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Limited 180gm vinyl LP repressing of this 1984 album from the British Prog Rock band.. This was the second album from the band released during the classic Fish years. EMI.

Vinyl LP repressing. Thelonious Alone in San Francisco is jazz pianist Thelonious Monk's third solo album, originally released in 1959. It was recorded in Fugazi Hall, San Francisco, California on October 21 and 22, 1959, but without an audience present. Monk was arguably his most fascinating when playing alone, as evidenced by "Thelonious Himself" ('57) and again by this 1959 LP. His relaxed, deeply thoughtful playing sounds rich and warm as recorded in San Francisco's Fugazi Hall: "Blue Monk,

Workin' Man Noise Unit return with It's Not Nothin', the follow up to Play Loud (REPOSE 049LP, 2015) which was released to great acclaim. RIYL: Fugazi, Torche, Fu Manchu, Kyuss, Shellac. Edition of 300 in a 350 gram reverse board printed sleeve with download.

Limited green swirl colored vinyl LP pressing including digital download. Throwing back to Fugazi-esque on Fake It and reaching forward to new sonic soundscapes at the same time with the follow up She's Got A Machine. Touching on razor sharp hooks and shoe gaze solos Holiday Gunfire is nostalgic with a brand new car smell. These eight songs are a new beginning for some veteran South Eastern rock and rollers, fortuitous and melodic, a powerful record that seems sweet until it punches you in the f

Following the breakup of D.C. punk mainstay GOVERNMENT ISSUE in June, 1989, ex-GI JAY ROBBINS made the switch from bass to guitar and within a month, JAWBOX began rehearsing. By September of 1989 the band had played it's first show, a sold-out housing rights benefit with local heroes Shudder to Think and Fugazi. Jawbox released it's self-titled 7" debut EP in March of 1990 on the collective DeSoto label with help from Dischord Records. Grippe is Jawbox's first full-length album, recorded with EL

Vinyl LP pressing. 2018 release. The Messthetics are an instrumental trio featuring Brendan Canty (drums), Joe Lally (bass), and Anthony Pirog (guitar). Brendan Canty and Joe Lally were the rhythm section of the band Fugazi from it's inception in 1987 to it's period of hiatus in 2002. This is the first band they've had together since then. Anthony Pirog is a jazz and experimental guitarist based in Washington, D.C. One half of the duo Janel & Anthony, he has emerged as a primary figure in the ci

Fugazi, also officially referred to as 7 Songs, is the first, self-titled EP by the American post-hardcore band of the same name. Unlike all other Fugazi releases, Guy Picciotto did not contribute guitar to this record; all guitar was performed by Ian MacKaye. It was originally recorded in June 1988 and released in November 1988 on vinyl and again in 1989 on the compilation release 13 Songs along with the following EP Margin Walker. The photo used for the album cover was taken on June 30th, 1988

Vinyl LP pressing. 20111 album from the musician best known as the bassist for Fugazi. Joe's albums have featured a large cast of collaborators including his Fugazi mates, members of Capillary Action, Zu, Melvins, and others. On Why Should I Get Used to It, he has settled on a more permanent line-up featuring his current touring mates, guitarist Elisa Abela and drummer Emanuele Tomasi. The album was recorded in Rome, where Joe has lived for the last several years, and is being released on Discho

Repeater Fugazi - LP 643859044018

End Hits Fugazi - LP 718751961012

Vinyl LP pressing including digital download. Archive release from the Punk legends. In early January 1988 and after only ten shows, Fugazi decided to go into Inner Ear Studio to see what their music sounded like on tape. Despite the fact that Ian, Joe, and Brendan had been playing together for nearly a year, it was still early days for the band. Guy had only been a full member of Fugazi for a few months. The sessions only lasted a couple of days, but tour dates and indecision about the tape wou

Instrument (Original Soundtrack) Fugazi - LP 718751962019

Debut long-player from York-based Fawn Spots. Pulsating with a visceral tension, the album calls to mind the cathartic energy of Fugazi and Husk-er Du with the disparate post punk angularity of Joy Division and Mission of Burma; urgent and raw but keeping to a clear sense of melody.From Safer Place thrusts you headfirst into it's roaring surge. Lyrically, main songwriter Jonathan Meager has produced his most challenging, personal and complete work to date, influenced by T. S. Eliot and Jean Paul

The Argument Fugazi - LP 718751963016

Static Tension Recordings is proud to announce the signing of Minneapolis/St. Paul sludgy, heavy power trio The Wolf Council! With influences ranging from The (the) Melvins, Fugazi, and Big Business, The Wolf Council are ready to continue the tradition of melodic, sonic devastation.

The nation's capital gave birth to the most influential punk underground of the '80s and '90s. Dance of Days recounts the rise of trailblazing artists such as Bad Brains, Henry Rollins, Minor Threat, Rites of Spring, Fugazi, and Bikini Kill.

Anthropocosmic Nest is the second full-length by Washington, D.C.'s THE MESSTHETICS, who are ANTHONY PIROG (LOW WAYS QUARTET), JOE LALLY (FUGAZI) and BRENDAN CANTY (FUGAZI, DEATHFIX). Recorded at the band's practice space throughout 2019, it's an album that more perfectly captures the trio's current live dynamic, complete with improvisational tangents, playful experimentation, and cathartic sprawl. When The Messthetics recorded their debut album in 2017, the trio had only done a handful of shows

Vinyl LP pressing. Like Fugazi, Snapcase and Refused before them, New Brunswick, NJ's Thursday became the model for other bands to follow. They helped forward punk rock by redefining it without losing it's initial aesthetic. Relive the story of Thursday with this fantastic 2007 archive compilation of music recorded between 1997-2007 which traces the band's humble beginnings in the basements of America all of the way to international acclaim. Plus, hear three brand new studio tracks, recorded esp

In on the Kill Taker is like scrubbing your face with steel wool. It finds the band relying on rusty guitar shards that scrape, seethe, and hiss, further removing itself from the sound of 13 Songs and Repeater. Harsh and grating, Fugazi surprisingly produces sheer noise at times, best witnessed in the lengthy closing of "23 Beats Off" and the unintentional Gremlins homage that opens "Walken's Syndrome." Joe Lally's bass and Brendan Canty's drums are relegated to acting as a guide; they're pushed

Margin Walker Fugazi - LP 643859035016