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Fluxus—from the Latin, meaning “to flow”—was a radical, international network of artists, composers, and designers in the 1960s and 1970s noted for blurring the boundaries between what we term “art” and what makes up everyday life. Following the work of American Fluxus founder George Maciunus, Fluxus and the Essential Questions of Life presents a variety of objects that express the Fluxus mission, while empowering readers to challenge the presumptions we bring to the concept and practice of art making.Based on a large-scale traveling exhibition first organized at Dartmouth College’s Hood Museum of Art, this book chronicles the movement in the form of an art self-help book, playfully providing answers to fourteen key questions such as “Art—what is it good for?” and “What am I?” via Fluxus works. Featuring over eighty color and black-and-white illustrations, accompanied by essays from curator Jacquelynn Baas, Fluxus scholars Hannah Higgins and Jacob Proctor, and Fluxus artist Ken Friedman, this book will make an original contribution to our understanding of this provocative moment in modern art.

The Fluxus Collection captures the essence of the festive season with its warm tones and subtle, calming watercolour effects. By harmoniously blending purple and orange—opposite colors on the colour wheel—it creates a striking yet soothing palette perfect all year round. The robe kimono is cut for a relaxed fit, ensuring it looks flattering on many body shapes. It features generous kimono proportions and is fastened with a sateen sash tie. The premium long-fiber cotton sateen with a TC300 weaving density is designed for durability. Cotton sateen is a natural material with a natural shine, soft to the touch, and very easy to care for. Model is 174cm (5'7") and wears S/M Composition: 100% long-fiber cotton sateen of European origin. Thread-count 300. Silky-smooth to the touch and durable. Care Instructions: Cotton sateen fabric is known for its luxurious softness and slight sheen, making it a popular choice for bedding and clothing. To maintain its quality, it's essential to follow proper care guidelines. Machine or hand wash cotton sateen at a temperature of 40°C (104°F) using a gentle detergent. Avoid using bleach. Separate light and dark colours to prevent dye transfer. When drying, use a low heat setting on the dryer and remove the items while they are still slightly damp to minimize wrinkling. If you prefer to line dry, do so in an area away from direct sunlight to prevent fading. For a crisp finish, iron on a low setting if needed. These steps help preserve the fabric's smooth texture and enhance its longevity.

The Fluxus Collection captures the essence of the festive season with its warm tones and subtle, calming watercolour effects. By harmoniously blending purple and orange—opposite colors on the colour wheel—it creates a striking yet soothing palette perfect all year round. The robe kimono is cut for a relaxed fit, ensuring it looks flattering on many body shapes. It features generous kimono proportions and is fastened with a sateen sash tie. The premium long-fiber cotton sateen with a TC300 weaving density is designed for durability. Cotton sateen is a natural material with a natural shine, soft to the touch, and very easy to care for. Model is 174cm (5'7") and wears S/M Composition: 100% long-fiber cotton sateen of European origin. Thread-count 300. Silky-smooth to the touch and durable. Care Instructions: Cotton sateen fabric is known for its luxurious softness and slight sheen, making it a popular choice for bedding and clothing. To maintain its quality, it's essential to follow proper care guidelines. Machine or hand wash cotton sateen at a temperature of 40°C (104°F) using a gentle detergent. Avoid using bleach. Separate light and dark colours to prevent dye transfer. When drying, use a low heat setting on the dryer and remove the items while they are still slightly damp to minimize wrinkling. If you prefer to line dry, do so in an area away from direct sunlight to prevent fading. For a crisp finish, iron on a low setting if needed. These steps help preserve the fabric's smooth texture and enhance its longevity.

Exploring new ways to enhance its garments, Visvim crafts timeless pieces infused with American traditions and Japanese artistry. Influenced by heritage workwear, the Fluxus 19 trousers are cut from garment-dyed cotton-corduroy, leaving a rich finish that’s soft and stylish. With meticulous attention to detail, the trousers are a quality staple to easily pull any look together. 100% Cotton, Corduroy Finish, Straight Leg, 5-Pocket Construction, Button Closure, Garment-Dyed, Visvim. Visvim Men's Fluxus 19 Corduroy Trousers in Dk.Brown, Size 3

Exploring new ways to enhance its garments, Visvim crafts timeless pieces infused with American traditions and Japanese artistry. Influenced by heritage workwear, the Fluxus 19 trousers are cut from garment-dyed cotton-corduroy, leaving a rich finish that’s soft and stylish. With meticulous attention to detail, the trousers are a quality staple to easily pull any look together. 100% Cotton, Corduroy Finish, Straight Leg, 5-Pocket Construction, Button Closure, Garment-Dyed, Visvim. Visvim Men's Fluxus 19 Corduroy Trousers in Dk.Brown, Size 2

Exploring new ways to enhance its garments, Visvim crafts timeless pieces infused with American traditions and Japanese artistry. Influenced by heritage workwear, the Fluxus 19 trousers are cut from garment-dyed cotton-corduroy, leaving a rich finish that’s soft and stylish. With meticulous attention to detail, the trousers are a quality staple to easily pull any look together. 100% Cotton, Corduroy Finish, Straight Leg, 5-Pocket Construction, Button Closure, Garment-Dyed, Visvim. Visvim Men's Fluxus 9 Corduroy Trousers in Dk.Brown, Size 1

Tested in great working used condition, includes bus cable. Zetaohm's FLXS1 (Fluxus One) is a 4-channel, 64-step sequencer with built-in microtona...

Fluxus, the first international, transmedia art movement this century, is recalled in this special edition by a number of original members: Emmett Williams; John Cage, Rene Block, Jackson MacLow, Nam June Paik; Robert Fillou. Fluxus took the art world by storm in the early 60s and its spirit is still relevant today. Stemming mainly from Joseph Beuys and John Cage, the movement believed in the performing arts where inspiration could be drawn from the spiritual responses of the audience and where stimulation and change were the only constants. The group worked predominantly in the US and Germany, though their shows travelled extensively. This is an essential read with a mixture of articles, interviews and letters.

In this groundbreaking work of incisive scholarship and analysis, Hannah Higgins explores the influential art movement Fluxus. Daring, disparate, contentious―Fluxus artists worked with minimal and prosaic materials now familiar in post-World War II art. Higgins describes the experience of Fluxus for viewers, even experiences resembling sensory assaults, as affirming transactions between self and world.Fluxus began in the 1950s with artists from around the world who favored no single style or medium but displayed an inclination to experiment. Two formats are unique to Fluxus: a type of performance art called the Event, and the Fluxkit multiple, a collection of everyday objects or inexpensive printed cards collected in a box that viewers explore privately. Higgins examines these two setups to bring to life the Fluxus experience, how it works, and how and why it's important. She does so by moving out from the art itself in what she describes as a series of concentric circles: to the artists who create Fluxus, to the creative movements related to Fluxus (and critics' and curators' perceptions and reception of them), to the lessons of Fluxus art for pedagogy in general. Although it was commonly associated with political and cultural activism in the 1960s, Fluxus struggled against being pigeonholed in these too-prescriptive and narrow terms. Higgins, the daughter of the Fluxus artists Alison Knowles and Dick Higgins, makes the most of her personal connection to the movement by sharing her firsthand experience, bringing an astounding immediacy to her writing and a palpable commitment to shedding light on what Fluxus is and why it matters.

Unread book in perfect condition.

Fluxus Anthology: Collection Of Music / Various Various Artists - LP 889397719975

In this groundbreaking work of incisive scholarship and analysis, Hannah Higgins explores the influential art movement Fluxus. Daring, disparate, contentious―Fluxus artists worked with minimal and prosaic materials now familiar in post-World War II art. Higgins describes the experience of Fluxus for viewers, even experiences resembling sensory assaults, as affirming transactions between self and world.Fluxus began in the 1950s with artists from around the world who favored no single style or medium but displayed an inclination to experiment. Two formats are unique to Fluxus: a type of performance art called the Event, and the Fluxkit multiple, a collection of everyday objects or inexpensive printed cards collected in a box that viewers explore privately. Higgins examines these two setups to bring to life the Fluxus experience, how it works, and how and why it's important. She does so by moving out from the art itself in what she describes as a series of concentric circles: to the artists who create Fluxus, to the creative movements related to Fluxus (and critics' and curators' perceptions and reception of them), to the lessons of Fluxus art for pedagogy in general. Although it was commonly associated with political and cultural activism in the 1960s, Fluxus struggled against being pigeonholed in these too-prescriptive and narrow terms. Higgins, the daughter of the Fluxus artists Alison Knowles and Dick Higgins, makes the most of her personal connection to the movement by sharing her firsthand experience, bringing an astounding immediacy to her writing and a palpable commitment to shedding light on what Fluxus is and why it matters.

Unread book in perfect condition.

Was ist Fluxus, wer ist Fluxus, wann und wo war Fluxus? Es gibt kaum eine Kunstbewegung, deren nähere Bestimmung so schwer fällt. Diverse AutorInnen verweisen darauf, dass aus diesem Grund der Fluxus-Bewegung eine größere Bekanntheit und ein größerer Erfolg am Kunstmarkt verwehrt geblieben ist. Jedoch wirft auch schon die Vermutung Fragen auf: 1. War Fluxus überhaupt eine "Kunstbewegung"? 2. Wollten Fluxus-KünstlerInnentatsächlich Erfolg am Kunstmarkt? Insofern erstaunt es nicht gerade, dass Eric Anderson, ein Fluxus-Künstler der ersten Stunde, noch 2008 behauptet hat, Fluxus habe es nie gegeben. Die divergierenden Äußerungen, die man heute als Fluxus bezeichnen würde, seien genauer unter dem Begriff Intermedia einzuordnen. Auch über die Gruppe der KünstlerInnen, die man als zu Fluxus gehörig oder auch nur mit Fluxus assoziiert bezeichnen könnte, besteht keine Einigkeit. Insofern bietet "Fluxus" (was immer damit gemeint ist) eine hervorragende Vorlage, um Mythologeme und verschlungene Narrationen an den Begriff anzuheften. Zumal Aktionen und ephemere Objekte, Auflagenarbeiten und Zeitungen jene objekthafte kunstgeschichtliche Spur verkomplizieren, die traditionelle künstlerische Aktivitäten gewöhnlicherweise für die InterpretInnen legen. Dabei ersetzen einige Schlagwörter, die im Zusammenhang mit Fluxus häufig genannt werden, die traditionellen Kunstobjekte, sie funktionieren als Klammer für unterschiedliche Praktiken, Orte, Beteiligte und Relikte. Diese Schlagwörter gerinnen zu Quasibildern. Die Parole von "Kunst gleich Leben" etwa ist ein besonders wirkungsvolles Wortbild, das im Kontext von Fluxus gerne genannt wird. Auch die Kombination von Kunst und Politik, Kunst und Alltag oder Aktion und Zufall findet häufig Erwähnung.

Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. PAPERBACK

Fluxus—from the Latin, meaning “to flow”—was a radical, international network of artists, composers, and designers in the 1960s and 1970s noted for blurring the boundaries between what we term “art” and what makes up everyday life. Following the work of American Fluxus founder George Maciunus, Fluxus and the Essential Questions of Life presents a variety of objects that express the Fluxus mission, while empowering readers to challenge the presumptions we bring to the concept and practice of art making.Based on a large-scale traveling exhibition first organized at Dartmouth College’s Hood Museum of Art, this book chronicles the movement in the form of an art self-help book, playfully providing answers to fourteen key questions such as “Art—what is it good for?” and “What am I?” via Fluxus works. Featuring over eighty color and black-and-white illustrations, accompanied by essays from curator Jacquelynn Baas, Fluxus scholars Hannah Higgins and Jacob Proctor, and Fluxus artist Ken Friedman, this book will make an original contribution to our understanding of this provocative moment in modern art.

Like New condition. Great condition, but not exactly fully crisp. The book may have been opened and read, but there are no defects to the book, jacket or pages. 2.02

Fluxus was an art movement of the 1960s and 70s that set out to abolish the canonized art idioms of the day. Pioneers of Conceptual Art and Minimalism, the Fluxus artists were known for their environments, performance art and mass-producible objects. This book is a study of the Fluxus movement.

"Fluxus" is an enigma. Can it be called an art movement? Or does it defy categorization? Associated with artists such as Joseph Beus and George Brecht," Fluxus" was founded in 1961 by George Maciunas, a New York design student who was involved with the group until his death in 1978. It represented the work of a group of young artists, writers and composers involved in a wide range of mixed-media events including concerts, performances, exhibitions and other "gatherings". The group is associated with a form of anti-art encompassing everything from photography and pavemment art to poetry and drama, and is known for its own range of products. This book presents a selection of "Fluxus' memorabilia - posters, sculptures and boxes, puzzles and games - that set out to capture the essence of the group's ideology, as well as photographs of some of the key events that took place, including the exhibitions of Yoko Ono and the performance of Nam June Paik. An introduction focuses on the aims and ambitions of the "chairman" of the group, George Maciunas.

The Fluxus Movement began during the 1960’s and strives to combine different mediums and disciplines. The beginning principles of the movement were anti-art and anti-commercial . This volume includes and theses related to the Fluxus Movement. Each entry contains the name of the author, title, degree awarded, institution and year, as well as the author’s abstract.