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Catalogue. Texts by Paul Vogt (The Blaue Reiter), Horst Keller (Watercolors and Color Drawings in German Expressionosm), Martin Urban (The North Germans: Paula Modersohn-Becker, Christian Rohlfs, Emil Nolde), Wolf-Dieter Bube (The Artists Group Die Brucke), Eberhard Roters (Big-City Expressionism: Berlin and German Expressionism). Artists' Biographies. Supplement: Essays in German. With 300 illustrations (works by 19 artists: Paula Modersohn-Becker, Christian Rohlfs, Emil Nolde, Erich Heckel, Ernst Ludwig Kirchner, Karl Schmidt-Rottluff, Max Pechstein, Otto Mueller, Franz Marc, Vasily Kandinsky, Alexej Jawlensky, Oskar Kokoschka, Lyonel Feininger, Ludwing Meidner, Jacob Steinhardt, George Grosz, Otto Dix, Max Beckmann) . 8vo pp. 336 Brossura (wrappers) Molto Buono (Very Good)

A digital copy of "Expressionism in Philosophy : Spinoza" by Gilles Deleuze. Download is immediately available upon purchase!

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Idealism, rebellion against complacency, and an urgent need for new linguistic power with which to transcend their sense of spiritual crisis were characteristics common to expressionist painters, poets, and dramatists as well as to composers. Indeed, these individuals were frequently active in several fields. Expressionism in Twentieth-Century Music explores expressionism in music in relation to the same movement in other creative arts.This humanist approach to music written in the first quarter of the twentieth century considers the biographical, cultural, and societal context in which these compositions were conceived and explores the psychological imperatives at the root of individual composers' innovations. John C. Crawford and Dorothy L. Crawford point out influential expressionist tendencies in Wagner, Richard Strauss, Mahler, Scriabin, and Mussorgsky, all of whom prepared the ground as forerunners to musical expressionism. The authors examine strongly expressionist traits in the works not only of Schoenberg, Berg, and Webern but also of Bartok, Stravinsky, Ives, and a "second generation" - Hindemith, Krenek, and Weill; and they find a legacy of expressionism in such composers as Ruggles and Shostakovich and in other iconoclasts still living.In its interdisciplinary approach, the book is generously provided with musical analyses and excerpts from major expressionist compositions, examples of contemporaneous poetry (some of it written by the composers themselves), and reproductions of striking art works by Kandinsky, Marc, Kokoschka, Klimt, and Nolde, among others. A chapter is devoted to synthesis of the arts, which was uniquely important to expressionist composers.Expressionism in Twentieth-Century Music demonstrates the interdependence of the arts in the twentieth century and makes a challenging body of music more accessible and meaningful to students, composers, and musicologists.

The transformation of reality: The most significant German contribution to 20th century European art   During the first two decades of the 20th century, many artists famously experimented with nonrepresentational expression. Taking cues from ideas hinted as by artists such as El Greco, Goya, Van Gogh, and Munch, Expressionists sought to transform reality rather than depict it in any sort of literal fashion. Egon Schiele, Max Beckmann, Paul Klee, and Wassily Kandinsky are among Expressionism’s most famous exponents. Featured artists include: Ernst Ludwig Kirchner, Erich Heckel, Karl Schmidt-Rottluff, Max Pechstein, Otto Mueller, Emil Nolde, Wassily Kandinsky, Franz Marc, August Macke, Paul Klee, Alexej Jawlensky, Gabriele Münter, Marianne von Werefkin, Heinrich Campendonk, Lyonel Feininger, Arnold Schönberg, Oskar Kokoschka, Egon Schiele, Paula Modersohn-Becker, Christian Rohlfs, Ludwig Meidner, Lovis Corinth, Ernst Barlach, Wilhelm Lehmbruck, Max Beckmann, Otto Dix, and George Grosz   About the Series: Each book in TASCHEN's Basic Genre Series features: a detailed illustrated introduction plus a timeline of the most important political, cultural and social events that took place during that period a selection of the most important works of the epoch, each of which is presented on a 2-page spread with a full-page image and with an interpretation of the respective work, plus a portrait and brief biography of the artist approximately 100 colour illustrations with explanatory captions

This groundbreaking examination of the cultural exchange between early 20th century French and German artists illuminates new ways of understanding the development of Expressionism. Although the Expressionist movement is widely considered to have arisen out of a German aesthetic, it was actually as much a result of German artists’ exposure to artists living and working in France, such as van Gogh, Seurat, Gauguin, Cézanne, Matisse, Picasso, and Braque. In fact, in its early days, Expressionism was assigned no specific nationality at all. This fascinating book focuses on the key exhibitions, galleries, and museum directors that helped disseminate styles and techniques of revolutionary French artists throughout Germany. Included here are French masterpieces seen not only by German artists in Paris but also in important galleries, exhibitions, and private collections in Berlin, Dresden, Munich, Weimar, and other cities. More than 100 paintings and works on paper are grouped to encourage an understanding of artistic influence and interchange. The volume also reflects new scholarship on issues of French-German relations and contributes to our understanding of the ways the visual arts are influenced by ideas of national identity and cultural heritage.

A specifically German artistic revolution In six chapters - The Brücke Group of Artists, Northern German Expressionism, The Blaue Reiter, Rhenish Expressionism, The City and Expressionism in Vienna - this publication deals with a specifically German artistic revolution, a phenomenon that has quite accurately been described as "the most significant German contribution to 20th century European art". Beside a number of famous names - Beckmann, Heckel, Kandinsky, Kirchner, Kokoschka, Macke, Marc, Mueller, Nolde, Schiele and Schmidt-Rottluff - the author also introduces several lesser-known artists, such as Campendonk, Felixmüller, Meidner, Morgner, Münter and von Werefkin, with some representative works.

A survey of the phases of Expressionism from its beginnings in 1905 to the 1970s. It examines Expressionist art in the context of the history of philosophy and social ideas and looks at the movement's intellectual milieu, subject matter, iconography, style, social psychology and art criticism.

Expressionism in Philosophy is both a pivotal reading of Spinoza's work and also a crucial text within the development of Deleuze's own thought. It was the culmination of a series of monographic studies by Deleuze (on Hume, Bergson, Nietzsche, Proust, Kant, and Sacher-Masoch), and it prepared the transition from these abstract treatments of historical schemes of experience to the nomadology of Capitalism and Schizophrenia.In this extraordinary work, Deleuze reflects on one of the thinkers of the past who most influenced his own sweeping reconfiguration of the tasks of philosophy. For Deleuze, Spinoza, along with Nietzsche and Lucretius, conceived of philosophy as an enterprise of liberation and radical demystification.

The author, art historian Ashley Bassie, explains how Expressionist art led the way to a new, intense, evocative treatment of psychological, emotional and social themes in the early twentieth century. The book examines the developments of Expressionism and its key works, highlighting the often intensely subjective imagery and the aspirations and conflicts from which it emerged while focusing precisely on the artists of the movement.

A survey of the phases of Expressionism from its beginnings in 1905 to the 1970s. It examines Expressionist art in the context of the history of philosophy and social ideas and looks at the movement's intellectual milieu, subject matter, iconography, style, social psychology and art criticism.

Focuses on the multi-disciplinary development of expressionism, setting it in a cultural, political and historical context. The contributors explore the manifestations of this influential, yet loosely-defined, movement in painting, music, theatre, sculpture, film, opera, architecture and dance.

In six chapters -- The Brucke Group of Artists, Northern German Expressionism, The Blaue Reiter, Rhenish Expressionism, The City and Expressionism in Vienna -- this publication deals with a specifically German artistic revolution, a phenomenon that has quite accurately been described as ""the most significant German contribution to 20th century European art."" Beside a number of famous names, including Beckmann, Heckel, Kandinsky, Kirchner, Kokoschka, Macke, Marc, Mueller, Nolde, Schiele, and Schmidt-Rottluff, the author also introduces several lesser-known artists, such as Campendonk, FelixMuller, Meidner, Morgner, Munter, and von Werefkin.

This groundbreaking examination of the cultural exchange between early 20th century French and German artists illuminates new ways of understanding the development of Expressionism. Although the Expressionist movement is widely considered to have arisen out of a German aesthetic, it was actually as much a result of German artists’ exposure to artists living and working in France, such as van Gogh, Seurat, Gauguin, Cézanne, Matisse, Picasso, and Braque. In fact, in its early days, Expressionism was assigned no specific nationality at all. This fascinating book focuses on the key exhibitions, galleries, and museum directors that helped disseminate styles and techniques of revolutionary French artists throughout Germany. Included here are French masterpieces seen not only by German artists in Paris but also in important galleries, exhibitions, and private collections in Berlin, Dresden, Munich, Weimar, and other cities. More than 100 paintings and works on paper are grouped to encourage an understanding of artistic influence and interchange. The volume also reflects new scholarship on issues of French-German relations and contributes to our understanding of the ways the visual arts are influenced by ideas of national identity and cultural heritage.

In six chapters -- The Brücke Group of Artists, Northern German Expressionism, The Blaue Reiter, Rhenish Expressionism, The City and Expressionism in Vienna -- this publication deals with a specifically German artistic revolution, a phenomenon that has quite accurately been described as "the most significant German contribution to 20th century European art." Beside a number of famous names, including Beckmann, Heckel, Kandinsky, Kirchner, Kokoschka, Macke, Marc, Mueller, Nolde, Schiele, and Schmidt-Rottluff, the author also introduces several lesser-known artists, such as Campendonk, Felixmüller, Meidner, Morgner, Münter, and von Werefkin.

In this extraordinary work Gilles Deleuze, the most renowned living philosopher in France, reflects on one of the figures of the past who has most influenced his own sweeping reconfiguration of the tasks of philosophy. Deleuze's brilliant text shows how current definitions of philosophy do not apply to Spinoza: a solitary thinker (yet scandalous and hated), he conceived of philosophy as an enterprise of liberation and radical demystification much as did Leibniz or, later Nietzsche. Spinoza confronts the grand philosophical problems that are still current today: the comparative role of ontology (the theory of substance), of epistemology (the theory of ideas), and of political anthropology (the theory of modes, passions, and actions). The goal of this book is to determine the rapport among the univocity of Being in the theory of substance; the production of truth and the genesis of sense in the theory of ideas; and practical joy (or the elimination of the sad passions) and the selective organization of the passions in the theory of modes.

Used. Very Good conditions. May have soft reading marks and name of the previous owner.

Unread book in perfect condition.

Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Max Beckmann, Otto Dix, George Grosz, Emil Nolde, E.-L. Kirchner,