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Please note: Size selections are European. For US conversions, please reference size chart. Color/material: nude satin Design details: rhinestone-embellished fringe accent Lightly padded leather insole Smooth leather sole 4in heel Please note: All measurements are approximate and were taken from a size 37; slight variations may occur. Made in Italy

Please note: Size selections are European. For US conversions, please reference size chart. Color/material: emerald green satin Design details: rhinestone-embellished fringe accent Lightly padded leather insole Smooth leather sole 4in heel Please note: All measurements are approximate and were taken from a size 37; slight variations may occur. Made in Italy

Please note: Size selections are European. For US conversions, please reference size chart. Color/material: nude satin Design details: rhinestone-embellished fringe accent Lightly padded leather insole Smooth leather sole 4in heel Please note: All measurements are approximate and were taken from a size 37; slight variations may occur. Made in Italy

Please note: Size selections are European. For US conversions, please reference size chart. Color/material: emerald green satin Design details: rhinestone-embellished fringe accent Lightly padded leather insole Smooth leather sole 4in heel Please note: All measurements are approximate and were taken from a size 37; slight variations may occur. Made in Italy

Please note: Size selections are European. For US conversions, please reference size chart. Color/material: nude satin Design details: rhinestone-embellished fringe accent Lightly padded leather insole Smooth leather sole 4in heel Please note: All measurements are approximate and were taken from a size 37; slight variations may occur. Made in Italy

Please note: Size selections are European. For US conversions, please reference size chart. Color/material: nude satin Design details: rhinestone-embellished fringe accent Lightly padded leather insole Smooth leather sole 4in heel Please note: All measurements are approximate and were taken from a size 37; slight variations may occur. Made in Italy

Please note: Size selections are European. For US conversions, please reference size chart. Color/material: nude satin Design details: rhinestone-embellished fringe accent Lightly padded leather insole Smooth leather sole 4in heel Please note: All measurements are approximate and were taken from a size 37; slight variations may occur. Made in Italy

While much of the international community regards the forced deportation of Armenian subjects of the Ottoman Empire in 1915, where approximately 800,000 to 1.5 million Armenians perished, as genocide, the Turkish state still officially denies it. In Denial of Violence, Fatma Müge Göçek seeks to decipher the roots of this disavowal. To capture the negotiation of meaning that leads to denial, Göçek undertook a qualitative analysis of 315 memoirs published in Turkey from 1789 to 2009 in addition to numerous secondary sources, journals, and newspapers. She argues that denial is a multi-layered, historical process with four distinct yet overlapping components: the structural elements of collective violence and situated modernity on one side, and the emotional elements of collective emotions and legitimating events on the other. In the Turkish case, denial emerged through four stages: (i) the initial imperial denial of the origins of the collective violence committed against the Armenians commenced in 1789 and continued until 1907; (ii) the Young Turk denial of the act of violence lasted for a decade from 1908 to 1918; (iii) early republican denial of the actors of violence took place from 1919 to 1973; and (iv) the late republican denial of the responsibility for the collective violence started in 1974 and continues today. Denial of Violence develops a novel theoretical, historical and methodological framework to understanding what happened and why the denial of collective violence against Armenians still persists within Turkish state and society.

While much of the international community regards the forced deportation of Armenian subjects of the Ottoman Empire in 1915, where approximately 800,000 to 1.5 million Armenians perished, as genocide, the Turkish state still officially denies it. In Denial of Violence, Fatma Müge Göçek seeks to decipher the roots of this disavowal. To capture the negotiation of meaning that leads to denial, Göçek undertook a qualitative analysis of 315 memoirs published in Turkey from 1789 to 2009 in addition to numerous secondary sources, journals, and newspapers. She argues that denial is a multi-layered, historical process with four distinct yet overlapping components: the structural elements of collective violence and situated modernity on one side, and the emotional elements of collective emotions and legitimating events on the other. In the Turkish case, denial emerged through four stages: (i) the initial imperial denial of the origins of the collective violence committed against the Armenians commenced in 1789 and continued until 1907; (ii) the Young Turk denial of the act of violence lasted for a decade from 1908 to 1918; (iii) early republican denial of the actors of violence took place from 1919 to 1973; and (iv) the late republican denial of the responsibility for the collective violence started in 1974 and continues today. Denial of Violence develops a novel theoretical, historical and methodological framework to understanding what happened and why the denial of collective violence against Armenians still persists within Turkish state and society.

Never before published in English, Orhan Pamuk’s second novel is the story of a Turkish family gathering in the shadow of the impending military coup of 1980. In an old mansion in Cennethisar, a former fishing village near Istanbul, a widow, Fatma, awaits the annual summer visit of her grandchildren. She has lived in the village for decades, ever since her husband, an idealistic young doctor, ran afoul of the sultan’s grand vizier and arrived to serve the poor fishermen. Now mostly bedridden, she is attended by her constant servant Recep, a dwarf—and the doctor’s illegitimate son. Despite mutual dependency, there is no love lost between mistress and servant, who have very different recollections—and grievances—from the early years, before Cennethisar grew into a high-class resort surrounding the family house, now in shambles. Though eagerly anticipated, Fatma’s grandchildren bring little consolation. The eldest, Faruk, a dissipated historian, wallows in alcohol as he laments his inability to tell the story of the past from the kaleidoscopic pieces he finds in the local archive; his sensitive leftist sister, Nilgün, has yet to discover the real-life consequences of highminded politics; and Metin, a high school nerd, tries to keep up with the lifestyle of his spoiled society schoolmates while he fantasizes about going to America—an unaffordable dream unless he can persuade his grandmother to tear down her house. But it is Recep’s nephew Hasan, a high school dropout, lately fallen in with right-wing nationalists, who will draw the visiting family into the growing political cataclysm issuing from Turkey’s tumultuous century-long struggle for modernity. By turns deeply moving, hilarious, and terrifying, Silent House pulses with the special energy of a great writer’s early work even as it offers beguiling evidence of the mature genius for which Orhan Pamuk would later be celebrated the world over.

Neuware -Fatma Aydemirs großer Familienroman - Auf der Shortlist für den Deutschen Buchpreis 2022Dreißig Jahre hat Hüseyin in Deutschland gearbeitet, nun erfüllt er sich endlich seinen Traum: eine Eigentumswohnung in Istanbul. Nur um am Tag des Einzugs an einem Herzinfarkt zu sterben. Zur Beerdigung reist ihm seine Familie aus Deutschland nach. Fatma Aydemirs großer Gesellschaftsroman erzählt von sechs grundverschiedenen Menschen, die zufällig miteinander verwandt sind. Alle haben sie ihr eigenes Gepäck dabei: Geheimnisse, Wünsche, Wunden. Was sie jedoch vereint: das Gefühl, dass sie in Hüseyins Wohnung jemand beobachtet. Voller Wucht und Schönheit fragt 'Dschinns' nach dem Gebilde Familie, den Blick tief hineingerichtet in die Geschichte der vergangenen Jahrzehnte und weit voraus. 368 pp. Deutsch

Fatma, acompanada por el enano Recep, hijo ilegitimo de su difunto marido, un medico fracasado, alcoholico y aperturista, vive aun en la casa a la que se traslado cuando ambos decidieron abandonar Estambul iniciada la revolucion de 1908. Sus hijos han muerto pero tiene tres nietos que la visitan cada verano. Faruk, el mayor, es un historiador al que su mujer ha abandonado y que encuentra en el alcohol un paliativo eficaz a su aburrimiento; Nilgun, una joven sonadora e idealista que desea una revolucion social que no llega y cuya vehemencia le traera mas de un problema; y el joven Metin, un genio de las matematicas que quiere emigrar a Estados Unidos para enriquecerse. Todos ellos, por diferentes razones, desean que su abuela venda la casa. A traves de los recuerdos de Fatma, Recep y las opiniones de los nietos, Pamuk nos ofrece los cien ultimos anos de historia del pueblo turco hasta el pronunciamiento de Evren, mientras nos habla de la busqueda de las raices, la necesidad del cambio social y el dificil equilibrio entre tradicion e influencia occidental.