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Ice Exposure Berrocal, Jac / Fenech, David / Epplay, Vincent - LP 5055869562942

Antigravity is a new trio album from legendary trumpeter Jac Berrocal and two fellow travellers in the French avant-garde, David Fenech and Vincent Epplay. A lugubrious mise-en-scne in which ice-cold outlaw jazz meets musique concrte, DIY whimsy and dubwise studio science, all watched over by the lost souls and hungry ghosts of rock 'n roll The Berrocal/Fenech/Epplay trio's first album together, Antigravity is a richly imagined universe combining original compositions and dtourned standards.

Un doveroso omaggio a tre icone del sexy-thrilling all'italiana come Sergio Martino, Ernesto Gastaldi, Edwige Fenech (Lo strano vizio della signora Wardh, Perché quelle strane gocce di sangue sul corpo di Jennifer?, Tutti i colori del buio, Il tuo vizio è una stanza chiusa e solo io ne ho la chiave) e a due outsider del genere, Fernando Di Leo (La bestia uccide a sangue freddo) e Roberto Bianchi Montero (Rivelazioni di un maniaco sessuale al capo della squadra mobile). Sei gialli sadici e morbosi dei primi anni '70, che sono rimasti nella memoria di tutti gli appassionati del cinema-bis, rivivono in questo libro attraverso le scene più calde" ed emozionanti recuperate nella loro integrità grazie ai preziosi cineromanzi pubblicati all'epoca. "

F-files Paul P. Fenech - LP 4260435270843

Louis E. Fenech offers a compelling new examination of one of the only Persian compositions attributed to the tenth Sikh Guru, Guru Gobind Singh (1666-1708): the Zafar-namah or 'Epistle of Victory.' Written as a masnavi, a Persian poem, this letter was originally sent to the Mughal emperor Aurangzeb (d. 1707) rebuking his most unbecoming conduct. Incredibly, Guru Gobind Singh's letter is included today within the Sikh canon, one of only a very small handful of Persian-language texts granted the status of Sikh scripture. As such, its contents are sung on special Sikh occasions. Perhaps equally surprising is the fact that the letter appears in the tenth Guru's book or the Dasam Granth in the standard Gurmukhi script (in which Punjabi is written) but retains its original Persian language, a vernacular few Sikhs know.Drawing out the letter's direct and subtle references to the Iranian national epic, the Shah-namah, and to Shaikh Sa'di's thirteenth-century Bustan, Fenech demonstrates how this letter served as a form of Indo-Islamic verbal warfare, ensuring the tenth Guru's moral and symbolic victory over the legendary and powerful Mughal empire. Through analysis of the Zafar-namah, Fenech resurrects an essential and intriguing component of the Sikh tradition: its Islamicate aspect.

Louis E. Fenech offers a compelling new examination of one of the only Persian compositions attributed to the tenth Sikh Guru, Guru Gobind Singh (1666-1708): the Zafar-namah or 'Epistle of Victory.' Written as a masnavi, a Persian poem, this letter was originally sent to the Mughal emperor Aurangzeb (d. 1707) rebuking his most unbecoming conduct. Incredibly, Guru Gobind Singh's letter is included today within the Sikh canon, one of only a very small handful of Persian-language texts granted the status of Sikh scripture. As such, its contents are sung on special Sikh occasions. Perhaps equally surprising is the fact that the letter appears in the tenth Guru's book or the Dasam Granth in the standard Gurmukhi script (in which Punjabi is written) but retains its original Persian language, a vernacular few Sikhs know.Drawing out the letter's direct and subtle references to the Iranian national epic, the Shah-namah, and to Shaikh Sa'di's thirteenth-century Bustan, Fenech demonstrates how this letter served as a form of Indo-Islamic verbal warfare, ensuring the tenth Guru's moral and symbolic victory over the legendary and powerful Mughal empire. Through analysis of the Zafar-namah, Fenech resurrects an essential and intriguing component of the Sikh tradition: its Islamicate aspect.

Even by extreme '70s standards, it remains among the more notorious -and disturbing - thrillers in genre history. Now experience, "One of the most entertaining gialli you'll ever see," (10k Bullets) like you've never seen it before. The luscious Edwige Fenech (STRIP NUDE FOR YOUR KILLER) gives the performance of her career as a woman tormented by visions of satanic violence, hallucinatory horror and psychosexual insanity. George Hilton (THE STRANGE VICE OF MRS. WARDH), Ivan Rassimov (EATEN ALIVE

On his wedding night, of all times, a husband appropriately named "Ace" (Adriano Celentano) gambles away the night at a local bar - and wins a handy amount of money. As Ace heads home to his waiting bride Silvia (Edwige Fenech), he is killed by a hired gun man.

The Meteors dark lord, "Fendermaster" and Psychobilly founder P. PAUL FENECH presents 4 years after, I, Monster" his brand new solo album called, The F-Files"! When he made his first solo album "The Rockin' Dead", way back in 1992, it was just a way to release some songs that were never quite 100% Psychobilly and thus never suitable for release as THE METEORS. Moreover, Fenech tells us that, I never really thought much more of it... but here I am on my 10th solo album (not counting the double co