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In 1988, Gerhard Richter created one of the most controversial and fascinating political painting-cycles of all time, with his Baader-Meinhof series. In 2002, he returned to the theme of media and political truth with his artist’s book War Cut. For this project, Richter photographed 216 details of his abstract painting “No. 648-2” (1987), and, working on a long table over a period of several weeks, combined these 4 x 6-inch details with 165 texts on the Iraq war, published in the German Frankfurter Allgemeine Zeitung newspaper on the dates of the war’s outbreak (March 20 and 21, 2003). “My method was to attach a number of texts to a number of images without having to think about whether something would be better positioned to the left or the right, above or below,” Richter told an interviewer, for a New York Times feature on the publication. “I placed these images so that a connection develops in terms of colors, structures and other characteristics. . . . Some images match the cruelty and the madness described in the texts shockingly well. And others can even serve as illustrations when the texts speak of deserts and other landscapes.” Originally published only in German in 2004, this long-awaited English version of this important artist’s book presents Richter’s powerful attempt to accommodate the extremity of war. For this edition, Richter applied the same process of text selection to The New York Times, using the same dates of the war’s outbreak.

This exceptionally soft rug is rich in tactile charm, offering an ingenious luxurious comfort for a pleasant underfoot sensation. The color palette offers warm neutrals combined with vibrant garden green and a delicate chocolate brown, adding a touch of mid-century spirit. Thanks to durable construction, these rugs are non-shedding and easy to maintain. But above all, we are very proud to announce that this is our first woven 22 mm pile rug made entirely out of recycled polyester PET-bottles. Color: Charcoal. Pattern: Striped.

This exceptionally soft rug is rich in tactile charm, offering an ingenious luxurious comfort for a pleasant underfoot sensation. The color palette offers warm neutrals combined with vibrant garden green and a delicate chocolate brown, adding a touch of mid-century spirit. Thanks to durable construction, these rugs are non-shedding and easy to maintain. But above all, we are very proud to announce that this is our first woven 22 mm pile rug made entirely out of recycled polyester PET-bottles. Color: Charcoal. Pattern: Striped.

This exceptionally soft rug is rich in tactile charm, offering an ingenious luxurious comfort for a pleasant underfoot sensation. The color palette offers warm neutrals combined with vibrant garden green and a delicate chocolate brown, adding a touch of mid-century spirit. Thanks to durable construction, these rugs are non-shedding and easy to maintain. But above all, we are very proud to announce that this is our first woven 22 mm pile rug made entirely out of recycled polyester PET-bottles. Pattern: Striped.

This exceptionally soft rug is rich in tactile charm, offering an ingenious luxurious comfort for a pleasant underfoot sensation. The color palette offers warm neutrals combined with vibrant garden green and a delicate chocolate brown, adding a touch of mid-century spirit. Thanks to durable construction, these rugs are non-shedding and easy to maintain. But above all, we are very proud to announce that this is our first woven 22 mm pile rug made entirely out of recycled polyester PET-bottles. Pattern: Striped.

Chitarra Breedlove Ed Gerhard Signature Model, acustica jumbo made in USA, una delle ultime realizzate da Breedlove negli States. Legni selezionati...

Black Gerhard jacket made of recycled polyester. High collar with hood. Long sleeves. Relaxed fit. Front zipper closure. Front pockets. Fabric: recycled polyester, weight 162 gsm (medium thickness). Inside: with lining. Garment length: short. Made In (fabric, dyeing and manufacturing): China. Measurements in size M: 69 cm total length, 51 cm back width and 64 cm sleeve length. Shell: 100% Recycled Polyester + Lining: 100% Recycled Polyester Pongee + Filling: 100% Recycled Polyester Machine Wash At 30° With Reduced Mechanical Action Do Not Bleach Tumble Dry Low Temperature Do Not Iron Do Not Dry Clean

Black Gerhard jacket made of recycled polyester. High collar with hood. Long sleeves. Relaxed fit. Front zipper closure. Front pockets. Fabric: recycled polyester, weight 162 gsm (medium thickness). Inside: with lining. Garment length: short. Made In (fabric, dyeing and manufacturing): China. Measurements in size M: 69 cm total length, 51 cm back width and 64 cm sleeve length. Shell: 100% Recycled Polyester + Lining: 100% Recycled Polyester Pongee + Filling: 100% Recycled Polyester Machine Wash At 30° With Reduced Mechanical Action Do Not Bleach Tumble Dry Low Temperature Do Not Iron Do Not Dry Clean

Black Gerhard jacket made of recycled polyester. High collar with hood. Long sleeves. Relaxed fit. Front zipper closure. Front pockets. Fabric: recycled polyester, weight 162 gsm (medium thickness). Inside: with lining. Garment length: short. Made In (fabric, dyeing and manufacturing): China. Measurements in size M: 69 cm total length, 51 cm back width and 64 cm sleeve length. Shell: 100% Recycled Polyester + Lining: 100% Recycled Polyester Pongee + Filling: 100% Recycled Polyester Machine Wash At 30° With Reduced Mechanical Action Do Not Bleach Tumble Dry Low Temperature Do Not Iron Do Not Dry Clean

Blue Gerhard jacket made of recycled polyester. High collar with hood. Long sleeves. Relaxed fit. Front zipper closure. Front pockets. Fabric: recycled polyester, weight 162 gsm (medium thickness). Inside: with lining. Garment length: short. Made In (fabric, dyeing and manufacturing): China. Measurements in size M: 69 cm total length, 51 cm back width and 64 cm sleeve length. Shell: 100% Recycled Polyester + Lining: 100% Recycled Polyester Pongee + Filling: 100% Recycled Polyester Machine Wash At 30° With Reduced Mechanical Action Do Not Bleach Tumble Dry Low Temperature Do Not Iron Do Not Dry Clean

Black Gerhard jacket made of recycled polyester. High collar with hood. Long sleeves. Relaxed fit. Front zipper closure. Front pockets. Fabric: recycled polyester, weight 162 gsm (medium thickness). Inside: with lining. Garment length: short. Made In (fabric, dyeing and manufacturing): China. Measurements in size M: 69 cm total length, 51 cm back width and 64 cm sleeve length. Shell: 100% Recycled Polyester + Lining: 100% Recycled Polyester Pongee + Filling: 100% Recycled Polyester Machine Wash At 30° With Reduced Mechanical Action Do Not Bleach Tumble Dry Low Temperature Do Not Iron Do Not Dry Clean

Blue Gerhard jacket made of recycled polyester. High collar with hood. Long sleeves. Relaxed fit. Front zipper closure. Front pockets. Fabric: recycled polyester, weight 162 gsm (medium thickness). Inside: with lining. Garment length: short. Made In (fabric, dyeing and manufacturing): China. Measurements in size M: 69 cm total length, 51 cm back width and 64 cm sleeve length. Shell: 100% Recycled Polyester + Lining: 100% Recycled Polyester Pongee + Filling: 100% Recycled Polyester Machine Wash At 30° With Reduced Mechanical Action Do Not Bleach Tumble Dry Low Temperature Do Not Iron Do Not Dry Clean

Blue Gerhard jacket made of recycled polyester. High collar with hood. Long sleeves. Relaxed fit. Front zipper closure. Front pockets. Fabric: recycled polyester, weight 162 gsm (medium thickness). Inside: with lining. Garment length: short. Made In (fabric, dyeing and manufacturing): China. Measurements in size M: 69 cm total length, 51 cm back width and 64 cm sleeve length. Shell: 100% Recycled Polyester + Lining: 100% Recycled Polyester Pongee + Filling: 100% Recycled Polyester Machine Wash At 30° With Reduced Mechanical Action Do Not Bleach Tumble Dry Low Temperature Do Not Iron Do Not Dry Clean

Blue Gerhard jacket made of recycled polyester. High collar with hood. Long sleeves. Relaxed fit. Front zipper closure. Front pockets. Fabric: recycled polyester, weight 162 gsm (medium thickness). Inside: with lining. Garment length: short. Made In (fabric, dyeing and manufacturing): China. Measurements in size M: 69 cm total length, 51 cm back width and 64 cm sleeve length. Shell: 100% Recycled Polyester + Lining: 100% Recycled Polyester Pongee + Filling: 100% Recycled Polyester Machine Wash At 30° With Reduced Mechanical Action Do Not Bleach Tumble Dry Low Temperature Do Not Iron Do Not Dry Clean

Gerhard Richter Painting is a thrilling document of legendary German artist Richter's creative process, juxtaposed with intimate conversations (with his critics, his collaborators, and his American gallerist Marian Goodman) and rare archive material. From our fly-on-the-wall perspective, we watch the 79-year-old create a series of large-scale abstract canvases, using fat brushes and a massive squeegee to apply (and then scrape off) layer after layer of brightly colored paint. This mesmerizing fo

Gerhard Richter Painting is a thrilling document of legendary German artist Richter's creative process, juxtaposed with intimate conversations (with his critics, his collaborators, and his American Gallerist Marian Goodman) and rare archive material. From our fly-on-the-wall perspective, we watch the 79-year-old create a series of large-scale abstract canvases, using fat brushes and a massive squeegee to apply (and then scrape off) layer after layer of brightly colored paint. This mesmerizing fo

This volume comprises the fourth installment in this ambitious publishing project. The oeuvre of Gerhard Richter (born 1932) comprises in excess of 3,000 individual works. Over a period of five decades he has created a stylistically heterogeneous, complex body of work that testifies to his status as the most important living artist of our time. The first volume of this catalogue raisonné was released on the occasion of the artist's 80th birthday in February 2012. Dietmar Elger, director of the Gerhard Richter Archive at the Staatliche Kunstsammlungen Dresden, has spent years researching and preparing this latest publication. Aside from the richly colored illustrations, many of them full-page, Gerhard Richter: Catalogue Raisonné, Volume 4 includes full technical details, information about the artist's handwritten notes and the provenance, bibliography and exhibitions of each individual work. This information is supplemented by commentary, quotes and comparison images.

Appearance, semblance is the theme of my life.” This statement by Gerhard Richter (b. 1932) suggests the importance of portraiture to his career. One of the greatest artists working today, Richter has been intensively engaged with portraiture since 1962. His portraits invite critical consideration of both portraiture and painting; they include images of specific people whether sensational subjects of people in the media, icons of the popular imagination, or close friends and relatives. However, all are transformed when Richter puts them onto canvas, for they often become anonymous in the process or become significant simply for being included. Richter’s investigation into how we understand what surrounds us is at the heart of all his work. In this large-scale book ideal for Richter’s portraits Paul Moorhouse offers a major advance in the understanding and appreciation of the renowned artist’s work. With keen insight, Moorhouse studies the portraits in close detail, examining the sophisticated ways in which Richter has challenged and extended the genre of portraiture and revealing the startling range of the artist’s source material. Featuring never-before-published images, this book clearly eclipses any previous publication on Richter’s portraiture.

Patterns represents a brilliant new adventure in image-making and book-making by Gerhard Richter, who in recent years has produced several fascinating explorations of the possibilities of the artist’s book. For this latest project, Richter took an image of his work “Abstract Painting” (CR: 7244) and divided it vertically into strips: first 2, then 4, 8, 16, 32, 64, 128, 256, 512, 1,024, 2,048, up to 4,096 strips. This process, involving twelve stages of division, results in 8,190 strips, each of which is reproduced here at the height of the original image. With each stage of division, the strips become progressively thinner (a strip of the 12th division is just 0.08 millimeters; further divisions would only become visible by enlargement). Each strip is then mirrored and repeated, producing an incredibly detailed patterning. The number of repetitions increases with each stage of division in order to make patterns of consistent size. The resulting 221 patterns are reproduced here on landscape spreads, making for a truly extraordinary reading-viewing book experience.Born in Dresden, East Germany, in 1932, Gerhard Richter migrated to West Germany in 1961, settling in Düsseldorf, where he studied at the Düsseldorf Academy, and where he held his first solo exhibition in 1963. Over the course of that decade, Richter helped to liberate painting from the legacy of Socialist Realism (in Eastern Germany) and Abstract Expressionism (in Western Germany and throughout Europe). He has exhibited internationally for the last five decades, with a major European touring retrospective in London, Berlin and Paris in 2012. He lives and works in Cologne.

Appearance, semblance is the theme of my life.” This statement by Gerhard Richter (b. 1932) suggests the importance of portraiture to his career. One of the greatest artists working today, Richter has been intensively engaged with portraiture since 1962. His portraits invite critical consideration of both portraiture and painting; they include images of specific people whether sensational subjects of people in the media, icons of the popular imagination, or close friends and relatives. However, all are transformed when Richter puts them onto canvas, for they often become anonymous in the process or become significant simply for being included. Richter’s investigation into how we understand what surrounds us is at the heart of all his work. In this large-scale book ideal for Richter’s portraits Paul Moorhouse offers a major advance in the understanding and appreciation of the renowned artist’s work. With keen insight, Moorhouse studies the portraits in close detail, examining the sophisticated ways in which Richter has challenged and extended the genre of portraiture and revealing the startling range of the artist’s source material. Featuring never-before-published images, this book clearly eclipses any previous publication on Richter’s portraiture.