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The Reformation and Renaissance, though segregated into distinct disciplines today, interacted and clashed intimately in Faust, the great figure that attained European prominence in the anonymous 1587 Historia von D. Johann Fausten. The original Faust behind Goethe's great drama embodies a remote culture. In his century, Faust evolved from an obscure cipher to a universal symbol. The age explored here as "the Faustian century" invested the Faustbuch and its theme with a symbolic significance still of exceptional relevance today. The new essays in this volume complement one another, providing insights into the tensions and forces that gave the century its distinct character. Several essays seek Faust's prototypes. Others elaborate the symbolic function of his figure and discern the resonance of his tale in conflicting allegiances. This volume focuses on the intersection of historical accounts and literary imaginings, on shared aspects of the work and its times, on concerns with obedience and transgression, obsessions with the devil and curiosity about magic, and quandaries created by shifting religious and worldly authorities. Contributors: Marguerite de Huszar Allen, Kresten Thue Andersen, Frank Baron, Günther Bonheim, Albrecht Classen, Urs Leo Gantenbein, Karl S. Guthke, Michael Keefer, Paul Ernst Meyer, J. M. van der Laan, Helen Watanabe-O'Kelly, Andrew Weeks. J. M. van der Laan is Professor of German and Andrew Weeks is Professor of German and Comparative Literature, both at Illinois State University.

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Professor Joan Hoff's A Faustian Foreign Policy: Woodrow Wilson to George W. Bush critiques U.S. foreign policy during this period by showing how moralistic diplomacy has increasingly taken on Faustian overtones. As long as the ideological outcome of the Cold War remained in doubt, there was little reason for presidents or government decision makers to question the unethical aspects of U.S. relations with the rest of the world or the universal and exceptional nature of American values. September 11 allowed the United States to assert its exceptionalism and dominance more unilaterally than ever before.

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At this pivotal moment in recent Western history, Richard Duchesne tackles what may be the most crucial question for people of European descent: ‘What makes us unique?’ Casting aside the dominant cultural Marxist narratives and dismissing the popular media attacks on concepts of ‘whiteness’, Duchesne draws on a range of historical examples, sources and philosophies to examine the origins of European man, his achievements, and the nature of the Faustian spirit that has driven his innovation and creativity. In an age of multiculturalism and globalism one might ask the question ‘Whither Western Man?’ Faustian Man in a Multicultural Age digs deeply in our origins and development to try and point the reader towards the answer.

The Reformation and Renaissance, though segregated into distinct disciplines today, interacted and clashed intimately in Faust, the great figure that attained European prominence in the anonymous 1587 Historia von D. Johann Fausten. The original Faust behind Goethe's great drama embodies a remote culture. In his century, Faust evolved from an obscure cipher to a universal symbol. The age explored here as "the Faustian century" invested the Faustbuch and its theme with a symbolic significance still of exceptional relevance today. The new essays in this volume complement one another, providing insights into the tensions and forces that gave the century its distinct character. Several essays seek Faust's prototypes. Others elaborate the symbolic function of his figure and discern the resonance of his tale in conflicting allegiances. This volume focuses on the intersection of historical accounts and literary imaginings, on shared aspects of the work and its times, on concerns with obedience and transgression, obsessions with the devil and curiosity about magic, and quandaries created by shifting religious and worldly authorities. Contributors: Marguerite de Huszar Allen, Kresten Thue Andersen, Frank Baron, Günther Bonheim, Albrecht Classen, Urs Leo Gantenbein, Karl S. Guthke, Michael Keefer, Paul Ernst Meyer, J. M. van der Laan, Helen Watanabe-O'Kelly, Andrew Weeks. J. M. van der Laan is Professor of German and Andrew Weeks is Professor of German and Comparative Literature, both at Illinois State University.

Cultural Thematics: The Formation of the Faustian Ethos by Seung, T.K.. 8vo.

Hidden mutualities link the work of major postcolonial writers with Christopher Marlowe's drama of the Faustian pact - the manipulation of the material world in exchange for the soul - written as the scientific world-view was emerging which accompanied the imperial expansion of Europe and has determined the economic and social structures of the colonial and postcolonial world. This fascinating study brings together researches in widely different fields to show how 'Doctor Faustus' reflects a Gnostic / Hermetic tradition marginalized within the dominant European power structures. Rediscovered in the Renaissance, and combined with occult arts such as alchemy and magic, this living tradition informs the work of Magus figures such as Pico della Mirandola, Marcilio Ficino, Trithemius, Johannes Reuchlin, Agrippa of Nettesheim, Paracelsus and John Dee, who are reflected in the Faust tradition and in Prospero in Shakespeare s 'The Tempest'. The second part investigates the dual legacy of the Magus. A counterpoint between a law-governed objective material world and an occult visionary pursuit of the divine potential of the human imagination is traced through the examples of Johan Kepler, Robert Fludd, Isaac Newton, William Blake, Rudyard Kipling, Aleister Crowley, W.B. Yeats, Wolfgang Pauli and C.G. Jung. In the third part, textual analysis reveals how attention to these Faustian themes opens new and exciting critical perspectives in appreciating the works of postcolonial writers, in particular 'Dimetos' by Athol Fugard, 'Disappearance' by David Dabydeen, 'Omeros' by Derek Walcott, and the novels of Wilson Harris.

Hidden mutualities link the work of major postcolonial writers with Christopher Marlowe's drama of the Faustian pact - the manipulation of the material world in exchange for the soul - written as the scientific world-view was emerging which accompanied the imperial expansion of Europe and has determined the economic and social structures of the colonial and postcolonial world. This fascinating study brings together researches in widely different fields to show how 'Doctor Faustus' reflects a Gnostic / Hermetic tradition marginalized within the dominant European power structures. Rediscovered in the Renaissance, and combined with occult arts such as alchemy and magic, this living tradition informs the work of Magus figures such as Pico della Mirandola, Marcilio Ficino, Trithemius, Johannes Reuchlin, Agrippa of Nettesheim, Paracelsus and John Dee, who are reflected in the Faust tradition and in Prospero in Shakespeare s 'The Tempest'. The second part investigates the dual legacy of the Magus. A counterpoint between a law-governed objective material world and an occult visionary pursuit of the divine potential of the human imagination is traced through the examples of Johan Kepler, Robert Fludd, Isaac Newton, William Blake, Rudyard Kipling, Aleister Crowley, W.B. Yeats, Wolfgang Pauli and C.G. Jung. In the third part, textual analysis reveals how attention to these Faustian themes opens new and exciting critical perspectives in appreciating the works of postcolonial writers, in particular 'Dimetos' by Athol Fugard, 'Disappearance' by David Dabydeen, 'Omeros' by Derek Walcott, and the novels of Wilson Harris.

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Charles Gounods opera "Faust," loosely based on the Faustian legend and the play by Goethe, was premiered in August of 1859 and remains one of the ...

Charles Gounods opera "Faust," loosely based on the Faustian legend and the play by Goethe, was premiered in August of 1859 and remains one of the ...

Written in 1820 by an eccentric Anglican curate in Dublin, this work brought the terrors of the Gothic novel to a new pitch of claustrophobic intensity. Its tormented villain, a Faustian transgressor desperately seeking a victim to release him from his fatal bargain with the devil, was regarded by Balzac as one of the great outcasts of modern literature. Maturin's bizarre narrative structure of interlinked tales allows the action of the novel to range from rural Ireland to an idyllic Indian island. The text is that of the first edition of 1820, and includes a new introduction and explanatory notes.

A harrowing family drama narrates the tragic story of Ira Stigman, who carries a grave secret that is finally revealed when he is an old man, freeing him from the chains of his past, but not from his Faustian bargain. National ad/promo.

A collection of short stories which tear through the archives of cinema, of art and of the subconscious. A young Lizzie Borden visits the circus; a pianist makes a Faustian pact in a fly-blown Southern brothel; and a transfigured Mary Magdalene steps out of the canvases of Donatello and de la Tour.

Physicist and polymath, 'father of the atom bomb' J. Robert Oppenheimer became the most famous scientist of his generation. One of the iconic figures of the 20th century and the embodiment of modern scientific man's Faustian compact, Oppenheimer confronted the moral consequences of scientific progress. Already a notable young physicist before WWII, during the race to split the atom, 'Oppie' galvanized an extraordinary team of international scientists while keeping the FBI at bay.Years later, haunted by Hiroshima and Nagasaki, Oppenheimer became a staunch opponent of plans to develop the hydrogen bomb. It was a battle he was to lose, faced by powerful advocates for massive nuclear profusion. In response, the US Atomic Energy Commission and the FBI worked behind the scenes to have a hearing find that Oppenheimer could not be trusted with America's nuclear secrets."American Prometheus" is a compelling portrait of a brilliant, ambitious and flawed man, and of the major events of the twentieth century. It is at once biography and history, and essential to our understanding of our recent past - and our future choices.

It is Switzerland, in 1816. Lord Byron, Percy Bysshe Shelley, Shelley's wife Mary and Byron's physician Dr Polidori are ensconced in the Villa Diodati beside Lake Geneva. Polidori is a hanger-on whose presence is merely tolerated. Yet he will stop at nothing to outwit them all. He enters a Faustian pact with an elusive penfriend, Annette Legrand, who is the mysterious third member of the infamous Legrand sisters, the notorious vaudeville act. Annette will produce for him the most compelling vampire tale ever written, which he will read aloud the very night Mary Shelley is to reveal for the first time her tale of Frankenstein. But, in exchange, what can the effete Polidori offer this ghostly female predator, and what is her secret? How real is the insatiable thirst of the sisters for human male fluids? Dream and reality are fantastically blurred for Polidori as he strives to beat the Byron set at their own gothic literary game.

This Faustian tale of the spiritual disintegration of a young minister, written in the 1890s, deals subtly and powerfully with the impact of science on innocence and the collective despair that marked the transition into the modern age. In its realism, The Damnation of Theron Ware foreshadows Howells; in its conscious imagery it prefigures Norris, Crane, Henry James, and the "symbolic realism" of the twentieth century. Its author, Harold Frederic, internationally famous as London correspondent for the New York Times, wrote the novel two years before his death.

Doctor Strange stars in his most spellbinding series! The world believes Strange dead, and Dormammu has stolen control of the Sorcerer Supreme's body. But when Clea comes to Stephen's aid, the two must make a binding commitment! There'll be Faustian gambits to deal with, Strange will be given the tabloid treatment, and he'll face unfamiliar foes like Hobgoblin and the Enchantress! But during the Dark Wars against Dormammu, will Baron Mordo become Earth's Sorcerer Supreme? Then, Strange stares down the supernatural as vampires like Baron Blood make their comeback! The Infinity Gauntlet will pit Strange against old friend Silver Surfer, but who else could lend a hand against the Fear Lords? It's Daredevil, Man Without Fear! COLLECTING: DOCTOR STRANGE, SORCERER SUPREME 1-40, GHOST RIDER (1990) 12

Melmoth the Wanderer is a dark Faustian tale in the gothic style. It is the story of a man who sells his soul to the devil for an extra 150 years of life, a pact he can get out of only if he persuades another soul to take his place. Melmoth travels to the depths of human misery and despair in the attempt to find someone desperate enough to make such a devilish bargain. This work was a huge hit in the nineteenth century and highly innovative for its time, as it tells its story as a series of flashbacks and embedded tales, with different narrators and viewpoints. It is full of extravagant prose, convoluted plotting and archaic language - totally different to a modern novel, but highly rewarding to the dedicated reader. This is a new, unabridged edition (not a scan) of the original four-volume novel of 1820 from Benediction Classics.