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After the success of his Fant (Mas films, French director Louis Feuillade attempted to create the ultimate espionage serial, a ten episode, seven-hour epic called Les Vampires. Douard Math stars as Philippe Guerande, a crime fighting journalist who attempts to penetrate the international ring of thieves known as the Vampires. Among the most fascinating of these sophisticated thieves and assassins is Irma Vep (Musidora), a black clad seductress whose name is an anagram for "Vampre" and who endur

Serial films, or Cin Romans were well-established in France before World War I, where they are most closely identified with writer-director Louis Feuillade. At Albatros, Russian migr producer Joseph Ermolieff produced three serials in 1921, all adapted from roman-feuilletons by the phenomenally successful Jules Mary. The first two serials have not left a trace in the annals of film archives. But the House of Mystery (La Maison du mystFre), Ermolieff's third serial, (begun in the summer of 192

Based on the phenomenally popular French pulp novellas, Louis Feuillades outrageous, ambitious FANTOMAS series became the gold standard of espionage serials in pre-WWI Europe, and laid the foundation for such immortal works as Feuillades own Les Vampires and Fritz Lang's Dr. Mabuse films.

A truly legendary silent film, Dr. Mabuse, the Gambler had a major impact on the development of the crime thriller, building upon the work of the pioneering French film serialist Louis Feuillade (Les Vampires) and firmly establishing it as a significant film genre. This epic two-part tale was originally released as two separate films, respectively subtitled the Great Gambler and Inferno, and that format is reproduced here. The plot revolves around the pursuit of arch fiend Dr. Mabuse, a gambler,

Based on the phenomenally popular French pulp novellas, Louis Feuillade's outrageous, ambitious FANTOMAS series became the gold standard of espionage serials in pre-WWI Europe, and laid the foundation for such immortal works as Feuillade's own Les Vampires and Fritz Lang's Dr. Mabuse films.

After the success of his Fant (Mas films, French director Louis Feuillade attempted to create the ultimate espionage serial, a ten episode, seven hour epic called Les Vampires. Douard Math stars as Philippe Guerande, a crime-fighting journalist who attempts to penetrate the international ring of thieves known as the Vampires. Among the most fascinating of these sophisticated thieves and assassins is Irma Vep (Musidora), a black-clad seductress whose name is an anagram for "Vampre" and who endur

This book traces the development of what we know as film noir from the proto-noir elements of Feuillade's silent French crime series and German Expressionism to the genre's mid-twentieth-century popularisation and influence on contemporary global media.By employing experimental lighting effects, oblique camera angles, distorted compositions and shifting points-of-view, film noir's style both creates and comments upon a morally adumbrated world, where the alienating effects of the uncanny, the fetishistic and the surreal dominate. What drew original audiences to film noir is an immediate recognition of this modern social and psychological reality.Much of the appeal of film noir concerns its commentary on social anxieties, its cynical view of political and capitalist corruption, and its all-too-brutal depictions of American modernity. This book examines the changing, often volatile shifts in representations of masculinity and femininity, as well as the genre's complex relationship with Afro-American culture, observable through noir's musical and sonic experiments.Concluding with extensive bibliographies, filmographies, recommended noir film viewing and a reflective chapter by Alain Silver and James Ursini on their own influential studies and collections on film noir criticism, this book offers students and scholars of Film Studies a scholarly, cultural and aesthetic history of the genre.

In 1917, silent film director Louis Feuillade and writer Arthur Bernède created the character of a mysterious avenger, wearing a slouch hat and a dark cloak -- Judex! His name means "Judge," and he has sworn to mercilessly punish criminals! Judex appears and disappears like a living shadow. Trained by the vindictive Woman in Black, he is a master of disguise and an excellent fighter. His loyal followers include a female athlete, a reformed ex-convict and a pack of vicious bloodhounds. Beneath the ruins of a castle is his secret lair, where he interrogates his prisoners through a "television" screen. His nemesis is Favraux, a corrupt banker who has left a trail of ruin and misery in his wake. In this epic saga, Judex not only challenges Favraux, but also the evil Diana Monti, Favraux's fiancée who is as ruthless and powerful as he is. But as our hero struggles against the villains, he falls in love with Favraux's daughter, the beautiful, innocent Jacqueline...

In 1918, silent film director Louis Feuillade and writer Arthur Bernède resurrected one of their greatest characters for a second adventure: a mysterious avenger, wearing a slouch hat and a dark cloak -- Judex! His name means "Judge," and he has sworn to mercilessly punish criminals. On the eve of World War I, the Paris underworld is dominated by the Secret Raiders, a vicious gang of spies and extortionists. Their leader is a one-eyed mystic who meticulously records all the crimes that he intends to commit in the future. This mastermind has hypnotic powers that allow him to telepathically force honest citizens to commit crimes. Assisting this diabolical mesmerist is a seductive baroness. Besides being an expert cat burglar, she is also a superb pugilist capable of beating a man to a pulp. Only one man can stop these criminals: the shadowy vigilante known as Judex! However, the Secret Raiders discover that Judex is really the wealthy Jacques de Trémeuse. They strike at him through his family! Worse yet, Judex finds his efforts to protect his loved ones constantly sabotaged by the incompetence of one of his own agents! Read an exciting adventure that foreshadowed Fritz Lang's classic film trilogy about Dr. Mabuse.

In 1917, silent film director Louis Feuillade and writer Arthur Bernède created the character of a mysterious avenger, wearing a slouch hat and a dark cloak -- Judex! His name means "Judge," and he has sworn to mercilessly punish criminals! Judex appears and disappears like a living shadow. Trained by the vindictive Woman in Black, he is a master of disguise and an excellent fighter. His loyal followers include a female athlete, a reformed ex-convict and a pack of vicious bloodhounds. Beneath the ruins of a castle is his secret lair, where he interrogates his prisoners through a "television" screen. His nemesis is Favraux, a corrupt banker who has left a trail of ruin and misery in his wake. In this epic saga, Judex not only challenges Favraux, but also the evil Diana Monti, Favraux's fiancée who is as ruthless and powerful as he is. But as our hero struggles against the villains, he falls in love with Favraux's daughter, the beautiful, innocent Jacqueline...

This book traces the development of what we know as film noir from the proto-noir elements of Feuillade's silent French crime series and German Expressionism to the genre's mid-twentieth-century popularisation and influence on contemporary global media.By employing experimental lighting effects, oblique camera angles, distorted compositions and shifting points-of-view, film noir's style both creates and comments upon a morally adumbrated world, where the alienating effects of the uncanny, the fetishistic and the surreal dominate. What drew original audiences to film noir is an immediate recognition of this modern social and psychological reality.Much of the appeal of film noir concerns its commentary on social anxieties, its cynical view of political and capitalist corruption, and its all-too-brutal depictions of American modernity. This book examines the changing, often volatile shifts in representations of masculinity and femininity, as well as the genre's complex relationship with Afro-American culture, observable through noir's musical and sonic experiments.Concluding with extensive bibliographies, filmographies, recommended noir film viewing and a reflective chapter by Alain Silver and James Ursini on their own influential studies and collections on film noir criticism, this book offers students and scholars of Film Studies a scholarly, cultural and aesthetic history of the genre.