest for accurate color rendition, various amounts of visible and infrared (IR) light near and past the visible spectrum are allowed to pass onto the sensor depending on the manufacturer specifications. This is achieved with an Optical Low Pass Filter (OLPF). Often IR light can be imaged in black level when density is added using filters because the OLPF is tuned only for light entering the lens unfiltered. IRND filters are needed that either cut or suppress the IR light before it hits the sensor to allow for only light in the visible spectrum to pass.Suppress Infrared LightIRND filters are needed that either cut or suppress the IR light before it hits the sensor to allow for only light in the visible spectrum to pass.The chart above shows other brands of IRND passing visible light in a wavy pattern. This is artificially restricting the light and therefore color science the manufacturer intended before it hits the OLPF. IR cut filters also fail to suppress IR light past a set wavelength near the visible spectrum.The chart also shows the Tokina Cinema PRO IRND suppressing IR light completely in a flat line well beyond the visible spectrum. This allows for the OLPF designed by the manufacturer to pass visible light in the manner intended while surpassing all IR light out to 1200nm which is well past the visible spectrum.The Difference is ClearBelow are images taken with no filtration, the Tokina Cinema PRO IRND, and a general non-IR block ND. It can be seen that the manufacturer intended color is unaffected when using the PRO IRND and only exposure changes.Square and Rectangular - Internal CoatingPRO IRND square and rectangular filters have the ACCU-ND coating precision bonded to the inside surfaces of the filter stack for maximum protection from scratches. PRO IRND filters can be polished after a scratch to return them to usability. The internal bonding is done specifically for 4x4, 4x5.65, and 6.6x6.6 sizes only due to the environmental factors of matte box use and filter changes.

ACCU-ND: Industry Leading TechnologyTokina Cinema uses the proprietary ACCU-ND world class electrolytic coating to deposit rare earth metals onto the glass surface to create hyper neutral density filters that have industry-leading virtually zero color shift and IR suppression. The deposit method holds neutrality that is free of color shift over time.ACCU-ND technology has been used on major feature films, commercials, TV shows, and independent projects that demand the full color spectrum designed by the camera manufacturer without IR light contamination.Control The Light, Not The ColorModern digital cinema cameras create images with precision unlike any other tools in the history of cinematography. The manufacturers of digital cinema cameras build in very specific color science both physically at the sensor site and in the digital conversion process to delivery.In the quest for accurate color rendition, various amounts of visible and infrared (IR) light near and past the visible spectrum are allowed to pass onto the sensor depending on the manufacturer specifications. This is achieved with an Optical Low Pass Filter (OLPF). Often IR light can be imaged in black level when density is added using filters because the OLPF is tuned only for light entering the lens unfiltered. IRND filters are needed that either cut or suppress the IR light before it hits the sensor to allow for only light in the visible spectrum to pass.Suppress Infrared LightIRND filters are needed that either cut or suppress the IR light before it hits the sensor to allow for only light in the visible spectrum to pass.The chart above shows other brands of IRND passing visible light in a wavy pattern. This is artificially restricting the light and therefore color science the manufacturer intended before it hits the OLPF. IR cut filters also fail to suppress IR light past a set wavelength near the visible spectrum.The chart also shows the Tokina Cinema PRO IRND suppressing IR light completely in a flat line well beyond the visible spectrum. This allows for the OLPF designed by the manufacturer to pass visible light in the manner intended while surpassing all IR light out to 1200nm which is well past the visible spectrum.The Difference is ClearBelow are images taken with no filtration, the Tokina Cinema PRO IRND, and a general non-IR block ND. It can be seen that the manufacturer intended color is unaffected when using the PRO IRND and only exposure changes.Square and Rectangular - Internal CoatingPRO IRND square and rectangular filters have the ACCU-ND coating precision bonded to the inside surfaces of the filter stack for maximum protection from scratches. PRO IRND filters can be polished after a scratch to return them to usability. The internal bonding is done specifically for 4x4, 4x5.65, and 6.6x6.6 sizes only due to the environmental factors of matte box use and filter changes.

Where professional photography meets cutting-edge technology, you'll find the 6.6x6.6" PRO IRND 0.6 Filter, 2-Stop. This high-quality, durable filter is a product of Tokina Cinema's industry-leading ACCU-ND technology. The filter is meticulously crafted with a proprietary electrolytic coating that deposits rare earth metals onto the glass surface. This innovative process results in hyper-neutral density filters that offer virtually zero color shift and superior infrared (IR) suppression. The 6.6x6.6" PRO IRND 0.6 Filter is designed to control light, not color. Modern digital cinema cameras are precision tools that capture images with unparalleled accuracy. These cameras are built with specific color science at the sensor site and in the digital conversion process. However, they often allow various amounts of visible and infrared light near and past the visible spectrum to pass onto the sensor. This is where the PRO IRND 0.6 Filter comes into play. This reliable filter suppresses IR light before it hits the sensor, ensuring only light in the visible spectrum passes through. Unlike other brands, the Tokina Cinema PRO IRND suppresses IR light completely in a flat line well beyond the visible spectrum. This allows the Optical Low Pass Filter (OLPF) designed by the manufacturer to pass visible light in the manner intended while surpassing all IR light out to 1200nm, which is well past the visible spectrum. The difference is clear when you compare images taken with no filtration, the Tokina Cinema PRO IRND, and a general non-IR block ND. The manufacturer-intended color remains unaffected when using the PRO IRND, with only exposure changes. The 6.6x6.6" PRO IRND 0.6 Filter is not only effective but also resilient. The ACCU-ND coating is precision bonded to the inside surfaces of the filter stack, providing maximum protection from scratches. Even if scratched, PRO IRND filters can be polished to return them to usability. This internal bonding is specifically designed for 4x4, 4x5.65, and 6.6x6.6 sizes due to the environmental factors of matte box use and filter changes. In summary, the 6.6x6.6" PRO IRND 0.6 Filter, 2-Stop is an essential tool for photographers seeking accurate color rendition, high contrast, and improved image quality in their work.

Enhance your cinematographic experience with the 6.6x6.6" PRO IRND 0.3 Filter, 1-Stop. This high-quality filter utilizes Tokina Cinema's proprietary ACCU-ND technology, a world-class electrolytic coating process that deposits rare earth metals onto the glass surface. The result is a hyper neutral density filter with virtually zero color shift and superior IR suppression. The ACCU-ND technology ensures a color neutrality that remains consistent over time, making it a trusted choice for major feature films, commercials, TV shows, and independent projects that require the full color spectrum as designed by the camera manufacturer, without any IR light contamination.Modern digital cinema cameras are precision tools, designed with specific color science both at the sensor site and in the digital conversion process. To achieve accurate color rendition, these cameras allow varying amounts of visible and infrared (IR) light to pass onto the sensor. This is where the 6.6x6.6" PRO IRND 0.3 Filter, 1-Stop comes into play. It effectively cuts or suppresses the IR light before it reaches the sensor, ensuring only light in the visible spectrum passes through.Unlike other brands, the Tokina Cinema PRO IRND suppresses IR light completely, maintaining a flat line well beyond the visible spectrum. This allows the Optical Low Pass Filter (OLPF) designed by the manufacturer to pass visible light as intended, while blocking all IR light up to 1200nm, which is well beyond the visible spectrum.The difference is clear when you compare images taken with no filtration, the Tokina Cinema PRO IRND, and a general non-IR block ND. The manufacturer-intended color remains unaffected when using the PRO IRND, with only exposure changes.The 6.6x6.6" PRO IRND 0.3 Filter, 1-Stop features the ACCU-ND coating precision bonded to the inside surfaces of the filter stack, providing maximum protection from scratches. These filters can be polished after a scratch to return them to usability. The internal bonding is specifically designed for 4x4, 4x5.65, and 6.6x6.6 sizes, considering the environmental factors of matte box use and filter changes.

Classic 70s mono-synth. Recently refurbished involving replacement of all electrolytic capacitors and a refinishing of the body with new tolex.