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244 Seiten - Eines der letzten Tabus unserer heutigen Gesellschaft betrifft die Gefängnisse und ihre Insassen. Das Buch, von Feldmann konzipiert und gestaltet, veröffentlicht Photos, die er in den Jahren 2004 und 2005 in der Justizvollzugsanstalt Köln-Ossendorf gemacht hat, außerdem Texte, die im gleichen Zeitraum von inhaftierten Mädchen und Frauen für dieses Buch geschrieben wurden und Texte aus Interviews, die mit Mitarbeitern der Justizvollzugsanstalt geführt wurden. Inhaftierte in Gefängnissen decken ein weites Spektrum des menschlichen Daseins ab, das bis in Grenzsituationen hineinreicht. Es ist nicht zu übersehen, dass eine grosse Anzahl der Gefangenen, besonders bei den Frauen, selbst Opfer waren, bevor sie Täter wurden. Ebenso gibt es Verurteilte, die eine Gefahr für die Gesellschaft darstellen und die nur durch eine Inhaftierung von schweren und schwersten Straftaten abgehalten werden können. Ein einheitliches Urteil für alle die Fälle und Schicksale zu finden, die in Gefngnissen versammelt sind, ist unmglich. Klaus Heilmann ist Kunsttherapeut in der Justizvollzugsanstalt Köln-Ossendorf.

Pin-up girls, weight-lifting studies, newspaper clippings, baby pictures... Hans-Peter Feldmann tells stories with pictures. Accordingly, apart from the title page, this photo album contains no text. Even the frontispiece is a photograph of boxes from Feldmann's picture archive--amassed over many years and comprising images from magazines, advertising supplements, photography books, postcards and collectibles. Travel photos, family snapshots and pictures of friends play their part as well. In recent years, Feldmann has become increasingly noted for his commentary on the way we archive photos, sending up the everyday from a very personal perspective. He seeks out the trivial incidents, the unnoticed moments, and keeps them close at hand. According to Feldmann, "Works of art should not be expensive, nor unique, but cheap and fast to produce. A painting immediately acquires a sort of importance, whereas a photo is much more arbitrary, as it's a lot easier to throw away."

Pin-up girls, weight-lifting studies, newspaper clippings, baby pictures... Hans-Peter Feldmann tells stories with pictures. Accordingly, apart from the title page, this photo album contains no text. Even the frontispiece is a photograph of boxes from Feldmann's picture archive--amassed over many years and comprising images from magazines, advertising supplements, photography books, postcards and collectibles. Travel photos, family snapshots and pictures of friends play their part as well. In recent years, Feldmann has become increasingly noted for his commentary on the way we archive photos, sending up the everyday from a very personal perspective. He seeks out the trivial incidents, the unnoticed moments, and keeps them close at hand. According to Feldmann, "Works of art should not be expensive, nor unique, but cheap and fast to produce. A painting immediately acquires a sort of importance, whereas a photo is much more arbitrary, as it's a lot easier to throw away."

This sixth volume in Hans-Peter Feldmann's (born 1941) ongoing, much-loved and now-classic artist's book series offers a chaotic compendium of movie stills, photojournalism, ads, amateur photos, pornography, art, scientific imagery, archival imagery, found photographs and much else, dipping into the iconographic whirlpool of our times and bringing up a world both familiar and incongruous. From the very first page (there is no title page), Feldmann's carefully composed sequencing and design invites the reader to interpret the black-and-white photographs as a narrative--something that is only intermittently possible, but compelling and almost inevitable--like a photo book in comic-book form. Most of the images include faces, and occasionally, familiar figures such as Mohammed Ali, Isabella Rossellini or Henry Miller loom out from the image continuum, among those whose anonymity endows the book with a sense of vast scale and reach, as if traversing the entire history of photography.

Hans-Peter Feldmann (born 1941) is a virtuoso taxonomist of contemporary visual culture. Published for Feldmann’s major 2012 exhibition at the Serpentine Galllery in London (which travels to Vienna and Hamburg), Catalogue compiles well-known images alongside new and unseen works, including selections from the artist’s private photo albums and reproductions of early book works from the late 1960s on. Grids of seagulls and postcards share space with lighthearted photobooth snaps of people crossing their eyes and a variety of other visual gags. At once intimate and accessible, Catalogue includes a lengthy, playful interview with Hans Ulrich Obrist and Helena Tatay, in which Feldmann looks back over his career, discussing inspirational figures such as Marcel Broodthaers, Bruno Goller and Konrad Klapheck and his favorite books.

Unread book in perfect condition.

Now reaching its fifth edition, Hans-Peter Feldmann's continually updated Voyeur project is one of the original zeitgeist image-trawls (alongside Gerhard Richter's Atlas). A chaotic compendium of movie stills, photojournalism, ads, amateur photos, art, scientific imagery and much else, it dips into the iconographic whirlpool of our times and presents a world both familiar and utterly bizarre.

Culling from magazines, books and using his own roving camera, Hans-Peter Feldmann douses the culture, sifting and sorting pictures of shoes, chairs, unmade beds, bicycles, at once neutralizing and relating each to the other. Handsomely designed and composed, Another Book is a scrapbook of the zeitgeist.

Culling from magazines, books and using his own roving camera, Hans-Peter Feldmann douses the culture, sifting and sorting pictures of shoes, chairs, unmade beds, bicycles, at once neutralizing and relating each to the other. Handsomely designed and composed, Another Book is a scrapbook of the zeitgeist.

A woman in a hospital bed. A postcoital couple. Two kids in the woods. A burlesque dancer. A group of flappers on the beach. A coal miner. An Afghan rebel with a machine gun. A pregnant woman. Picasso. Chet Baker. Female welders on break. A group of nuns. All smoking. This concise artist's book is an homage and a small consolation. Düsseldorf cult conceptual photographer Hans-Peter Feldmann, who has smoked for 30 years, here attacks the burgeoning international movement against smoking in public places with a series of found photographs that illustrate the positive sides of the act.

Here, Hans Ulrich Obrist and Hans-Peter Feldmann have decided to play with the interview format: Obrist poses the questions in writing and Feldmann answers each of them with a picture. The results are frequently funny, and an impressive exercise in visual thinking.

In this lesson Tom Feldmann takes you step by step through 15 classic Son House tunes that span every phase of Son's recorded career. This 4 hour l...

In this lesson Tom Feldmann takes you to where it all began, Dockery Plantation, dubbed "The Birthplace of the Blues", and highlights the earliest ...

In this double DVD lesson, Tom Feldmann gives you a note-for-note detailed look at 18 of Patton's most celebrated tunes. Making this the definitive...

Vinyl LP pressing. 2011 release, the third album from the alt-rock band. Produced by John Feldmann and Butch Walker, the album was recorded as a duo by vocalist and multi-instrumentalist Brendon Urie and drummer Spencer Smith, following the departure of lead guitarist, backing vocalist and primary lyricist Ryan Ross and bassist/backing vocalist Jon Walker in July 2009. The album's artwork was conceptualized by touring bassist Dallon Weekes who was inducted as a full-time member of the band near

Vinyl LP pressing. Living Proof, Albany, NY-based pop-punks State Champs' third album, is the most ambitious and cohesive work in the band's catalog. It was recorded in two different sessions with assistance from two different teams. The first session saw John Feldmann producing, who brought his knack for writing hit records which he's done for bands like Blink-182 and Good Charlotte into the fold. But State Champs wouldn't let their old-school roots die, teaming up with Mike Green and Kyle

Vinyl LP pressing. 2013 release, the fourth album from the Las Vegas-based Post-Hardcore band. Ungrateful was produced by John Feldmann, who also produced the band's second album This War Is Ours. It is also the first album without bassist Max Green, and features his replacement TJ Bell (ex-Motionless in White) and new full-time member Michael Money on rhythm guitar.

Vinyl LP pressing. Sounds Good Feels Good is the 2015 follow-up to the band's chart-topping, self-titled debut album, which has sold more than three million copies worldwide. Sounds Good Feels Good sees the band collaborate again with rock veteran John Feldmann (All Time Low, Good Charlotte, Boys Like Girls), who executive produced the new, adrenaline-fueled album. Includes the single 'She's Kinda Hot'.

Now reaching its fifth edition, Hans-Peter Feldmann's continually updated Voyeur project is one of the original zeitgeist image-trawls (alongside Gerhard Richter's Atlas). A chaotic compendium of movie stills, photojournalism, ads, amateur photos, art, scientific imagery and much else, it dips into the iconographic whirlpool of our times and presents a world both familiar and utterly bizarre.

A digital copy of "Petersen Stahlbau" by Jörg Laumann; Markus Feldmann; Jörg Frickel; Manuel Krahwinkel; .... Download is immediately available upon purchase!