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Analyzes Samuel Beckett's novels, Mallarme's poetry, Pier Paolo Pasolini's film Salo, Assyrian palace reliefs, and writings by Henry James in terms of Freudian theories

The author eloquently argues for a return to our understanding of how Freudian psychoanalysis works unconscious to unconscious. Failure to follow Freud's basic assumptions about psychoanalytical listening has resulted in the abandonment of searching for the 'the logic of sequence' which Freud regarded as the primary way we express unconscious thinking. In two extensive interviews and follow-up essays, all occurring in 2006, we follow the author exploring his most recent and radical challenge to contemporary psychoanalysis. The Freudian Moment, the author argues, realizes a phylogenetic preconception that has existed for tens of thousands of years. The invention of psychoanalysis realizes this preconception and institutes a profound step forward in human relations. The author's proposal that we use the image of the symphonic score to better imagine unconscious articulation opens up a new conceptual way for grasping the complexity of unconscious thought.

The author eloquently argues for a return to our understanding of how Freudian psychoanalysis works unconscious to unconscious. Failure to follow Freud's basic assumptions about psychoanalytical listening has resulted in the abandonment of searching for the 'the logic of sequence' which Freud regarded as the primary way we express unconscious thinking. In two extensive interviews and follow-up essays, all occurring in 2006, we follow the author exploring his most recent and radical challenge to contemporary psychoanalysis. The Freudian Moment, the author argues, realizes a phylogenetic preconception that has existed for tens of thousands of years. The invention of psychoanalysis realizes this preconception and institutes a profound step forward in human relations. The author's proposal that we use the image of the symphonic score to better imagine unconscious articulation opens up a new conceptual way for grasping the complexity of unconscious thought.

Analyzes Samuel Beckett's novels, Mallarme's poetry, Pier Paolo Pasolini's film Salo, Assyrian palace reliefs, and writings by Henry James in terms of Freudian theories

Just what is the subject in Freud? The author draws on a wide range of French critical thought to argue that the subject is always fundamentally identification, in an even more radical sense than has previously been postulated. Rigorously examining the texts of Freud, he arrives at compelling rereadings of familiar concepts, concluding with a disturbing new analysis of the social bond.

The identity and role of writing has evolved in the age of digital media. But how did writing itself make digital media possible in the first place? Lydia H. Liu offers here the first rigorous study of the political history of digital writing and its fateful entanglement with the Freudian unconscious. Liu’s innovative analysis brings the work of theorists and writers back into conversation with one another to document significant meetings of minds and disciplines. She shows how the earlier avant-garde literary experiments with alphabetical writing and the word-association games of psychoanalysis contributed to the mathematical making of digital media. Such intellectual convergence, she argues, completed the transformation of alphabetical writing into the postphonetic, ideographic system of digital media, which not only altered the threshold of sense and nonsense in communication processes but also compelled a new understanding of human-machine interplay at the level of the unconscious. Ranging across information theory, cybernetics, modernism, literary theory, neurotic machines, and psychoanalysis, The Freudian Robot rewrites the history of digital media and the literary theory of the twentieth century.

The identity and role of writing has evolved in the age of digital media. But how did writing itself make digital media possible in the first place? Lydia H. Liu offers here the first rigorous study of the political history of digital writing and its fateful entanglement with the Freudian unconscious. Liu’s innovative analysis brings the work of theorists and writers back into conversation with one another to document significant meetings of minds and disciplines. She shows how the earlier avant-garde literary experiments with alphabetical writing and the word-association games of psychoanalysis contributed to the mathematical making of digital media. Such intellectual convergence, she argues, completed the transformation of alphabetical writing into the postphonetic, ideographic system of digital media, which not only altered the threshold of sense and nonsense in communication processes but also compelled a new understanding of human-machine interplay at the level of the unconscious. Ranging across information theory, cybernetics, modernism, literary theory, neurotic machines, and psychoanalysis, The Freudian Robot rewrites the history of digital media and the literary theory of the twentieth century.

Just what is the subject in Freud? The author draws on a wide range of French critical thought to argue that the subject is always fundamentally identification, in an even more radical sense than has previously been postulated. Rigorously examining the texts of Freud, he arrives at compelling rereadings of familiar concepts, concluding with a disturbing new analysis of the social bond.

This work presents a vision of contemporary Freudian psychoanalysis. The contributors show how modern Freudian analysts have translated and retranslated the contributions of analysts on whose shoulders they stand, including Freud, Winnicott, Loewald, Ferenczi and others, and synthesized them into a new conception of Freudian theory and technique.The opening chapters provide a theoretical overview, demonstrating the evolution of Freudian theory and ways in which different theories can be integrated. The latter chapters, forming the bulk of the volume, translate that frame into clinical process.Analysts confronted with clinical dilemmas - for example, patients who cannot, for various reasons, use interpretations productively - find ways to address these dilemmas while deepening the analytic process. The reader will find that a new synthesis has taken place in which the relationship with the analyst is a crucial element in setting the stage for patients to take a closer look into their inner world.

Just what is the subject in Freud? The author draws on a wide range of French critical thought to argue that the subject is always fundamentally identification, in an even more radical sense than has previously been postulated. Rigorously examining the texts of Freud, he arrives at compelling rereadings of familiar concepts, concluding with a disturbing new analysis of the social bond.

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This work presents a vision of contemporary Freudian psychoanalysis. The contributors show how modern Freudian analysts have translated and retranslated the contributions of analysts on whose shoulders they stand, including Freud, Winnicott, Loewald, Ferenczi and others, and synthesized them into a new conception of Freudian theory and technique.The opening chapters provide a theoretical overview, demonstrating the evolution of Freudian theory and ways in which different theories can be integrated. The latter chapters, forming the bulk of the volume, translate that frame into clinical process.Analysts confronted with clinical dilemmas - for example, patients who cannot, for various reasons, use interpretations productively - find ways to address these dilemmas while deepening the analytic process. The reader will find that a new synthesis has taken place in which the relationship with the analyst is a crucial element in setting the stage for patients to take a closer look into their inner world.

Analyzes Samuel Beckett's novels, Mallarme's poetry, Pier Paolo Pasolini's film Salo, Assyrian palace reliefs, and writings by Henry James in terms of Freudian theories

Philology cross-examines Freud in this sustained critique of psychoanalysis and its foundational notion of the slip. Challenging virtually every account of linguistic error in Freud’s work as arbitrary and constrained, Sebastiano Timpanaro advances an alternative picture keyed to the dynamics of “banalization,” “disimprovement,” and contextual play borrowed from the field of literary criticism. Underscored with a Marxist defense of science against the professed materialism of the psychoanalytic “individual drama,” Timpanaro’s analysis demands a strong reassessment of the Freudian legacy and a renewed debate over its value for the Left.

Looks at the history of Freudian thought in America, and argues that Freud's theory concerning early childhood development is unfounded and has had a negative impact

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Heinz Kohut was arguably the most influential modern day psychoanalyst. Because current interest in Kohut's work has focused so completely on self psychology, however, certain aspects of Kohut's thinking, in particular his nonreductive synthesis of Freudian theory, are in danger of being lost. Prior to his development of self psychology, Kohut was a legendary teacher of Freudian theory at the Chicago Institute for Psychoanalysis. In this volume, Philip Rubovits-Seitz presents Kohut's previously unavailable lectures from his course on psychoanalytic psychology (prepared in collaboration with Kohut himself) along with an illuminating summary statement on Freudian theory jointly written by Kohut and Rubovits-Seitz.Rubovits-Seitz continues with his own insightful analysis of Kohut's distinctive approach to Freudian theory. And he concludes by arguing persuasively why Kohut's later contributions should best be viewed as a continuation, rather than an abandonment, of this early vision. Kohut's Freudian Vision not only repairs an outstanding tear in received psychoanalytic history but also challenges self psychologists and contemporary Freudian psychoanalysts alike to renewed reflection.