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Bindery shrink wrapped. Actual item Photos available on request.

Excellent warm, lush, analog, chorus. Professionally re-housed by former member of Seymour Duncan pedal tech team. Blue LED. Original chassis is pi...

High-end and boutique guitar builders on hand! Fibenare was founded by a family of skilled luthiers from Kecskem t, Hungary. In 1990, the Benedek b...

Yeasayer's latest LP is perhaps their greatest. Erotic Reruns captures what it's like to be alive in 2019 with wide-eyed clarity. The songs veer from the intensely personal and romantic to the fervently political-an eminently danceable record that challenges their audience and makes them think a bit more slowly to ponder issues so germane to our maddening, speed of light era of content consumption.

After the death of Victor Frankenstein (Dennis Price), two figures vie for control of his metallic-skinned monster (Fernando Bilbao) and the radical technology that created him: the scientist's daughter, Vera (Beatriz Savon), and the immortal wizard Cagliostro (Howard Vernon), who is assisted by a blind bird-woman with an unquenchable thirst for blood (Anne Libert).With THE EROTIC RITES OF FRANKENSTEIN, controversial filmmaker Jess Franco merged his fondness for old-school horror with his unique

In Eastern cultures, it was customary to present collections of erotic art called pillow books to newlyweds. This full-color edition showcases the finest examples of this art from China and Japan, accompanied by selections of Taoist verse.

Throughout these twenty erotic stories, peopled with a gallery of eccentric individuals, run the recurring themes of violence, sexual yearnings, frustration, boredom, and the bourgeoisie

The essays in Erotic Justice address the ways in which law has been implicated in contemporary debates dealing with sexuality, culture and `different' subjects - including women, sexual minorities, Muslims and the transnational migrant. Law is analyzed as a discursive terrain, where these different subjects are excluded or included in the postcolonial present on terms that are reminiscent of the colonial encounter and its treatment of difference. Bringing a postcolonial feminist legal analysis to her discussion, Kapur is relentless in her critiques on how colonial discourses, cultural essentialism, and victim rhetoric are reproduced in universal, liberal projects such as human rights and international law, as well as in the legal regulation of sexuality and culture in a postcolonial context. Drawing her examples from postcolonial India, Ratna Kapur demonstrates the theoretical and disruptive possibilities that the postcolonial subject brings to international law, human rights, and domestic law.  In the process, challenges are offered to the political and theoretical constructions of the nation, sexuality, cultural authenticity, and women's subjectivity.  

Today, erotic writing is no longer a male prerogative. Now, women are celebrating their own sensuality through a variety of forms, including erotic fiction. Here are twenty-one pieces from women writers aged between twenty-three and fifty-eight, exploring every aspect of female sexual experience - married and single, lesbian and heterosexual. With insight, with humour, with outright eroticism they reaffirm every woman's right to the pleasures and adventures of sex.

International sex appeal: A fresh collection of today's most titillating nudes from around the world   Following on the heels of our highly popular The New Erotic Photography, this second installment features entirely new photographs by 50 of the world’s most intriguing talents. Of the included photographers, 35 are new to this edition; these new photographers, including Eric Bonzi, Cyril Torrent, Jo Schwab, Yossi Loloi, Tomohide Ikeya, Frederic Fontenoy, Andrew Pashis, Jan Hronsky, and Chase Lisbon are drawn from Belgium, Switzerland, Germany, Italy, Japan, France, Russia, the Czech Republic, and the U.S., respectively, making this a solidly international title. There are also several outstanding women introduced in this edition, including erotic film star Kimberly Kane, Colombian expat Alejandra Guerrero, skate-boarder and heavy metal rocker Magdalena Wosinska, self-portraitist Erica Simone, and our own favorite cougar, Liz Earls. The images in The New Erotic Photography 2 document the changing photographic media as much as the evolution of erotic photography since the previous book was published. Over half the photographers now use digital exclusively, and those who do use film are likely to use Polaroid, or primitive cameras like the Lomo and Holga, experimenting with film for its special effects rather than using it as an every day medium. Over 400 fresh and provocative images!   Text in English, French, and German

The Erotic Art of Reed Waller springs from the loins of his and Kate Worley's best-selling comic books series, Omaha the Cat Dancer. From the countless drawings, sketches and figure studies Reed has produced since the series began, he has chosen the cream of the crop. IF you enjoy artful and frank sexuality, this book is for you. Over 100 pages - includes a full color section of comic art as well

Erotic Transference and Countertransference brings together, for the first time, contemporary views on how psychotherapists and analysts work with and think about the erotic in therapeutic practice. Representing a broad spectrum of psychoanalytic perspectives, including object relations, Kleinian, Jungian and Lacanian thought, the contributors highlight similarities and differences in their approaches to the erotic in transference and countertransference, ranging from love and sexual desire to perverse and psychotic manifestations. Erotic Transference and Countertransference offers ways of understanding the erotic which should prove both useful and thought-provoking.

Erotic Literature, Literature, Fairy Tales

Erotic Revelations: Clinical Applications and Perverse Scenarios delves into erotic desires and fantasies ... above all, how our sexuality expresses our inner being and defines the ways in which we engage in the psychoanalytic situation. Andrea Celenza addresses the 'desexualization' of the psychoanalytic field by reclaiming sexuality as one of the many nexes that are of central concern to the patient. She illustrates a wide range of erotic manifestations (for both therapist and patient) and offers recommendations to practitioners for dealing with erotic material when it arises. Andrea Celenza has divided this book into two parts, with clinical, theoretical, and technical discussions in each chapter: Part I: Varieties and Meanings of Erotic Transferences and Countertransferences Presents the varieties and meanings of erotic transferences and countertransferences common in clinical situations; Includes case studies of erotic material used as examples of phases in treatment as well as moments of defensive impasse; Includes discussions of the management of aggression, underlying merger fantasies, uses of countertransferences (in multiple forms), and dilemmas surrounding self-disclosure. Part II: Perverse Scenarios Revisited Reconceptualizes and restores the term perversion into the clinical lexicon; Views perversion as a quality of relating rather than a specific action or behavior; Presents a wide range of clinical illustrations that demonstrates the usefulness of this reformulation. Erotic Revelations puts sexuality back into psychoanalytic theorizing and makes a place for erotic transferences of whatever shape, in every analysis or therapy. With a strong clinical focus, this book will redefine how to work with many aspects of sex and gender in clinical psychoanalytic practice and will be an essential resource for psychoanalysts, psychotherapists, psychologists, educators, trainers, students and those with an interest in the mental health field.

Erotic Stories is a treasury of amorous tales from around the world, ranging from ancient Greek myths to modern stories of longing and lust. From the innocent yearning of Daphnis and Chloe evoked by Longus to the sadomasochism of Pauline Réage’s Story of O, this anthology explores human desire across the ages in all its dark complexity. Whether intensely raw or subtly insinuating, the short stories gathered here—by writers as different as Boccaccio and Chekhov, Anaïs Nin and Allan Gurganus—are calculated to unsettle and arouse. Here too are scenes from such classic novels as Choderlos de Laclos’s Les Liaisons Dangereuses and Nicholson Baker’s The Fermata, from Junichiro Tanizaki’s The Key and Sarah Waters’s Tipping the Velvet. Accounts of ardor and transgression also flow from unexpected pens: an astonishingly explicit scene from Edith Wharton’s unfinished “Beatrice Palmato,” for example, and Guy de Maupassant’s heated “Idyll,” which describes a young peasant woman offering her breast to a starving stranger on a train. Hunger is the fierce undercurrent to these tales: the gnawing lust of one lover for another, or the greedy pursuit of a particular inclination. The elegant depravity of an eighteenth-century French aristocrat, the dreamlike seductions of an Egyptian jinni in the form of a snake, the brutal anonymity of a highway truck-stop encounter—the stories in this richly varied collection reveal that the urge to articulate sexual desire is as inventive as it is timeless.

In this provocative analysis of Whitman's exemplary quest for happiness, Vivian Pollak skillfully explores the intimate relationships that contributed to his portrayal of masculinity in crisis. She maintains that in representing himself as a characteristic nineteenth-century American and in proposing to heal national ills, Whitman was trying to temper his own inner conflicts as well. The poet's expansive vision of natural eroticism and of unfettered comradeship between democratic equals was, however, only part of the story. As Whitman waged a conscious campaign to challenge misogynistic and homophobic literary codes, he promoted a raceless, classless ideal of sexual democracy that theoretically equalized all varieties of desire and resisted none. Pollak suggests that this goal remains imperfectly achieved in his writings, which liberates some forbidden voices and silences others. Integrating biography and criticism, Pollak employs a loosely chronological organization to describe the poet's multifaceted "faith in sex." Drawing on his early fiction, journalism, poetry, and self-reviews, as well as letters and notebook entries, she shows how in spite of his personal ambivalence about sustained erotic intimacy, Whitman came to imagine himself as "the phallic choice of America."

For over four decades, erotic comics have flourished around the world. Erotic Comics 2 examines how this budding art form exploded from the California comix scene to become an international publishing phenomenon. Beginning with an exploration of newly liberated American artists in the '70s, this overview examines the gay and lesbian comics scene, current artists and publishers in Europe, and Japanese erotica. After delving into the sexual mores of Japanese Hentai: from tentacle sex to Yaoi, the book looks to the future, where erotic comic creators are sidestepping legal issues by producing work solely for the Internet.Filled with rarely seen art from international forerunners such as Dave Stevens, Jordi Bennet, Frank Thorne, Tom of Finland, Ralf Kšnig, and Milo Manara, Erotic Comics 2 is perfect for fans of adult  comics, art history, and erotic illustration. As Alan Moore urges in his foreword: "Absorb the contents of this book, and do so shamelessly."

In West Java, Indonesia, all it takes is a woman’s voice and a drum beat to make a man get up and dance. Every day, men there—be they students, pedicab drivers, civil servants, or businessmen—breach ordinary standards of decorum and succumb to the rhythm at village ceremonies, weddings, political rallies, and nightclubs. The music the men dance to varies from traditional gong ensembles to the contemporary pop known as dangdut, but they consistently dance with great enthusiasm. In Erotic Triangles, Henry Spiller draws on decades of ethnographic research to explore the reasons behind this phenomenon, arguing that Sundanese men use dance to explore and enact contradictions in their gender identities. Framing the three crucial elements of Sundanese dance—the female entertainer, the drumming, and men’s sense of freedom—as a triangle, Spiller connects them to a range of other theoretical perspectives, drawing on thinkers from Eve Kosofsky Sedgwick, Lévi-Strauss, and Freud to Euclid. By granting men permission to literally perform their masculinity, Spiller ultimately concludes, dance provides a crucial space for both reinforcing and resisting orthodox gender ideologies.

International sex appeal: A fresh collection of today's most titillating nudes from around the world   Following on the heels of our highly popular The New Erotic Photography, this second installment features entirely new photographs by 50 of the world’s most intriguing talents. Of the included photographers, 35 are new to this edition; these new photographers, including Eric Bonzi, Cyril Torrent, Jo Schwab, Yossi Loloi, Tomohide Ikeya, Frederic Fontenoy, Andrew Pashis, Jan Hronsky, and Chase Lisbon are drawn from Belgium, Switzerland, Germany, Italy, Japan, France, Russia, the Czech Republic, and the U.S., respectively, making this a solidly international title. There are also several outstanding women introduced in this edition, including erotic film star Kimberly Kane, Colombian expat Alejandra Guerrero, skate-boarder and heavy metal rocker Magdalena Wosinska, self-portraitist Erica Simone, and our own favorite cougar, Liz Earls. The images in The New Erotic Photography 2 document the changing photographic media as much as the evolution of erotic photography since the previous book was published. Over half the photographers now use digital exclusively, and those who do use film are likely to use Polaroid, or primitive cameras like the Lomo and Holga, experimenting with film for its special effects rather than using it as an every day medium. Over 400 fresh and provocative images!   Text in English, French, and German

Today, Manfred Baumann’s work can be seen in well-known glossy magazines and the advertising campaigns of international companies. He knows better than anyone how to make beautiful women look erotic, emphasise their charisma and beauty, and tell us a story while doing so. Every one of his pictures exudes an erotic tension that envelopes the observer in an almost tactile, virtually palpable experience.