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Like his earlier volume Son of Bitch, this work is devoted to his ongoing observation of the canine species and the light its behavior sheds on the human species. Indeed, these portraits of a variety of breeds in their native settings of London, Paris, New York, and Rio reveal a remarkable correlation between hound and human manners. 90 duotone reproductions.

Elliott Erwitt (Paris, 1928) is one of the most important and most brilliant photographers of the 20th century. He has been a member of Magnum Photos since 1953 This volume retraces the work of Elliott Erwitt through 136 black & white photographs he has personally selected. His is a sharp and original gaze capable of gently bringing out the humorous, unusual or even ridiculous side of certain aspects of life, especially through street snapshots: 'It is a matter of reacting to what you see, without preconceptions; you can find subjects to photograph everywhere, all it takes is simply to notice things, take an interest in what surrounds us, and be concerned with people.' Text in English, Italian and French.

For almost six decades, Elliott Erwitt has had a keen eye for the often-overlooked world of children. What has resulted is a wry, endearing, and often humorous vision that captures the joys and heartaches of childhood from the United States to Japan to Brazil. Here we see kids through the eyes and lens of a master photographer whose joy in the childhood experience has been consistent over time.

Elliott Erwitt has been taking pictures since the late forties. A member of the prestigious Magnum agency since 1954, he has photographed all over the world and his images have been the subject of many books and exhibitions. Containing over 500 photographs, many of which have never been published before, Elliott Erwitt Snaps is a unique and comprehensive survey of his work. From famous images like Khrushchev and Nixon arguing in Moscow in 1959 and Marilyn Monroe on the set of the film The Misfits, to his many more personal images of places, things, people and animals, Erwitt's unmistakeable, often witty, style gives us a snapshot of the famous and the ordinary, the strange and the mundane over a period of more than half a century, through the lens of one of the era's finest image-makers.

In a heartfelt and original tribute to man’s best friend, the photographic master Elliott Erwitt captures all the diversity of the canine kingdom. We witness Fido’s many moods from playful, perky scamp to quiet and constant companion. Ranging from daring little imps to lumbering and gentle beasts, Erwitt’s images unveil the quirkiness that makes these creatures so beloved while combining an unerring sense of composition with the magic of the moment.

A monochromatic tribute to New York City that depicts all the shadings of this vital metropolis in glimpses that are sometimes gritty, sometimes elegant yet always true to life. Previously available only in paperback, this selection of images spans Elliott Erwitt's illustrious career.

What is it about hands? We think we communicate with words, but has anyone ever told that to an Italian? Where did the expression "tongue-tied" come from? No one ever tied a tongue. But tie their hands and about half the world's communicators would be silenced. The human (and sometimes non-human) hands are, with the possible exception of the eyes, the most expressive parts of the body, asking for more or less, telling us to come or to go, asking questions and answering them, scolding, rewarding, searching and finding, and, at their most intimate, loving and lustful. Hands reward us, calm us, feed us, and scratch our backs. They intimidate, bless, encourage, and stop us. They soothe, caress, and sometimes go where they shouldn't. We may take hands for granted. But Elliott Erwitt does not. Here is Erwitt at his most serious-and-yet-whimsical best, giving us the moments which, without hands, would not exist. 100 duotone images.

In this work, the photographer Elliott Erwitt focuses exclusively on the beach - that stage on which bodies as well as vanities are fully exposed.

One of the 20th century's most celebrated image-makers, this collection, in a generously oversized format, focuses on Elliott Erwitt's distinctive photographs of dogs. In a heartfelt and original tribute to man's best friend, this photographic master captures all the diversity of the canine kingdom. We witness Fido's many moods from playful, perky scamp to quiet and constant companion. Ranging from daring little imps to lumbering and gentle beasts, Erwitt's images unveil the quirkiness that makes these creatures so beloved while combining an unerring sense of composition with the magic of the moment.

Elliott Erwitt has been taking pictures since the late forties. A member of the prestigious Magnum agency since 1954, he has photographed all over the world and his images have been the subject of many books and exhibitions. Containing over 500 photographs, many of which have never been published before, Elliott Erwitt Snaps is a unique and comprehensive survey of his work. From famous images like Khrushchev and Nixon arguing in Moscow in 1959 and Marilyn Monroe on the set of the film The Misfits, to his many more personal images of places, things, people and animals, Erwitt's unmistakeable, often witty, style gives us a snapshot of the famous and the ordinary, the strange and the mundane over a period of more than half a century, through the lens of one of the era's finest image-makers.

One of the 20th century's most celebrated image-makers, this collection, in a generously oversized format, focuses on Elliott Erwitt's distinctive photographs of dogs. In a heartfelt and original tribute to man's best friend, this photographic master captures all the diversity of the canine kingdom. We witness Fido's many moods from playful, perky scamp to quiet and constant companion. Ranging from daring little imps to lumbering and gentle beasts, Erwitt's images unveil the quirkiness that makes these creatures so beloved while combining an unerring sense of composition with the magic of the moment.

For almost six decades, Elliott Erwitt has had a keen eye for the often-overlooked world of children. What has resulted is a wry, endearing, and often humorous vision that captures the joys and heartaches of childhood from the United States to Japan to Brazil. Here we see kids through the eyes and lens of a master photographer whose joy in the childhood experience has been consistent over time.

One of the 20th century's most celebrated image-makers, this collection, in a generously oversized format, focuses on Elliott Erwitt's distinctive photographs of dogs. In a heartfelt and original tribute to man's best friend, this photographic master captures all the diversity of the canine kingdom. We witness Fido's many moods from playful, perky scamp to quiet and constant companion. Ranging from daring little imps to lumbering and gentle beasts, Erwitt's images unveil the quirkiness that makes these creatures so beloved while combining an unerring sense of composition with the magic of the moment.

Elliott Erwitt: Home Around the World offers a timely and critical reconsideration of Erwitt’s unparalleled life as a photographer. Produced alongside a major retrospective exhibition, the book features examples of Erwitt’s early experiments in California, his intimate family portraits in New York, his major magazine assignments and long-term documentary interests, and his ongoing personal investigations of public spaces and their transitory inhabitants. Essays by photography experts based on extensive new interviews with the photographer consider less-studied aspects of Erwitt’s work: his engagement with social and political issues through photojournalism, the humanist qualities of his very early photographs, and his work as a filmmaker. Home Around the World traces the development and refinement of Erwitt’s unique visual approach over time. With over two hundred photographs, and ephemera including magazine reproductions, advertisements, and contact sheets, this volume is the first to offer a comprehensive historical treatment of Erwitt’s body of work and position in the field.

Elliott Erwitt has been taking pictures since the late forties. A member of the prestigious Magnum agency since 1954, he has photographed all over the world and his images have been the subject of many books and exhibitions. Containing over 500 photographs, many of which have never been published before, Elliott Erwitt Snaps is a unique and comprehensive survey of his work. From famous images like Khrushchev and Nixon arguing in Moscow in 1959 and Marilyn Monroe on the set of the film The Misfits, to his many more personal images of places, things, people and animals, Erwitt's unmistakeable, often witty, style gives us a snapshot of the famous and the ordinary, the strange and the mundane over a period of more than half a century, through the lens of one of the era's finest image-makers.

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Elliott Erwitt has been taking pictures since the late forties. A member of the prestigious Magnum agency since 1954, he has photographed all over the world and his images have been the subject of many books and exhibitions. Containing over 500 photographs, many of which have never been published before, Elliott Erwitt Snaps is a unique and comprehensive survey of his work. From famous images like Khrushchev and Nixon arguing in Moscow in 1959 and Marilyn Monroe on the set of the film The Misfits, to his many more personal images of places, things, people and animals, Erwitt's unmistakeable, often witty, style gives us a snapshot of the famous and the ordinary, the strange and the mundane over a period of more than half a century, through the lens of one of the era's finest image-makers.

Elliott Erwitt: Home Around the World offers a timely and critical reconsideration of Erwitt’s unparalleled life as a photographer. Produced alongside a major retrospective exhibition, the book features examples of Erwitt’s early experiments in California, his intimate family portraits in New York, his major magazine assignments and long-term documentary interests, and his ongoing personal investigations of public spaces and their transitory inhabitants. Essays by photography experts based on extensive new interviews with the photographer consider less-studied aspects of Erwitt’s work: his engagement with social and political issues through photojournalism, the humanist qualities of his very early photographs, and his work as a filmmaker. Home Around the World traces the development and refinement of Erwitt’s unique visual approach over time. With over two hundred photographs, and ephemera including magazine reproductions, advertisements, and contact sheets, this volume is the first to offer a comprehensive historical treatment of Erwitt’s body of work and position in the field.

A monochromatic tribute to New York City that depicts all the shadings of this vital metropolis in glimpses that are sometimes gritty, sometimes elegant yet always true to life. Previously available only in paperback, this selection of images spans Elliott Erwitt's illustrious career.

In this work, the photographer Elliott Erwitt focuses exclusively on the beach - that stage on which bodies as well as vanities are fully exposed.