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Unread book in perfect condition.

Ancien livre de bibliothèque. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.

Black & color illus. wraps, French flaps, 128 pp., 100+ color illus. Text is in French. Profiles a tour of the Musee Fabre in Montpellier, France. Supplies a history of the museum; then showcases its paintings chronologically, from the 16th century to the 20th century. With stunning details of some of the pieces, and full-color illustrations of many. If you can't get to France, this book'll do just fine. VG (back cover slightly scuffed)

Etat neuf sous cello sans frottis. NA9330, 1185C3, 9782757201299

Paris ,2008. 1 Volume/1. -- Comme Neuf -- Broché cousu. Format in-4°( 28 x 25 cm )( 2495 gr ) . ------ 463 pages. ******************** "" Né à Montpellier, lauréat du Grand Prix de Rome en 1787 et disciple du grand David, François-Xavier Fabre (1766-1837) réalise la majeure partie de sa carrière à Florence, où il réside de 1793 à 1824. Portraitiste, peintre d'histoire et paysagiste, il se distingue par la pureté ç son -dessin qui doit beaucoup à Poussin comme par son usage raffiné de la couleur. II connaît de son vivant un grand succès auprès d'une clientèle élégante et cosmopolite qu'il croise dans le salon de la comtesse Louise d'Albany et du poète Alfieri, ses plus fidèles et fervents admirateurs. Il est aussi l'un des plus célèbres collectionneurs de son temps et le fondateur du musée qui porte son nom dans sa ville natale, auquel il lègue sa fabuleuse collection. C'est à la rencontre d'un artiste brillant et d'un homme fascinant et secret qu'invite cette monographie. "" *********************** ref 186

Gustave Courbet’s 1854 painting The Meeting (also known as Bonjour, Monsieur Courbet!) depicts his greatest patron, Alfred Bruyas (1821-1877), welcoming the artist to his hometown of Montpellier, in the south of France. As one of the foremost collectors of contemporary art in France, Bruyas’s tastes ranged from romanticism to realism, and he collected both traditional and what was then avant-garde art. This beautifully illustrated book features ninety-four works from Bruyas’s celebrated collection, including nine masterpieces by Courbet as well as important paintings, drawings, and sculptures by such leading French artists of the period as Delacroix, Ingres, Géricault, Millet, Corot, Rousseau, and Barye. The accompanying texts examine Bruyas’s role as one of the few mid-nineteenth-century private collectors of contemporary art and the significance of his patronage of living artists as well as the well-known but little-scrutinized relationship between Bruyas and Courbet. A newly discovered critique of the renowned collection, written by the influential artist Paul Signac some twenty years after Bruyas’s death, is also presented.

Jean Henri Fabre, nineteenth-century French entomologist and author of the massive Souvenirs Entomoligies, has inspired perhaps more modern writer/naturalists than any other chronicler of the natural world. Edwin Way Teale's selection of the most compelling of Fabre's writing makes The Insect World of J. Henri Fabre the essential edition of the writer Darwin called "the incomparable observer."

"Paul, 10, is fascinated by insects, an interest engendered by his father, Henri Fabre, who has studied the creatures for most of his life. The boy and his two younger sisters help Père gather material for a textbook, often accompanying him on field trips into their untamed backyard...Admirable."-School Library Journal

Jean Henri Fabre, nineteenth-century French entomologist and author of the massive Souvenirs Entomoligies, has inspired perhaps more modern writer/naturalists than any other chronicler of the natural world. Edwin Way Teale's selection of the most compelling of Fabre's writing makes The Insect World of J. Henri Fabre the essential edition of the writer Darwin called "the incomparable observer."

Célèbre pour ses fonds italien et nordique, le musée Fabre de Montpellier conserve l'une des plus remarquables collections de peintures françaises allant du XVIe au XIXe siècle. Constituée d'abord par François-Xavier Fabre, fondateur du musée et grand amateur d'art, puis augmentée au long de son histoire, cette collection rassemble les oeuvres de grands noms tels Poussin, Bourdon, La Hyre, Stella ou Coypel, mais également des oeuvres d'artistes toujours anonymes, sur lesquels les chercheurs travaillent encore. Cet ouvrage nous conduit à la découverte des artistes français nés avant 1700 qui ont marqué la peinture du Grand Siècle.

Stay warm and stylish with these Maison Fabre x L'Exception Paris Gloves. Crafted from 100% lambskin leather, these gloves feature a cozy 100% fleece lining and an acrylic ribbed finish. Perfect for the fashion-forward woman.

Expedition Sous 48 H En Suivi La Poste / Emballage Bullepack

Best of Candido Fabre Candido Fabre - CD 824536068125

Fabre, G. / M. Mayer / I. Roda: Inscriptions Romaines de Catalogne, I: Barcelone (sauf Barcino). Paris, 1984, 252 P. Laminas.encuadernacion Original. Nuevo.

Recuperació d'un títol emblemàtic de la producció picassiana del poeta i assagista Josep Palau i Fabre, esgotat des de la seva primera edició de 1971 i no inclòs en les seves Obres completes ni en cap altra recopilació. Una aproximació biogràfica impresci

Antoine Fabre d'Olivet (December 8, 1767-March 25, 1825) was a French author, poet, and composer whose biblical and philosophical hermeneutics in?uenced many occultists, such as Eliphas Lévi and Gerard Encausse (Papus), and René Guénon. D'Olivet spent his life pursuing the esoteric wisdom concealed in the Hebrew scriptures, Greek philosophy, and the symbolism of many ancient cultures as far back as ancient India, Persia, and Egypt. His writings are considered classics of the Hermetic tradition. His best known works today are his research on the Hebrew language (The Hebraic Tongue Restored), his translation and interpretation of the writings of Pythagoras (The Golden Verses of Pythagoras), and his writings on the sacred art of music. In addition to the above works, Hermetica has published in consistent facsimile format for its Collected Works of Fabre d'Olivet series Cain and The Healing of Rodolphe Grivel, as well as Hermeneutic Interpretation of the Origin of the Social State of Man and the Destiny of the Adamic Race. D'Olivet's mastery of many ancient languages and their literatures enabled him to write (in the time of Napoleon) this extraordinary text which remains a landmark investigation of the deeper esoteric undercurrents at work in the history of culture. The Golden Verses of Pythagoras, so remarkable for their moral elevation, and standing as the most beautiful monument of antiquity raised in honor of Wisdom, were originally transcribed by Lysis, though it is to Hierocles that we owe the version that has come down to us. Fabre d'Olivet has translated them into French verse of special form (eumolpique), and in his Discourse upon the Essence and Form of Poetry in the present volume he explains and illustrates this melodious style. In his Examinations of the Golden Verses, which comprises the last division of this book, he has drawn with the power of his great mind the metaphysical correlation of Providence, Destiny, and Will.

Ce volume contient les oeuvres suivantes : Du Contrat social - Écrits politiques. Édition publiée sous la direction de Bernard Gagnebin et de Marcel Raymond. Avec, pour ce volume, la collaboration de François Bouchardy, Jean-Daniel Candaux, Robert Derathé, Jean Fabre, Jean Starobinski et Sven Stelling-Michaud. Les écrits de Rousseau sur la musique étaient peu accessibles. Ils figurent intégralement dans ce volume, qui contient notamment le Dictionnaire de musique né des articles que commanda Diderot, pour l'Encyclopédie, à celui en qui l'on voyait alors, avant tout, un musicien. Rousseau, il est vrai, tablait sur cette facette de son talent pour se faire une place dans la société. Il comptait sans Rameau qui ne s'est pas privé de dire le mal qu'il pensait des Muses galantes. Terrassé, délesté de son honneur et de ses honoraires, Rousseau a fait de son contempteur l'incarnation d'une musique française lors de la querelle des Bouffons, il s'est employé à montrer que le système ramiste menait à un art de la non-communication. Or, «tout chant qui ne dit rien n'est rien». La musique est un langage, elle doit être l'art de l'expression vivante. Rousseau fonde sa pensée linguistique et musicale sur la nécessité de réconcilier la plénitude des origines et le savoir. Se profile alors le rêve d'un art régénéré : la poésie parle à l'esprit, la musique sollicite l'oreille, la peinture réjouit les yeux ; la réunion des trois renoue avec les premières fêtes, à l'époque de l'unité de la parole et de la mélodie. C'est à un chef-d' uvre de la civilisation, l'opéra, que Rousseau confie la mission de provoquer ce retour à l'origine, qui est aussi annulation du temps.

Antoine Fabre d'Olivet (December 8, 1767-March 25, 1825) was a French author, poet, and composer whose biblical and philosophical hermeneutics in?uenced many occultists, such as Eliphas Lévi and Gerard Encausse (Papus), and René Guénon. D'Olivet spent his life pursuing the esoteric wisdom concealed in the Hebrew scriptures, Greek philosophy, and the symbolism of many ancient cultures as far back as ancient India, Persia, and Egypt. His writings are considered classics of the Hermetic tradition. His best known works today are his research on the Hebrew language (The Hebraic Tongue Restored), his translation and interpretation of the writings of Pythagoras (The Golden Verses of Pythagoras), and his writings on the sacred art of music. In addition to the above works, Hermetica has published in consistent facsimile format for its Collected Works of Fabre d'Olivet series Cain and The Healing of Rodolphe Grivel, as well as Hermeneutic Interpretation of the Origin of the Social State of Man and the Destiny of the Adamic Race. D'Olivet's mastery of many ancient languages and their literatures enabled him to write (in the time of Napoleon) this extraordinary text which remains a landmark investigation of the deeper esoteric undercurrents at work in the history of culture. The Golden Verses of Pythagoras, so remarkable for their moral elevation, and standing as the most beautiful monument of antiquity raised in honor of Wisdom, were originally transcribed by Lysis, though it is to Hierocles that we owe the version that has come down to us. Fabre d'Olivet has translated them into French verse of special form (eumolpique), and in his Discourse upon the Essence and Form of Poetry in the present volume he explains and illustrates this melodious style. In his Examinations of the Golden Verses, which comprises the last division of this book, he has drawn with the power of his great mind the metaphysical correlation of Providence, Destiny, and Will.

Fabre had many scholarly achievements. He was a popular teacher, physicist, chemist and botanist. However, he is probably best known for his findings in the field of entomology, the study of insects, and is considered by many to be the father of modern entomology.

Fabre, G. / M. Mayer / I. Roda: Inscriptions Romaines de Catalogne, Iii: Gerone. Paris, 1991, 224 P. Laminas.encuadernacion Original. Nuevo.