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The most accurate and sophisticated study of Jean Genet's poetry to date, with a never-before-translated poem. This book also contains the first American translations of the plays Splendid's Hotel and The Pope (Elle).

Add a touch of exotic personality to your space while accommodating your needs with the lovely Genet kitchen cart. Made in Indonesia, this bohemian piece consists of a sturdy wood frame wrapped in handwoven rattan. Two tiers of slatted rattan shelves offer plentiful space to organize a variety of essentials, while the bold silhouette of the frame lends crisp geometric flair. The Genet will arrive fully assembled and utilizes caster wheels for convenient mobility. Brandishing ergonomic design with vibrant style, the Genet kitchen cart is sure to uplift any arrangement.Disclaimer: Rattan is a product of nature and may have variations in areas such as, but not limited to, color, pattern, grain and texture. The hair-like strands of rattan/rattan-fiber are common due to the nature of the material. Color: Natural.

A meticulously researched biography of Jean Genet, one of France's most notorious writers. Acclaimed novelist and essayist Edmund White illuminates Genet's experiences in the worlds of crime, homosexuality, politics, and high culture, and gives a compelling analysis of Genet's plays, novels, and essays. Winner of the National Book Critics Circle Award for Biography.

The French novelist, playwright, and poet is portrayed as the perfect Existential Man in this exhaustive work of criticism

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The French novelist, playwright, and poet is portrayed as the perfect Existential Man in this exhaustive work of criticism

"The minute that Alfred Chester turned from fiction to criticism," writes Edward Field in his foreword to this collection of Chester's occasional prose, "editors started pursuing him." As a writer of experimental fiction, he could not place his stories, "but as a critic, he was a hot number on the scene." Throughout the 1960s, he published ruthless, devastating, endlessly talked about reviews of his elders and contemporaries in the leading intellectual magazines of the day, including Partisan Review, The New York Review of Books, Commentary, and The Paris Review. Like Dale Peck and James Wolcott today, and like Poe and Twain before him, Chester turned literary criticism into a blood sport and a high entertainment.Looking for Genet brings together twenty-five of Chester's notorious essays and reviews, including pieces on Nabokov's Pale Fire ("a total wreck, and for one reason: it's not funny, and it's supposed to be"), Burroughs's Naked Lunch ("the first half is pleasantly readable without too much skipping, the second is pleasantly skippable without too much yawning"), and Updike's Pigeon Feathers ("a god who has allowed a writer to lavish such craft upon these worthless tales is capable of anything"). Here too are sketches from his penniless bohemian life in Paris, seven "Letters from Morocco" written for the New York Herald Tribune, and Chester's final piece -- the half-mad, previously unpublished "Letter from the Wandering Jew," a howl of rage and despair from his hated final home, Jerusalem. Together these pieces are testament to the life and the talent of the Sixties' most memorable literary iconoclasts.

Bickel, G. A. Child: Jean Genet. Criminalite Et Transcendance. , 1987, 140 P. , 310 Gr. Encuadernacion Original. Nuevo. (nh-2-6) 310 Gr.

"The minute that Alfred Chester turned from fiction to criticism," writes Edward Field in his foreword to this collection of Chester's occasional prose, "editors started pursuing him." As a writer of experimental fiction, he could not place his stories, "but as a critic, he was a hot number on the scene." Throughout the 1960s, he published ruthless, devastating, endlessly talked about reviews of his elders and contemporaries in the leading intellectual magazines of the day, including Partisan Review, The New York Review of Books, Commentary, and The Paris Review. Like Dale Peck and James Wolcott today, and like Poe and Twain before him, Chester turned literary criticism into a blood sport and a high entertainment.Looking for Genet brings together twenty-five of Chester's notorious essays and reviews, including pieces on Nabokov's Pale Fire ("a total wreck, and for one reason: it's not funny, and it's supposed to be"), Burroughs's Naked Lunch ("the first half is pleasantly readable without too much skipping, the second is pleasantly skippable without too much yawning"), and Updike's Pigeon Feathers ("a god who has allowed a writer to lavish such craft upon these worthless tales is capable of anything"). Here too are sketches from his penniless bohemian life in Paris, seven "Letters from Morocco" written for the New York Herald Tribune, and Chester's final piece -- the half-mad, previously unpublished "Letter from the Wandering Jew," a howl of rage and despair from his hated final home, Jerusalem. Together these pieces are testament to the life and the talent of the Sixties' most memorable literary iconoclasts.

Saint Genet is Jean-Paul Sartre’s classic biography of Jean Genet—thief, convict, and great artist—a character of almost legendary proportions whose influence grows stronger with time. Bringing together two of the century’s greatest minds and artists, Saint Genet is at once a compelling psychological portrait, masterpiece of literary criticism, and one of Sartre’s most personal and inspired philosophical creations.

Queens and Revolutionaries proposes new readings of Genet that focus on the two areas that Saint Genet does not adequately address: sex and politics. The book first demonstrates how Sartre's empasis on a range of binary oppositions fails to do justice to the complex interplay of agency and determinism in Genet's novels of the 1940s. Using contemporary feminist and gender theory to elucidate the fluctuations, oscillations, and reversals in Genet's representations of cross-dressing and homosexuality, the readings show how these representations in turn reveal those theories limitations. The second half of the book turns to lesser known work dating from the late 1960s onward, and to 'Prisoner of Love', in order to contest Sartre's insistence on the non-political nature of Genet's work. It examines Genet's texts on the Black Panthers and the Palestinians, highlighting his political engagement after May 1968. It also traces the continuities from his earlier work, and shows how revolutionary aesthetics, theatricality, and performance are now increasingly reconceptualised as explicitly political acts.

May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 0.34

The politics of Jean Genet's late theatre is the first publication to situate the politics of Genet's theatre within the social, spatial and political contexts of France in the 1950s and 1960s. The book's innovative approach departs significantly from existing scholarship on Genet. Where scholars have tended to bracket Genet as either an absurdist, ritualistic or, more recently, a resistant playwright, this study argues that his theory and practice of political theatre have more in common with the affirmative ideas of thinkers such as Henri Lefebvre, Jacques Rancière and Alain Badiou. By doing so, the monograph positions Genet as a revolutionary playwright, interested in producing progressive forms of democracy. This original and interdisciplinary reading of Genet’s late work will be of interest to students and practitioners of Theatre, as well as those interested in French and History.

Jean Genet (1910–1986) resonates, perhaps more than any other canonical queer figure from the pre-Stonewall past, with contemporary queer sensibilities attuned to a defiant non-normativity. Not only sexually queer, Genet was also a criminal and a social pariah, a bitter opponent of the police state, and an ally of revolutionary anticolonial movements. In Disturbing Attachments, Kadji Amin challenges the idealization of Genet as a paradigmatic figure within queer studies to illuminate the methodological dilemmas at the heart of queer theory. Pederasty, which was central to Genet's sexuality and to his passionate cross-racial and transnational political activism late in life, is among a series of problematic and outmoded queer attachments that Amin uses to deidealize and historicize queer theory. He brings the genealogy of Genet's imaginaries of attachment to bear on pressing issues within contemporary queer politics and scholarship, including prison abolition, homonationalism, and pinkwashing. Disturbing Attachments productively and provocatively unsettles queer studies by excavating the history of its affective tendencies to reveal and ultimately expand the contexts that inform the use and connotations of the term queer.

The politics of Jean Genet's late theatre is the first publication to situate the politics of Genet's theatre within the social, spatial and political contexts of France in the 1950s and 1960s. The book's innovative approach departs significantly from existing scholarship on Genet. Where scholars have tended to bracket Genet as either an absurdist, ritualistic or, more recently, a resistant playwright, this study argues that his theory and practice of political theatre have more in common with the affirmative ideas of thinkers such as Henri Lefebvre, Jacques Rancière and Alain Badiou. By doing so, the monograph positions Genet as a revolutionary playwright, interested in producing progressive forms of democracy. This original and interdisciplinary reading of Genet’s late work will be of interest to students and practitioners of Theatre, as well as those interested in French and History.

196 pages. French language. 8.03x5.28x0.49 inches. In Stock.

Jean Genet (1910–1986) resonates, perhaps more than any other canonical queer figure from the pre-Stonewall past, with contemporary queer sensibilities attuned to a defiant non-normativity. Not only sexually queer, Genet was also a criminal and a social pariah, a bitter opponent of the police state, and an ally of revolutionary anticolonial movements. In Disturbing Attachments, Kadji Amin challenges the idealization of Genet as a paradigmatic figure within queer studies to illuminate the methodological dilemmas at the heart of queer theory. Pederasty, which was central to Genet's sexuality and to his passionate cross-racial and transnational political activism late in life, is among a series of problematic and outmoded queer attachments that Amin uses to deidealize and historicize queer theory. He brings the genealogy of Genet's imaginaries of attachment to bear on pressing issues within contemporary queer politics and scholarship, including prison abolition, homonationalism, and pinkwashing. Disturbing Attachments productively and provocatively unsettles queer studies by excavating the history of its affective tendencies to reveal and ultimately expand the contexts that inform the use and connotations of the term queer.

Hughes explores how cultural centers require the peripheral, the outlawed, and the deviant in order to define and bolster themselves. He analyzes the hierarchies of cultural value that inform the work of six modern French writers: the exoticist Pierre Loti; Paul Gauguin, whose Noa Noa enacts European fantasies about Polynesia; Proust, who analyzes such exemplary figures of exclusion and inclusion as the homosexual and the xenophobe; Montherlant; Camus, who pleads an alienating detachment from the cultures of both metropolitan France and Algeria; and Jean Genet.

Fragments of the Artwork brings together Jean Genet's critical writings and open letters on art and aesthetic issues. This collection testifies to Genet's enormous influence on the modern theater, on the development of the novel, and on the representation of crime, sex, gender, and race. In lyrical essays and one candid interview, these works present an untutored, original, defiant Genet, displaying his provocative insights and acuities on a range of topics.Genet wrestles with the athletic genius of Rembrandt, adores the intricate criminal resurrections of Dostoevsky, challenges our easy readings of Brecht, and, in what is one of the most exalting art historical essays ever written, provides us with his detailed personal account of the work and presence of Alberto Giacometti. Altogether these essays comprise a series of engrossing meditations on the central motives of theatricality and art.

A sensation upon its publication in 1970, Sexual Politics documents the subjugation of women in great literature and art. Kate Millett's analysis targets four revered authors―D. H. Lawrence, Henry Miller, Norman Mailer, and Jean Genet―and builds a damning profile of literature's patriarchal myths and their extension into psychology, philosophy, and politics. Her eloquence and popular examples taught a generation to recognize inequities masquerading as nature and proved the value of feminist critique in all facets of life. This new edition features the scholar Catharine A. MacKinnon and the New Yorker correspondent Rebecca Mead on the importance of Millett's work to challenging the complacency that sidelines feminism.