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Hardcover with dust jacket. VG/G. Creased dust jacket edges.

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Under the patronage of the Medici family, Marsilio Ficino translated into Latin and commentated on the meaning and implications of key works by Plato including 25 of Plato’s dialogues and 12 letters ascribed to the philosopher. The 40 concise articles in this collection comprise the first English translation of Ficino’s works and provide an insightful glimpse into the philosophy that contributed to the Renaissance.  

The Platonic Theology is a visionary work and the philosophical masterpiece of Marsilio Ficino (1433-1499), the Florentine scholar-philosopher-magus who was largely responsible for the Renaissance revival of Plato. A student of the Neoplatonic schools of Plotinus and Proclus, he was committed to reconciling Platonism with Christianity, in the hope that such a reconciliation would initiate a spiritual revival and return of the golden age. His Platonic evangelizing was eminently successful and widely influential, and his Platonic Theology, translated into English for the first time in this edition, is one of the keys to understanding the art, thought, culture, and spirituality of the Renaissance.This sixth and final volume of the I Tatti Renaissance Library edition includes comprehensive indexes to the whole work.

The problems which troubled people's minds during the Italian Renaissance were much the same as today. In trying to cope with them, many deep thinking people turned to Marsilio Ficino for help. Through his letters he advised, encouraged, and occasionally reproved them. Fearlessly he expressed the truth and his wisdom influenced many of the finest Western minds. He numbered statesmen, popes, artists, scientists, and philosophers amongst his circle.

Under the patronage of the Medici family, Marsilio Ficino translated into Latin and commentated on the meaning and implications of key works by Plato including 25 of Plato’s dialogues and 12 letters ascribed to the philosopher. The 40 concise articles in this collection comprise the first English translation of Ficino’s works and provide an insightful glimpse into the philosophy that contributed to the Renaissance.  

Fifteen of these essays by one of the leading authorities on Renaissance Platonism explore the complex philosophical, hermeneutical, and mythological issues addressed by the Florentine, Marsilio Ficino (1433-99). Ficino was the pre-eminent Platonist of his time and a distinguished philosopher, scholar and magus who had an enormous influence on the intellectual and cultural life of two and a half centuries, and who is one of the most important witnesses to the preoccupations of his age, above all to its fascination with ancient poetry and philosophy and their uneasy accommodation as an ancient "theology" with Christianity. Two further essays treat of cognate themes taken up by Ficino’s younger friend and rival, the dazzling prince of Concordia, Giovanni Pico della Mirandola (1463-94), who was fascinated by Platonism in his youth but also by other philosophical legacies from the past, including Cabala and the Scholastic Aristotelianism of the Middle Ages. This volume’s initial essay serves as an introduction to the comprehensive phenomenon of Renaissance Platonism.

Marsilio Ficino, a leading scholar of the Italian Renaissance who translated all the works of Plato into Latin, examines Plato’s Timaeus, the most widely influential and hotly debated of the Platonic writings. Offering a probable account of the creation and nature of the cosmos, the discussion incorporates such questions as What is the function of arithmetic and geometry in the design of creation? What is the nature of mind, soul, matter, and time? and What is our place in the universe? To his main commentary Ficino adds an appendix, which amplifies and elucidates Plato’s meanings and reveals fascinating details about Ficino himself.

Eighteen essays reexamine Ficino’s life and work focusing on three essential aspects: his significance in his own times, his spreading influence throughout Europe and over subsequent centuries in many areas of thought and creativity, and his enduring relevance today. Translation of his major works from Latin enables a new generation to rediscover and share Ficino’s vision of human potential.

The Platonic Theology is a visionary work and the philosophical masterpiece of Marsilio Ficino (1433-1499), the Florentine scholar-philosopher-magus who was largely responsible for the Renaissance revival of Plato. A student of the Neoplatonic schools of Plotinus and Proclus, he was committed to reconciling Platonism with Christianity, in the hope that such a reconciliation would initiate a spiritual revival and return of the golden age. His Platonic evangelizing was eminently successful and widely influential, and his Platonic Theology, translated into English for the first time in this edition, is one of the keys to understanding the art, thought, culture, and spirituality of the Renaissance.This sixth and final volume of the I Tatti Renaissance Library edition includes comprehensive indexes to the whole work.

On the Nature of Love is a translation of Marsilio Ficino’s commentary to Plato’s Symposium. This edition makes Ficino’s Tuscan version available to English readers for the first time. On November 7, 1468, nine men gathered at Careggi, outside Florence, to honour Plato’s birthday. After the meal, the Symposium was read, and the guests – now reduced to seven – spoke on the nature of love. Ficino, who was also present, recorded what was said, and his report constitutes the text of his commentary. His work was eagerly taken up by court circles throughout Europe and became part of their standard fare for the next two centuries. In more recent times, Ficino’s commentary has exercised the minds of theologians, philosophers, and psychologists.

Dust Jacket Present, Tight Binding, No Chipping or Tears to Edges, No Markings or Creasing

First published by the Warburg Institute in 1958, this book is considered a landmark in Renaissance studies. Whereas most scholars had tended to view magic as a marginal subject, Walker showed that magic was one of the most typical creations of the late fifteenth and sixteenth centuries. Walker takes readers through the magical concerns of some of the greatest thinkers of the Renaissance, from Marsilio Ficino, Giovanni Pico della Mirandola, and Jacques Lefevre d’Etaples to Jean Bodin, Francis Bacon, and Tommaso Campanella. Ultimately he demonstrates that magic was interconnected with religion, music, and medicine, all of which were central to the Renaissance notion of spiritus. Remarkable for its clarity of writing, this book is still considered essential reading for students seeking to understand the assumptions, beliefs, and convictions that informed the thinking of the Renaissance. This edition features a new introduction by Brian Copenhaver, one of our leading experts on the place of magic in intellectual history.

Marsilio Ficino, a leading scholar of the Italian Renaissance who translated all the works of Plato into Latin, examines Plato’s Timaeus, the most widely influential and hotly debated of the Platonic writings. Offering a probable account of the creation and nature of the cosmos, the discussion incorporates such questions as What is the function of arithmetic and geometry in the design of creation? What is the nature of mind, soul, matter, and time? and What is our place in the universe? To his main commentary Ficino adds an appendix, which amplifies and elucidates Plato’s meanings and reveals fascinating details about Ficino himself.

The problems which troubled people's minds during the Italian Renaissance were much the same as today. In trying to cope with them, many deep thinking people turned to Marsilio Ficino for help. Through his letters he advised, encouraged, and occasionally reproved them. Fearlessly he expressed the truth and his wisdom influenced many of the finest Western minds. He numbered statesmen, popes, artists, scientists, and philosophers amongst his circle.

HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

On the Nature of Love is a translation of Marsilio Ficino’s commentary to Plato’s Symposium. This edition makes Ficino’s Tuscan version available to English readers for the first time. On November 7, 1468, nine men gathered at Careggi, outside Florence, to honour Plato’s birthday. After the meal, the Symposium was read, and the guests – now reduced to seven – spoke on the nature of love. Ficino, who was also present, recorded what was said, and his report constitutes the text of his commentary. His work was eagerly taken up by court circles throughout Europe and became part of their standard fare for the next two centuries. In more recent times, Ficino’s commentary has exercised the minds of theologians, philosophers, and psychologists.

The problems which troubled people's minds during the Italian Renaissance were much the same as today. In trying to cope with them, many deep thinking people turned to Marsilio Ficino for help. Through his letters he advised, encouraged, and occasionally reproved them. Fearlessly he expressed the truth and his wisdom influenced many of the finest Western minds. He numbered statesmen, popes, artists, scientists, and philosophers amongst his circle.

The problems which troubled people's minds during the Italian Renaissance were much the same as today. In trying to cope with them, many deep thinking people turned to Marsilio Ficino for help. Through his letters he advised, encouraged, and occasionally reproved them. Fearlessly he expressed the truth and his wisdom influenced many of the finest Western minds. He numbered statesmen, popes, artists, scientists, and philosophers amongst his circle.