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A flexible, buildable hairspray that sets styles with anti-frizz and anti-humidity protection. Free of sulfates, parabens, phthalates, gluten, silicone, mineral oil, sodium chloride, and artificial colors. Active ingredients: Hippophae rhamnoides (sea buckthorrgousier) extract. Made in the USA

Giant Art - Prints / Paintings - PIEZ966A_MFB3030 - You can never go wrong with a bold matted and framed art print. It blends effortlessly with any room decor. This large ready to hang art print is rendered on exquisite, eco-friendly materials with fade resistant archival inks and bold imagery that makes a dramatic statement in any space.Printed on 230 gsm Archival Premium Matt Paper; Made From North American Wood; Matted and Framed; Arrives ready to Hang.

Giant Art - Prints / Paintings - PIEZ966A_MFW3636 - You can never go wrong with a bold matted and framed art print. It blends effortlessly with any room decor. This large ready to hang art print is rendered on exquisite, eco-friendly materials with fade resistant archival inks and bold imagery that makes a dramatic statement in any space.Printed on 230 gsm Archival Premium Matt Paper; Made From North American Wood; Matted and Framed; Arrives ready to Hang.

Giant Art - Prints / Paintings - PIEZ965A_GW7272 - Bring some larger-than-life style into your space with this Giant Art Canvas Print. Rendered on exquisite, eco-friendly materials with fade resistant archival inks, your bold canvas will make a dramatic statement in any space. The unique ready to assemble stretching system includes instructions and all the hardware you'll need to display this enormous art print anywhere in your home. The high quality canvas lends the piece a real gallery feel, offering an immense artwork without compromising on quality. Note: Because of the huge dimensions, prints do not ship pre-assembled. The canvas will arrive rolled up with ready to assemble stretcher bars included. Archival light-fade resistant inks. Mirror edge over 1.5� deep wood stretcher bars. Includes a patented ready to assemble stretching system and hardware to mount.Proudly made in America; Fine resolution art reproductions curated by our team of specialists; High quality canvas for superior color and crisp detail; Printed with eco-friendly inks and canvas for a greener world; Easy to assemble Giant Art pieced with our clever stretcher bar system.

Giant Art - Prints / Paintings - PIEZ966A_MFB3636 - You can never go wrong with a bold matted and framed art print. It blends effortlessly with any room decor. This large ready to hang art print is rendered on exquisite, eco-friendly materials with fade resistant archival inks and bold imagery that makes a dramatic statement in any space.Printed on 230 gsm Archival Premium Matt Paper; Made From North American Wood; Matted and Framed; Arrives ready to Hang.

Giant Art - Prints / Paintings - PIEZ965A_GW5454 - Bring some larger-than-life style into your space with this Giant Art Canvas Print. Rendered on exquisite, eco-friendly materials with fade resistant archival inks, your bold canvas will make a dramatic statement in any space. The unique ready to assemble stretching system includes instructions and all the hardware you'll need to display this enormous art print anywhere in your home. The high quality canvas lends the piece a real gallery feel, offering an immense artwork without compromising on quality. Note: Because of the huge dimensions, prints do not ship pre-assembled. The canvas will arrive rolled up with ready to assemble stretcher bars included. Archival light-fade resistant inks. Mirror edge over 1.5� deep wood stretcher bars. Includes a patented ready to assemble stretching system and hardware to mount.Proudly made in America; Fine resolution art reproductions curated by our team of specialists; High quality canvas for superior color and crisp detail; Printed with eco-friendly inks and canvas for a greener world; Easy to assemble Giant Art pieced with our clever stretcher bar system.

Giant Art - Prints / Paintings - PIEZ966A_MFW3030 - You can never go wrong with a bold matted and framed art print. It blends effortlessly with any room decor. This large ready to hang art print is rendered on exquisite, eco-friendly materials with fade resistant archival inks and bold imagery that makes a dramatic statement in any space.Printed on 230 gsm Archival Premium Matt Paper; Made From North American Wood; Matted and Framed; Arrives ready to Hang.

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Fluxus Anthology: Collection Of Music / Various Various Artists - LP 889397719975

"Fluxus" is an enigma. Can it be called an art movement? Or does it defy categorization? Associated with artists such as Joseph Beus and George Brecht," Fluxus" was founded in 1961 by George Maciunas, a New York design student who was involved with the group until his death in 1978. It represented the work of a group of young artists, writers and composers involved in a wide range of mixed-media events including concerts, performances, exhibitions and other "gatherings". The group is associated with a form of anti-art encompassing everything from photography and pavemment art to poetry and drama, and is known for its own range of products. This book presents a selection of "Fluxus' memorabilia - posters, sculptures and boxes, puzzles and games - that set out to capture the essence of the group's ideology, as well as photographs of some of the key events that took place, including the exhibitions of Yoko Ono and the performance of Nam June Paik. An introduction focuses on the aims and ambitions of the "chairman" of the group, George Maciunas.

Fluxus was an art movement of the 1960s and 70s that set out to abolish the canonized art idioms of the day. Pioneers of Conceptual Art and Minimalism, the Fluxus artists were known for their environments, performance art and mass-producible objects. This book is a study of the Fluxus movement.

"Fluxus was once called 'the most radical and experimental art movement of the sixties,' but for anyone seeking to learn more about the historical nature of Fluxus and its conceptual framework it might more readily seem to be just plain frustrating rather than radical. This is in part the case because Fluxus is historically complex and philosophically difficult to define." --Owen Smith FLUXUS: THE HISTORY OF AN ATTITUDE by Owen F. Smith is A HOT mix of dada, fluxus, art theory and art history. Owen F. Smith's exhaustive archival research tracks the physical remains of this fascinating interdisciplinary and international arts movement that began in the 1960s. San Diego State Univesity Press __Fluxus: The History of an Attitude__ by Owen F. Smith; ISBN 1-879691-51-5 1998 trade paperback 326 pp. US $27.00 Second Printing

Was ist Fluxus, wer ist Fluxus, wann und wo war Fluxus? Es gibt kaum eine Kunstbewegung, deren nähere Bestimmung so schwer fällt. Diverse AutorInnen verweisen darauf, dass aus diesem Grund der Fluxus-Bewegung eine größere Bekanntheit und ein größerer Erfolg am Kunstmarkt verwehrt geblieben ist. Jedoch wirft auch schon die Vermutung Fragen auf: 1. War Fluxus überhaupt eine "Kunstbewegung"? 2. Wollten Fluxus-KünstlerInnentatsächlich Erfolg am Kunstmarkt? Insofern erstaunt es nicht gerade, dass Eric Anderson, ein Fluxus-Künstler der ersten Stunde, noch 2008 behauptet hat, Fluxus habe es nie gegeben. Die divergierenden Äußerungen, die man heute als Fluxus bezeichnen würde, seien genauer unter dem Begriff Intermedia einzuordnen. Auch über die Gruppe der KünstlerInnen, die man als zu Fluxus gehörig oder auch nur mit Fluxus assoziiert bezeichnen könnte, besteht keine Einigkeit. Insofern bietet "Fluxus" (was immer damit gemeint ist) eine hervorragende Vorlage, um Mythologeme und verschlungene Narrationen an den Begriff anzuheften. Zumal Aktionen und ephemere Objekte, Auflagenarbeiten und Zeitungen jene objekthafte kunstgeschichtliche Spur verkomplizieren, die traditionelle künstlerische Aktivitäten gewöhnlicherweise für die InterpretInnen legen. Dabei ersetzen einige Schlagwörter, die im Zusammenhang mit Fluxus häufig genannt werden, die traditionellen Kunstobjekte, sie funktionieren als Klammer für unterschiedliche Praktiken, Orte, Beteiligte und Relikte. Diese Schlagwörter gerinnen zu Quasibildern. Die Parole von "Kunst gleich Leben" etwa ist ein besonders wirkungsvolles Wortbild, das im Kontext von Fluxus gerne genannt wird. Auch die Kombination von Kunst und Politik, Kunst und Alltag oder Aktion und Zufall findet häufig Erwähnung.

In this groundbreaking work of incisive scholarship and analysis, Hannah Higgins explores the influential art movement Fluxus. Daring, disparate, contentious―Fluxus artists worked with minimal and prosaic materials now familiar in post-World War II art. Higgins describes the experience of Fluxus for viewers, even experiences resembling sensory assaults, as affirming transactions between self and world.Fluxus began in the 1950s with artists from around the world who favored no single style or medium but displayed an inclination to experiment. Two formats are unique to Fluxus: a type of performance art called the Event, and the Fluxkit multiple, a collection of everyday objects or inexpensive printed cards collected in a box that viewers explore privately. Higgins examines these two setups to bring to life the Fluxus experience, how it works, and how and why it's important. She does so by moving out from the art itself in what she describes as a series of concentric circles: to the artists who create Fluxus, to the creative movements related to Fluxus (and critics' and curators' perceptions and reception of them), to the lessons of Fluxus art for pedagogy in general. Although it was commonly associated with political and cultural activism in the 1960s, Fluxus struggled against being pigeonholed in these too-prescriptive and narrow terms. Higgins, the daughter of the Fluxus artists Alison Knowles and Dick Higgins, makes the most of her personal connection to the movement by sharing her firsthand experience, bringing an astounding immediacy to her writing and a palpable commitment to shedding light on what Fluxus is and why it matters.

Edizioni italiane dalla Collezione Luigi Bonotto. Testi in italiano e inglese di Giancarlo Marianello, Martina Corgnati e Patrizio Peterlini. Numerose illustrazioni a colori . Cm 24 x 17. pp. 160. . Perfetto (Mint). . Prima edizione (First Edition). .

"Fluxus" is an enigma. Can it be called an art movement? Or does it defy categorization? Associated with artists such as Joseph Beus and George Brecht," Fluxus" was founded in 1961 by George Maciunas, a New York design student who was involved with the group until his death in 1978. It represented the work of a group of young artists, writers and composers involved in a wide range of mixed-media events including concerts, performances, exhibitions and other "gatherings". The group is associated with a form of anti-art encompassing everything from photography and pavemment art to poetry and drama, and is known for its own range of products. This book presents a selection of "Fluxus' memorabilia - posters, sculptures and boxes, puzzles and games - that set out to capture the essence of the group's ideology, as well as photographs of some of the key events that took place, including the exhibitions of Yoko Ono and the performance of Nam June Paik. An introduction focuses on the aims and ambitions of the "chairman" of the group, George Maciunas.

"Fluxus was once called 'the most radical and experimental art movement of the sixties,' but for anyone seeking to learn more about the historical nature of Fluxus and its conceptual framework it might more readily seem to be just plain frustrating rather than radical. This is in part the case because Fluxus is historically complex and philosophically difficult to define." --Owen Smith FLUXUS: THE HISTORY OF AN ATTITUDE by Owen F. Smith is A HOT mix of dada, fluxus, art theory and art history. Owen F. Smith's exhaustive archival research tracks the physical remains of this fascinating interdisciplinary and international arts movement that began in the 1960s. San Diego State Univesity Press __Fluxus: The History of an Attitude__ by Owen F. Smith; ISBN 1-879691-51-5 1998 trade paperback 326 pp. US $27.00 Second Printing

Fluxus—from the Latin, meaning “to flow”—was a radical, international network of artists, composers, and designers in the 1960s and 1970s noted for blurring the boundaries between what we term “art” and what makes up everyday life. Following the work of American Fluxus founder George Maciunus, Fluxus and the Essential Questions of Life presents a variety of objects that express the Fluxus mission, while empowering readers to challenge the presumptions we bring to the concept and practice of art making.Based on a large-scale traveling exhibition first organized at Dartmouth College’s Hood Museum of Art, this book chronicles the movement in the form of an art self-help book, playfully providing answers to fourteen key questions such as “Art—what is it good for?” and “What am I?” via Fluxus works. Featuring over eighty color and black-and-white illustrations, accompanied by essays from curator Jacquelynn Baas, Fluxus scholars Hannah Higgins and Jacob Proctor, and Fluxus artist Ken Friedman, this book will make an original contribution to our understanding of this provocative moment in modern art.