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Analyzes Marlowe's Doctor Faustus, argues that the original text was subjected to religious censorship, and speculates on the original theme of the play

A digital copy of "Faustus and the Promises of the New Science, c. 1580-1730" by Christa Knellwolf King. Download is immediately available upon purchase!

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Analyzes Marlowe's Doctor Faustus, argues that the original text was subjected to religious censorship, and speculates on the original theme of the play

Around the world there are hundreds of nightly performances of Goethe’s Faust as well as actual attempts at soul-selling on eBay. Faustus has rightly been described as an icon of modern culture. But in 500 years no one has written his biography—until now. Faustus is the real story behind the legend. It is the story of a 16th-century scandal, who claimed mastery of the forbidden magical arts and dared rival all of the miracles attributed to Jesus. He evoked uproar and was accused of the worst crimes. But Faustus was not a charlatan, nor was he in league with the devil. To find the real Faustus is to find the real history of his age, and to take a tour from alchemical labs in princely dungeons to war-torn Italy, Martin Luther’s Reformation Wittenberg, and the magnificence of Charles V’s court. The life of the legend becomes as real as any living person.

Noch eingeschweisstes Exemplar/shrink-wrapped copy. Umschlag teilweise leicht vergilbt.

Doctor Faustus is a classic; its imaginative boldness and vertiginous ironies have fascinated readers and playgoers alike. But the fact that this play exists in two early versions, printed in 1604 and 1616, has posed formidable problems for critics. How much of either version was written by Marlowe, and which is the more authentic? Is the play orthodox or radically interrogative? Michael Keefer’s early work helped to establish the current consensus that the 1604 text was censored and revised; the Keefer edition, praised for its lucid introduction and scholarship, was the first to restore two displaced scenes to their correct place. Most competing editions presume that the 1604 text was printed from authorial manuscript, and that the 1616 text is of little substantive value. But in 2006 Keefer’s fresh analysis of the evidence showed that the 1604 quarto’s Marlovian scenes were printed from a corrupted manuscript, and that the 1616 quarto (though indeed censored and revised) preserves some readings earlier than those of the 1604 text. This edition has been updated and revised. Keefer’s critical introduction reconstructs the ideological contexts that shaped and deformed the play, and the text is accompanied by textual and explanatory notes and excerpts from sources.

This novel is about musician Adrian Leverkuhn, told by his friend from childhood, Serenus Zeitblom. From childhood Adrian soaked in knowledge originally a student of theology, he left university and began studying music seriously under his first music teacher, Wendell Kretschmar. Arriving in Leipzig to study, Adrian is decoyed to a brothel by a porter, and that sets the stage for the tragedy of his life, played out literally against the backdrop of his towering musical achievements.

As well as a fascinating chronology of Marlowe's life and works and extensive notes on the text, this edition includes a substantial and authoritative historical introduction to the play.

Arnold Schoenberg and Thomas Mann, two towering figures of twentieth-century music and literature, both found refuge in the German-exile community in Los Angeles during the Nazi era. This complete edition of their correspondence provides a glimpse inside their private and public lives and culminates in the famous dispute over Mann’s novel Doctor Faustus. In the thick of the controversy was Theodor Adorno, then a budding philosopher, whose contribution to the Faustus affair would make him an enemy of both families. Gathered here for the first time in English, the letters in this essential volume are complemented by diary entries, related articles, and other primary source materials, as well as an introduction by German studies scholar Adrian Daub that contextualizes the impact these two great artists had on twentieth-century thought and culture.

Christopher Marlowe (1564-1593), a man of extreme passions and a playwright of immense talent, is the most important of Shakespeare's contemporaries. This edition offers his five major plays, which show the radicalism and vitality of his writing in the few years before his violent death. Tamburlaine Part One and Part Two deal with the rise to world prominence of the great Scythian shepherd-robber; The Jew of Malta is a drama of villainy and revenge; Edward II was to influence Shakespeare's Richard II. Doctor Faustus, perhaps the first drama taken from the medieval legend of a man who sells his soul to the devil, is here in both its A- and its B- text, showing the enormous and fascinating differences between the two. Under the General Editorship of Dr. Michael Cordner of the University of York, the texts of the plays have been newly edited and are presented with modernized spelling and punctuation. In addition, there is a scholarly introduction and detailed annotation.

Written about the year 400. [Faustus was undoubtedly the acutest, most determined and most unscrupulous opponent of orthodox Christianity in the age of Augustin. The occasion of Augustin's great writing against him was the publication of Faustus' attack on the Old Testament Scriptures, and on the New Testament so far as it was at variance with Manichæan error. Faustus seems to have followed in the footsteps of Adimantus, against whom Augustin had written some years before, but to have gone considerably beyond Adimantus in the recklessness of his statements. The incarnation of Christ, involving his birth from a woman, is one of the main points of attack. He makes the variations in the genealogical records of the Gospels a ground for rejecting the whole as spurious. He supposed the Gospels, in their present form, to be not the works of the Apostles, but rather of later Judaizing falsifiers. The entire Old Testament system he treats with the utmost contempt, blaspheming the Patriarchs, Moses, the Prophets, etc., on the ground of their private lives and their teachings. Most of the objections to the morality of the Old Testament that are now current were already familiarly used in the time of Augustin. Augustin's answers are only partially satisfactory, owing to his imperfect view of the relation of the old dispensation to the new; but in the age in which they were written they were doubtless very effective. The writing is interesting from the point of view of Biblical criticism, as well as from that of polemics against Manichæism.--A.H.N.]

The Answer to Faustus, a Manichean is the most extensive attack on the Manichean religion that the early Church produced. Since Augustine himself had been associated with Manicheanism for nearly a decade before his conversion, his writing displays an insiders knowledge of Manichean teaching. Written probably at the very end of the fourth century, the Answer responds to a certain Faustus, a Manichean bishop, who objects to the Old Testament and questions how Christians can claim it for themselves. Augustine cites Faustus arguments at length, thus giving the reader a useful insight into the Manichean mentality. The Answer is valuable for its reasoned and still-relevant defense of Hebrew Scripture and of its patriarchs and prophets, and also for the opportunity that it gives Augustine to draw connections between the Old and the New Testaments and to show how, in Christian eyes, the latter is the fulfillment of the former.