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The alchemist Fulcanelli was the most famous adept of the 20th century, the man who achieved the Great Work less than 100 years ago, but his true identity has always been shrouded in myth and uninformed speculation...until now. Patrick Rivière reveals with profuse documentary evidence the true identity of the enigmatic and prestigious author of The Mystery of the Cathedrals and The Dwellings of the Philosophers. Beginning with an overview of French alchemical life at the turn of the 20th century, Rivière carefully builds his case step-by-step with facts, documents, and photographs, introducing us to the well-known physicist who was known as Fulcanelli. Rivière also demolishes the scurrilous hypotheses that suggest Fulcanelli never existed. Rivière is uniquely suited to solving this mystery as his teacher was Fulcanelli's sole student, Eugène Canseliet.

The alchemist Fulcanelli was the most famous adept of the 20th century, the man who achieved the Great Work less than 100 years ago, but his true identity has always been shrouded in myth and uninformed speculation...until now. Patrick Rivière reveals with profuse documentary evidence the true identity of the enigmatic and prestigious author of The Mystery of the Cathedrals and The Dwellings of the Philosophers. Beginning with an overview of French alchemical life at the turn of the 20th century, Rivière carefully builds his case step-by-step with facts, documents, and photographs, introducing us to the well-known physicist who was known as Fulcanelli. Rivière also demolishes the scurrilous hypotheses that suggest Fulcanelli never existed. Rivière is uniquely suited to solving this mystery as his teacher was Fulcanelli's sole student, Eugène Canseliet.

While the true identity of the Nineteenth/Twentieth Century master alchemist remains a mystery, in this major work classified by the publisher as being in the vein of Western Hermetic Philosophy, Fulcanelli decodes the rich language of Gothic bas-relief and architectural features which bear witness to the allegorical pilgrimage of the alchemical philosophers.

While the true identity of the Nineteenth/Twentieth Century master alchemist remains a mystery, in this major work classified by the publisher as being in the vein of Western Hermetic Philosophy, Fulcanelli decodes the rich language of Gothic bas-relief and architectural features which bear witness to the allegorical pilgrimage of the alchemical philosophers.

1980 C W Daniel hardcover edition. Some reading wear, else good condition.

Le Mystere des Cathedrales: Esoteric Interpretation of the Hermetic Symbols of the Great Work.

Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.64

This item is printed on demand - it takes 3-4 days longer - Neuware -Comme son titre l'indique, le mérite de cet ouvrage est de rassembler des citations d'auteurs alchimistes réputés tels que Nicolas Flamel, Basile Valentin, Fulcanelli. de les classer suivant leur sens et de faire apparaître ce sens. Ainsi nous obtenons un véritable lexique qui complète harmonieusement le Dictionnaire de Philosophie Alchimique de Kamala-Jnana (pseudonyme de Roger Caro). Dans leur édition originale (1968) ces « Concordances » éclairaient, pour la première fois, et de quelle façon, l'unité dissimulée derrière une grande hétérogénéité. et elles continuent de le faire. 240 pp. Französisch

Decodes the message inscribed on the Great Cross of Hendaye in France· Uses the work of 20th-century alchemist Fulcanelli to predict the date of the fatal season of the apocalypse· Shows how periodic galactic alignments may cause catastrophes on Earth· Examines how the secret of the center of the galaxy reveals the true location of the lost civilization of Atlantis· Reveals the alchemical secret of the imperishable Light Body of ancient Egypt deep within our DNAThe Mysteries of the Great Cross of Hendaye reveals one of Western occultism's deepest secrets: The alchemical transformation of base metal into gold is also the transformation of the current Iron Age into the Golden Age. Based on the work of the enigmatic 20th-century alchemist Fulcanelli, authors Weidner and Bridges show how the greatest alchemical secret is that of time itself and that coded into an obscure monument in southwestern France--the cross in the town square of Hendaye--is the imminent date of the apocalypse. The authors' explorations of this symbolism lead them from the cross of Hendaye to the western facade of the cathedral of Notre Dame in Paris, the Pyrenees, ancient Egypt, and the secret origins of Atlantis in Peru, to reveal that we are indeed living in a "fatal season" and that this season is intimately connected to our solar system's alignment with the galactic center. The authors' in-depth examination of alchemy's connection with the coming end days also reveals that this astro-alchemical knowledge was part of the sacred science of the Egyptians and the Atlanteans, whose coded messages are, at last, deciphered to guide humanity to its future destiny.

The Dwellings of the Philosophers is perhaps the most important alchemical work of the past two centuries. This first translation into English brings us a wealth of alchemical philosophy that has hitherto been unavailable. Fulcanelli's sentinel masterpiece takes the attentive reader through the alchemical labyrinth, decoding the monuments and architectural decoration built by those who have actively engaged in the Great Work. Fulcanelli instructs us by showing that history must be interpreted by the monuments that have been left and not by the historians who construct a worldview exclusively through documents, which method gives us an often jaded and unrepresentative view of what transpired. Not only does Fulcanelli decode and interpret the various alchemical symbols of the houses of the alchemist and philosophers, he goes to great lengths to lay bare and explicate the alchemical worldview of past centuries. Fulcanelli presents us with the deep mysteries of the Great Work.

This is the second and last book written by the mysterious Fulcanelli, published in 1929 in France, as two volumes in a short-run edition. This translation follows faithfully that edition.It is believed that Fulcanelli was able to discover the philosopher’s stone shortly before 1930, and it is thought that this discovery had much to do with his disappearance.Although many speculate that Fulcanelli may have been the artist Julien Champagne, or Eugene Canseliet (who wrote several introductions to Dwellings of the Philosophers), no one knows for sure who Fulcanelli was.Dwellings of the Philosophers is a fundamental work for alchemy scholars. It is a general treatise on alchemy, enriched by many explanations and comments on the main traditional authors texts. Also, analyzing the hermetic symbolism applied to civil constructions, Fulcanelli sheds light on many alchemical riddles.This book analyses in depth the architectural elements and motifs of different buildings, from a modest house built in the 16th century in Lisieux (a small Norman town), the Dampierre Castle, the Holyrood Palace in Edinburgh, and several other chosen examples.Fulcanelli clearly explains, at the beginning of his work (in History and Monument), that carvings and statues offer a truer message than the always distorted written accounts. He said: “It will therefore be explained why we prefer to see the Middle Ages, as the Gothic buildings reveal to us, rather than believing the description of historians”.Likewise, Fulcanelli offers much information about the operations and procedures of the alchemical work, analyzing and unveiling the allegories used by many writers of hermetic art to veil the knowledge from those who are not deserving of it.

This is the second and last book written by the mysterious Fulcanelli, published in 1929 in France, as two volumes in a short-run edition. This translation follows faithfully that edition. It is believed that Fulcanelli was able to discover the philosopher’s stone shortly before 1930, and it is thought that this discovery had much to do with his disappearance. Although many speculate that Fulcanelli may have been the artist Julien Champagne, or Eugene Canseliet (who wrote several introductions to Dwellings of the Philosophers), no one knows for sure who Fulcanelli was. Dwellings of the Philosophers is a fundamental work for alchemy scholars. It is a general treatise on alchemy, enriched by many explanations and comments on the main traditional authors texts. Also, analyzing the hermetic symbolism applied to civil constructions, Fulcanelli sheds light on many alchemical riddles. This book analyses in depth the architectural elements and motifs of different buildings, from a modest house built in the 16th century in Lisieux (a small Norman town), the Dampierre Castle, the Holyrood Palace in Edinburgh, and several other chosen examples. Fulcanelli clearly explains, at the beginning of his work (in History and Monument), that carvings and statues offer a truer message than the always distorted written accounts. He said: “It will therefore be explained why we prefer to see the Middle Ages, as the Gothic buildings reveal to us, rather than believing the description of historians”. Likewise, Fulcanelli offers much information about the operations and procedures of the alchemical work, analyzing and unveiling the allegories used by many writers of hermetic art to veil the knowledge from those who are not deserving of it.

This is the second and last book written by the mysterious Fulcanelli, published in 1929 in France, as two volumes in a short-run edition. This translation follows faithfully that edition. It is believed that Fulcanelli was able to discover the philosopher’s stone shortly before 1930, and it is thought that this discovery had much to do with his disappearance. Although many speculate that Fulcanelli may have been the artist Julien Champagne, or Eugene Canseliet (who wrote several introductions to Dwellings of the Philosophers), no one knows for sure who Fulcanelli was. Dwellings of the Philosophers is a fundamental work for alchemy scholars. It is a general treatise on alchemy, enriched by many explanations and comments on the main traditional authors texts. Also, analyzing the hermetic symbolism applied to civil constructions, Fulcanelli sheds light on many alchemical riddles. This book analyses in depth the architectural elements and motifs of different buildings, from a modest house built in the 16th century in Lisieux (a small Norman town), the Dampierre Castle, the Holyrood Palace in Edinburgh, and several other chosen examples. Fulcanelli clearly explains, at the beginning of his work (in History and Monument), that carvings and statues offer a truer message than the always distorted written accounts. He said: “It will therefore be explained why we prefer to see the Middle Ages, as the Gothic buildings reveal to us, rather than believing the description of historians”. Likewise, Fulcanelli offers much information about the operations and procedures of the alchemical work, analyzing and unveiling the allegories used by many writers of hermetic art to veil the knowledge from those who are not deserving of it.