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Paperback version. Schirmer/Mosel, Munich, 1989. . Binding: Softcover. Book Condition: Good Condition. Size: 4to - over 9¾" - 12" tall. Text is in German. Text unmarked. Light foxing to edges of text-block. Black & white photographs. Wraps lightly bumped and shelf worn at corners, edges and spine ends. Wraps lightly rubbed. Light scratching to front free endpage.

263 S., überw. Ill.; 31 cm, Papier-Einband stark bestossen, Schnitt leicht gebräunt, mit wenigen Leuchtmarker-Anstrichen im Text, insgesamt gutes Ex. Sprache: Deutsch Gewicht in Gramm: 2000

512 S. Schutzumschlag an Ecken oder Kanten leicht berieben, hinten leicht angerissen. Seiten sauber. 1035 Sprache: Englisch Gewicht in Gramm: 3420 Gebundene Ausgabe, Maße: 24 cm x 4.5 cm x 30 cm

Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Sein starkes Interesse am aktiven Wettkampfsport und die Herausforderung den menschlichen Körper in Bewegung festzuhalten: Das waren die beiden Motive, die Neil Hermann zur Fotografie männlicher Körper führten. Neil Hermann ist selbst aktiver Sportler und nahm an internationalen Weltkämpfen in Judo und Wasserski teil. Seine körperbewuβte Arbeitsweise hat ihm in der Modefotografie besondere Anerkennung verschafft. Er arbeitet in den USA mit so bekanten Modellen wie Jerry Hall, Farrah Fawcwett und Linda Gray.

Featuring a selection of works from a distinguished private Munich collection, this small and elegant volume presents 35 of Cy Twombly’s most essential photographs. Published to accompany a studio exhibition at the Frieder Burda Museum in Baden-Baden it assembles the artist’s famous and favorite subjects: the interiors of the New York Fulton Street studio he shared with Robert Rauschenberg in the 1950s, his beloved peonies, interiors, landscapes in Lexington, Virginia, and Gaeta, Italy, and his sculpture and painting details. Lavishly printed and with an essay by art historian Helmut Friedel, the book offers a most poetic choice from Cy Twombly’s photographic oeuvre at an unmatched gift price.

Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

320 S. ; Herausgegeben für die Deutsche Fotothek von Günther Zint und Jens Bove. Großformatige und schwere Hardcoverausgabe mit Schutzumschlag, 320 Seiten mit zahlreichen interessanten Fotos. Gutes Exemplar. pwRegal-HH ISBN: 9783740802301

Printed in Germany. Former owners name inside front cover and slightly damaged spine edge

Star architect Helmut Jahn has been leaving his eyecatchingand distinctive mark on the world’s metro -polises since the 70s: from Chicago to Singapore andShanghai, from Frankfurt, Munich, and Berlin to LasVegas and Tokyo, his towers of glass and steel risespectacularly into the sky, dominating the townscapeand the skyline of the cities in which they stand.Multi-award winning photographer Rainer Viertlböckcaptures Helmut Jahn’s buildings with breathtakingprecision and suggestive power―the early designs inChicago and New York as well as the striking projectsthat Murphy/Jahn realized from the 90s around theworld: Chicago’s O’Hare Airport Terminal One Complex,425 and 750 Lexington Avenue in New York City,One and Two Liberty Place in Philadelphia, the VeerTowers in Las Vegas...A visually fascinating catalog of works by a brilliant architectand an equally brilliant photographer.

The shutter clicks and Taubenheim takes us with him on an intimate journey into the silence of the wilderness, to lonely places and remote woods. Young men, entirely alone at long last, on a voyage of erotic discovery.

At the end of the 1970s, serious artistic photography was still generally thought to be made only in black-and-white--despite major examples to the contrary, such as William Eggleston's ground-breaking 1976 show at The Museum of Modern Art in New York. Joachim Brohm was among the first of a younger generation of Germans to discover in color photography new opportunities for self-expression. His Ohio photographs, made in 1983 and 1984 while he was living in the state as a student and Fulbright scholar, show cluttered yards and houses and focus on apparently trivial and banal scenes of everyday American life. As one commentator puts it, "Brohm's images seem strangely empty. Their centers seem to have fled; a surface has appeared in front of the camera's lens that surrounds the actual image." At the time, such mundane scenarios were considered unworthy of photographic documentation, but today this approach constitutes almost an entire genre of its own. This precocity of subject and the use of color photography make the Ohio series gathered here a significant milestone in the history of photography.

Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Z : 24 x 27,5 cm, 143 Seiten, zahlreiche Abbildungen, Hardcover mit Schutzumschlag - Binia Bill (1904 - 1988) hinterließ - ausser in der Zusammenarbeit mit ihrem Mann Max Bill - auch ein eigenständiges fotografisches Werk, das sich zu entdecken lohnt, aber nur wenigen bis vor kurzem bekannt war. Es entstand auf Reisen, in der Begegnung mit Künstlerfreunden aus dem engsten Kreis der Pioniere der Moderne und später im privaten Bereich. In ihren Stilleben, Portraits und Blumenbildern hat Binia Bill eine unverwechselbare Bilsprache entwickelt.

Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 1.54

Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Building facades, parking decks, stadium roofs, sauna chairs--the banality of Matthias Hoch's urban subject matter is belied by the intense artistry of his image-making. In Hoch's photographs, "a purism of color and form pursues things to abstraction, penetrating to the essence, the idea," writes critic Michael Stoeber, and the "essence" of these familiar surfaces of our everyday environment turns out far more sensual than one might expect. Lucidly composed, Hoch's photos position the objects and topographies of city existence with a keen, almost obsessive attention to surface quality and compositional format. The artist's unexpected choices of scale and perspective evoke puzzlement and ambiguity, making for a more but often less recognizable material source. But the city itself is never quite the subject: Be they in Paris or Brussels, Hoch's metropolises would be unknowable, if not for the fact that city name and caption are one and the same. Since his early experiments in the rapidly changing urban landscapes of eastern Germany, where he was a student in Leipzig, Hoch has been exploring the ubiquitous formal language of modern European urban development. In this collection of approximately 80 individual works, the views Hoch presents demonstrate a consistently analytical approach to the space that surrounds us and a simultaneous attention to its sculptural quality.

Neuware - As a boy, photographer and filmmaker Jürg Hassler every day passed the studio of sculptor Hans Josephsohn on his way to school. Watching the artist working captivated him and once he had finished school in the late 1950s, Hassler began working as Josephsohn's assistant and apprentice, eventually becoming a sculptor himself. After studying photography and taking up filmmaking as well, he occupied himself with Josephsohn's sculptural work also with the camera, resulting in countless images and the film portrait Josephsohn - Stein des Anstosses (Josephsohn-Bone of Contention), which was released in 1977. This new book features a selection of photographs by Jürg Hassler, who predominantly works in black-and-white. Many of them have single sculptures by Hans Josephsohn as a motif, highlighting the artist's strong archaic expressiveness. Nina Keel's essay takes a closer look at the context of Hassler's photographic engagement with the art of his teacher.

By Peter Gorman & Marilyn Jaye Lewis

23 x 27 cm Erste Auflage, 156 Seiten. Farbig illustrierter Originalpappband. Zahlreiche Abbildungen. makellos. Hinweis: Versandkosten müssen bei Auslandsversand evtl. angehoben werden.