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Serving up chills and thrills, this collection of haunting tales offers the intelligence and emotional resonance that only comes from great writing. Whether it's John Updike writing about a shadowy Indian in a coastal New England town or T. Coraghessan Boyle's tale of a vengeful statue of the Virgin Mary, these stories show how delicious it can be to curl up with master storytellers and the things that go bump in the night.

This white frosted, glass, dry-erase board is a perfect and functional solution for frequent and heavy usage areas. Premium, ultimate glass writing surface will never stain or ghost. All ink erases easily with a simple eraser. Glass surface continuously outperforms all traditional melamine or painted steel dry-erase writing surfaces. Use any dry-erase board spray or wet dry-erase board wipes after continuous use to clean the writing surface. For safety, the board is made from tempered glass as well. Universal mounting system allows it to be hung vertically or horizontally. All wall-hanging hardware is hidden under the mounting bolts for a sleek, modern appearance. Mounting hardware and instructions are included for quick, easy mounting.

A powerful collection of commentary on the Holocaust by international writers from nine disciplines. The volume forms a response to the Holocaust's demands on memory and on thought, and is an occasion to encounter the Holocaust both as history and as possibility. Contributors provided essays on art, politics, law, and education. The 38 contributors include: Stephen Feinstein, Director, Center for Holocaust and Genocide Studies; Carol Ann Reed, Director, Holocaust Education and Memorial Centre of Toronto; Sid Chafetz, artist and professor of art; Henry Friedlander, professor of history, Brooklyn College; David M. Crowe, professor of history, Elon College; Mark Osiel, professor of law, University of Iowa; James E. Young, professor of English and Judaic studies, University of Massachusetts at Amherst; Sybil Milton, Vice-President, Independent Experts: Switzerland-World War II; and Zygmunt Bauman, emeritus professor of sociology, University of Leeds. The book has won several awards, including the Tom Fairley Award for Editorial Excellence, Second Place, to copyeditor Carol Berger.

A powerful collection of commentary on the Holocaust by international writers from nine disciplines. The volume forms a response to the Holocaust's demands on memory and on thought, and is an occasion to encounter the Holocaust both as history and as possibility. Contributors provided essays on art, politics, law, and education. The 38 contributors include: Stephen Feinstein, Director, Center for Holocaust and Genocide Studies; Carol Ann Reed, Director, Holocaust Education and Memorial Centre of Toronto; Sid Chafetz, artist and professor of art; Henry Friedlander, professor of history, Brooklyn College; David M. Crowe, professor of history, Elon College; Mark Osiel, professor of law, University of Iowa; James E. Young, professor of English and Judaic studies, University of Massachusetts at Amherst; Sybil Milton, Vice-President, Independent Experts: Switzerland-World War II; and Zygmunt Bauman, emeritus professor of sociology, University of Leeds. The book has won several awards, including the Tom Fairley Award for Editorial Excellence, Second Place, to copyeditor Carol Berger.

Unread book in perfect condition.

Amy Zerner and Monte Farber are metaphysical experts who continually find original, profound, and fun ways to help us reach our full potential. The Ghost Writer: Automatic Writing Kit is their newest invention, and with it they once again share their secrets for initiating communication with the psychic universe. Thanks to a specially designed planchette, it actually allows information to stream right from the spirit world and through our fingertips. This technique, known as automatic writing or trance drawing, is a well-known vehicle for channeling books, art, and music; interpreting dreams; unblocking memories; and solving our most pressing problems.The beautifully designed kit includes the planchette, a Ouija-like indicator that’s designed to hold the special pen and move easily when obtaining a message. There’s also a 48-page instruction book, gorgeously illustrated by Amy, along with artist Elizabeth Williams.

The New York Times' pick in "A Holiday Gift Guide for Hardcover Fans"A Publishers Weekly pick in "Holiday Gift Guide 2017: Illustrated Gift Books"A Photographic and Historical Record of the City’s Vanishing Advertisements As the great city of New York moves, changes, and evolves every day, the few remnants of its past go unnoticed. New York City’s ghost signs” advertisements painted across the facades of buildings that date back to the 19th century are often invisible to the busy New Yorker, but defiantly conspicuous if only we turn our eyes and look upwards. These faded representations of the city’s rich economic and social history are slowly disappearing before our eyes, but not before they were captured by this photographer’s lens.At the tender age of sixteen, Ben Passikoff roamed around Manhattan with his camera to document these fascinating signs hand-painted messages written all over the city. This photographic collection features signs painted in the 1800s as well as in the 21st century; signs that advertise funeral homes, meat, and underwear; signs stretched across iconic buildings; and even signs that are no longer legible. Using his photographs as a looking-glass into the past, Passikoff provides insightful commentary on the economic, social, and historical significance of commerce in New York City, and its vanishing ghost signs, now preserved in this photographic record.

The New York Times' pick in "A Holiday Gift Guide for Hardcover Fans"A Publishers Weekly pick in "Holiday Gift Guide 2017: Illustrated Gift Books"A Photographic and Historical Record of the City’s Vanishing Advertisements As the great city of New York moves, changes, and evolves every day, the few remnants of its past go unnoticed. New York City’s ghost signs” advertisements painted across the facades of buildings that date back to the 19th century are often invisible to the busy New Yorker, but defiantly conspicuous if only we turn our eyes and look upwards. These faded representations of the city’s rich economic and social history are slowly disappearing before our eyes, but not before they were captured by this photographer’s lens.At the tender age of sixteen, Ben Passikoff roamed around Manhattan with his camera to document these fascinating signs hand-painted messages written all over the city. This photographic collection features signs painted in the 1800s as well as in the 21st century; signs that advertise funeral homes, meat, and underwear; signs stretched across iconic buildings; and even signs that are no longer legible. Using his photographs as a looking-glass into the past, Passikoff provides insightful commentary on the economic, social, and historical significance of commerce in New York City, and its vanishing ghost signs, now preserved in this photographic record.

This book tells the incredible story of the cross-correspondence automatic writings, described by one leading scholar of the field, Alan Gauld, 'as undoubtedly the most extensive, the most complex and the most puzzling of all ostensible attempts by deceased persons to manifest purpose, and in so doing to fulfil their overriding purpose of proving their survival'. It is an intensely personal and passionate story on so many levels: May Lyttelton trying to convince her lover Arthur Balfour of her continued existence; Myers with indomitable persistence trying to produce evidence to prove survival generally; Gurney and Francis Balfour striving from beyond the grave to influence the birth of children who would work for world peace; Gerald Balfour and his lover Winifred Coombe-Tennant believing that their child, Henry, would be the Messianic leader of this group of children.

This book tells the incredible story of the cross-correspondence automatic writings, described by one leading scholar of the field, Alan Gauld, 'as undoubtedly the most extensive, the most complex and the most puzzling of all ostensible attempts by deceased persons to manifest purpose, and in so doing to fulfil their overriding purpose of proving their survival'. It is an intensely personal and passionate story on so many levels: May Lyttelton trying to convince her lover Arthur Balfour of her continued existence; Myers with indomitable persistence trying to produce evidence to prove survival generally; Gurney and Francis Balfour striving from beyond the grave to influence the birth of children who would work for world peace; Gerald Balfour and his lover Winifred Coombe-Tennant believing that their child, Henry, would be the Messianic leader of this group of children.

White is classic and chic, the original dry-erase color of choice. The ghost dry-erase dots add a fresh spot to your walls for keeping track of notes, writing prose or figuring out mathematical equations. Ghost dry-erase dots contain 6-pieces that are 13 in. in diameter and includes 2-dry-erase markers. These dry-erase dots are repositionable and totally removable. Color: Whites & Off-Whites. Material: Vinyl.

As a genre, children's ghost writing is a relative newcomer to the literary field. While children's literature has flourished for over 200 years, supernatural fiction for the young has really only come into its own in the twentieth century. Dread and Delight, a spine-tingling collection of 40 ghost stories written for children over the course of the present century, charts its development from its roots in the writings of authors such as M. R. James, A. C. Benson and Walter de la Mare, to renowned modern authors including Isaac Bashevis Singer, Jan Mark, Leon Garfield, and Penelope Lively. Compiled by the award-winning novelist Phillipa Pearce, author of the classic children's book Tom's Midnight Garden, these stories will captivate adults and children alike. Pearce includes two previously unpublished stories by Lucy Boston and Robert Westall, and a full introduction and lively notes on the authors. The collected stories represent an engaging variety--drawn from all over the English-speaking world, including America, India, and the Caribbean as well as Great Britain. Treating the supernatural with humor and whimsy, as well as with a proper respect, the tales all succeed brilliantly in creating an atmosphere of suspense or unease in order to produce the pleasurable tingle of anticipation that children relish as much as adults. As Phillip Pearce writes in her introduction, "fear becomes awe and wonder...the delight is in the dread."

Three words: virgin, albino, dominatrix. But wait! One more word: necromancer. Yes, Japan has its fetishes, but not often does one find so many of them packed into one storyline, especially one with good writing. Enter Ghost Talker's Daydream. Suicide never goes on vacation, and our heroine can't seem to get a break, either. Back from a short time away, Misaki gets thrown right back into it, attempting to exorcize a particularly nasty, evil presence from an apartment building, before it kills all the tenants!

Our Copy Has the Same Cover as Stock Photo Shown. Minor Scuffing and Edge Wear On Covers and Spine. Clean Pages with No Marking or Writing Found Within Book.

David G. Rowlands has been writing ghost stories for the British small press for many years, and his supernatural fiction has won him a large following. Several of his tales have been published in anthologies of supernatural stories, including the Year's Best Horror series edited by the late Karl Edward Wagner. David has written several ghost stories continuing the adventures of E.G. Swain's Mr Batchel, Vicar of Stoneground, the most haunted parish in England. These are included in this collection, which reprints more than thirty of David's tales, and contains several new stories written for this edition. The cover illustration is by Douglas Walters. An Ash-Tree Press Limited Edition.

Writing of historical interpretation the great German classical scholar U. von Wilamowitz-Moellendorff once compared it with the Homeric picture of ghosts revived by the blood of the living -- warning that in the very process of revival the ghosts inevitably absorb an alien element. In this wide-ranging collection Professor Hugh Lloyd-Jones looks at the influence of the Greeks on creative thinkers and scholars since the close of the eighteenth century, when for the first time, largely as a result of German scholarship, the Greeks began to be studied directly, rather than through Roman eyes. The men discussed range from Coleridge, Leopardi, Gladstone, Wagner and Nietzsche to scholars of our own day such as Edouard Fraenkel, Rudolf Pfeiffer and E. R. Dodds.

Three words: virgin, albino, dominatrix. But wait! One more word: necromancer. Yes, Japan has its fetishes, but not often does one find so many of them packed into one storyline, especially one with good writing. Enter Ghost Talker's Daydream. Suicide never goes on vacation, and our heroine can't seem to get a break, either. Back from a short time away, Misaki gets thrown right back into it, attempting to exorcize a particularly nasty, evil presence from an apartment building, before it kills all the tenants!

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These tales of twilight and borderlands depart from an oral tradition developed through the writings of Beckford, Mary Shelley, Le Fanu, and M.R. James. They are concerned with the life of the mind and imagination, fear and the supernatural, and they attest to the demands of the unconscious in the twenty-first century. The eleven stories incarnate shadow worlds where the past and present interpenetrate, where common life is touched by deeper, less pleasant purposes. They are set variously in Ireland, Scotland and England, and are permeated by a powerful sense of place: the empty moor, the garden at the edge of the wild, the abandoned railway, the enclosed privacy of an ancient college. Absorbing, haunting narratives, they are related with the skill and precision of a master storyteller. John Gaskin is a Fellow of Trinity College, Dublin. ""John Gaskin's stories are genuinely unsettling, and the reader leaves the collection with a pervasive sense of something other, of forces existing on the periphery of our reality.""-Times Literary Supplement

Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 0.6