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112, Seiten mit farb. und sw. Abb. Auf den Vorsätzen drei Tesaspuren. Die beiden letzten Blätter seitlich etwas geknittert, sonst kaum Gebrauchsspuren, guter Zustand. Sprache: Deutsch Gewicht in Gramm: 1950 30 x 21,5 cm., ill. OPappband mit ill. Schutzumschlag.

This imaginative approach to the work of the Urdu poet Ghalib (1797-1869) presents highly original renderings, made by seven well-known American poets, of Ghalib's ghazals. The ghazals (poems consisting of at least five unrelated couplets) show a time when old values were breaking down withno new ones to take their place.Aijaz Ahmad began by selecting thirty-seven of the ghazals for literal translation. These versions were then given to the American poets who made poetic interpretations of those ghazals which interested them. The resulting variety of interpretation is remarkable, and indicates the evocativeness ofGhalib's poetry.The complete volume, which offers a fascinating insight into poetic creation as well as the work of this unfamiliar poet, consists of Aijaz Ahmad's introduction to Ghalib poetry, the ghazals in Urdu, the literal versions, with explanatory notes and the poems written by the American poets in responseto the ghazals.

This imaginative approach to the work of the Urdu poet Ghalib (1797-1869) presents highly original renderings, made by seven well-known American poets, of Ghalib's ghazals. The ghazals (poems consisting of at least five unrelated couplets) show a time when old values were breaking down with no new ones to take their place. Aijaz Ahmad began by selecting thirty-seven of the ghazals for literal translation. These versions were then given to the American poets who made poetic interpretations of those ghazals which interested them. The resulting variety of interpretation is remarkable, and indicates the evocativeness of Ghalib's poetry. The complete volume, which offers a fascinating insight into poetic creation as well as the work of this unfamiliar poet, consists of Aijaz Ahmad's introduction to Ghalib poetry, the ghazals in Urdu, the literal versions, with explanatory notes and the poems written by the American poets in response to the ghazals.

Mir Muhammad Taqi Mir (1723–1810) is widely regarded as the most accomplished poet in the Urdu language. His massive output―six divans―was produced in Delhi and Lucknow during the high tide of Urdu literary culture.Selected Ghazals and Other Poems offers a comprehensive collection of Mir’s finest ghazals, extended lyrics composed of couplets, and of his masnavis, narrative works of a romantic or didactic character. The ghazals celebrate earthly and mystical love through subtle wordplay, vivid descriptions of the beloved, and a powerful individual voice. The sometimes satirical masnavis highlight everyday subjects: domestic pets, monsoon rains, the rigors of travel. They also include two astonishing love stories: one about young men whose relationship is shattered when one marries; the other about a queen, her peacock lover, and the jealous king who seeks to drive them apart.The Urdu text, presented here in the Nastaliq script, accompanies new translations of Mir’s poems, some appearing in English for the first time.

This presentation of Hafiz’s Divan does not pretend to be a work of scholarship in any sense, but is intended for the general reader with a genuine interest in mysticism and mystical poetry. Accompanied by the original Farsi and for those unable to read the original there is transliteration in ‘roman’ script to aid the recitation in Farsi. With footnotes to elucidate the meaning further this is surely one of the most accessible books on Hafiz’s poetry ever published.

First edition. Cover is lightly rubbed and lightly tanned, but text is legible. Cover is worn along edges. Small light stains and tanning on top edge of text block, not visible on pages. Pages are clean and unmarked.

This is the standard edition of the ghazals (sonnets) of Hafez edited by Mohammad Ghazvini and Ghassem Ghani and contains all 495 poems. It has been cleanly typeset in a regular Persian font for ease of reading.

This presentation of Hafiz’s Divan does not pretend to be a work of scholarship in any sense, but is intended for the general reader with a genuine interest in mysticism and mystical poetry. Accompanied by the original Farsi and for those unable to read the original there is transliteration in ‘roman’ script to aid the recitation in Farsi. With footnotes to elucidate the meaning further this is surely one of the most accessible books on Hafiz’s poetry ever published.

Mir Muhammad Taqi Mir (1723–1810) is widely regarded as the most accomplished poet in the Urdu language. His massive output―six divans―was produced in Delhi and Lucknow during the high tide of Urdu literary culture.Selected Ghazals and Other Poems offers a comprehensive collection of Mir’s finest ghazals, extended lyrics composed of couplets, and of his masnavis, narrative works of a romantic or didactic character. The ghazals celebrate earthly and mystical love through subtle wordplay, vivid descriptions of the beloved, and a powerful individual voice. The sometimes satirical masnavis highlight everyday subjects: domestic pets, monsoon rains, the rigors of travel. They also include two astonishing love stories: one about young men whose relationship is shattered when one marries; the other about a queen, her peacock lover, and the jealous king who seeks to drive them apart.The Urdu text, presented here in the Nastaliq script, accompanies new translations of Mir’s poems, some appearing in English for the first time.

Signs of wear and consistent use.

Paperback. A stunning collection from Sydney poet, human rights activist, community organiser, and refugee campaigner Sara M Saleh.With her first full-length poetry collection, Sara M Saleh introduces us to the polychromatic lives of girls and women as they come into being amidst war, colonial and patriarchal violence, and exile and migration. This searing work interrogates and represents the complexity of Arab-Australian Muslim women's identities as they negotiate an irresistible world full of music and family, grit and grief, love and loss.Saleh's poetry is not only an inherently political act, but a deeply personal one, charged with multilayered conversations and meditations amongst three generations of women in Sara's family. Her poems dazzle with an incantatory force of spirit, survival and selfhood, proving without a doubt that Saleh is one of this country's most compelling, contemporary poets. A stunning collection from Sydney poet, human rights activist, community organiser, and refugee campaigner Sara M Saleh Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hafiz is the preeminent poet of Persian Sufism and one of the great poets of world literature. The Green Sea of Heaven is regarded as the finest English translation of his poetry. Elizabeth Gray’s translations are informed by her thorough knowledge of Persian and the Persian poetic tradition. (Many recent books attributed to Hafiz have been produced by persons who do not know Persian at all!) This bilingual edition also includes two brilliant studies of Hafiz by Gray and Daryush Shayegan, plus helpful notes to the translation.

Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.85

Poetry. BREAKING THE RULES is a collection of 107 ghazals and quasi-ghazals, with an introductory essay by the author on the rules of writing ghazals and his intent in breaking them. "It's wonderful to see John Rezmerski's many gifts come together in a magnificent multi-streamed confluence.... This book is the work of a master word-chef, highlighted with some of the most quotable lines I've read in some time"—Jim Heynen. "John Calvin Rezmerski explores the possibilities (and the limits) of the ghazal in every conceivable way. His poems cast their nets out over an ocean teeming with honest emotion and just as honest play"—Lola Haskins.

Native Persian speakers hold a special bond with Hafiz. Poems from his Divan (collected works) are memorized by men, women, and children from all strands of society, from scholars to school children, entrepreneurs to nomads. Hafiz was the unrivaled master of the ghazal, a lyric form roughly equivalent to the English sonnet in length, intensity, and complexity. Wine & Prayer is a new edition of Elizabeth Gray’s 1995 work The Green Sea of Heaven. In this new volume, Gray has joined with Iraj Anvar, a scholar of Sufism and Persian poetry, expanding the book from fifty to eighty translations of Hafiz’s brilliant ghazals. This work brings to each reader Hafiz’s poetic genius, expressing his passion for the Divine Beloved and his scandalous (to the Muslim clergy of his day) exaltation of music and wine as vehicles of transcendence and ecstasy.Wine & Prayer presents the ghazals of Hafiz in English translations that capture the subtleties, paradoxes, and spiritual depths of the poet hailed by Persians as “the Tongue of the Invisible” and the “Interpreter of Mysteries.”

This is a work of love, skill and scholarship that reflects the vast, complex riches of the Urdu ghazal tradition. A must-buy for any lover of poetry! Tabish Khair The ghazal is a literary curiosity, a quintessential form of poetic expression, known for its infectious appeal. This volume brings you the first ever comprehensive collection of Urdu ghazals from its very beginnings in the late sixteenth century to the present times. Sixty-five poets from seven literary periods and diverse locations join in this collection to showcase a rich fare of ideas and styles. Together, they represent the secular and the sacred, the pious and the profane, the plebeian and the patrician in manners as diverse as life itself. Here is an ever-moving kaleidoscope of the Urdu ghazal that authenticates the literary form. This volume is made richer with the inclusion of the Roman transliteration of the originals in Urdu alongside their English translations.

780 pages. 10.00x7.00x1.76 inches. This item is printed on demand.

Translated from the Persian by Rebecca Gould Hasan Sijzi, also known as Amir Hasan Sijzi Dehlavi, is considered the originator of the Indo-Persian ghazal, a poetic form that endures to this day—from the legacy of Hasan’s poetic descendent, Hafez, to contemporary Anglophone poets such as John Hollander, Maxine Kumin, Agha Shahid Ali, and W. S. Merwin.As with other Persian poets, Hasan worked within a highly regulated set of poetic conventions that brought into relief the interpenetration of apparent opposites—metaphysical and material, mysterious and quotidian, death and desire, sacred and profane, fleeting time and eternity. Within these strictures, he crafted a poetics that blended Sufi Islam with non-Muslim Indic traditions. Of the Persian poets practiced the ghazal, Hafez and Rumi are best known to Western readers, but their verse represents only a small fraction of a rich tradition. This collection reveals the geographical range of the literature while introducing an Indian voice that will find a place on reader’s bookshelves alongside better known Iranian names.

Unread book in perfect condition.

A comprehensive study of one of the masters of Safavid-Mughal Persian poetry.