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Bilge Friedlaender'ın "Sözcükler, Sayılar, Çizgiler" başlıklı, sanatçının 1970'ler ve 1980'lerdeki üretimine odaklanan kişisel sergisine eşlik eden yayın, 2000 yılında kaybettiğimiz sanatçının geniş bir portresini sunuyor. Serginin küratörlüğünü üstlenen Işın Önol ve Mira Friedlaender, bu yayın için sanatçının günlüklerini, mektuplarını, yayımlanmamış söyleşilerini ve çeşitli notlarını içeren arşivinden faydalanarak sanatçının kendi kendisiyle söyleştiği bir metin derlediler. Ahu Antmen, Gregory Volk ve Lewis Johnson'ın bu yayın için kaleme aldıkları yazılarla devam eden kitap, serginin oluşumuna dair düşünsel ve pratik yaklaşımları yansıtan küratoryal çerçeve metniyle sona eriyor. Kitapta, Bilge Friedlaender'ın bu sergide gösterilen tüm eserlerinin Hadiye Cangökçe tarafından çekilmiş röprodüksiyon fotoğraflarına yer veriliyor.

Including original contributions from distinguished European and American historians such as Saul Friedländer, Omer Bartov, John Dower, Christopher Browning, and Marilyn Young, Crimes of War surveys wartime atrocities committed by the United States, Germany, and Japan across the twentieth century. The book presents startling new evidence of the killing of unarmed Koreans by American troops at No Gun Ri, of atrocities committed by Nazi soldiers on the Russian front, and of Japanese barbarity in China during World War II. Emerging from these accounts is a distinctive, repeated pattern, which typically includes a half-century of denial before the truth is confronted.

A turn-of-the-century Jew undergoes a series of disfiguring operations that transform him into a "European". Oskar Panizza's chilling story "The Operated Jew" (1893) mingles loathing with compassion for its title character. Thirty years later, Panizza's tale was answered by "Mynona", (Salomo Friedlaender) an urban German Jew who turned the story's tables in "The Operated Goy" (1922). Jack Zipes translates these two stories into English and provides an extensive introduction as well as bibliographic essays that recover these two writers, placing their often bizarre tales within the history of modern anti-Semitism. Panizza and Mynona were both haunted and persecuted by religious and racist fanaticism in Germany. Taken together, these writers form a dialectical image, the operated Jew/German, a figure that in turn casts its shadow on our present, illustrating why we devastate our bodies in quest of purity and perfection. This book should be of interest to students and lecturers of literature and modern German history.

Steeped in modernist ceramic aesthetics, Frans Wildenhain studied under Gerhard Marcks and Max Krehan at the Bauhaus pottery workshop in Dornburg, Germany. There, Wildenhain met another potter, Marguerite Friedlaender, his future wife. Following World War II, Wildenhain emigrated to the U.S. Earning prizes for his art at the 1939 International Exposition in Paris and the 1958 Brussels World's Fair, Wildenhain also received a Guggenheim Fellowship in 1958, became a Fellow of the American Crafts Council and his work is in the collections of the Smithsonian Institution, Everson Museum and the Art Institute of Chicago.This book features archival images as well as more than 150 rich, color photographs of the ceramics exhibited in 2012 at the Rochester Institute of Technology, NY. Six chapters offer contributions to scholarship on the artist, mid-century studio pottery and modern design, monetizing and commercial acceptance of mid-century handcrafted art at an innovative artists' cooperative, university education at the School for American Craftsmen, and an interview with collector Robert Johnson who donated his Wildenhain collection to RIT. The book is an essential document of the exhibition and an excellent reference for those interested in ceramics, crafts, mid-century design and art entrepreneurship.

Including original contributions from distinguished European and American historians such as Saul Friedländer, Omer Bartov, John Dower, Christopher Browning, and Marilyn Young, Crimes of War surveys wartime atrocities committed by the United States, Germany, and Japan across the twentieth century. The book presents startling new evidence of the killing of unarmed Koreans by American troops at No Gun Ri, of atrocities committed by Nazi soldiers on the Russian front, and of Japanese barbarity in China during World War II. Emerging from these accounts is a distinctive, repeated pattern, which typically includes a half-century of denial before the truth is confronted.

Bilge Friedlaender'ın "Sözcükler, Sayılar, Çizgiler" başlıklı, sanatçının 1970'ler ve 1980'lerdeki üretimine odaklanan kişisel sergisine eşlik eden yayın, 2000 yılında kaybettiğimiz sanatçının geniş bir portresini sunuyor. Serginin küratörlüğünü üstlenen Işın Önol ve Mira Friedlaender, bu yayın için sanatçının günlüklerini, mektuplarını, yayımlanmamış söyleşilerini ve çeşitli notlarını içeren arşivinden faydalanarak sanatçının kendi kendisiyle söyleştiği bir metin derlediler. Ahu Antmen, Gregory Volk ve Lewis Johnson'ın bu yayın için kaleme aldıkları yazılarla devam eden kitap, serginin oluşumuna dair düşünsel ve pratik yaklaşımları yansıtan küratoryal çerçeve metniyle sona eriyor. Kitapta, Bilge Friedlaender'ın bu sergide gösterilen tüm eserlerinin Hadiye Cangökçe tarafından çekilmiş röprodüksiyon fotoğraflarına yer veriliyor.

A classic of Holocaust literature, the eloquent, acclaimed memoir of childhood by a Pulitzer-winning historian, now reissued with a new introduction by Claire Messud   Four months before Hitler came to power, Saul Friedländer was born in Prague to a middle-class Jewish family. In 1939, seven-year-old Saul and his family were forced to flee to France, where they lived through the German Occupation, until his parents' ill-fated attempt to flee to Switzerland. They were able to hide their son in a Roman Catholic seminary before being sent to Auschwitz where they were killed. After an imposed religious conversion, young Saul began training for priesthood. The birth of Israel prompted his discovery of his Jewish past and his true identity.   Friedländer brings his story movingly to life, shifting between his Israeli present and his European past with grace and restraint. His keen eye spares nothing, not even himself, as he explores the ways in which the loss of his parents, his conversion to Catholicism, and his deep-seated Jewish roots combined to shape him into the man he is today. Friedländer's retrospective view of his journey of grief and self-discovery provides readers with a rare experience: a memoir of feeling with intellectual backbone, in equal measure tender and insightful.

2-CD set documents both the live performance at Munich's Marstall Theatre & broadcast by Bayerfscher Rundfunk. Based on two radio plays, "Zero Sun" & "No Point" by Geerken, this complex performance involves pre-recorded text/voices of Sun Ra, Salomo Friedlaender/Mynona, Amirl Baraka, Ezra Pound, etc., incorporated into the Art Ensemble's music, which happened to be the last recording of the late Lester Bowie. The project features one of the world's largest gong collections by Geerken & Famoudou

With The Years of Extermination, Saul Friedländer completes his major historical work on Nazi Germany and the Jews. The book describes and interprets the persecution and murder of the Jews throughout occupied Europe. The enactment of German extermination policies and measures depended on the cooperation of local authorities, the assistance of police forces, and the passivity of the populations, primarily of their political and spiritual elites. This implementation depended as well on the victims’ readiness to submit to orders, often with the hope of attenuating them or of surviving long enough to escape the German vise. This multifaceted study—at all levels and in different places—enhances the perception of the magnitude, complexity, and interrelatedness of the many components of this history. Based on a vast array of documents and an overwhelming choir of voices—mainly from diaries, letters, and memoirs—Saul Friedländer avoids domesticating the memory of these unprecedented and horrific events. The convergence of these various aspects gives a unique quality to The Years of Extermination. In this work, the history of the Holocaust has found its definitive representation.

Cuarenta años después de su publicación. Pío XII y el III Reich sigue siendo. en palabras de Alfred Grosser. no sólo una gran contribución a la historia sino también una aportación a la comprensión de la realidad política y moral de nuestro tiempo. La importancia de los descubrimientos del historiador Saul Friedländer. a partir de la documentación por él exhumada en los archivos vaticanos. sobre todo de los embajadores de Berlín en la Santa Sede. dio un vuelco en el estudio de las relaciones entre el Vaticano y la Alemania nazi.Completado con textos procedentes de archivos norteamericanos e israelíes. este libro arroja nueva luz sobre una serie de temas que. en el curso de las últimas décadas. han suscitado apasionadas polémicas y acalorados debates: la actitud del sumo pontífice con respecto a la cuestión polaca. a la derrota de Francia. al ataque alemán contra la Unión Soviética. a la entrada en la guerra por parte de Estados Unidos. a los reveses del Reich. a

Including original contributions from distinguished European and American historians such as Saul Friedländer, Omer Bartov, John Dower, Christopher Browning, and Marilyn Young, Crimes of War surveys wartime atrocities committed by the United States, Germany, and Japan across the twentieth century. The book presents startling new evidence of the killing of unarmed Koreans by American troops at No Gun Ri, of atrocities committed by Nazi soldiers on the Russian front, and of Japanese barbarity in China during World War II. Emerging from these accounts is a distinctive, repeated pattern, which typically includes a half-century of denial before the truth is confronted.

135 Seiten. 19 cm. Einband mit nur ganz leichten Gebrauchsspuren, sonst sehr gutes Exemplar. Mit einem Beitrag von S. Friedlaender : Paul Scheerbart - ein Medaillon. Sprache: Deutsch Gewicht in Gramm: 150