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HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Fazal Sheikh & Teju Cole: Human Archipelago 1.65

The village of al-'Araqib has been destroyed and rebuilt more than 70 times in the ongoing "Battle over the Negev"--the Israeli state campaign to uproot the Palestinian Bedouins from the northern threshold of the desert. Unlike other frontiers fought over during the Palestine conflict, this one is not demarcated by fences and walls but by shifting climatic conditions. The threshold of the desert advances and recedes in response to colonization, cultivation, displacement, urbanization and, most recently, climate change. In his response to Sheikh's Desert Bloom series, Israeli intellectual and architect Eyal Weizman's essay incorporates historical aerial photographs, contemporary remote sensing data, state plans, court testimonies and 19th-century travelers' accounts, exploring the Negev's threshold as a "shoreline" along which climate change and political conflict are entangled.

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In India it costs a poor family 50 rupees to hire a midwife to oversee the birth of a child. For an additional 10 rupees, the parents are assured that the birth of a girl will be met with an act of infanticide by the midwife. The alternative for many is an institution like the Delhi orphanage, in which Fazal Sheikh's work on the predicament of the girl-child in India begins--and 99 percent of that orphanage's population are girls. Girl Child follows on the heels of Sheik's 2005 Moksha, which documented the plight of the Indian widow, and for which, in combination with this companion volume, the Fondation Henri Cartier-Bresson granted Sheikh its 2005 HCB Award. Sheikh's previous books include A Sense of Common Ground, The Victor Weeps, A Camel for the Son and Ramadan Moon. He was born in New York in 1965, and studied at Princeton University; he has received Fulbright and NEA fellowships, and presented his work at the Tate Modern, London, the International Center of Photography in New York and the United Nations. Sheikh is represented by Pace/MacGill Gallery in New York City.

For 500 years the holy city of Vrindavan in northern India has been a haven for India's dispossessed widows. Cast out by their families and condemned by strict marital laws that deny them legal, economic, and, in extreme cases, even human rights, they have made their way to the city to worship at its temples and live in its ashrams, surviving on charitable handouts or begging on the streets. In Vrindavan they worship the young god Krishna, who invades their dreams, helping them to cast off memories from their past lives and prepare for new and better lives are to come. Their ultimate dream is to reach Moksha--heaven--where they will find freedom from the cycle of death and rebirth and live surrounded by their gods forever. Fazal Sheikh's photographs capture the meditative mood of the city and his portraits of the widows convey their sense of acceptance of life's nearing its end and a longing for what is to come. As in his previous books, he spent time with his subjects, listening to their stories, many of which reveal the suffering caused by traditions that still govern Indian society. Through his depiction of the city and its inhabitants, Fazal Sheikh once again contributes to our knowledge and understanding of a community whose existence, to those who live outside it, remains closed.

The Erasure Trilogy explores the anguish caused by the loss of memory-by forgetting, amnesia or suppression-and the resulting human desire to preserve memory, all seen through the prism of the Israeli-Palestinian conflict. Memory Trace, the first book in the trilogy, depicts the ruins caused by the Arab-Israeli War of 1948: portraits of those traumatized by violence, devastated landscapes and fragments of buildings. This visual poem suggests the irreparable loss of a lingering past that augurs a painful and difficult future. Tracing the ironic consequences of David Ben-Gurion's dream of settling the Negev and making the "desert bloom," the aerial photographs in Sheikh's Desert Bloom reveal the myriad actions that have displaced and erased the Bedouins who have lived in the desert for generations. Here we see the extreme transformation of the landscape through erosion, mining, military training camps, the demolition of villages and afforestation. Through Sheikh's lens the desert becomes both an archive of violence and a record of human attempts to erase it. Independence / Nakba consists of 66 diptychs-one for each year since 1948-pairing people from both sides of the Israeli-Palestinian conflict, and of gradually increasing age. The double portraits query the relations between Israelis and Palestinians before the founding of the Israeli State (each image depicts either someone who lived in Palestine before the founding of the Israeli State, or someone whose ancestors did). A final volume with texts by Eduardo Cadava, Professor and Master at Wilson College, Princeton University and Eyal Weizman, Professor of Visual Cultures and Director of the Centre for Research Architecture at Goldsmiths, University of London, closes The Erasure Trilogy.

Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 1.61

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124 pages. 8.70x6.50x0.80 inches. In Stock.

The Erasure Trilogy explores the anguish caused by the loss of memory-by forgetting, amnesia or suppression-and the resulting human desire to preserve memory, all seen through the prism of the Israeli-Palestinian conflict. Memory Trace, the first book in the trilogy, depicts the ruins caused by the Arab-Israeli War of 1948: portraits of those traumatized by violence, devastated landscapes and fragments of buildings. This visual poem suggests the irreparable loss of a lingering past that augurs a painful and difficult future. Tracing the ironic consequences of David Ben-Gurion's dream of settling the Negev and making the "desert bloom," the aerial photographs in Sheikh's Desert Bloom reveal the myriad actions that have displaced and erased the Bedouins who have lived in the desert for generations. Here we see the extreme transformation of the landscape through erosion, mining, military training camps, the demolition of villages and afforestation. Through Sheikh's lens the desert becomes both an archive of violence and a record of human attempts to erase it. Independence / Nakba consists of 66 diptychs-one for each year since 1948-pairing people from both sides of the Israeli-Palestinian conflict, and of gradually increasing age. The double portraits query the relations between Israelis and Palestinians before the founding of the Israeli State (each image depicts either someone who lived in Palestine before the founding of the Israeli State, or someone whose ancestors did). A final volume with texts by Eduardo Cadava, Professor and Master at Wilson College, Princeton University and Eyal Weizman, Professor of Visual Cultures and Director of the Centre for Research Architecture at Goldsmiths, University of London, closes The Erasure Trilogy.

Paperback. 'Sweet and deep, sad and funny - like life.' Peggy Frew, award-winning author'Isobel Beech writes like a skipping heartbeat; loss carves out her love language.' Mahmood Fazal, Walkley Award-winning writerSummertime in Italy, fresh vegetables from the garden, taking turns washing dishes, reading to each other, learning about cherry worms. Strange how badly I could punish myself for abandoning you once, then go and do it again.After weeks of grieving, a woman books a plane ticket, bound for an old villa in the mountains of Abruzzo. Invited to stay with her friends Giulia and Fab - in the weeks before they marry in a village orchard - she lives for a summer in the house's Birthing Room, where generations of women once had their babies.More often, though, she lives in her head: in the past, trying to make sense of her grief and wondering how to go on, or if she can.As her inner and outer worlds spar and converge, she passes the time helping with the household chores, walking in the sunshine and plucking fruit from the nearby orchards, all while dwelling on the moments with her father that might have warned her something was wrong. This spare, stunning novel explores the workings of the self in the wake of devastation and deep regret, and reveals the infinite ways that the everyday offers solace and hope. A powerful debut that explores life, death and the restorative power of friendship under the warm summer sun of Abruzzo. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

In Wars of Law, Tanisha M. Fazal assesses the unintended consequences of the proliferation of the laws of war for the commencement, conduct, and conclusion of wars over the course of the past one hundred fifty years.After a brief history of the codification of international humanitarian law (IHL), Fazal outlines three main arguments: early laws of war favored belligerents but more recent additions have constrained them; this shift may be attributable to a growing divide between lawmakers and those who must comply with IHL; and lawmakers have been consistently inattentive to how rebel groups might receive these laws.By using the laws of war strategically, Fazal suggests, belligerents in both interstate and civil wars relate those laws to their big-picture goals. In Wars of Law, we learn that, as codified IHL proliferates and changes in character―with an ever-greater focus on protected persons―states fighting interstate wars become increasingly reluctant to step over any bright lines that unequivocally oblige them to comply with IHL. On the other hand, Fazal argues, secessionists fighting wars for independence are more likely to engage with the laws of war because they have strong incentives to persuade the international community that, if admitted to the club of states, they will be good and capable members of that club.Why have states stopped issuing formal declarations of war? Why have states stopped concluding formal peace treaties? Why are civil wars especially likely to end in peace treaties today? Addressing such basic questions about international conflict, Fazal provides a lively and intriguing account of the implications of the laws of war.